For the eighth year in a row, The Sounding Joy will present a holiday variety show to benefit The Washbourne House in Kingston, NY. Airing at 8pm ET on Monday, December 21, the stream will air from Levon Helm Studios in Woodstock.
The Sounding Joy will feature music from Amy Helm, Kate Pierson, Larry Campbell & Teresa Williams, Allison Russell, Mikaela Davis, Natalie Merchant, Gail Ann Dorsey, Mikaela Davis, Catherine Russell, Sarah Lee Guthrie, Mike & Ruthy, Simi Stone, Jay Collins, Marco Benevento, Byron Isaacs, Connor Kennedy, Storey Littleton, Sloan Wainwright, Zach Djanikian, The Restless Age, and more.
With holiday cooking with Anna Lee Amsden and Opal Merenda, fireside Christmas comedy, and amazing archival footage from past years, all to benefit our local women’s shelter.
The evening benefits The Washbourne House, a women’s shelter servicing Ulster County, providing safe shelter and comprehensive trauma informed services to survivors of domestic violence and their children.
Levon Helm Studios is the home of Levon’s legendary Midnight Rambles set on 18 acres in historic Woodstock.
The show kicks off at 8pm, with a VIP Zoom with the artists starting at 7:30pm. Webcast tickets are only $10, with VIP tickets $25. Get tickets for the stream here.
Brother Kody debuts today with “This is Right,” the first solo original music from Eddie Hotaling, guitarist and vocals for Albany’s Glass Pony. With a talented group of musicians lined up on the album, the solo indie-folk/rock project provides an outlet for music written and released as a result of quarantining this year.
Included on “This is Right” are Scott Apicelli (drums), Drew Costa (rhodes) and Ominous Seapods‘ Tom Pirozzi (bass) who help bring this song to life. A song about the day Hotaling’s sister got engaged, his (now) brother-in-law invited the family and friends down to Queens to be there for the surprise. “I am grateful that my sister married somebody who cares about her the way she deserves and I was inspired to write this song about that day.”
The name Brother Kody comes from Hotaling’s family dog, a Siberian Husky that he raised from a puppy when he was younger. The pup grew to be a part of the family, and the moniker Brother Kody stuck. Hotaling shares his thoughts on the release of “This is Right”:
I decided to lead off with this song just because it was recorded first. Originally, I had planned on doing a full album instead of just a single. This is one of the songs that was going to be on the album but I wanted to give it to my sister and her husband as a wedding gift so as the wedding got closer I decided to go into the studio to get it down first with the intention of starting the rest after. Things got busy and I kept pushing working on the album back but I had this song pretty much done so I decided to just release singles as I finished them instead of trying to get them all done before putting anything out.
“This is Right” was originally recorded at Blue Sky Recording in Delmar, NY in the fall of 2018, and free time in 2020 gave Hotaling a chance to add pieces to the arrangement and finish it up.
Artwork for the album is by talented Irish artist Mairéad Hannon, who Hotaling met on a trip to Galway, Ireland in 2018. “She has a very interesting style and I’m very grateful to her for letting me use this piece to go along with the song.”
Hotaling handles vocals on “This is Right,” as well as acoustic guitar, electric guitar, lap steel, percussion, and handled recording, production, mix and mastering of the track. For more info visit Brother Kody’s website.
Bob Dylan has sold his entire songwriting catalog to the Universal Music Publishing Group. The catalog includes over 600 songs including the classics “Blowin’ in the Wind,” “The Times They Are A-Changin’” and “Like a Rolling Stone.”
At the age of 79, Bob Dylan is one of the most well known folk singers in the world and selling the catalog of his music, which the rights have been held by him for most of his career, is huge news, not only in the music realms but in the world as a whole. It has been a trend for musicians to sell their catalogs of music during the ongoing COVID-19 pandemic.
Just last week another big name, Stevie Nicks, sold a majority stake in her songwriting catalog for an estimated $80 million to Primary Wave Music which is an independent publisher and marketing company. It’s unclear if these buyouts are directly influenced by the ongoing pandemic but it’s hard to believe they aren’t connected.
It’s unclear how much Bob Dylan received in compensation for his songwriting catalog but according to The New York Times, it is estimated at more than $300 million.
The deal covers the entirety of Bob Dylan’s long career. All the way back to his earliest work right up to his latest album, Rough and Rowdy Ways. This deal was struck directly with Bob Dylan by Universal Music Publishing Group.
Bob Dylan at the Civil Rights March on Washington.
The deal leaves Dylan with 100 percent of rights for all the songs of his catalog. What this means is that he will still collect the income he receives as a songwriter and will still be in control individual song copyrights. So what is Universal Music Publishing Group getting out of it? Universal Music Publishing Group’s division of the French media conglomerate Vivendi, will collect all future income from the songs.
Hanukkah is right around the corner and folk-rock Rabbi Gedalya has released “The Lesson of the Flame,” a musical reflection on the need for positive spirituality during difficult situations.
With a spiritual message that is universal, “The Lesson of the Flame” reflects Gedalya’s faith. “Finding ways to get through hardship is central to religion,” says Gedalya, “and I wanted this song to reflect the powerful combination of faith and positivity.”
It’s my first time writing a holiday song, or even writing a song directly about Judaism, for that matter. Even though I wrote the song with the holiday season in mind, it’s about more than just the annual celebration. I wanted to convey the power in continuity and history. This Hanukkah, many of us are experiencing a year of tragedies, but by learning from tradition and remaining faithful we can find better times. I tried to reflect that in ‘The Lesson of the Flame.’
Gedalya
The roots of ‘the flame’ in this case connects to the lighting of the Hanukkah menorah, and the lesson that comes from the eight-day holiday. Jewish men fought against the Greeks around 165 BCE, thus preserving their belief in the Torah. This self-sacrifice merited a miracle which revealed to them divine assistance; thus future generations now have this lesson to remember that even in the darkest of times, we are all capable of receiving divine assistance, especially when putting in effort to see through lies and seek the truth.
The song speaks directly to the power of positivity, especially during times of tribulation.
Finding yourself can be a challenge, especially when times are difficult. This year especially I have seen so many struggle with what is happening in the world. I wanted to make sure they heard a positive message for the holiday, but also I wanted anyone that hears the song to feel – deep down – that their situation can also get better. Now is the time to look inward to find the strength to make it to those better times.
Gedalya
The message of the song is not inherent to a particular faith, but rather speaks to a state of being. Framing ones mind that allows light to enter the darkness and appreciate the blessings of life.
Update: On January 17 at 8PM ET, the fourth episode of It Was The Music will feature a special livestream event featuring Larry Campbell and Teresa Williams along with special guests Rosanne Cash, John Leventhal, and Buddy Miller. The livestream, available on FANS, will be hosted by David Keith.
It Was The Music, a film in 10 episodes chronicling the lives and love of musicians Larry Campbell and Teresa Williams, will premiere on Sunday, December 13. Directed by award-winning filmmaker Mark Moskowitz, It Was the Music serves as both a musical odyssey and deeply personal love story of Campbell and Williams in search of their “music utopia.”
Having embarked on a joint musical career, It Was the Music sees the Woodstock couple packing their bags, guitars, amps, and 30-year marriage into their SUV and setting out across America to sing their own extraordinary songs along with riveting interpretations of beloved gospel, blues, country, and classic rock ‘n’ roll.
A three-time GRAMMY® Award-winning multi-instrumentalist, producer, singer-songwriter, and bandleader from New York City, Campbell is a veteran musician hailed for his work with artists including as Levon Helm, Phil Lesh, Bob Dylan, The Black Crowes, among others.
Williams, an exceptional alto singer and actor known for her highly acclaimed roles as Sara Carter in Keep On The Sunny Side and the title role in Always….Patsy Cline, has also served as a vocalist for Emmylou Harris, Jackson Browne, Phil Lesh and Friends and Peter Wolf, to name but a few.
Accompanying It Was the Music is a stellar soundtrack gathering previously unreleased music from Campbell and Williams, including new renditions of songs made famous by The Band, Grateful Dead,Little Feat, Buffalo Springfield, and more. The soundtrack features performances from Campbell and Williams who are joined by friends such as friends as Patty Griffin, Buddy Miller, Bill Payne, and the late Levon Helm’s world famous Midnight Ramble Band. The first track “It Ain’t Gonna Be A Good Night”has been released with the full soundtrack due out December 6. Pre-order and find more info about the film series here.
It Was the Music is first and foremost a love story, with Larry Campbell and Teresa Williams showing how love can create the music and how the music can bring us together. The film follows Campbell and Williams over 15 months on the road, starting point on a Friday afternoon at Williams’ seventh generation farm in Peckerwood Point, TN, traveling to Campbell’s native New York City and finally the couple’s home in Woodstock.
Along the way they stop at recording studios, clubs, and theatres across the country, with highlights including exclusive live performances from intimate venues and jam-packed music festivals. The finale of the film features parts of the star-studded “The Last Waltz 40th Anniversary Celebration” presented by Lincoln Center at NYC’s Damrosch Park.
Along with the couple’s own personal story, It Was the Music includes exclusive interviews and never-before-seen performances from Jackson Browne, Rosanne Cash, William Bell, Jorma Kaukonen, Jack Casady, Phil Lesh, Jerry Douglas, Jerron “Blind Boy” Paxton, Garland Jeffreys, Happy Traum, David Bromberg, and many more.
Director Mark Moskowitz says of It Was the Music:
It Was the Music is about what music means to us, the way my film, Stone Reader, is about what books means to us, and my upcoming film, Art Stops Here, is about what art means to us. In the end, these films are about us, how people respond to the arts. Not quite documentary, not quite reality, not quite memoir, not quite even story, It Was the Music is referential, memory-like. It’s allusive. Things touch other things…much like a song.”
It Was the Music premieres Sunday, December 13, with new episodes debuting every Sunday, except on January 3 – two episodes will be available on January 10.
One of the better Grateful Dead shows at the Fillmore East was aided by its surprise attack. Allegedly, two nights before at the same venue, Grace Slick, on behalf of Bill Graham, announced an impromptu “pop-up” show with Jefferson Airplane and the Dead at the same venue that would take place just days later. Since Slick was still pregnant at the time, Jefferson Airplane wound up being replaced as the opener by Hot Tuna. The New Riders of the Purple Sage played an opening set as well as was customary for this tour.
There’s also some previous controversy surrounding this show. For years, it’s been misidentified as an 11/23/70 show at the Anderson Theater in New York City. After a Bill Graham introduction, the band is off and running immediately with a “Casey Jones” that ably motors down the tracks. Next, Bob Weir leads them through the traditional first set stalwart of “Me and My Uncle.”
Oddly, the house PA seems to cut in after this with a recording of Elton John’s take on “Honkey Tonk Women.” This leads into a a cut version “Friend of the Devil.” Despite this lapse, Garcia’s vocals sound pristine in the recording and the band is on point. Then, after essentially a “no huddle” transition, a short yet crisp version of “Cold Rain and Snow” takes place. Afterwards, Pigpen finally gets to take lead for a while as he leads the Dead through a cover of Slim Harpo’s blue standard “I’m A King Bee.” The opening harmonica solo and later interludes between that and guitar solos stretch this one out into a healthy, bluesy jam.
Another classic first set pairing ensues with “China Cat Sunflower,” eventually joined by its traditional partner, “I Know You Rider.” A seemingly quick transition jam later sees the band in full vocal harmony on this spirited take of yet another classic blues cover.
At this point, a special guest joins them on stage in the form of Traffic’s Steve Winwood. The blues sentiment that had been previously established seems to carry right over to the cover of Otis Redding’s “Hard To Handle” that follows. Once again, Pigpen lends his signature vocal prowess to this classic Dead cover. Winwood’s backing on Pigpen’s Hammond organ is immediately felt and can be heard throughout. This one gets into a serious jam with Pigpen taking a backseat and Winwood soloing on top of the groove. Then came the relatively new “Big Railroad Blues,” yet another cover, written by Noah Lewis of Cannon’s Jug Stompers that dates all the way back to 1928.
Right after, the heavily percussive intro of “Not Fade Away” begins with. Chris Wood and Jim Capaldi of Traffic join the band on a half-hearted attempt at the vocals. This eventually evolves into a deep, drum-led jam. More splendid Winwood outbursts later lead into “Goin’ Down The Road Feelin’ Bad” with Garcia and Weir reassuming command. Surprisingly, at its conclusion, this shifts right back into one more quick take of “Not Fade Away,” albeit this time with Weir confidently taking the lead on vocals.
After more than three minutes of a break between songs, Weir once again takes lead on the “Mama Tried” that follows. This is followed by one of the better two-song sequences of the evening. The relatively fresh “Truckin’,” debuted only months earlier at the Fillmore West, follows. Hot Tuna’s Will Scarlet adds a touch of harmonica to this one. Another percussive laden jam follows that seamlessly steers itself into a mesmerizing version of “The Other One.”
The jam that ensues gets spacey midway through before settling back into its normal progression. This is followed with the unofficial encore of “Uncle John’s Band” with more early harmonica fills from Will Scarlet – a near acoustic version until the drums kick in. It’s still fairly new song at this time, but this version is flawless as it continues to build its reputation. This put the cap on the Dead’s “surprise” Fillmore East gig.
My extended family have tried to sell me on Bob Dylan’s music for years. Although it took them all my life, I’ve come to appreciate Dylan’s influence. The Folk and Americana genres have certainly grown on me. And I’m not the only one. Many folks listen to and play folk music. Need another example? Look no further than Charley Orlando — who is prepared to launch a new album, called Note to Self.
Photo by Ian LaRochelle
The new/old wave of Folk Music
It seems like just a few years ago, only independent artists exposed themselves as folk lyrics require. But recently, Top 40 artists such as Post Malone and Taylor Swift have both released charting records with folk backbone. As such, folk music has a lot of new listeners from the Millennial and Zoomer generations.
Looking at the music industry in terms of trends like this, Orlando could not have picked a better moment to release his new songs.
Orlando’s career spans 30 years with jam band Dexter Grove on his resume. But instead of a group with multiple instruments, Note to Self contains acoustic guitar and raw vocals almost exclusively.
But this doesn’t make the project any less ambitious. Note appears with visual aid with Orlando performing each song at various locations. And Orlando is an ambitious person with a cult following. Note holds a spot in a lineup of over fifteen releases, and it’s of course hard to say where this one falls. But it doesn’t matter. The album is accessible to those hearing Orlando for the first time.
Starting From the Bottom…
Like many of Dylan’s songs, you can pretty much start anywhere and you’ll eventually hear the right track. Both Orlando and Dylan’s lyrics make me think, “yeah, that is a good idea. He’s totally right.”
They say, “Less is more.”
The thing that draws me to this album is that unlike many albums of this year, Charley relies on few, if any, sound effects or ProTools plugins. While I do emphatically enjoy a good polished sugar pop album — such as the aforementioned Swift or Post — there is something wonderfully real about an acoustic guitar and a voice coming from a backyard or by a lake.
And it is real. Orlando convinces the listener of his true emotions in this effort while making larger statements about the world in 2020. Orlando leaves a positive impression while also asking relevant questions.
Another thing I find so accessible about this album is that — especially due to the visual element — Charley seems like a person that you could have a jam session with on your back porch, not the impossibly busy celebrity persona that surrounds many musicians. It is likely for this reason that Orlando has built himself a steady listener base without the aid of major labels or big advertisement.
That realness on Note to Self the exact same thing I enjoy so much about the Bob Dylan songs I’ve heard so far. And I don’t have to say much more about it, because good art sells itself.
Note to Self is available October 30th 2020 on all major streaming services.
By now the word has gotten out. Arlo Guthrie, renowned folk singer and music industry icon has hung up a “Gone Fishing” sign. A lengthy and heartfelt Facebook post marks a change so abrupt on the hearts and ears of fans across the nation. But don’t make wake, we’re off to the Inlet to cast a line.
It’s been a great 50+ years of being a working entertainer, but I reached the difficult decision that touring and stage shows are no longer possible. I’ve cancelled the upcoming shows, and am not accepting offers for new ones. That’s the short version. For the longer version continue reading…
Guthrie’s message was missed by other major sources. While this marks the end of touring and live performances, it is also dawns a new beginning. His life will continue to influence the industry, while he basks in his accomplishments.
The road weighs on the toughest acts, constantly touring and performing. Especially for Guthrie, as he battled mini strokes and checked out to make a gig the next day.
“Then, on Thanksgiving Day 2019 (of all freaking days) it happened again. This time I was on my way to The Church / The Guthrie Center to help out with our annual Thanksgiving Dinner that we hold every year. I had pulled over to fuel up and realized I couldn’t continue to drive safely, as everything was spinning around, sort of like the old days, but without the help of illegal substance… [the next day he] had an important gig at Carnegie Hall in New York – The end of an annual series I’d been doing for decades and it was Sold Out. I had to be there. It was imperative.”
Arlo Guthrie’s ‘Gone Fishing’
The Cooney Island-born singer had big shoes to fill in the likes of his father, and he did. Now it is time to kick them off using the six-plus months a year he would be on the road to enjoy the sand and sun. Likewise, Guthrie is a hallmark, being an original Woodstock performer and tipping his hat at recreations in 2015 and the 50th anniversary.
Guthrie recounts memories of his original Woodstock performance at 22.
Just months ago, Arlo Guthrie released a heartfelt rendition of Stephen Collins Foster’s “Hard Times Come Again No More” with pianist Jim Wilson.
A heartfelt voice among a world pandemic, released July 31, 2020.
Hats off and best wishes to Guthrie as music, culture and storytelling are in his blood. Despite no longer touring, this will not be the last of Guthrie’s legacy. For now, Arlo Guthrie has just gone fishing.
Ithaca-based and indie-folk musician Sarah Noell released her first solo EP Retreat To Space on Friday, October 16 on all streaming platforms.
Album cover art for Retreat To Space
Noell was originally in the band Wildflwr, along with her mates Nick Scollard and Mary Cain, but the pandemic forced her to experiment with her music independently.
I wasn’t sure I could do this by myself, a year and a half ago Nick was still setting up all of my gear and Marty was booking all of our shows. This EP has shown me that, when forced to be alone, I can still learn and grow without the hand-holding of others, which I really needed before.
Sarah Noell
Growing up in rural Connecticut, Noell began her musical career at age 13, but didn’t take it seriously until after graduating from Ithaca College in Ithaca, NY. She stayed in the trendy city, where her music grew and flourished. Since then, has Wildflwr come out with multiple folky EPs, but when the pandemic put the band to a halt, she began writing her own songs.
Sarah Noell
According to Noell, this EP is about love, relationships and life over the years.
The EP is a collection of songs that reflect on my experiences in love, friendship, and solitude in the last five years or so. The title track ‘Retreat to Space’ reflects on a soured relationship but also deals with living mostly in my head, blurring reality, which is a recurring theme on the EP. I’m sure many people can relate, as we’ve all in a way retreated inwards during the pandemic.
Sarah Noell
The young musician hopes because live shows are on a break, that internet, social media and live streaming will pass her new music along.
If you’re in the mood to listen to some dreamy tunes and ponder about life, go one of the streaming platforms and enjoy the ride.
Retreat to Space is available on Spotify, Amazon, Apple Music and more.
While Saratoga’s Caffè Lena has gone without customers since March, its livestream and music school have helped it stay afloat. That said, the 60-year-old cultural landmark still needs donations in order to survive the shutdown. If the cafe can raise $50,000 by Saturday, October 31, The Sarah B. Foulke Charitable Fund promises to match donations by 100%. Sarah Foulke was a Saratoga Springs attorney who died in 2016, and regularly volunteered at Caffè Lena.
This is a double-your-gift challenge grant to help Caffè Lena survive the shutdown. Caffè Lena is a landmark venue. We want to help them evolve their online platform, and we’re rooting for them to raise the full $50,000 this month so that we can donate $50,000. Unique cultural institutions such as Caffè Lena make our region special and deserve our help. We hope others who love Caffè Lena and Saratoga Springs will join our effort.
Suzan Nolan, advisor of the Sarah B. Foule Fund
Caffè Lena’s event calendar shows new streams nearly nightly. Besides live concerts, streams include storytelling nights and poetry readings. Some streams celebrate a specific genre of music, such as jazz and bluegrass. All of these events are free, with only the music school requiring a fee. Caffè Lena also offers Community Classroom, a non-partisan platform to discuss civic issues, and a program called On the Road, which brings live music to senior citizens and community service organizations.
“The community is getting so much out of our daily programming. We don’t want to have to pause,” said Caffè Lena Executive Director Sarah Craig. She continued:
This fundraising challenge is a way we can stay active for our community while Congress decides what it’s going to do to save the live music and theater industries. If this pandemic has taught us anything, it’s that every expression of care, whether it’s a $5 tip, a $500 donation, or a special comment, adds up to helping live music survive and grow during this time of extreme challenge.
