Category: Media

  • CT Musicians Gather, Pay Tribute to Sound Engineer and Festival Producer Joe Mango

    On September 19th, more than 60 musicians gathered to honor a man who had worked for over 40 years in the music world, the late great Joseph Louis Manganello, aka Joe Mango.

    As his obituary stated, “Mango was a renowned sound engineer who worked with many local and national bands throughout the years. He also worked with the bands that played at BRYAC Restaurant and Raw Bar in Bridgeport and also worked at Guitar Center in Orange. He was an accomplished voice and theatre actor. Joseph was the co-founder and co-producer of the Soupstock Music and Arts Festival benefitting the Mary A Schmecker Turtle Shell Fund that took place in Shelton every year. He loved to attend music festivals and was an avid Hot Wheels collector, but his most prized collection was friendships. Everywhere Joseph traveled, he acquired a new friend who instantly became a member of his extended family.”

    Joe Manganello, aka Joe Mango

    It was this prized group of friends who gathered from across the country to honor the late sound engineer, thanks to promoter Josh Kroop who helped arrange the socially distant event.

    “I know how profoundly this would have impacted Joe Mango and how much he impacted the lives of everyone involved! You guys are the best of the best! I hope we all carry the feeling we shared this past Saturday around for the rest of our lives. I know I will!” said Kroop.

    “Joe Mango was a fixture in the music scene. He made the music sound great and used music to bring us together for noble causes,” said Tim Palmieri guitarist of Kung Fu and The Breakfast.

    “Mango & I had an understanding! He was one of the only “grumpy sound guys” in the country that I know fully had everyone’s best interest at hand! If he asked me to turn my amp down, which he always did, I had absolutely no problems with that! I trusted him completely because his motivation wasn’t to control the sound, it was simply to make sure everyone in the room had the best possible experience! He truly cared because that’s the kind of guy he was & that’s exactly why we all loved him so much!” stated Danny Meyer (guitarist Star Kitchen, Eric Krasno Band, Alan Evans Trio, On The Spot Trio) of the late sound engineer.

    The night, which was streamed across the internet thanks to media mastermind MKDevo, helped raise over $7,000 which will be used to help Joesph’s family pay for end of life expenses as well as portions to be donated to The Mary A Schmecker Turtle Shell Fund, an organization charity which seeks to build community through art, music, theater, skilled craft, and other creative pursuits in order to create a rich cultural heritage for tomorrow.

    Highlights of the night included “Midnight in Harlem,” sung by Elise Testone with the BRYAC All-Stars backing her, “Sweet Like Honey” by Alpaca Gnomes with Fuzz (Deep Bananna Blackout) sitting in, Rich Zurkowski covering Black Sabbath’s “Fairies Wear Boots” with Darien Cunning, Michelangelo Carubba (Turkuaz), Johnny Durkin (DBB) and Kris Yunker (On Spot Trio, Jen Durkin and The Business, Alan Evans Tribute), Goose’s rendition of Radiohead’s “Weird Fishes/ /Arpeggi” and, of course, the Mango All-Stars’ cover of Phish’s “Mango Song.”

    “Thank you so much to everyone who joined in honoring our colleague, our friend, our biggest fan, Joe Mango. We cannot thank you enough for the generous donations being made to assist his family during these difficult times and to the The Mary A. Schmecker Turtle Shell Fund, the non-profit that Joe co-founded and was passionately committed to for building community through the arts.

    Thank you to everyone who made last night possible – every moment was special and reminded me that Joe will never be forgotten; he will always live on – through music, and through all of us. Be good to one another. Appreciate the things you have. Fight for the things you believe in. And always follow your heart, the one thing Mango always did,” stated Nicole Heriot Mikula who is the co-founder of Celebrate Shelton and the festival director for CT Folk.

    If you missed the event and would like to watch the stream and you’d like to make a donation, you can still watch the stream here. You can make donations to Joe’s family via Venmo @welovemango and PayPal.

  • The Sea The Sea, Sarah King, The Rough Shapes and more featured on this week’s EQXposure

    Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear music from The Sea The Sea, Sarah King, The Rough Shapes and many more!

    The Sea The Sea

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    The Sea The Sea – “I’ll be Loving You”

    On the wave of their latest release, Stumbling Home, WEQX will play the single “I’ll be Loving You.” Heartfelt lyrics, soul stirring harmonies, and very attentive arraignments make this music so interesting to indulge in listening. 15 million Spotify streams can’t be denied. The Sea The Sea is a pop band only in their melodic infectiouness, otherwise they are at their best when subverting conventions and making really excellent music.

    Sarah King – “Nightstand”

    Sunday evening EQX will broadcast Sarah’s newest single, “Nightstand” before it is released on October 2. Sarah’s powerful and dynamic voice is a link between Americana roots and pure wide open soul. Her songs are insightful and cut to the many dualities of the human condition. There is an intensity to her lyrical honesty and vulnerability. You’ll feel like you’re sitting on a front porch in the deep south on a sultry summer night with one too many drinks behind you, looking out at a dark, beckoning path toward a future you want to believe in but can’t quite see.

    The Rough Shapes – “Lost Stations”

    If dark moody rock-billy is a thing, here it is in all its glory. The Rough Shapes latest release is titled “Lost Stations” and is full of significant flowing melodic songwriting coupled with world-class performances by this guitar, bass, and drums trio of Jeff Kadlic, Colin Almquist and Dan Cartwright. On the surface the music plays, but there are layers of rich textures that continue to reveal themselves upon each deep listen to this awesome new release.

  • Wiley Watson Releases Pop Rock Late Night Bar Anthem “The Kid”

    Brooklyn based artist Wiley Watson today releases his new single “The Kid,” taking listeners on a journey inspired by a rambunctious night in York, England, post-breakup.

    Wiley Watson

    The song features a variety of styles blended to construct the party-induced instrumental. The vibe you can expect going into this track is cheerful regret, its the type of music that plays in the background of a dive bar with a PBR in hand and, that is what makes it “indie” in the best way.

    The instrumentals fuse influence from across genres including pop, indie rock, and hints of hard rock but, with a heavy reliance on a new-wave funk swagger.

    The alt-rock/pop artist promises to bring all the energy on his new track exclaiming, “The song is a party/bar fight type song,” exclaims Watson. “I want the listener to listen to this song before they go on a night out with the lads. It’s all about bad decisions, poor choices, and having a legendary night with your pals.” A statement which, is swiftly delivered as the track progresses.

    Wiley Watson

    Wiley is genuinely giving in his approach to writing his music and it’s content. You can feel robust with his upbeat rock anthems, can transcend into a memory with his melodic guitar riffs, or even feel melancholy through his sadder, ‘lost love’ songs. His style can be credited to a broad range of influences from classical composers, heavy metal shredders, arena singing pop stars, and even spaghetti western films; Wiley’s influences broadens his sound which allows for a wide audience appeal. 

    A former college athlete, Watson returned to New York City, a place that influenced his childhood and now lives in Brooklyn. Here is where Wiley would begin to challenge his sound and grow with influences of contemporary indie rockers such as Bleachers and F.U.N. 

    To find out more about Wiley Watson, visit his website, and for more music, check out his Soundcloud.

  • Turkuaz “Ophidiophobia” melds Brooklyn funk and Talking Heads

    Brooklyn nine-piece funk lords Turkuaz explore the space between beauty and poison with their new single “Ophidiophobia,” featuring Jerry Harrison and Adrian Belew of the Talking Heads. They’ll debut the tune live this weekend during VIRTUAL ROO-ALITY, Bonnaroo’s Virtual music event.

    Within this age of social distancing, Harrison and Belew added in their parts remotely, and the collaboration between Turkuaz, Harrison and Belew will appear on VIRTUAL ROO-ALITY as Remain in Light, an ensemble that was slated to tour the festival circuit throughout the 2020 summer.

    We had always planned on doing a little bit of Turkuaz material in the upcoming ‘Remain in Light’ tour with Adrian Belew and Jerry Harrison. Once the pandemic hit and the tour was postponed, I started to think this would be a really nice track to have those guys on.

    Dave Brandwein

    Pronounced oh•fid•e•oh•fo•bia, what began as an instrumental groove originally titled “Dr. Jones” with a sinister, dark tinge turned into an Indiana Jones-inspired track, as recalled by Turkuaz bari-saxophonist and vocalist, Josh Schwartz. Another working title that Dave added was “Akar Saga,” but upon looking up the phrase and discovering it was a beautiful, tropical vine, Schwartz knew he was onto something special.

    “A poisonous but beautiful tropical vine with red and black features reminded me of snakes, of which Indiana Jones is famously afraid, so I realized I could combine imagery and words from both placeholder titles to write a song involving snakes. When I found out that the fear of snakes is a word as beautiful and strange as ophidiophobia, I knew this song had to be written.

    ophidiophobia

    This was yet another great collaboration experience with Josh building on a groove/bassline that Taylor [Shell] brought in to some writing sessions we had here at my studio. I think most of us took a small amount of these mushroom capsules I had. Turns out they weren’t so ‘micro’ and some of us had a bit more of an experience than we’d planned for. But we carried on and tried to let the grooves take over! Once Taylor started on this bassline I think we may have just jammed on it for about 40 minutes straight.

    Dave Brandwein

    Tune into Virtual ROO-ALITY this weekend to catch “Ophidophobia” performed live.

  • ‘Harry Chapin: When In Doubt, Do Something’ Documentary Announced For October 2020

    The ‘Harry Chapin: When In Doubt, Do Something’ documentary following the life of the legendary songwriter Harry Chapin has been announced for October 16, 2020. The film will premiere in theaters across the United States as well as on a virtual cinema platform. 

    Harry Chapin

    The documentary is a Greenwich Entertainment film and is being directed by Rick Korn. The film was produced by Korn, S.A. Baron, and Chapin’s son, Jason Chapin. It follows the GRAMMY-nominated folk singer starting in his childhood which he spent under the shadow of his father Jim Chapin who was known for his  jazz drumming and as an author of books about jazz drumming. It then moves on through his unfortunately short life and highlights all the ups and downs he experienced throughout his life.

    Harry Chapin tragically died on July 16, 1981 in a car crash on interstate 495 in New York. Some of his most well known work includes “The Cat’s in the Cradle”, “Taxi,” and “A Better Place to Be.” The film focuses on his humanitarian efforts as well which is why the film is being released on World Food Day which fits perfectly as Jim Chapin was the co-founded of the influential hunger non-profit WhyHunger. A portion of the proceeds from the film will go to both WhyHunger and The Harry Chapin Foundation.

    The documentary uses archival footage and new interviews to give the viewer a glimpse into Harry Chapin’s life. It focuses on how the singer-songwriter used his fame as a launching point to help others and influence politics. It features testimonials from Chapin’s family (including Tom Chapin and Steve Chapin), as well as peers including Billy Joel, Bruce Springsteen, Pete Seeger, Kenny Rogers, Robert Lamm (Chicago), Darryl “DMC” McDaniels, Pat Benatar, Bob Geldof, Ken Kragen, longtime bassist John Wallace, and WhyHunger co-founder Bill Ayres.

    Harry Chapin sold over 16 million records during his short but unforgettable life. He also had 14 hit singles and two GRAMMY nominations. In 1977 he was a key participant in the creation of the Presidential Commission on World Hunger. In 1986, he was posthumously awarded the GRAMMY President’s Merit Award. He was inducted into the GRAMMY Hall of Fame in 2011. 

    For more information on the documentary read the full press release here.

  • In Focus: Pink Talking Fish gets Dazed and Confused at Jericho Drive-In

    On a chilly September night, the first where autumn made its presence known, Jericho Drive-In in Glenmont, NY hosted a socially distant crowd of a few hundred for a double feature – Pink Talking Fish and Richard Linklater’s Dazed and Confused.

    With cars lined up 10 rows deep, Pink Talking Fish gave the Capital District‘s jam scene something they had long been waiting for – a chance to get down and dance with close friends in a safe environment. Fans were smart and followed the rules we’ve all been aware of for six months – wearing masks when leaving your car area, and small clusters of live music fans staying within their bubbles. After 6 months of little to no live music, it’s fair to say that fans weren’t screwing this up (heads up here Gov. Cuomo).

    Pink Talking Fish Drive-In

    The performance from Pink Talking Fish was as invigorating as it was cathartic. Their blend of Phish, Talking Heads and Pink Floyd was overdue for many in the crowd, with a show opening “Simple” with a “Third Stone from the Sun” tease on the 50th anniversary of Jimi Hendrix’s death.

    One of many highlights of the evening, “Theme From The Bottom” > “Us And Them” > “Any Colour You Like” > “Theme From The Bottom,” featured a subtle tease of “Waste” and jumped feet first into show-stopper “Crosseyed and Painless.” To close out the night and give a nod to the second feature, Led Zeppelin’s “Dazed and Confused” was deftly intertwined within Phish’s “David Bowie,” bringing back the feel of exploratory “Bowie”‘s from the mid-90s.

    Next up for Pink Talking Fish, they’ll play two shows in Burlington, VT at The Backyard at Nectar’s on Friday, October 16! More info and tickets here.

    Jericho Drive-In, Glenmont, NY, Friday, September 18, 2020

    Setlist: Simple* > Happiest Days Of Our Lives > Another Brick In The Wall Part 2 > This Must Be The Place (Naive Melody), Rift, Have A Cigar > And She Was, Reba, Wish You Were Here > Moon Rocks, Theme From The Bottom > Us And Them** > Any Colour You Like > Theme From The Bottom > Crosseyed And Painless > David Bowie% > Dazed And Confused > David Bowie%%

    *w/ Third Stone From The Sun tease
    **w/ Waste tease
    % w/ Purple Haze tease
    %% w/ Dazed And Confused teases Pink Talking Fish Drive-In

  • ‘Jimmy Carter Rock & Roll President’ Documentary now Streaming

    Jimmy Carter Rock & Roll President documentary hit theaters across the United States and the virtual cinema stage on September 9, 2020. The documentary covers how Jimmy Carter relied on musicians’ support during the Democratic primaries to build up his name recognition and support from the general public.  

    Jimmy Carter Rock & Roll President

    The documentary focuses on how youth culture and politics join forces in Jimmy Carter being elected as the 39th President of the United States. Jimmy Carter’s love of music was crucial to who he was and he made that known throughout his presidency and his campaign. His love of music affected who he was as a father, a citizen, a man of the South, and as a leader and he made that known to everyone and anyone he could. 

    The documentary includes interviews with big names like Bob Dylan, Bono, Willie Nelson, Paul Simon, Gregg Allman, Garth Brooks, and many others. There will also be interviews included with former President and Nobel Peace Prize winner Jimmy Carter.

    The film is directed by Mary Wharton and written by Bill Flanagan. It is produced by Chris Farrell and Dave Kirkpatrick. The executive producers include Dan Braun, Mary Wharton, Peter David Conlon, David Crawford. Peter Afterman and Tracy Falco are the consulting producers on the film. The film is edited by Mari Keiko Gonzalez and has Tom Beard, Jim Free, Frank Moore as consultants on it. The production coordinator is Linzy Hayes. The drone photography is done by Brad McColl and James Fideler worked as the director of photography on the documentary. All the original music is composed by Bradley Cole Smith and Bill Wharton (The Sauce Boss). 

    People interested in seeing the film have two options for viewing it. They can see it in select theaters across the United States or on the virtual cinema stage. All the theatrical listings and locations can be found on here. The virtual cinema tickets can be bought here for $9.99 and will be available  for 14 days once the viewer unlocks the film. Once the viewer begins the film, they will have 72 hours to finish watching it. 

    For more information on Jimmy Carter Rock & Roll President documentary visit the films’ website.

  • Martin Sexton Performs at Fingerlakes Drive-In

    Martin Sexton brought his “Outdoor Shows” Tour to the Fingerlakes Drive-In movie theater in Auburn, NY Saturday evening. With all the restrictions in place due to COVID-19, concert goers were limited to their vehicles and were required to practice social distancing.

    Martin Sexton

    It was a brisk night for a concert with temperatures around 40 degrees F. Martin Sexton takes the miniature stage that was set up and greets the crowd telling them “This is the first time I’ve had to wear a jacket while performing.”

    The moment he began playing the notes on his guitar brought an overwhelming since of joy as this was the first time most, if not all of the people in attendance have heard live music in at least 6 months. The crowd was cheering him on from their vehicles, shouting “I love you Marty!” and many other words of encouragement. Sexton continued “I was wondering if I was going to still be able to perform these shows because it has been so long, but turns out it’s just like riding a bike.”

    Video from Sexton’s performance at Ridgefield Playhouse, Ridgefield, CT

    Sexton standing on the stage by himself with no crowd directly around him and a large projection of him performing on the movie screen brought a bittersweet feeling – concerts have changed so much from what we remember them being, but at least they are starting to slowly happen.

    Overall the safety precautions were followed very well, the staff all did a great job keeping everyone informed of the regulations in place, and every single person there was following them. This is a great sign, and hopefully one that can continue to allow more concerts to be happening in innovative ways.

  • In Focus: Goose play sold out Drive-In shows at South Farms CT

    Goose wrapped up a run of Drive-Ins around the Northeast with two nights at South Farms in Morris, CT. Over September 16 and 17, fans spaced out on individual grids to properly socially distance during the show. The remote location in Western Connecticut is conducive to limiting a large amount of fans from descending on the show, as we slowly recover from the industry wide live music shutdown.

    With this past June’s Bingo Tour the last fresh Goose for hungry fans, they played two shows in Cape Cod at Yarmouth Drive-In prior to South Farms, and next plays Drive-In shows at Essex Junction, VT on October 2 and Swanzey, NH on October 3.

    goose south farms ct

    Having added percussionist Jeffrey Arevalo to the lineup in recent months, the five-piece group kicked off a funky night one with “Me and My Uncle,” a John Phillips tune popularized by the Grateful Dead.

    Night two featured a handful of notable covers, include Rick Mitarotonda singing Jim James level vocals on My Morning Jacket’s “State of the Art (A.E.I.O.U.) to close the first set. The second set kicked off with 25+ minutes of original “Indian River” -> “Crosseyed and Painless” by Talking Heads.

    Setlist South Farms, CT, September 16, 2020

    Set 1: Me and My Uncle (1), Flodown, Western Sun > Tumble, Jive II -> Jive Lee, Electric Avenue (2), Echo of a Rose (3)

    Set 2: Travelers > White Lights > Bob Don > Madhuvan

    Encore: Disco Inferno (4)

    (1) John Phillips
    (2) Eddy Grant
    (3) W/ Vocal Ending
    (4) The Trammps

    Setlist South Farms, CT, September 17, 2020

    Set 1: Switchin’ (1) > Doc Brown, Wild Night (2), Elizabeth, Rosewood Heart, This Old Sea, State of the Art (3)

    Set 2: Indian River -> Crosseyed and Painless (4), Lead The Way, So Ready, Arrow

    Encore: Arcadia

    (1) Wes Montgomery
    (2) Van Morrison
    (3) Jim James, FTP
    (4) Talking Heads Goose South Farms CT

  • Jerry Sunday: The Grateful Dead at MSG, September 20, 1982

    By 1982, The Grateful Dead’s relationship with the State of New York had been firmly established. It began with a free show at Tompkins Square Park in 1967. Now, the band had graduated to regular gigs at Madison Square Garden, The World’s Most Famous Arena. Monday, September 20, 1982 would be part of their third run at The Garden, after playing there initially in 1979 and a brief two-show stay in 1981. The Brent Mydland era was now in full swing and this show from 38 years ago sees the band relaxed and fully cohesive as the Grateful Dead at MSG deliver another knockout New York performance.

    A spunky “Shakedown Street” gets things started off on the right foot. The band wastes no time getting into a nice groove and Mydland’s backing vocals spice this one up nicely.

    Guitarists Jerry Garcia and Bob Weir take turns leading the way on vocals through pristine versions of “Candyman” and “El Paso,” respectively, with the rest of the band sounding fully engaged. Afterwards, the recent revival of “Dupree’s Diamond Blues” continued. A month earlier, the Dead dusted off this oldie but goodie after a four-year layoff. Garcia’s vocals seem to have an almost echo-y feel to them on this one before he nails the corresponding guitar solos.

    Mydland’s signature raspy vocals accompany more beautiful Garcia-supplied guitar licks on the bluesy “Never Trust A Woman” that follows. The first set later ends with a couple of new tunes. Weir quickly mentions something about “remembering all the words this time” before they launch into “Throwin’ Stones.” This would be only the third one ever played after making its debut earlier in the fall tour. It’s an aggressive rendition as Weir certainly remembers the words and then some. But instead of the traditional outro jam the Dead would later develop for it, they pivot immediately to a rousing “Keep Your Day Job” that closes the set.

    Grateful Dead at MSG

    Things rev back up immediately with the “Scarlet Begonias” that opens up the second set. It features some delightful interplay between Garcia and Mydland on keys. With a pounding rhythm generated from bassist Phil Lesh, the jam eventually meanders a little bit before the familiar tones of “Fire On The Mountain” come through.

    The mid-set “Terrapin Station” that later follows has a very mellow feel to it early on. The composed section drifts off into near silence before eventually picking back up. Later in the set, emerging from the confines of “Space,” is another Dead specialty – the “Spanish Jam.” It’s a brief but infectious instrumental section that’s influenced by the theme to Miles Davis’ “Solea” from his Sketches Of Spain album. This more than aptly serves as the bridge to “Truckin’.”

    There would be no “Truckin’” jam tonight though. Instead, the band does another collective pivot of sorts and hurls into “The Other One.” It’s a quick but powerful version that sees Weir almost toying with the lyrics.

    After a customary joyous run through of “Sugar Magnolia” to close out the second set, the Dead decide to end things with yet another new number. This is also only the third ever performance of “Touch Of Grey,” a song that would later become synonymous with the band and their lone commercial “hit.” One more show at The Garden would follow the next evening as the Dead continue to make their presence felt in The Empire State.

    Grateful Dead at MSG

    Grateful Dead – Madison Square Garden 9/20/82

    Set 1: Shakedown Street > New Minglewood Blues, Candyman > El Paso, Dupree’s Diamond Blues, It’s All Over Now, Never Trust A Woman, Row Jimmy, Throwing Stones > Keep Your Day Job

    Set 2: Scarlet Begonias > Fire On The Mountain, Women Are Smarter, Terrapin Station > Drums > Space > Spanish Jam > Truckin’ > The Other One > Stella Blue > Sugar Magnolia

    Encore: Touch Of Grey