Category: Bronx

  • The Bronx Music Heritage Center Presents Bronx Music at Home Concerts and Percussion Discussion

    The Bronx Music Heritage Center has announced that they will continue their concert series through their online programs: Bronx Music @ Home Concerts and Percussion Discussion. This week’s topic will feature Puerto Rican cultural themes, as this would normally be the week of activities that culminate with the National Puerto Rican Day Parade.

    Bronx Music @ Home Concerts will be held Fridays at 8PM EST on Bronx Music Heritage Center’s Facebook page. The concerts will kick off with singer, actor, and poet Rachel Kara Perez on June 5. Other artists set to perform include: Yalisza Suren on June 12, Luz Soliz on June 19, and Valerie Capers on June 26. 

    Bronx Music Heritage Center’s weekly percussion program will feature mini-clinics, talks, and lessons from noted Bronx drummers and percussionists, led by the BMHC Co-Artistic Director, 8 time Grammy nominated bandleader drummer percussionist and educator Bobby Sanabria. Each episode will premiere on Bronx Music Heritage Center’s Facebook page on Wednesdays at 8PM EST.

    The percussionist featured that week will be available through the comment section of the video post to reply to any questions or comments. The percussion program will include performances from Norka Nadal Hernandez, director and founder of the Afro Puerto Rican group Bámbula on June 10, Lucianna Padmore on June 17, and Bobby Sanabria on June 24. 

  • Uptown Drive-In Festival is Parking Itself at Yankee Stadium

    Yankee Stadium parking lots will be filled with cars this summer, but not for the usual reasons. A new festival, Uptown Drive-In, will be situated in Yankee Stadium’s parking lot following the new trend of drive-in events due to COVID-19. 

    News of this festival was dropped in an exclusive in Time Out New York on May 15 and is quickly making buzz for itself. According to the exclusive, Uptown Drive-in will happen every weekend starting in July and feature live music from local artists from NYC, movies, on-site live interactive games, raffles and giveaways, and car-side food service from an array of New York Street Vendors. Uptown Drive-In is planning on organizing it’s weekend activities by having date-night experiences on Friday, Saturday and Sundays in the evening, while having a more family-friendly style brunch series during the day on Saturdays and Sundays.

    The Festival is being put on by MASC Hospitality Group who is the same company responsible for events like Bronx Night Market and the Bronx Beer Festival. Not many details about the event have been announced yet, but MASC Hospitality Group’s Marco Shalma did confirm within the exclusive that the plan is for people to view the performances from their cars just like you would at a drive-in theater.  This comes from Governor Andrew Cuomo gave New York state permission to re-open some drive-in movie theaters on May 15 as part of New York state’s phased reopening. There is a plan to lift the stage and have the sound be accessible from a PA system to visitor’s car radios.

    The cost of admission is still undetermined. But those interested in attending can sign up on their website to receive information on booking dates, promo codes, exclusive packages, and giveaways.

  • Ja Rule’s “New York”: How the City Began a War Within from One Hit Record

    Hit records celebrating a city are supposed to bring people together. Take Ja Rule’s 2004 smash single “New York,” for instance. Featuring hip-hop heavyweights Fat Joe and Jadakiss, the song was released as the second single from his 2004 studio album R.U.L.E. and peaked at number 27 on the Billboard Hot 100. Having caught on with the masses as a major hit, it should have also served as reminder amongst New York emcees of the bond they share as the proprietors of hip hop. Here you have a global record with an infectious chorus – What native New Yorker doesn’t enjoy chanting “I’m from New York?” – Yet, it served as the fulcrum for the ensuing turmoil between the city’s rap juggernauts. 

    The year is 2004, 50 Cent – on the heels of his incredibly successful debut studio album Get Rich or Die Tryin’— is the biggest rapper in the world, oh and he happens to hate Ja Rule’s guts and subsequently, anyone who associates themselves with him. Their beef stems from 50 feeling slighted because their big homie Kenneth “Supreme” McGriff, chose to back Ja Rule’s music over him. That along with many other incidents – that have been covered in magazines and documentaries – have led to the two Queens rappers loathing each other for the better part of 20 years. They’ve gone back and forth with numerous diss records and even had an altercation at the world-famous Hit Factory studios in New York City, which resulted in a brawl between each other’s entourages and 50 Cent being stabbed. 

    While 50 Cent’s contempt for Ja Rule drove his actions, it’s also important to note that although the latter reached fame and notoriety a few years before his adversary, in 2004, 50 Cent had a ton of pull as the most in-demand and popular rap act of the time. Which means, he acted without any regards for what his contemporaries thought, and since he was backed by Dr. Dre and Eminem (the highest selling rapper of all-time), he didn’t need to maintain relationships with his New York counterparts. So, what began as a dispute between 50 Cent and Ja Rule quickly transformed and saw the “Many Men” rapper taking shots at Fat Joe and Jadakiss on his sophomore album The Massacre. On the diss-record “Piggy Bank” – which he also attacked Nas, Nas’ then-wife Kelis, The Game and Lil’ Kim on – he slams Fat Joe, “that fat n**** thought Lean Back was in the club/ my sh*t sold 11 mil, his sh*t was a dud. He then proceeds to go after Jadakiss on the very next line, “Jada’ don’t f**k with me, if you wanna eat/Cause I’ll do yo’ little ass like Jay did Mobb Deep/Yeah, homey, in New York n**** like your vocals, But that’s only New York dawg, yo’ ass is local​.” 

    With that began a division between 50 Cent and two more prominent New York rappers (add them to the list), and since 50 Cent had beef with Ja Rule, Fat Joe and Jadakiss, so did everyone associated with him; including his entire G-Unit crew (because that’s how 50 rolls and who wants to piss off the biggest rapper in the world?). 

    While New York consistently delivered rappers with hard-hitting lyrics along with plenty of big hits, the division amongst them wasn’t easy to overcome (It wasn’t all on 50 Cent as other rappers like Cam’ron also had the propensity to verbally assault their contemporaries).  Nonetheless, as the South grew stronger, major acts like Outkast, Ludacris, Lil Wayne, UGK, T.I. and Young Jeezy were all delivering a stellar product and it was much easier to find cohesion among their power players, eventually paving the way for the south to become the “it” region in hip hop.

    50 Cent and Fat Joe have since settled their differences in 2012 when their mutual friend and business associate Chris Lighty passed away, while Jadakiss and 50 have also found common ground. As for Ja Rule and 50 Cent? Well they still can’t stand each other. Yet, the two hip hop legends have given us plenty of hit songs and iconic moments to discuss for years to come and “New York” serves as just a small part of their long and complicated history. 

  • Artist 2.0 Review: A Boogie Doubles Down, for Better or Worse

    When A Boogie With Da Hoodie announced that he was set to release his third studio album, his fans were jubilant. It had been just over a year since we last heard from the Bronx native and in the age of microwaveable music, there was a yearning to hear what new melodies the “Just Like Me” rapper had cooked up. While leaked records delayed the album towards its Valentine’s Day release, they also built anticipation for what was to come.

    At face value,  Artist 2.0 – the sequel to his 2016 breakout mixtape, Artist – gave his fans exactly what they asked for. The man known for his melodic chants and passionate crooning about his love life reverted back to what he knows best and then some. Although recognized as a rapper, that takes a backseat in this latest effort. A boogie never goes more than a few bars in any of the records before his singing takes precedence, exemplified in the emotional ballad “Good Girls Gone Bad,” where he wails about a woman who’s changed as a result of his inconsistencies. 

    What it lacks for in actual rapping, the album more than makes up for in its infectious choruses. “Right Back,” “Mood Swings,” “Me and My Guitar,” and “DTB 4 Life” are all records that have the propensity to become a mainstay in any playlist. While he doesn’t rap as much as some might have wanted on the album, his guest-features all brought their “A” game. Verses from Dababy, Young Thug, Gunna and Roddy Rich do a good job of balancing out the croon-heavy album, with A Boogie and Roddy Rich’s chemistry being one of the project’s highlights.

    Coming into the rap game, A Boogie presented himself as a rapper who would occasionally try his hand at singing. On Artist 2.0, he doubles down on the latter, pushing his own personal boundaries and blurring the lines on what his official title should really be. While the album is enjoyable, it doesn’t always feel like it’s A Boogie at his best and it seems like, to A Boogie, “artist” means less rapping, which inherently is not the case. 

    Rating: 3.5/5

  • A Boogie Wit Da Hoodie Releases Much Anticipated ‘Artist 2.0’ Album

    Rapper, A Boogie Wit Da Hoodie’s highly anticipated, third solo effort has finally arrived. It’s backed by two singles: “Reply,” featuring Lil Uzi Vert and “King of My City,” as well as a snippet of “Guitar Song.” The Bronx native is looking to impress after having his album release date pushed back on several occasions because of leaked records. He shared the album’s artwork on his Instagram account on February 5 and confirmed the Valentine’s Day release on February 10.

    https://www.instagram.com/p/B8M_0tFBMDJ/?utm_source=ig_web_copy_link

    His last album, Hoodie SZN, was his first project to debut at number 1 on Billboard 200, producing four charting singles, the most successful of which was the guitar laden “Look Back At It.” Overall, the crooner/emcee looks to capture the city’s attention, with a return to what had gained him a loyal following throughout the five boroughs.

    Although Hoodie SZN was commercially successful, some felt he had strayed away from the tear-jerking records that first gained him notoriety. Such as, “D.T.B.,” from his debut mixtape Artist, hence the latest project’s title. With an ever-growing staple of New York City rappers (Pop Smoke, Fivio Foreign, Sheff G) bringing notoriety back to hip hop’s birthplace, A Boogie Wit Da Hoodie is looking to leave a lasting impression, and lay claim to his throne as the latest king of New York rap

    He’ll need this project to be the one to do so, as this might be the last time we hear from A Boogie for a while. The “Drowning,” rapper took to Instagram to say, “This might be my last project for a while,” he revealed. “I wanna take a break from music after Artist 2.0 tour is over. There’s a lot of things I want to do in life and it’s just moving too fast for me to focus on everything at once. But I will never let my fans down. When you need me most, I’ll be there.”

  • Vevo and Fat Joe Present Live Performance of ‘Heaven & Hell’

    Vevo announced rapper Fat Joe, as the next artist in their Ctrl series, with a performance of “Heaven & Hell.” Vevo’s Ctrl series highlights the work of hard-hitting, cutting-edge musicians, both emerging and established, making an impact on today’s music scene. These artists demand attention and Vevo’s Ctrl shines a deserving spotlight.

    Shot in Vevo’s Brooklyn studio, Fat Joe’s performance of “Heaven & Hell” follows sessions from Fabolous, Rick Ross, Common, Rapsody, Jeezy, Jadakiss, A$AP Ferg and more, according to their official website.

    Sampling Wendy Rene’s 1964 record “After Laughter (Comes Tears)” – made famous throughout the hip-hop community by Wu Tang Clan for their sampling of it in 94’s “Tearz” – Fat Joe & Dre, spend roughly the first two-minutes detailing their past lives in the inner-city through a braggadocious lens, before a beat switch halfway through the record sees the two men double down on their affinity for jewelry and their status as bosses in their respective professions, before fading out the record with the original Rene sample.

    Hailing from the South Bronx, Fat Joe is one of hip-hop’s first Latino superstars. The Terror Squad founder has parlayed his streets smarts and lyrical ability into a legendary rap career. While he began as a gritty lyricist known for his inner-city tales, he soon developed a sense for penning hits and has provided some of hip-hop’s most memorable records with hit such as; “Lean Back,” “All the Way Up,” and ‘What’s Luv,” among others. Apart from his individual projects, Fat Joe has shown a knack for discovering and developing talent, with his most prominent protégé being late-rapper Big Pun and renowned emcee Remy Ma.

  • Consider the Source Announces Plans for New Hybrid Album and Tour Dates For 2020

    Instrumental trio, Consider the Source, announced plans for an Acoustic/Electric Hybrid Album which is due to be released sometime in 2020. The trio also announced tour dates for the new year which includes a stop in Brooklyn. 

    Consider the Source originated in New York City and is a Sci-Fi Middle Eastern Fusion band who has been performing for over ten years in the United States and overseas in Turkey, Israel, Germany and more. This album would be their first studio recording exclusively featuring their acoustic/electric “Hybrid” setup. The band is attempting to raise $25,000 for the album for recording, mixing and mastering, printing CDs and Vinyl. The financial backing available ranges from an advanced digital download for $15 to a private hybrid performance for $2000. 

    The 2020 Meta tour dates start in Portland Maine on Feb. 28 at the Portland House of Music and wrap up on April 4 in Roanoke, VA at the 5 Point Music Sanctuary. There is a stop in Brooklyn at the Knitting Factory on March 7. The tour will focus on performing their entire album You Are Literally A Metaphor.

    For more information on the acoustic/electric hybrid album visit the band’s indiegogo. For more purchasing tickets or more information on the band visit their website. Complete dates below the video.

    Consider the Source 2020 Meta Tour Dates: 

    Feb. 28 – Portland House of Music – Portland, ME

    Feb. 29 – 3S Artspace – Portsmouth, NH

    March 6 – Electric Haze – Worcester, MA

    March 7 – Knitting Factory – Brooklyn, NY

    March 11 – Beachland Tavern – Cleveland, OH

    March 12 – Otus Supply – Ferndale, MI

    March 14 – Thunderbird Cafe – Pittsburgh, PA

    March 20 – Strange Brew Pub – Norwich, CT

    March 26 – Cat’s Cradle Back Room – Carrboro, NC

    March 27 – Aisle 5 – Atlanta, GA

    March 28 – 1904 Music Hall – Jacksonville, FL

    March 29 – Spring Beer Jam – Dunedin, FL

    April 1 – The Wormhole – Savanna, GA

    April 2 – Charleston Pour House – Charleston, SC

    April 3 – Asheville Music Hall – Asheville, NC

    April 4 – 5 Point Music Sanctuary – Roanoke, VA