Category: Features

  • Son of a Gun and many more featured on this week’s EQXposure

    Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear the latest EP from Albany’s Son of a Gun and many more!

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    Son of a Gun – “Call of Days Past,” “Wind of Change,” and more!

    In Fall 2018 Ben Sokol (vocals/guitar), Tyler Treacy (bass) and Rob Piccola (drums) started jamming through a mutual friend who worked at a music store. Rob had a place to jam and Ben and Tyler had been playing together in another band that had gone through some lineup changes. It was time for something new. It was clear pretty quickly that the chemistry was good. Work began immediately on some songs Ben had written and as Tyler and Rob contributed their pieces to them an overall sound took shape. From there, Son of a Gun was born.

    son of a gun

    Ben would often (and still does) record rudimentary versions of his original songs with the basic structures and lyrics on an acoustic guitar, and Tyler and Rob would come up with parts. Those parts would almost always get tossed at the next rehearsal, the band preferring the material they would come up with on the fly when improvising off each other.

    The songs still stay between the lines of the basic structure that was written, but they end up with a more custom paint job, and that can be true at live shows too. They wouldn’t consider themselves a jam band, but the hunt for new sonic territory is always there, and each show has moments of spontaneity. The band started to make the rounds locally, and sold out their first show at Albany’s Jupiter Hall. It was a kickoff to winning over audiences all over Upstate New York.

    Crowds overwhelmingly responded positively wherever the band played, and their connection with the original songs was especially apparent, Lyrically the songs deal with subject matter that sometimes comes from Ben’s personal life, but other times the narrator of the song may be a character. Regardless, Ben doesn’t mince words. Whether he’s writing about something he’s been through, something he’s seen from others, or something else entirely, if you listen to the songs, you’re going to know how he feels about it.

    The simple beauty that makes it work is that you’ve felt like that too. The band self-recorded their eponymous debut album at Rob’s studio (Sundog Sound) in Voorheesville, NY, and released it in January 2020, just in time to begin cancelling touring opportunities that had begun to materialize. The band did what the band does, and hit the rehearsal room again with a new batch of songs. As of this writing an EP has been recorded and the guys are working to get it mixed, mastered, and digitally released in the early part of 2021. The plan is to get back to torching stages as soon as possible, hopefully to support the EP that’s coming your way!

  • Noon Fifteen gets “Easy” in new interactive 360′ video

    Despite anxiety and unease in the air all around the globe, Ithaca’s soul/rock/pop/prog ensemble Noon Fifteen returns to Finish What You Started, their series of thematic releases with a focus of confronting your fears. Three new songs from the collection — “Dinosaurs,” “Easy,” and “Scared To” — will be released via the band’s podcast and YouTube channel between Halloween and Thanksgiving, coinciding with the 2020 U.S. Presidential election and the waning of this frightening year.

    The first release of the three, “Easy,” tackles internal and external conflicts that keep us standing still, pairing with the soon to be released “Scared To.” Watch the video from vocalist/guitarist Mandy Goldman.

    Additionally, keyboardist Samuel B. Lupowitz’s composition “Dinosaurs” examines the danger and violence wrought by outmoded political philosophies.

    Though the COVID-19 pandemic has kept Noon Fifteen apart for most of 2020, the band members have remained productive. Goldman, Lupowitz, Harry Nichols (bass/vocals), Joe Massa (guitar), and Phil Shay (drums/vocals have released two standalone singles this year, “Thaw” in March and the found-sounds creation “Outside” in August. Pre-quarantine, on Halloween 2019, the band released their 22-minute rock opera, At the Festival.

    The initial installments in the Finish What You Started song cycle, “The Cell,” “The Tick,” and the title track, were released in the summer of 2019 during Noon Fifteen’s “Julyfecta” run of shows. While those tracks were recorded in a tiny studio at Cornell University, the new releases continue the band’s collaboration with Chris Ploss at Sunwood Recording in Trumansburg, NY, with mid-pandemic finishing touches recorded at Lupowitz and Goldman’s new home studio in Ithaca.

    Noon Fifteen Easy

    Each of the Finish What You Started track is accompanied by an interactive 360* video, allowing the viewer to observe the band’s performance from the center of the recording studio. A behind-the-scenes podcast, hosted by Dan Cole, founder and longtime host of WVBR-FM’s “Tuesdays with the Band,” will reveal details about the writing and recording of the songs, as well as the band’s influences, inspirations, and offbeat sense of humor.

    Since their 2017 debut, Volume 1, Noon Fifteen has leveraged a why-not, can-do attitude and a proudly DIY aesthetic to present their music to the world. As we said of their debut, Noon Fifteen is “a small town band with a big imagination,” with five friends aiming to deliver fun, forward-thinking songs bathed in layered vocals and old school instrumentation. 

    The final installments of Finish What You Started will be released in 2021.

  • Hearing Aide: Vaporeyes “Cantrips”

    Syracuse quartet, Vaporeyes, is set to release its sophomore album Cantrips this Friday the 13th. This comes on the heels of Vaporeyes’ eponymous first album, a Syracuse Area Music Award winner just last year. Both albums were beautifully produced by More Sound Recording Studio and are quite the sonic achievement.

    vaporeyes cantrips

    “Cantrips is an old Scot word that basically means a magical spell of any kind” says Jonas Reddy-Nicholson (keyboards, vocals) when asked about the meaning of the name. He goes on to say, “Cantrips is also what they call the type of spells one can cast at any time in the game Dungeons & Dragons.” The band ended up tying the new album thematically to a D&D campaign that they played together.

    And play together, they do. Stylistically they fit snugly into the jam genre. Pat Tierney (guitar) is such a versatile player. He can solo and do the heavy jam riffing so familiar to fans of the jam scene. But he also steps back and lets the other players in the band shine in their roles. “Juice” opens the new album and has a psychedelic, escapist vibe to it. The ethereal vocals and keyboards from Reddy-Nicholson lay the foundation. And the rhythm section members, Shannon Zory (bass) and Sean Cadley (drums) only accentuate the flow.

    vaporeyes

    But before you close your eyes and float away, the band changes things up, shaking the listener from the dream state. One of my favorite examples of this on the new album is “Donye Wump.” Cadley on the drums turns the tempo up and brings everyone along with him. Zory’s bass lines are a joy here, too – thumping, moving and bumping. Hearing this song live is an absolute blast.

    The members of Vaporeyes all live together, which made all band activities (band meetings, practices, livestream performances and working on new music) all that much easier to schedule and follow through on. Moving into the Covid-19 lockdowns of this past Spring, the band was in a unique position. They had an abundance of time together and really were able to do even more work on the music and new album. When their gig money dried up, they launched what turned out to be an extremely successful Kickstarter campaign to fund Cantrips. It wasn’t just a win for Vaporeyes. Give this album a listen. This is a win for all of us!

    vaporeyes

    Key Tracks: Juice, Donye Wump, Peregrine

    For more Vaporeyes information, as well as recordings of their excellent “Quarantine Jams” can be found on Vaporeyes’ Facebook page.




  • Made in NYC: Frank Zappa, Madison Avenue Ad Man

    AMC’s Mad Men is one of TV’s most critically acclaimed series. It’s a stylish recreation of the martini stoked Madison Avenue advertising world of the 1960s, arguably its most creative era. However, there’s one bizarre chapter I would’ve loved to see this show cover that occurred in 1967.  That was when some bold ad agency creatives recruited Frank Zappa to use his unique sonic talents to sell cough drops and electric razors.

    Frank Zappa Adman

    This little known chapter of Zappa’s creative life transpired while he was residing in New York to play an extended run at the Garrick Theater with his Mothers of Invention. 

    Zappa’s most notable venture in advertising came with an animated commercial for Luden’s Cough Drops, one that actually captured a CLIO, the Academy Award of the ad business.  The frenetic soundtrack Zappa conjured bears similarity to some of the sped-up, chopped-up vocals, instrumentation and effects that would be featured on We’re Only In It for the Money and Lumpy Gravy, albums he recorded during his New York stay.

    Ed Seeman was the award-winning artist who hired Zappa for the project. Here’s how he recalls it in a post on his website.

    “In 1967, I hired Frank Zappa for $2,000 to do the soundtrack for this TV commercial that I was animating and producing. It won a CLIO Award for “Best Use of Sound” and was the beginning of a two-year relationship that had me filming 14-hours of footage to be used for a film he called ‘Uncle Meat’.”

    The second Zappa advert from this era is even more mysterious. It’s a never-aired one for Remington Electric Razors.  It also contains one of the seemingly most oddball collaborations among musicians of the era, with Zappa utilizing the vocal talents of soon-to-be country rock superstar Linda Ronstadt.

    This is another item all together, weird as a jingle ever was. It’s remarkable multi-part suite in 60 seconds, a mini-operetta with some cool stop-time sections, a stomping pulse, airy whole tone passages and, once again, sped up instrumentation and vocals. Frank Zappa recalled the ad in an 1980s interview as follow:

    “After the CLIO, I got this request from Remington, who were looking for some kind of ‘new sound’ for their commercials. So Linda Ronstadt happened to be managed by Herb Cohen, who was our manager at the time, and they supplied me with this advertising copy, and they wanted music for it.  So Ian Underwood and I put the track together and Linda did the vocal on top of it, and we made a demo.  They paid $1,000 for the demo, and that was the last I heard of them.  They didn’t like what we did.” 

    One person who reportedly did was The Simpsons’ creator and die-hard Zappa/Beefheart freak, Matt Groening. 

    https://www.youtube.com/watch?v=Xqog63KOANc&feature=youtu.be

    When Danny Elfman was hired by Groening to write the theme for The Simpsons, he gave him an ‘inspiration’ tape.  It contained The Jetsons theme, Nina Rota’s soundtrack for the Fellini film, “Juliet Of The Spirits,” some easy-listening music for Esquivel, a teach-your-parrot-to-talk record and Zappa’s Remington Electric Shaver jingle, which he got on a bootleg.  One listen to both will demonstrate how this never-heard bit of Zappa got into the DNA of one of TV’s most memorable theme songs.

    However, this wasn’t Zappa’s first experience in the world of commercial advertising.  Before finding fame, he worked as an illustrator for a greeting card company.  Some examples of his art, for the cards and more, can be found here and in the forthcoming Alex Winter documentary

  • Watch the George Floyd-inspired “The Ultimate Litmus” featuring Wynton Marsalis

    The election may be over, but the people and causes that pushed for change are still making their voices heard. “The Ultimate Litmus” was written by Carlos Henriquez and Jenny Hersch, in response to the protests sparked by the May 25 death of George Floyd. The pair have produced an accompanying music video for the song, featuring Jazz at Lincoln Center Managing and Artistic Director Wynton Marsalis on both vocals and trumpet.

    https://www.youtube.com/watch?v=H5N6FCNN8X4

    Hersch says of the song,

    I wrote a verse of poetry on June 2. It just poured out. On June 9, I wrote verses two and three. I have poetic thoughts but I don’t often write them down. Carlos Henriquez (bassist and arranger, Jazz at Lincoln Center Orchestra) and I have worked on several projects together over the past few years involving music for kids. I sent him the lyrics and asked him to write a brass band arrangement.

    Jenny Hersch

    Using a New Orleans street sound seemed to be the best choice given the circumstances behind the lyrics, with emotion and energy being simultaneously expressed.

    I gave the vocals a try in a rhythmic spoken-word style over Carlos’s MIDI file and immediately called Bryan R. Smith, a photographer friend in NYC to ask for the use of the protest pictures he took in New York, Washington D.C. and Minnesota. Carlos then called Dwight Adams (trumpet), Jeffrey Miller (trombone), Ibanda Ruhumbika (tuba) and Ali Jackson (percussion) to record their parts from home.

    Jenny Hersch

    With the track laid down, Carlos played a rough audio mix of “The Ultimate Litmus” for Wynton Marsalis in early September. Marsalis was moved by the project and offered to recorded the vocal track and a trumpet solo, which he did in early October.

    the ultimate litmus
    Protesters walk across the Brooklyn Bridge into Manhattan during a demonstration over the death of George Floyd by a Minneapolis police officer on June 6, 2020 in New York. Photo by Bryan Smith

    The video was assembled by a team of recent Berklee College graduate Alex Leiva (sound) and Shannon Magnaldi (video), a recent Massachusetts College of Art grad. “The Ultimate Litmus” features Dwight Adams and Wynton Marsalis on trumpet, Jeffery Miller (trombone), Ibanda Ruhumbika (tuba), and Ali Jackson (percussion).

    Lyrics for The Ultimate Litmus, by Jenny Hersch

    A bottomless pit of pandemonium
    A breaking point?
    A tipping point?
    No quick fix outcome

    A state of being?
    A state of mind?
    Is it an absence of mind?
    Where is the presence of mind?

    Confusion …. Delusion
    No illusions
    No stop gap brawl
    In it for the long haul

    A faction reaction
    No abstraction
    Identity …. Integrity
    Conformity …. Community

    Relationships based on tolerance not trust?
    Is it them or is it US?

    Protest
    No contest
    24    7
    With no rest

    Pros and cons
    A long list at best
    Overwhelmed by stress
    In need of a life vest

    Constitution …. Restitution
    Persecution …. Absolution
    Abusers …. Accusers
    For the foreseeable future

    Civic values
    Civic virtue
    Reeling …. kneeling
    Rail against the curfew

    Fleet of feet
    Running from a browbeat
    Bias
    Is a one way street

    Who will bear witness
    The ultimate litmus
    A test of wills
    What values instilled

    No justice
    No peace
    May wonders
    NEVER cease

    ACTION
    Is gaining traction
    Words are not enough
    Need satisfaction

    Lines of questioning
    Is what we’re expecting
    Fear of the unknown
    Will compassion be shown

    What is the hold up
    We’re all thunderstruck
    No sit down strike
    Throngs are running amok

    Painted into a corner
    No clear path forward
    Blurred on the periphery
    The slope is very slippery

    Tears are to be expected
    We’re so disconnected
    Celebrate our differences
    While honoring our preferences

    Human rights
    Are bona fide
    Like clockwork
    Like predicting the tides

    400 years
    Of victimization
    We need a DO-OVER
    In this nation

  • Photo Gallery: Goose Celebrate a Delayed Halloween at South Farms

    Indie-Jam darlings Goose returned to South Farms for their Halloween shows, held November 6 and 7. The week delay was due in part to the torrential rain that hit the Northeast in the last days of October, causing the ground to be too soft for vehicles to enter in Morris, CT. Fans didn’t seem to mind. Celebrating a week late, and turned out in costumes, they were ready for one final dose of Goose Drive-In shows.

    goose halloween

    The shows brought out fans, good jams and a couple debuts from Goose. In the first set of Friday night’s show, “It Burns Within” was busted out for the first time since 2014. The second set saw the debut of pre-Goose band Vasudo’s “Empress of Organos,” which segued into a cover of The Band’s “Don’t Do It,” a fan favorite. Later in the same set, the new “Earthling or Alien” debuted, with pro-shot footage released from the set.

    Setlist: Goose at South Farms, Morris, CT – Friday, November 6, 2020

    Set 1: Lily’s Tiger > Butter Rum, The Whales, It Burns Within, All I Need > Secret Agent Man, Into the Myst
    Set 2: Empress of Organos* > Don’t Do It, Creatures > Honeybee, Your Ocean, Earthling or Alien?^, Yeti
    Encore: Ghostbusters Rap
    *First Time Played
    ^debut

    Saturday was ‘Halloween’ for fans, with costumes galore and the final show for Goose this Drive-In season. A theme of ‘Donnie Darko at The Farms’ reflected on the 2001 cult-hit Donnie Darko, with band members wearing costumes related to the movie – Ric Mitarotonda in the title character’s skeleton costume and Trevor Weeks playing the role of Darko’s imaginary rabbit friend, Frank.

    Debuts were on tap throughout the night, with an apropos cover of Echo & The Bunnymen’s “The Killing Moon” hitting on the Halloween and Donnie Darko theme to start the night. Two bands from the 80s and 90s were found at the end of Set one and start of Set two, with Tears for Fears “Head Over Heels” and Duran Duran’s “Notorious,” respectively. Original pairing “Seekers on the Ridge pt. 1” > “Seekers on the Ridge pt. 2” came in the middle of Set two, ahead of the ever popular “Hot Tea” and “Wysteria Lane.” A little more Tears for Fears came in the form of “Mad World” to wrap up the themed affair.

    Setlist: Goose at South Farms, Morris, CT – Saturday, November 7, 2020

    Set 1: The Killing Moon*, Arrow, Doobie Song, Slow Ready, Jive 1 > Jive Lee, Head Over Heels*

    Set 2: Notorious*, Tumble, Seekers on the Ridge pt. 1* > Seekers on the Ridge pt. 2*, Hot Tea, Wysteria Lane> Head Over Heels Reprise

    Encore: Mad World

    * debut

    photos by Chad Anderson

    “Halloween” night

  • Cassandra Kubinski is Ready to Build on Her Versatility

    Cassandra Kubinski is a “storytelling oriented, piano-driven, theatrical pop” singer/songwriter from Saratoga Springs. Her passion for music from a young age propelled her into a successful career with Billboard charting albums. Kubinski’s career has already linked her to artists like Chris Botti, the Goo Goo Dolls, and Mary Ramsey of 10,000 Maniacs. Since her 2005 debut, Kubinski’s development as an artist continues to showcase her unlocked talent waiting to be released.

    Cassandra Kubinski
    Cassandra Kubinski

    A Musical Introduction

    Growing up, Kubinski listened to a variety of artists because of her parent’s eclectic musical taste. Billy Joel, Carole King, Jackson Browne, and Joni were all a frequent part of the Kubinski’s family’s rotation of music. Kubinski’s theatrical exposure to Bette Midler, Guys and Dolls, Barbra Streisand, and Pippen shaped her into becoming a musical storyteller. Kubinski has even garnered praise from her musical idol, Billy Joel.

    “Billy Joel is embedded in my DNA. My parents were listening to his music and loving him before I was even a twinkle in their eye. His storytelling, passionate vocals, and rogue piano playing style influenced me when I decided to be a songwriter,” Kubinski said.

    During a 2008 concert in New York City, Kubinski’s dream of meeting Billy Joel came true. The full-circle moment of meeting her childhood music idol is one of the most memorable and surreal moments as an artist for Kubinski. If Billy Joel is willing, Kubinski would love to add a possible collaboration to her musical resume. Kubinski’s other musical hopes include opening up for Billy Joel, Jason Mraz, and Rob Thomas on tour one day. While the pandemic canceled touring for most artists, Kubinski looks forward to having a face-to-face interaction with concert audiences again. Performing at music venues with a beautiful outdoor component like Red Rocks Amphitheatre in Colorado and Humphreys Concerts By The Bay in San Diego are at the top of her list.

    The Journey

    While Kubinski’s musical aspirations keep her motivated as an artist, she has already amassed a couple of well-deserved accolades. Onward charted #97 on Billboard’s Heatseekers Album chart in 2016, while Holiday Magic charted #46 on Billboard’s Heatseekers Album chart in 2017. In 2020, Kubinski has released her “Stardust,” “Back to Earth,” and “Stardust (DJ Taz Rashid Remix)” singles. “Stardust” highlights Kubinski’s “epic pop and piano sound” with the combination of positive lyrics. During the COVID-19 pandemic, Kubinski has gained a new perspective of how her songs can take on a different meaning from their initial release. “Dreams” started as a “whimsical look of a bittersweet moment of willing to let go because a better dream is coming” and now has a different significance of embracing the unpredictability of the COVID-19 pandemic.

     I didn’t write “Stardust” in the pandemic I wrote it years ago. Since releasing it during the pandemic, I’ve heard from fans it was a sentiment they needed to hear to feel connected to something bigger, connected to nature, and reminded that they have power. This pandemic has made a lot of people feel very helpless and powerless. “Stardust” is about claiming and reclaiming your power. It takes on that meaning even though that’s not what I wrote it about,” Kubinski said.

    Cassandra Kubinski and Tony Daniels shot the “Stardust” music video before the COVID-19 pandemic

    What’s Next

    Looking ahead, Kubinski is already working on a song with Hannah Grace Colin from “Dance Moms.” Her upcoming song “Eternity” with DJ Sol Rising is a follow up to “Stardust” and is set to release in early January. As fans can look forward to more music, Kubinski continues to progress as an overall artist. From the release of her first album, Hold The Sun to her latest single “Stardust,” Kubinski has honed her ability and confidence to lead as an artist with a specific creative direction in mind. “Trust your vision,” Kubinski said. “When you see something for yourself, work on it, and do it. That’s your vision for a reason and you’re the one that has to execute on that vision.”

    Cassandra Kubinski
    Cassandra Kubinski

  • Black Suit Youth Release Environmental Anthem “The World Is Almost Over”

    Alternative rock band from New York City, Black Suit Youth, released their new environmental anthem “The World Is Almost Over,” on October 30. The release date for their upcoming 5th LP, The World is Almost Over, is set for 2021 and will feature the newly released single.

    Black Suit Youth

    Black Suit Youth blends a combination of punk rock, classic rock and indie rock into their music. The four-person group includes Bryan Maher (vocals/guitar), Fed Canalos (guitar), Juan Orellana (bass), and Ray Mazza (drums). The group’s original name started out as The New York Dynamite in 2004. In 2007, the band changed their name and released their debut album Our Future is History.

    A song they eventually scrapped called “A Black Suit For My Youth” inspired the group’s name change. Since their formation, they have has released seven projects and had 10 different members throughout the group’s tenure. The band has amassed various touring experiences including opening up for acts such as Story of the Year, Alien Ant Farm, The Undead, and more. Following their 2017 release of their LP False South, Black Suit Youth looks to lean toward a new musical direction while maintaining their usual punk rock style.

    The song is about the reality that we all see, but often ignore things while we deal with our immediate troubles. At some point, the bigger picture is going to become too big to ignore and it may already be too late to do anything about it. History is happening all around us and it gave us the opportunity to film in a desolate, boarded up Times Square, something you’d normally only see in a post-apocalyptic movie.

    Black Suit Youth

    Read More Black Suit Youth on NYS Music

    In 2016, they signed to 59 X Records and released False South in 2017. Black Suit Youth single The World Is Almost Over will be their second project released under the label.

    https://www.youtube.com/watch?v=9Us6QDQb7BI&feature=youtu.be

    Here is a look at the lyrics for “The World Is Almost Over” :

    When we were young they said our future would be so bright we’d have to wear shades 
    Well there weren’t completely wrong 
    It’s gonna be so hot we’re gonna melt in our graves 
    Now we’re lost inside a mindless paper chase 
    As the oxygen is leaking into space 
    Yeah the worlds almost over 
    Throw a life preserver to a drowning polar bear 
    Yeah the worlds almost over 
    So have another drink cuz no one cares 
    The ocean is the first casualty 
    Of our never ending worship of the GDP 
    So what is left for you and me? 
    When all the fresh water is owned by corporate entities 
    I’m sorry to say but things are looking bleak 
    It’s the new dark ages so pop off a few more tweets 
    Newsflash we’re all gonna die poor 
    As the refugees from the countries we destroy are knocking at our door 
    We don’t ever take any blame 
    It’s always some Boogieman 
    We’re too afraid of change 
    Yeah we’re dead and gone 
    We’re living on krypton 
    We pretend it isn’t true 
    Yeah we’re dead and gone 
    Hallelujah it’s the great beyond 
    Ces la vie and bye bye baby blue

  • Allman Betts Band Lit up The Paramount on Nov. 10, 2019

    The Allman Betts Band brought their 2019 fall tour to The Paramount on November 10, 2019. The tour was supporting their latest album, Down to the River which came out earlier in the year. The supporting acts were Joanne Shaw Taylor and and Jackson Stokes. The Allman Betts Band is Devon Allman, Duane Betts, Berry Duane Oakley, John Ginty, Johnny Stachela, R. Scott Bryan and John Lum.

    Jackson Stokes, who is the first artist signed to Devon Allman’s new record label, Create Records, opened up the show with songs from his new self titled album, released on October 25, 2019. He was also the guitarist for The Devon Allman Project from 2016 to 2018. Joanne Shaw Taylor is a British blues rock guitarist and singer. Her sixth album, Reckless Heart, was released on May 17, 2019.

    The Allman Betts Band set consisted of songs from their latest album including “Down to the River” and “Southern Accents,” plus a covers of Tom Petty’s “You Got Lucky.” The Allman Brothers Band “Elizabeth Reed,” “Midnight Rider” and The Grateful Dead’s “Friend of the Devil,” rounded out the bill. They also brought back Taylor for a cover of John Lee Hooker’s “Dimples” and Jackson Stokes to play on “Mahalo.” The two-hour set ended with “Long Gone” from the new album.

    The Allman Betts Band @ The Paramount Theater on Huntington, Long Island, NY November 10, 2019

    Setlist: All Night, Shinin’, Autumn Breeze, Down to the River, Ain’t Wastin’ Time No More, Blue Sky, You Got Lucky, Good Ol’ Days, Melodies Are Memories, Dimples*, Friend of the Devil, Mahalo^, Jessica, Down to the River.

    Encore: Long Gone
    * with Joanne Shaw
    ^ with Jackson Stokes

  • New Scientific Study Explains Why Music Can Give People the Chills

    A new scientific study was released on Nov. 3, 2020 that explains why music can quite literally give people chills while listening to it. The study explains how and why people experience these chills while listening to certain music. 

    The Frontiers in Neuroscience journal released an article titled, “Cortical Patterns of Pleasurable Musical Chills Revealed by High-Density EEG” that goes into depth on this topic. Researchers are trying to understand this by studying brain activity behind these chills people experience. They believe they are getting closer to understanding why music makes us feel pleasure.

    The study focused on 18 people comprising 11 women and 7 men, 10 of which were amateur musicians themselves. The study originally had 23 participants but three participants reported one or zero instances of chills during the experiment, and for two participants not enough EEG epochs free from artifacts were recorded so they were ultimately left out of the study. 

    The study was conducted with participants each picking five songs ahead of time that they knew often gave them the sense of chills. The scientists provided the participants with three neutral songs to listen to as a control group to compare the reactions the participants gave to the songs they brought in. The participants were told to sit back and close their eyes, and listened to the music through wireless headphones while scientists monitored their brain activity using an EEG. As the participants listened and got chills an average of 16.9 times each. Each chilling moment lasted for 8.75 seconds.

    Music Chills
    Regions of the brain activated when music gave participants experience chills. Graph provided by Frontiers in Neuroscience article.

    So why does this matter? What is the big deal about these chills? The big deal is when these participants listened to songs they brought that gave them the chills they had an increase in theta waves (a wave of brain activity that follows regular oscillations) in the orbitofrontal cortex. This area of the brain is associated with emotional processing. The scientists performing the study also found patterns of activity in two other brain regions: the supplementary motor area, a region of the brain involved in motor control, and the right temporal lobe, which is involved in interpreting non-verbal communication, like music.

    The scientists and authors of the study believe that the increase in theta wave power participants experienced on the surface-level which then signals a two-pronged reward response which happened deep in the brain. This buildup of theta wave power eventually releases dopamine in the participants systems and gives them those happy chills. 

    This proves that listening to music can scientifically give you chills. For more information on the study read the full article here.