Connecticut funk-fusion band, Kung Fu, aides Toys for Tots as they gear-up for a heartfelt livestream tomorrow, December 19, 2020. Proceeds will go to Yale New Haven Children’s Hospital.
Kung Fu and Toys For Tots make a heart-warming combo. The benefit has become a cherished tradition, annually held and Toad’s Place, a landmark venue in the Connecticut music scene. The venue has collected tens of thousands of dollars worth of toys for kids at their annual sold out shows.
The band improvised this year, going virtual. Tomorrow, The Warehouse, Fairfield Theatre Company’s 640-capacity, industrial and state of the art venue will host the livestream for its tenth consecutive year. The benefit continues to embody a sense of giving and selflessness around the holidays, as the band pulls out all the stops for the hometown celebration to benefit those less fortunate.
If you have ever been to Fairfield Theatre Company, or met Kung Fu, both have a heartwarming persona, making it the perfect matchup for Toys for Tots. Locals flock the venue as is, the band, deeply rooted in their community.
We are sending love to Kung Fu, The Warehouse @ FTC and all of you who have continually showed your support during the holidays, especially this year. The livestream is courtesy of MKDevo, with lights by Matt Calabrese. Kung Fu will be donating 33% of the total proceeds to the Yale New Haven Children’s Hospital at 1 Park St, New Haven, CT.
Saturday December 19 at 8 p.m. ET. Tickets will be $14.99. You can purchase tickets from The Warehouse’ website, or view the event on Facebook.
Watch Kung Fu Toys For Tots Past Events:
Kung Fu feat. Jon Herington & Bernard Purdie: “The Fez >Green Earrings”
Brooklyn electro-pop funk artist Francis Aud recently released his newest single “Take Me Home,” blending bittersweet lyrics with an upbeat and unique electric funk.
Francis Aud started out as a retro-soul artist and released his debut EP Tender Things in July 2017. Since then, his music has evolved into what he calls ‘FONK,’ his own original blend of electro-pop and funk. This refreshing mix gives his music personality and makes his sound memorable. Francis tells NYS Music:
My biggest inspirations are Al Green, Marvin Gaye, and Sam Cooke. From listening to those guys, I then found Jackie Wilson, James Brown, and then followed the thread of musicians they influenced all the way up to contemporary pop artists like Bruno Mars and Parcels.
Francis Aud
What he listened to as a child has been “carried in his psyche,” and he says that listening to “super romantic Spanish crooner music or The Commodores” all the time as a kid still influences his own writing style today. “I almost exclusively write about love, relationships, and desire and I still try to phrase the lines I sing like how a crooner would…old habits die hard I guess!” He’s been releasing several FONKY singles since 2018 in preparation for a bigger release in the future.
“Take Me Home” looks back on a past relationship with bittersweet nostalgia. “When it comes to lyric-writing,” Francis says, “I’m always trying my best not to write lyrics that aren’t devoid of meaning (if that makes sense.) I think lots of the time when people hear the words ‘pop music’ their mind immediately jumps to this idea of extremely surface level and superficial lyrics that come from lazily relying on overused tropes and clichés. I think good pop music doesn’t have to be devoid of a deeper meaning and there’s lots of proof around me of that.”
Photo courtesy of Amanda Blide
Despite its somewhat sad message, the single is in no way a downer. It’s upbeat and dancey. “That comes from my shameless love of 80’s music,” the artist admits. “I seriously, positively, TRULY, love music from the 80’s, especially the movie soundtracks where the arrangements were super over the top and used cheesy keyboard sounds on everything. Because that music makes me happy, I think it’d be worth exploring the juxtaposition between that music and the lyrics and I’m just lucky to call it a success!” The 80’s vibes in “Take Me Home” are clear, but with an original and modern spin that is lacking in some other “cheesy” pop.
Francis Aud’s music and website both shine with his positivity and humor. “I don’t think I can ever remember a time where I wasn’t blatantly making terrible dad jokes and puns,” he says about his ever-present humor. “In terms of positivity,” he notes, “I think it comes from both my parents and also comes with the territory of being a musician. With my parents being immigrants and coming to this NYC during the really rough 80s’-90’s, they had to work their asses off to make things happen and they had to have an optimism that things would work out. I think I naturally picked up on that. ALSO, when it comes to being an artist, you almost have to force train yourself to become more positive on a daily basis because there really is no guarantee that your art will be heard or even enjoyed.”
Despite the global halt brought by the Coronavirus, Francis has been keeping busy working on music: “I’ve been spending most of the quarantine teaching myself more about music production and trying my best to ‘level up’ my home recording set-up,” and “I’ve been working with more getting more comfortable using synthesizers and more of the electronic aspects of music production,” he says, as he can’t record in a full studio with a band right now due to the quarantine. “Aside from that, I’m always trying to hone my writing and working to finding that distinct balance between saying something meaningful and being catchy.”
BOMBZR, one of New York City’s many exciting up and coming musical acts, is here to share some groovy tunes. Born out of the City’s underground funk and jazz scene, BOMBZR are the perfect accompaniment to any Friday night club scene.
“Butterscotch Baby” is one of the groups highlights featuring a slick, infectious hook and a indisputable groove. This track showcases the wide range of talent BOMBZR bring together as a group.
Rich Bomzer, leader of the group says “For me, Butterscotch Baby is a soul driven love song with a little bit of everything that makes up a good R&B song- with horns, strong vocals, talkbox and a great hook.”
“Butterscotch Baby” features Ramon Jackson on vocals, a friend of Bomzer. The two met working with Valerie Simpson at the Sugar Bar in NYC.
Comprised of musicians with working alongside artists such as Elton John, Kanye West, Valerie Simpson and Roy Ayers, BOMBZR have their own original music that mixes retro throwback soul with the new music of today.
To find out more about the band and keep up with what they have going on, follow them on ReverbNation.
Lettuce once again flaunts their funky prowess, proving they can take the form of any sub genre of funk on the planet on their new ablum Resonate. Each of these tracks nods to an iconic genre, idea or artist that have breathed life into the sounds we love today. Listeners will find an ode to pivotal musicians like Ndugu Chancler, famous studio drummer, to features with Big Tony Fisher of Trouble Funk. This is a very special collection that could not have come at a better time.
The album kicks off with three classically funky instrumentals, chock full of memorable hornlines, flavorful solos, and a stupendous production value. “Blaze,” “Good Morning Mr. Smink” and “NDUGU” are all snappy, precise and detailed tracks, sure to light a fire under your ass. Listeners will feel and hear quintessential flavors from the founding mothers and fathers of funk. Not too much flair, just a steady flow of good music.
Then “Checker Wreckers” comes barreling through the door with a heavy footed beat accompanied by Big Tony Fisher’s gravely, hype lyrics. It’s easily the most powerful song on the album and is without a doubt, a key track. Nobody quite knows what a Checker Wrecker is, but who cares, it’s fun to say.
One of their more adventurous funk fusion attempts is “Moksha,” where Lettuce presents their usual grooves and beats while award winning sitarist, Indrajit Banerjee, laces some electrified sitar throughout the track. Everyone comes together to share the space of the track, while still seamlessly blending the two genres together. It’s an incredible feat considering how the two genres could not be more different.
‘Remember The Children” is a near perfect cover of Earth, Wind and Fire’s 1972 hit. An untrained ear would genuinely not be able to tell the difference between this and movements from the original track. (Obviously, Lettuce put some of their own person flair in their version.) There was never a doubt that the funk outfit was talented or not, but this takes a level of dedication and perfectionism that must be admired – especially when a song like this has so many different elements of instrumentation.
It’s a shame Lettuce won’t be able to flaunt their new album in a live setting for some time due to recent events, but that won’t stop fans from breaking it down in their living rooms. Lettuce is doing their part to help our first responders and medical care workers. Fans can buy Lettuce branded masks, and when they do, Lettuce will donate a mask to healthcare systems in need. Take your favorite bands, take care of those on the front lines of this pandemic, and take care of yourselves.
Key Tracks: NDUGU, Checker Wrecker, Remember the Children
The 14th Annual NolaFunk Mardi Gras Ball was headlined by Voodoo Dead at The Capitol Theatre on February 6. The impressive supergroup consists of Steve Kimock, Dead & Company’s Jeff Chimenti, moe.’s Al Schnier, Wally Ingram, John Morgan Kimock, and The Meters’ George Porter Jr.
The night was kicked off by Breakdown Brass, a large band of horns from Brooklyn. It was their first time playing The Capitol Theatre. The large group of horns managed to sound really clear and not all on top of each other, full of intricate rhythms and dance worthy grooves. Breakdown Brass even played “Mary Jane” & “It Wasn’t Me” by Shaggy.
Voodoo Dead, the super group… You’ve got some heavy hitters like Chimenti from Dead & Company, Al Schnier from moe., and the gosh darn bassist for the funkiest funk that ever funk’d The Meter’s very own George Porter Jr. His bluesy, rugged vocals really shined on “Sugaree.” The funk could definitely be heard, added with taste, not to stray too far from the composition of the tunes. He went on to describe how the song “Look-Ka Py Py” came to be written… one day a broken piston on a long car ride inspired this song.
The band went on to play “I Walk on Guilded Splinters” a nod to New Orleans, honoring the great Dr. John. “Eyes of the World” and “After Midnight” featured intricate jams and amazing vocals by Porter. They closed up the night with a heart warming “Turn on Your Love Light.”
The band has announced a tour that features shows in Ardmore, PA, three shows in Japan, and will headline the 2020 Skull & Roses Festival in April out in Ventura, CA, a festival celebrating The Grateful Dead.
Setlist: Shakedown Street, Sugaree, Look-Ka Py Py (The Meters cover), Ophelia, I Walk on Guilded Splinters (Dr.John cover), Eyes of The World, Drums, Space, After Midnight, Eleanor Rigby (The Beatles cover, instrumental), Turn on Your Love Light.
