NYS Music 202​0

Category: Jam/Progressive

  • Grateful Dead perform at SPAC on June 28, 1988, ending three year ban

    After being banned from SPAC for three years, the Grateful Dead returned on Tuesday, June 28, 1988 for one final outing at the famed Saratoga Springs venue. This being their first show since the release of 1987’s In the Dark and the Top 10 single “Touch of Grey,” a new generation of Deadheads were seeing the group for the first time, who were disparagingly referred to as ‘Touchheads’ by some veteran fans.

    While this was the final performance for the Grateful Dead’s at Saratoga Performing Arts Center, the band had a strong fanbase in the greater Capital District. Add in a new audience of younger fans and the band would find themselves heading half an hour south for future performances in the region, at the Knickerbocker Arena, starting in 1990.

    Grateful Dead SPAC

    Locally broadcast on WPYX, the Tuesday show was aired on the radio in an effort to dissaude fans from arriving at the show without a ticket. This did not prevent gatecrashing from occuring early in the night, and fans on the lawn were found heading into the pavilion balcony as they did in 1985.

    Rain fell on the crowd as storms passed through, and lightning was seen during the rain-soaked “Candyman,” leading to a chill coming over the crowd as the show wore on. A solid variety in the straightforward first set seemed to swap Bobby and Jerry songs from the outset of “Hell in a Bucket,” and ending with “Victim or the Crime” and “Foolish Heart.”

    More rain came down early in the second set, similar to the rain in 1985 that began during “Fire on the Mountain.” Listen to “Scarlet Begonias” > “Fire on the Mountain” > “Estimated Prophet” > “Crazy Fingers,” and you’d likely be enjoying dancing in the rain as the thousands of fans did that night.

    Following a hypnotic “Drums” and “Space,” a beautiful version of “I Will Take You Home” by Brent Mydland appeared, and a late second set “Stella Blue” found Jerry stumbling just before pouring buckets of emotion into the ending jam. The Dead had left their mark on SPAC, one of the most beloved venues in the Northeast.

    Grateful Dead, Saratoga Performing Arts Center (SPAC), June 28, 1988

    Set 1: Hell In A Bucket-> Bertha, Walkin Blues, Candyman, When I Paint My Masterpiece, Row Jimmy, Victim Or The Crime, Foolish Heart

    Set 2: Scarlet Begonias-> Fire On The Mountain, Estimated Prophet-> Crazy Fingers-> Drums-> I Will Take You Home-> Goin’ Down The Road Feelin’ Bad-> I Need A Miracle-> Stella Blue-> Not Fade Away

    Encore: Knockin’ On Heaven’s Door

  • Flashback: Phish at SPAC, June 26, 1995

    On June 26, 1995, Phish performed for the third time (and second as a headliner) at Saratoga Performing Arts Center. Phish’s 1995 Summer Tour was into full swing by this point with the final 11 shows in the Northeast, four of which were in New York.

    Phish SPAC 1995

    Back in 1995, reserved tickets for this performance at SPAC cost only $20. An “Acoustic Army” soundcheck with teases of “Shine” (six months and a day before “Shine” would debut on New Years Eve during “Fly Famous Mockingbird”), and Little Feat’s “Time Loves a Hero” reappeared for the first time since soundcheck on April 15, 1989.

    A little Led Zeppelin could be found in “Possum” with a “Heartbreaker” tease, and in “You Enjoy Myself” containing a hint of “Immigrant Song.” The highlight of the show is surely a spacey and unfinishes “Down with Disease” that led into a monster “Free,” seen below.

    The penultimate performance of The Meditations “Don’t You Want to Go?” was found in the first set, alongside a unique trio of “It’s Ice” > “Dog Faced Boy” > “Tela,” and the aforementioned “Possum.” Set 2 is a fiery one from the start, with a “Down with Disease” > “Free” that Phish.net calls “a multi-movement masterpiece.” A huge “You Enjoy Myself” (seen below) and “Sleeping Monkey” > “Rocky Top” encore are among the many highlights of this stand out show. It would take 9 years before Phish returned to SPAC, shows that stack up well against June 26, 1995. This show was released by Live Phish in 2017.

    Setlist via Phish.net

    Phish – SPAC – June 26, 1995

    Soundcheck: Time Loves A Hero > Dog Log/Time Loves A Hero mashup, Nellie Kane, Santana Instrumental, Rocky Mountain Way

    Set 1: My Friend, My Friend, Don’t You Want To Go?, Bathtub Gin, NICU > The Sloth, My Mind’s Got a Mind of its Own, It’s Ice > Dog Faced Boy > Tela > Possum

    Set 2: Down with Disease [1] -> Free > Poor Heart > You Enjoy Myself, Strange Design > Run Like an Antelope

    Encore: Sleeping Monkey > Rocky Top

    [1] Unfinished.
    My Friend started with a Pomp and Circumstance March No. 1 tease from Trey. Trey teased and quoted Long Tall Glasses in Bathtub Gin. Possum contained a Heartbreaker tease and YEM contained Immigrant Song teases from Trey. Down with Disease was unfinished.

  • Hearing Aide: Animal Sounds ‘Layers’

    One of WNY’s tightest and most eclectic rock groups is back with a new album release on July 3. Rochester based indie rock band, Animal Sounds, has a great discography already, with early material like “Ghosts” paving the way for their first full album, Ennui. It is important to take into context how the band’s music has matured over the past few years. Layers is a whole new beast, with intricately crafted structure and infinitely danceable tunes. Animal Sounds hasn’t compromised on what’s made them an indie staple in the area while continuing to grow.

    The album’s opener, “Layers,” is a great exemplification of how the band can mend and bend the genre’s they write around. The core of the song is a dance-able, Young-the-Giant-type-groove complete with wobbly keys and deft guitar work. While the hook and the vocal performance are worthy of the spotlight, the guitar parts and drum feature early on showcase how technically sound their musicianship is. The song breaks out into a New Orleans style brass section before diversifying into a chill and bouncy bridge. The drop downs in the song really make the chorus hooks shine through. One track in, and the album already makes a strong impression.

    “Rollin,” the second track, hits heavy with a bluesy, Steely-Dan-style guitar lick underneath reverb-soaked vocal ooh’s. Little hints of shoegazy, early Modest-Mouse-type guitar parts play beneath the verse lyrics. The bass thrusts the song onward into an energetic chorus. Again, the musicianship is stellar as the band navigates very tonally different verses and choruses without missing a beat.

    Animal Sounds Layers

    The third track of the album is really a unique sound for the group, with a mix of their essential indie, along with a more twinkly guitar background- similar to some of the tones you’d expect to find on a math-rock album. Some of the guitar parts come off as math-inspired, but they never stray from being rhythmically accessible. The bass tone on this song hits heavy and offers more thickness while the drums provide a straightforward pulse.

    “Blue on Burgundy” yields a nice, solid dream-pop feel that remains energetic but gives the album a great dynamic arc. The guitar compositions and their harmonies are so well written and performed here, hitting that perfect point where the guitars meld together and sound like one single instrument. The band’s foray into more jam-type music here (as well as at various other points in the album) pays off in a big way. The solo sections never hang on too long, and what’s being played never comes off as inarticulate or ‘noodly.’

    Lastly, “The Feeling” brings the album out on a heavy note. The baritone guitar licks match the bass to create a really thick sound. A theme throughout this album has to be the thickness of the low end. It lends to bouncier drums and allows the guitar and vocals to sit well. The mixing holds up really well and offers plenty of easter eggs worthy of searching for indulging numerous listens. A true dance album with wonderfully designed tones and mixes, Layers is a perfect album for summer playlists and heavy listening. Animal Sounds will be doing a live-stream show on July 3rd, to benefit a local Rochester venue, Photo City. Check out the event here, and catch Animal Sounds live on release day!

    Animal Sounds is comprised of Erick Gordon (vocals), Shawn Brogan (guitar), Alex Brophy (guitar), Zach Jonas (bass), and Angel Figueroa (drums).

    Key Tracks: Layers, Blue on Burgundy

  • lespecial to premiere ‘Cheen Stream II’ Thursday night

    On Thursday June 25 at 8pm, heavy prog and future groove band lespecial will debut “Cheen Stream II,” featuring multi-angle video and a soundboard audio live set. Filmed at the band’s studio and music school The Music Cellar in Millerton, NY the performance will be streamed live on lespecial’s Facebook and YouTube.

    lespecial cheen

    “A lot of times in horror movies sequels don’t live up to the original. But the best ones expand on the lore and go deeper, introducing the makings of a franchise. I don’t know what that has to do with cheen stream II. But I do know that with the multi-angle video and soundboard audio, this will be a big step up from the first cheen stream. There will still be a level of in-studio casualness, but more bangers. Older songs we haven’t played in a while in a new setting, and some new music we’ve been working on. We’re excited to bring some music to people right now, in our home studio with some fresh production.”

    Luke Bemand, bassist for lespecial

    lespecial recently joined Royal Artist Group, whose roster includes DJ Logic, Ghost-Note, James Casey, Natalie Cressman and many more. If you’re looking to see lespecial live and in person, they will be performing a private drive-in show in the Glens Falls area this on Saturday, June 27. For details and information on tickets, please email claw@jamflowmgmt.com.

  • Aqueous Ushers in a New Era of Live Music

    At Transit Drive In in Lockport, NY, live music returned for the first time in over three months. The drought was lifted with three shows from Aqueous, who performed with a limited crowd that was safely distanced throughout the grounds.

    As Sunday attendee Pete Connors of Utica attested, “For a post-apocalytpic world, they put together as close to a first class event as you’re gonna see this year.” From the looks of the recap video by Jim Houle and just shared by Aqueous, the joy on the faces of the fans, even spread out among the Drive-In grounds agrees with this sentiment.

    Aqueous live music

    With a line forming at noon for the matinee concert, doors opened at 1pm for two sets starting at 2pm. From most points around the state, you’d be home in bed before it was dark. The sound was reported as fantastic from all fronts, even if the sound had to be adjusted to appease neighbors.

    Each dad had its own unique highlight from the band. Friday opened up with local legend Rick James’ “Below the Funk,” and Saturday featured a single song second set of “Half In Half Out,” with teases throughout. On Sunday, the band left the stage before “Kitty Chaser” with a looped beat playing, as they staged a runaway golfcart marathon around the ground, saying hi to fans (from a safe distance).

    In time, we’ll remember the shows and the return to live music, even if the details get foggy. Fans are grateful for music more than ever thanks to intimate experiences like Live at the Drive In, and the easing back into live music will present us all with a new appreciation for the blessings of music around us.

    Aqueous live music

    Setlists via Darren Kemp

    Friday, June 19th, 2020

    Set 1: Below the Funk¹ > They’re Calling For Ya > Numbers and Facts, Little Something to Me, Strange Times² > Burn it Down³ > Below the Funk

    Set 2: Mind Games, Say it Again > Complex Pt. II, Realize Your Light

    Encore: What’s The Connection?⁴

    Notes: ¹ BUSTOUT LTP 12/7/2018 (100 shows)² Unfinished³ G’z and Hustlaz (Snoop Dogg) tease⁴ Birds of a Feather (Phish) tease

    Aqueous live music

    Saturday, June 20th, 2020

    Set 1: Staring into the Sun¹, Good Days, Split the Difference² ³ > Underlyer, Bring Me Down⁴

    Set 2: Half In Half Out⁵

    Encore: Freedom⁶

    Notes: ¹ w/ ending² Wedge tease (Phish) between songs³ So Fresh So Clean (Outkast) tease⁴ Original – Debut�5⁵ Teases galore, including 20/20, Below the Funk (Rick James), Sample in a Jar (Phish), YYZ (Rush), Echoes (Pink Floyd), Californication (Red Hot Chili Peppers)⁶ Jimi Hendrix Cover, BUSTOUT – LTP 2011/6/11 (858 shows)

    Sunday June 21st, 2020

    Set 1: Dig It Good, Josie > Second Sight¹ > Good Enough, The Median

    Set 2: Can You Get Me There?, Willy is 40 > Loop Jam² > Kitty Chaser (Explosions)

    Encore: Freebird³, Complex Pt. I > Second Sight⁴

    Notes: ¹ Unfinished² Band set loops on their instruments and proceeded to drive through the audience on golf carts thanking fans³ Lynyrd Skynyrd cover, Partially played as a joke, mostly acapella from Rob⁴ Ending

    Photos by Zachary Todtenhagen

  • Hearing Aide: Baked Shrimp ‘Bubble Suit’

    With the times changing week by week, it’s been pretty hard for bands to get together and practice safely like they used to. However, Baked Shrimp had a different idea all together. This progressive-funk trio from Long Island just released their second full album, Bubble Suit, and their approach towards recording this new LP is ingenious.

    Jared Cowen, Scott Reill and Jager Soss recorded their parts virtually and used cloud-based systems to send the tracks back and forth to create the final product. These 12 tracks have never been performed live or even played at practice and the band is quick to point out that this is not a studio album… it’s a quarantine album!

    baked shrimp bubble suit

    Regardless of how you classify it, this album is an impressive musical and technical feat from start to finish. The opening track, “The Vision That I Can See,” is a jaw-dropping epic that really showcases the prowess of this band and make you scratch your head as you ponder how they were able to put this album together. “Conduit” fits this same description too and will undoubtedly become a staple at their live shows. The band also shows off their light-hearted side with humorous tracks like “I Wanna Do Nothing” and “Drinking on the Beach”, but they really flex their skills on more upbeat songs like “Koko” and “Rock Bottom.”

    Bubble Suit is a response to Baked Shrimp’s 30-date Summer Tour being cancelled. The band plans to resume touring as soon as safely possible and will stay true to release new music frequently in the future. For now, this album is a milestone achievement for Baked Shrimp and the music scene as a whole. They’ve taken our current uncomfortable situation and truly made the most of the situation. Bubble Suit was released on June 18 on Bandcamp.

    Key Tracks: Conduit, The Vision That I Can See, Koko

    Bubble Suit by Baked Shrimp

  • Flashback: Grateful Dead perform their final NY shows at The Knick

    The writing was on the wall, and if 1994 didn’t confirm it, 1995 certainly did. And on June 21-22, the Grateful Dead performed their final shows in the state of New York at the Knickerbocker Arena (The Knick) in Albany.

    The Dead had performed over 300 shows in New York State alone since their first in 1967, but the last two in Albany would serve as a curtain call for a band that treated the state as a second home, musically speaking. After all the shows and runs at Madison Square Garden, Radio City Music Hall, Fillmore East, Paradise Garden, Capitol Theatre, Nassau Coliseum, Rich Stadium, the Carrier Dome and more, and these would be the finale, even if it was not announced as such.

    jerry sundays
    via JerryGarcia.com

    The June 21st show would offer up the final “Row Jimmy,” “Man Smart, Woman Smarter,” “Supplication Jam” and “Morning Dew,” and what a “Morning Dew” this was. Fans were in tears as the ballad played, one fan saying “all difficulties disappeared for a few precious moments and we were all treated to a beautiful, final rendtion from the boys.” Listen or watch the full show below and judge for yourself.

    Grateful Dead – The Knick, Albany, NY – June 21, 1995

    Set 1: Hell In A Bucket, Loser, Take Me To The River, Row Jimmy, Broken Arrow, Promised Land

    Set 2: Scarlet Begonias-> Fire On The Mountain, Women Are Smarter, It’s All Too Much, Playin’ In The Band-> Drums-> Space-> Easy Answers-> Morning Dew

    Encore: U.S. Blues

    The next night would be the final show in Albany, at The Knick, and in New York State for that matter. The tour would head to Washington, D.C., Auburn Hills, MI, a few more stops in the Midwest before the final show at Soldier Field in Chicago, IL.

    via JerryGarcia.com

    This show features an incredible “Franklin’s Tower,” clocking in at 18 minutes, a near-record for its final version ever. The final “Help on the Way” and “Slipknot” preceded the set closing jam, as did an emotional “It Must Have Been the Roses.” Early in the second set, “Estimated Prophet” -> “Terrapin Station” combine for 30 minutes followed by 25 minutes of “Drums” and a “Silent Way” jam ahead in “Space.” Final versions of “All Along the Watchtower,” “Black Peter” show up later in the set, with an encore of “I Fought the Law” to close the run.

    The Grateful Dead made their mark on the Empire State through nearly 30 years of performances, one that lasts in every corner of the state to this day. Revisit those final shows, 25 years later.

    via gratefuldeadoftheday.com

    Setlist June 22, 1995

    Set 1: Touch Of Gray, Walkin’ Blues, It Must Have Been The Roses, When I Paint My Masterpiece, So Many Roads, The Music Never Stopped Help On The Way-> Slipknot!-> Franklin’s Tower

    Set 2: Samba In The Rain, Estimated Prophet-> Terrapin Station-> Drums-> Silent Way Jam-> Space-> All Along The Watchtower-> Black Peter-> Around & Around

    Encore: I Fought The Law

  • moe.ron Mondays to feature never before seen 2005 Portland shows

    The next two moe.ron Mondays on Nugs TV will feature a pair of shows from the State Theatre in Portland, Maine, which will also conclude the weekly streaming series.

    These two shows did not allow taping and served as record release shows for The Conch, one of moe.’s best-received albums, receiving 4/5 stars in Rolling Stone. The shows, seen for the first time, will offer a glimpse at a band 15 years into their career. Tune in at Nugs.TV

    moe.ron mondays portland
    moe. Summer 2005 tour poster by Emek

    Setlist, June 10, 2005
    Timmy Tucker, It, Lost Along the Way, Happy Hour Hero, McBain -> George, Tailspin, The Pit, Recreational Chemistry, She, The Road, Brent Black
    Encore: Wind It Up, Blue Jeans Pizza, Crab Eyes

    Poster by Marq Spusta

    Setlist, June 11, 2005
    Captain America, She, Wind It Up, The Road, The Pit, Kyle’s Song, 32 Things, Wake Up, St. Augustine, Head, George, Rebubula
    Encore: Plane Crash

    Watch and enjoy “MacIntyre Range,” featured on The Conch and inspired by the Adirondack Mountain range of the same name.

  • The Disco Biscuits Takes You Out to the Ball Game in Support of Black Live Matter

    The Disco Biscuits announce “The Disco Biscuits Take You Out to the Ball Game” benefit concert. This will be a free live-stream concert at Citizens Bank Park, the home of the Philadelphia Phillies, supporting PLUS1 For Black Lives Fund. The show will take place on the infield on Tuesday, June 23 at 7:45pm ET. 

    The concert is being put on by the Philadelphia Phillies, Citizens Bank Park, and Live Nation in support of PLUS1 For Black Lives Fund. The show will donate 100% of donated proceeds to the PLUS1 For Black Lives Fund. Donations will be distributed to various organizations including Urban League of Philadelphia. All partners in the event recognized that the on-going struggle with racism and violence aimed at the Black Community in this country need to be fought against and that the many systemic injustices are the root of the issue. 

    The Disco Biscuits were in discussion with the Philadelphia Phillies to perform at Citizens Bank Park when the death of George Floyd in Minneapolis happened and decided that this was an issue they wanted support and decided to make their performance support PLUS1 For Black Lives Fund. Live Nation is providing financial funding, personnel, production support and other resources. Philadelphia Phillies are donating their field to the event as well as resources and personnel to the event. The Disco Biscuits will be wearing Phillies jerseys, have use of the Phanavision and other iconic stadium signage, and have an introduction from iconic public address announcer Dan Baker

    People can watch the event live on the official YouTube & Facebook pages for The Disco Biscuits, Phillies and Live Nation, as well as on Live Nation’s Live From Home platform. To donate to PLUS1 for Black Lives website or text DISCO to 50155.

    For more information visit The Disco Biscuits website.

    Check out this stream and more through our series NY Stream and Support, where you’ll discover artists around the Empire State streaming nightly, and ways to support musicians and charitable groups close to home!

  • Interview: Escaper Guitarist Will Hanza Talks Quarantine, Producing “Apotheosis,” And Future of The Band

    Escaper guitarist Will Hanza’s spirits are high as he and his fellow bandmates prepare for the highly anticipated release of their new album Apotheosis this Friday (June 19th Ropeadope Records). Hanza spoke to NYS Music about the inspiration and process involved in creating Apotheosis as well as the future plans of Escaper with quarantine in mind.  

    Thomas Lent: The album art for Apotheosis by Matthew Chase is striking – what input and guidance, if any, did you and the band members have on the design?

    Will Hanza: Oh the art is all Matt’s and he’s done a lot of work for us in the past but as far as our contribution goes he gets an advanced copy of the album, listens to it, and the we discuss what the album is about, what the meaning is, and then he creates the art. Apotheosis definitely feels like a breakthrough in his own art.

    Escaper - cover art - Apotheosis Will Hanza

    Tl: What was the songwriting process like for Apotheosis?

    WH: It sort of depends on the individual track, the first few albums were instrumental but then we had some vocals. “Apotheosis” was one of our first tracks with vocals. A lot of our writing process comes from jams at first, and then we refine It from there. Open sky for example started as a solo acoustic. I brought it to the band and then fleshed it out more. For “No Strings” I remember Phil saying he wanted an “Ah Ah Ah!” feel, then we dug into that and then we started refining it into what “No Strings” finally became. The first track, “Vista,” was born out of us jamming after a song during a concert and a new sort of ‘danceable’ track came up and we decided to make it into another own song. We called it “Vista” because we felt the song elicits the feeling of climbing a mountain and reaching a new vista point.

    TL: For the listener, what would you like the main takeaway to be from Apotheosis?

    WH: We want this album to be a journey, start at “Vista,” goes to Open Sky – “Eye in the Open Sky”- then you realize that you are it, that we all can have that ‘Third Eye’ realization. I mean, the third track “Superhead” is all about your higher sense of self. Then when you make it to “No Strings,” it’s a fun song, once you find your sense of self, you can go onto the dance floor so to speak.

    TL: Your “Escaper at Home” Youtube video series is a real treat to see. How was much of Apotheosis created in this virtual way during quarantine? 

    WH: Oh well ya that series was partly a treat for the fans but the album was created by us when we were together last year. It largely came out of our new drummer (Ricky Petraglia) and playing smaller shows and harvesting new material from the quartet and writing with each other late last year and refining it. Near the end of that year, we got to work with John Davis again and recorded and mixed the whole album in 6 days. Much of it was actually recorded live as well. “Res Magna” for instance had a lot of improv involved in its creation.

    TL: Quarantine has made life harder for just about everyone, how do you see artists making it in this new lockdown environment?

    WH: There’s a lot of hurt, it’s hard to complain about anything in my life, I don’t want to take away from other peoples struggles now with all of the new movements and causes but we scheduled this release 6 months out and had to cancel our tour we had planned with it so it’s hard. To compensate we’ve done these online things but were itching to play. We’ve looked at private parties, beaches, small events outdoors that can have a certain capacity. I know it’s somewhat controversial but music is good for people’s souls, and I believe people need that. Hopefully, by fall or next summer, we can be back on the road.

    TL: What is one more thing you would like to impart upon the listener for Apotheosis?

    WH: I’m hoping everyone will get it into their ears, now there’s vocals, songs with messages and important feelings that make a positive album. We’ve also tried to include the danceable part of it to have the experience and the grove as well since we’ve missed dancing with people at shows. Overall we’re very proud of the album, we hope it can help people “Escaper” a little bit.

    Escaper will release Apotheosis on June 19th 2020, on Ropeadope Records.