Live music fans can now take an online adventure in music with the Vermont Department of Tourism and Marketing’s new free virtual event series, “Forevergreen: A Vermont Adventure In Music.” The newly established virtual concert series presents music fans with Vermont’s endless capacity for adventure and a roster of artists who have an affinity for the Green Mountain State.
Produced by Higher Ground Presents, Forevergreen’s five-part virtual concert series will feature local Vermont musicians as well as regional and national acts live from quintessentially “Vermont” stages like South Burlington’s Higher Ground as well as a some of the state’s most iconic ski resorts. The event series will see performances from Taj Mahal, Twiddle, Lucius, Susan Tedeschi and Derek Trucks, Grace Potter, Chris Thile and Aoife O’Donovan, and more. For the full event schedule, head here.
All episodes of Forevergreen will stream live for free on the Vermont Tourism YouTube and Facebook channels at 7 p.m. ET. Watch the official teaser trailer of the event series below. More info can be found here.
December 26 – Taj Mahal, Twiddle, Kat Wright
December 30 – Lucius, Ryan Miller, Will Keeper
January 2 – Susan Tedeschi and Derek Trucks, Grace Potter, Dwight and Nicole
January 9 – Chris Thile and Aoife O’Donovan, Neko Case, Mikahely
January 16 – The Avett Brothers, Noah Kahan, The High Breaks
Marble Eyes announces their new weekly livestream series, ‘Marble Eyes Mondays.’ The streaming series will start on January 4, 2021 at 8 PM EST on Nugs.tv as well as the Nugs.net Facebook and YouTube pages.
A newly formed band during the pandemic era of music, Marble Eyes is a collection of national artists Eric Gould (bass, Pink Talking Fish), Adrian Tramontano (drums, Kung Fu), Mike Carter (guitar, The Indobox), and Max Chase (keys, Amulus). The band is based in Portsmouth, NH and has a soulful sound, hoping to bring joy to people across the country by creating brand new inspirational music and want to share this new music with people in this weekly series.
The band is teaming up with Nugs.net to present a livestream series which will take place every monday ergo the serieses name, “Marble Eyes Mondays,” Marble Eyes will perform a brand new concert every other Monday at 8PM ET. The performances will be hosted at The Press Room in Portsmouth NH. The concerts will be aired on Nugs.tv as well as the Nugs.net Facebook and YouTube pages. The series will be taking place every week through April of 2021.
With the pandemic looming over the music industry still, this will be a very different kind of winter for live entertainment. Just like most of 2020, most live performances are seeming unlikely for 2021. Because of this, Marble Eyes is giving music lovers an opportunity to get to know a new band during this time of livesteams via this series. There will be unique production added to the shows each month and, along with the existing collection of fresh material, the band will be introducing at least one song debut during each show.
For more information on the the series and the band visit their Facebook page.
After weeks of anticipation, Phish has announced plans for the NYE edition of their ‘Dinner and a Movie’ stream series. They’ll revisit their famed 12/31/95 performance at Madison Square Garden on New Year’s Eve starting at 8:30pm, with a twist – they’ll be bringing back the Band v Audience chess match for the stream.
Taking place over two tours in the mid-90s, Band v Audience chess matches are a testament to the high level of nerdiness both shared. The band would start the show with a chess move, and fans would then have the duration of the first set to contemplate their move, meeting at the Greenpeace table (prior to The Waterwheel Foundation‘s founding), debate the move at setbreak and make their move collectively. A fan (usually a local) would be invited to go on stage before Set 2 began to make the move on the chess board.
Phish’s New Year’s Eve performances are legendary to say the least, and for the first time since 2008, the band will not perform live due to the COVID-19 pandemic. Whether they’ve created an aquarium on stage, flown in on a hot dog, created their own time factory, put on Broadway scale productions, turned MSG into an ocean or moved the stage to the other end of the venue, Phish’s New Year’s performances continue to raise the bar. This year, phans will be celebrating from home but still have a way to engage with their favorite band.
From the Fall 95 Doniac Schvice
On 12/31/95, the audience tied the band, and fans have always speculated if the matches would return. The band has teamed up with Chess.com to host the Band vs. Audience online chess game which will start right at the top of the show and move ‘at a decent clip.’ Fans will have 5 minutes to move their piece (the band will have no more than that as well), and at the end of 5 minutes, whichever move has the most votes is the ‘audience’ move.
During set breaks, the band will join fans from their various homes, playing a few moves and providing scintillating commentary on the game. To join the audience in voting for moves against the band, register for free at Chess.com. After verifying your account, join the official club for the . Phish will post and send out the actual game link on December 31.
The dinner part of Dinner and a Movie will feature two chess cheese board recipes for extended grazing. Marissa Mullen has put together two options for fans – “Olive Cheese Dreams” and “Billy Bries” – with an easy ‘cheese by numbers’ guide. And for dessert, chessboard cookies! Recipes are available here.
While the streams for Dinner and a Movie have been free all year, charities have been the focus with each edition. The beneficiary for the Phish NYE stream will the band’s charitable wing, The WaterWheel Foundation. Since 1997, the band and their fans have collaborated on a nationwide charitable endeavor by raising funds and donating the proceeds across the country. This year alone, collectively we have raised and donated nearly $750,000 to 27 different nonprofits during the Dinner And A Movie series. Join the band in continuing to support those in need. Donate at phish.com/waterwheel.
Christmas came early for Phish fans on December 24, with a 2pm premiere of December, an album from guitarist Trey Anastasio and Chairman of the Boards™, Page McConnell.
The sessions from the band’s recording studio, The Barn, in Vermont, were recorded over the summer, of which two songs were shared during The Beacon Jams series this fall.
The album features six tracks, all arranged for Page and Trey, offering a more melodic treatment of a few Phish ballads. The album leads off with Hoist track “If I Could” followed by “Mountains in the Mist,” and “Wingsuit,” “Joy” and “Miss You.” A 16-minute version of “The Squirming Coil” rounds out December, making it one of the longest versions of the song to date.
December was produced and mixed by Bryce Goggin, engineered by Ben Collette and mastered by Pete Lyman at Infrasonic Mastering, Nashville, TN.
New York Rock n’ Roots has teamed up with High Peaks Event Production and WEQX 102.7 to produce a special four-part fundraiser, Hope For the Holidays. The livestream benefit series of concerts will broadcast on YouTube and Facebook, which started on December 5, featuring Capital District artists Jocelyn & Chris, Rich Ortiz, The Wheel, Charlie Smith Blues Band, Wild Adriatic and Let’s Be Leonard.
Hope For The Holidays will benefit SaveOurStages (via NIVA) and WeAreBrewnited. The mission of the National Independent Venue Association (NIVA) is to preserve the ecosystem of independent live event venues and promoters throughout the United States by lobbying for government assistance. Brewnited is a brewery initiated 501(c)(3) nonprofit organization, whose mission is to help tipped hospitality employees whose work has been disrupted by COVID-19 through direct payments.
Both NIVA and Brewnited are very dear to NY Rock n’ Roots, High Peaks Event Production and WEQX. The venues, promoters and staff have been out of work since March 13, 2020, when all were forced to close doors to help reduce the spread of COVID-19. Rock n’ Roots then produced the Quarantine Concert Series, featuring 25 live streams that averaged 8,000 views each. Now with generous assistance from our sponsors, NY Rock N Roots is continuing to bring new live entertainment this holiday season.
All the donations collected during Hope for the Holidays livestreams will go directly to these NIVA and Brewnited. As an incentive to donate, eight amazing local restaurants and one local Inn have provided gift cards for each donation of $25 or more during the entire weekend of a concert release, not just during the stream. Donors will also be entered to win one of two restaurant gift cards designated that weekend.
If you donate $50 or more during the Hope For The Holidays series, you will automatically win an NY Rock n’ Roots t-shirt, plus a chance to win one of two overnight accommodations to the Inn At Saratoga with an accompanying gift card to dine in their exquisite restaurant.
Donations can be made via Paypal or Venmo to NYROCKROOTS.
Once a concert is released, it will remain up on the High Peaks Event Production, NY Rock n’ Roots and WEQX Facebook pages, as well as the High Peaks Event Production’s YouTube Channel. In addition to these formats, the Collaborative Studio of Proctors will also have all the concerts available on their multiple platforms via, Roku, Amazon Fire TV and Apple TV apps.
Hope for the Holidays Concert Series Dates:
December 12 – Jocelyn and Chris with opening act Rich Ortiz
December 19 – The Wheel
December 26 – The Charlie Smith Blues Band
January 2 – Wild Adriatic with opening act Let’s Be Leonard
The String Cheese Incident has announced a ‘New Years Cheese’ stream for their final “Friday Night Cheese” broadcast of the year for New Year’s Eve. Airing on Thursday, December 31 starting at 8pm ET, the Colorado jamgrass band will stream a special 20-year anniversary airing of their Evolution Concert Film which filmed around the 2000-2001 Portland NYE Incidents, featuring performances and behind-the-scenes interviews.
Following Evolution, at approximately 10pm ET, String Cheese Incident will air their three set New Years Eve performance from December 31, 2016 at at 1STBANK in Broomfield, Colorado. Home to six of the last seven New Year’s runs, 1STBANK has been SCI’s hometown venue for the better part of the 2010’s.
The band said in a statement:
We love seeing friends and family gather with us in CO to ring in the New Year, and even though we can’t be there with you in person this year, we are REALLY looking forward to saying goodbye to 2020 and welcoming 2021, when we can hopefully get back to playing live Incidents again!
The broadcast has been timed perfectly so that the Midnight Balloon Drop will line up with 12am MT. Master of Ceremonies Jason Hann will be the host for the evening and promises surprises in store. Get the stream here.
This past Friday, December 11, Connecticut-based rock quintet Goose performed from a rooftop in Rockefeller Center for their annual Goosemas show. The livestream from Rockefeller Center was the band’s seventh annual holiday concert, and was streamed exclusively on The Relix Channel on Twitch, drawing nearly 60,000 worldwide viewers while raising an astounding $45,000 for Save our Stages and Conscious Alliance.
Donning matching red ski suits atop a roof adjacent to St. Patrick’s Cathedral in Midtown Manhattan, Goose took to the stage just after 7 PM ET and kicked off an energetic, two-set performance highlighted by fan-favorite original tracks “Arcadia,” “All I Need,” and “Hot Tea.” Known for their uncanny ability to recreate cover songs in their signature style, while upholding the compositional integrity of the original piece, the band also incorporated covers of Vince Guaraldi’s “Linus and Lucy,” Pat Benatar’s “Love is a Battlefield,” and Jackie Wilson’s “Higher and Higher” into the setlist.
The livestream benefitted two NIVA’s Save our Stages, a national charity providing support to independent live event venues and promoters throughout the United States in these trying times; and Conscious Alliance, a nonprofit that connects a network of creatives to collect large-scale donations in order to combat hunger in historically underserved communities.
Donations made from Goosemas will help keep Conscious Alliance on the road this winter delivering 200,000 meals to kids and families in need. Every $1 donation = 2 meals to someone going without food this holiday season. Donations can be made at Goosemas.com through December 20th at 8pm ET.
In a year when music and its empowering spirit has been stifled for so many, Goose’s performance was magic! And what better place to do this than from Rockefeller Center, where culture and community come together to surprise and delight. A huge thank you to Goose and their amazing team, Peter Shapiro, and the Rockefeller Center team for making such a special evening possible.
Gus Field, Tishman Speyer / Rockefeller Center
Viewers were treated to pro-shot video and clever, dazzling holiday-themed stage design by Goedde Sound and Light, with multiple moving cameras capturing each band member in front of a breathtaking New York City backdrop.
Fans will have the opportunity to watch a free rebroadcast of the performance this Saturday, December 19th at 8pm ET on the band’s Facebook and YouTube pages as well as on FANS.LIVE. Goose plans to continue connecting donations to Save Our Stages and Conscious Alliance through December, 20th at 8pm ET at www.goosemas.com.
We are so happy to have had the opportunity to host Goosemas, especially with all of the uncertainty this year, we’re so grateful so many people tuned in and donated to two organizations doing incredible work.”
Ben Atkind (Drums)
Setlist: Goose at Rockefeller Center, NY, NY – 12/11/20
Set 1: Arcadia, Linus & Lucy, Madhuvan, Turned Clouds, Earthling Or Alien? Love is a Battlefield, Slow Ready, Elmeg the Wise
Set 2: Seekers on the Ridge (Part 1), Seekers on the Ridge (Part 2), All I Need, The Empress of Organos, Hot Tea -> You and Whose Army? -> Hot Tea, (Your Love Keeps Lifting Me) Higher And Higher
Since 2001, Yo La Tengo have spent most nights of Hanukkah performing eight nights of sold out benefits during the Festival of Lights. This year, they’re scaling back the eight nights to a single one night, which will livestream on Friday, December 18 at 8pm ET, from The Greene Space at WNYC & WQXR.
Since their inception at Maxwell’s in their former hometown of Hoboken, NJ, before moving to The Bowery Ballroom in downtown Manhattan, the shows featured surprise guests including John Oliver, Ray Davies, David Byrne, Syl Johnson, Sarah Silverman, Lucinda Williams, and Graham Nash.
This edition of the stripped-down Hanukkah concert will stream live from The Greene Space’s Lower Manhattan studio, and in doing so, keeps two decades of Yo La Tengo tradition alive. The three-hour performance features the classic format of an opening act, a comedian, and then a set by Yo La Tengo.
The Grateful Dead’s 2021 Dave’s Picks have been announced, and includes a show from September 1973 at Nassau Coliseum in Uniondale, which features the first ever version of “Let it Grow.”
This show has been a long time coming in the Dead’s archival release series, as September 8, and the night before, were the first run of live shows the Dead played following the previous month recording Wake of the Flood at the Plant Studio in Sausalito, CA. Once the band was finished mixing the next record, they hit the road for the first leg of Fall Tour 1973 with a pair of sold out shows at the home of the New York Islanders.
David Lemieux said of the release:
I first started working for the Grateful Dead in 1999, and was fortunate to work alongside Dick Latvala, who became my friend and mentor, I was turned on to 9/8/73 by Dick. He spoke so eloquently of this terrific show, certain that it would be released on CD some day as part of the Dick’s Picks series. In Dick’s own words, during a rundown of his thoughts on 1973 Grateful Dead, he said “That takes us up to the September run. Well right away 9/8/73 sticks out begging for attention. Even the night before (9/7/73) had fairly thrilling versions of “TLEO,””Jack Straw,””PITB,” “WRS->Let it Grow.”
There is not a weak moment from “Truckin’” through the ending tune “Sugar Magnolia.” Even as good as this night must sound, the following night things really explode. I really can’t put my finger on it because from the songlist, there is nothing apparently compelling. Well, you guys will soon find out what I mean, since I intend to release this one whenever the time is right.”
This show is a fantastic example of the Dead being fully firing on all cylinders. The September 7 show also features exceptional music, and almost two hours of that show are included in the Dave’s Picks Vol. 38, including “Bird Song” and “Playing In The Band.”
Dave’s Picks volumes sell out quickly and are only on sale four times a year. Last year’s shows included 10/29/77, 6/23/74, 4/20/84, and 3/26&/87. Order your 2021 Dave’s Picks here.
It’s somewhat surprising that during the storied touring career of Phish, they’ve only played five shows in the City of Binghamton. The last one of these took place 26 years ago today, on December 14, during a time that’s now looked back upon in deep reverence. December of 1995 was one of the band’s most formative and successful eras. In fact, tonight’s show at the Broome County Veterans Memorial Arena was deemed worthy enough of being the first official live release from Phish’s extensive live catalog. With a couple of classic song selections and some jams that are truly definitive of the band’s ascent, it’s not hard to see why.
“Suzy Greenberg” starts off the show before a lively Binghamton crowd in grand fashion. Baby grand, that is, as Page McConnell takes a couple of spirited piano solos to the delight of all during this old school Phish favorite. The “Llama” that immediately follows sees him deftly shift over to the organ early on for a few more harrowing runs. Trey then quickly assumes command on guitar and leads throughout the rest of the way on the APicture of Nectar classic that’s executed to perfection.
This opening pairing is followed with another in the “Horn” > “Foam” sequence that comes next. “Horn” is played with no frills. But the “Foam” provides the first real chance for the band to stretch out a little, thanks to some exploratory solos from McConnell and Anastasio that do just that. These lead to a short but ever so powerful jam that culminates in a beautifully sustained guitar note atop the classic relentless rhythm of Mike Gordon on bass.
“Makisupa Policeman” then produces one of the all-time most bizarre “keywords” from Trey, a reference about smoking a joint with Khaddafi in bed.
While the “Policeman” doesn’t really do much, the “Split Open and Melt” that proceeds it certainly does. Jon Fishman pops right away on this one, delivering the signature opening drum beat, and doesn’t let go. He nails the song’s odd time signature and lays the groundwork for a pulsating, driving jam that eventually shifts into Type II territory before re-entry. It’s the first real extended jam between all four musicians and a sign of things to come.
“Tela” then takes everyone on a quick excursion to Gamehendge, with McConnell handling the lead vocals and Anastasio providing the fiery guitar finish as usual. “Taste That Surrounds” provides a glimpse into the evolution of a Phish song. Now simply known as “Taste,” this is a primitive version that would be one of the last ones ever played before being further modified. Its song history provides full details.
After a move by “Dan from Binghamton” in the ongoing “Band vs. Audience” chess match featured that tour, Phish’s second set begins. “The Curtain” is a more than apt opener that displays the technical wizardry and seamless cohesion that are staples of December ’95. Without even pausing for a moment, “Tweezer” starts up as soon “The Curtain” goes down. This serves as the meat of the second set, and the show really, with a jam that patiently builds and includes a distinct “Slipknot!” tease.
Before it can fully bloom, though, Trey suddenly begins strumming an entirely different melody altogether and redirects the rest of the band through “Timber.” This is cast aside fairly quickly. Not long after the final “Timber” lyric, the “Tweezer” jam reemerges and Phish jumps back on it in a seamless merge through musical traffic.
Fishman drives the tempo to a near-insane pace at one point which, when combined with Trey’s wailing guitar sound effects, give this one a true feeling of a train about the run off the tracks. As “Tweezer” comes to a surprisingly gentle landing, “Keyboard Army” emerges. This 1995-era special features all four band members on a different instrument at McConnell’s keyboard rig. Until it was recently dusted off at Dick’s in 2015, tonight’s performance in Binghamton was the final one played.
“Halley’s Comet” begins the landing sequence for tonight’s show and features a sneakily impressive jam that revolves around an infectious Anastasio-created melody. Phish collectively toys with the tempo, once again ramping it up to extreme levels and stretching the first ever jammed out “Comet” to almost twelve minutes. A rare, late-show “NICU” then emerges from the ska-like outro jam and, with it, another mesmerizing improv-heavy jam on the tail end that takes it from a standard to a stellar version.
“Slave To The Traffic Light” serves as a proper close to a set full of both patient improvisation and hard rock. And, after noticing a request for it displayed on a fan’s sign, Trey notes it’s “one they want to play” and leads the band through a show-closing take of Jimi Hendrix’s “Bold As Love.” Phish left it all out on the table this evening in, remarkably, their final Binghamton show to date.
Phish Broome County Veterans Memorial Arena – Binghamton, NY 12/14/95
Set 1: Suzy Greenberg > Llama, Horn > Foam, Makisupa Policeman > Split Open And Melt, Tela, Taste That Surrounds, My Sweet One, Frankenstein
Set 2: The Curtain > Tweezer -> Timber (Jerry the Mule) -> Tweezer -> Keyboard Army, Halley’s Comet -> NICU -> Slave To The Traffic Light
