It’s a tale as old as time: the rich, famous, and privileged get a slap on the wrist for offenses that would ruin anyone else’s life. Previously observed by Truman Capote and Martin Luther King Jr. in the mid 1960s, the assertion that there are “two kinds of laws” still holds true today. NYC rocker Mickey Leigh employs the phrase again in Mutated Music’s new single, just as current affairs reiterate the divide. Nationwide protests have highlighted the police’s double standard in dealing with Black and white Americans, and President Trump has commuted his friend and former campaign advisor Roger Stone’s prison sentence.
About “Two Kinds of Law,” Mickey Leigh told SPIN,
“Music is magical in so many ways. Rock and roll is one form of it that, magically, can be purely fun, but, at the same time can be a way to spread a message. And, aside from having a lot of fun with it, me and my fellow Mutated musicians think both are equally important – as long as it’s an important message […] The importance of “equality” and “justice for all” has come to the forefront of our lives like never before. and, it’s a message that needs to be repeated…repeatedly. There aren’t many ways to repeat a message repeatedly without boring people to tears, aside from immersing it in a catchy chorus and irresistible rhythm.”
Mickey Leigh
This immersion is definitely successful. While its lyrics and melody are simple, “Two Kinds of Law” still packs a punch as a socially conscious earworm. The video opens with Leigh playing guitar on his couch, but quickly shifts to footage of a police shooting. The spreading of such videos can potentially be reckless and traumatic, but here it’s blurry, brief, and non-graphic. Next, Leigh sings “Hush now children, don’t you cry; daddy won’t be home and I’m telling you why” as a Black mother mouths the line to her children. The video concludes with a cameo from a certain disgraced athlete from the 90s, perhaps the quintessential example of the two kinds of law.
Mickey Leigh is partially known as the brother of Joey Ramone, but he’s had his own prolific career as well. He’s been a longtime fixture to the NYC music scene, and was previously in the bands Birdland and The Rattlers. He also published a book in 2009 called I Slept with Joey Ramone: A Family Memoir.
Things have been interesting the past few months, between online streaming and socially distanced live shows being the only methods to get your live music fix. We’re hopeful that things will continue to improve in New York State and surrounding areas so we can get back to having the best live music offerings in the country.
To get an idea of where things are at in the Capital Region, catch up with a Who’s Who of the Albany music scene thanks to Albany EventsVideo Podcast series. You’ll find interviews and insight from Frankie Cavone at Mirth Films, Luke Malamood from Hartley’s Encore, Art Fredette of RadioRadioX, the team at The Spot 518, and staff from the Albany Events team. Between the 16 (and counting) episodes, you’ll get an idea of what the past few months have been like for musicians, videographers, publishers, photographers, event planners and more!
One of the newest bands to come out of New York City‘s Indie underground, Burning Bicycles makes their debut with the single “Moonlight.” Originally released April 13, this track serves both as an acknowledgment of NYC’s crisis with COVID-19 and a call for hope amid the chaos.
In this track you can hear the Burning Bicycles leaning into their psychedelic rock roots, crafting a dreamy track that pairs a mellow glimmering guitar with a laid back beat. Burning Bicycles states that “Moonlight’ encourages our fans to be aware of the world around them, but not to give up on their dreams and ambitions: regardless of the conditions we face.”
I couldn’t agree more with their assessment and the chorus perfectly exemplifies their intent, further adding to the inspiring and uplifting tone of the track.
“Don’t break away, Look around at the world that you stay, Living in and, Don’t let them take, All your dreams it’s the reason why you live”
Be sure to check out Burning Bicycles newest single, “War” and find them on their Facebook for updates on their coming releases.
While recent racial tensions surrounding police-brutality have garnered the general public’s attention, another divisive issue has picked up steam as of late. Public figures such as, Ice Cube, former NBA player Stephen Jackson and Philadelphia Eagles wide receiver DeSean Jackson have posted social media doctrines acknowledging that the first of the Jewish people were indeed Black, and those we recognize as Hispanic and Native Americans, are actually decedents of the Black Hebrew Israelites. This sparked backlash with some labeling DeSean Jackson and Ice Cube as anti-Semitic and accusing them of spreading misinformation. While present-day celebrities take the brunt of the repercussions, these claims have been uttered by influential figures in the past.
On November 7, 1995, GZA of the Wu Tang Clan released his second studio album, Liquid Swords. With no made-for-radio records, the project still debuted at number 9 on the Billboard charts and has since been certified platinum. A critically-acclaimed album, Liquid Swords is multi-faceted and backed by complex lyrics, it explores themes such as crime, philosophy and chess. And although GZA is recognized as the most lyrically potent of the Clan, the most compelling of the 13 tracks – and the album’s outro — came from protégé Killah Priest. Aptly titled “B.I.B.L.E” (Basic Instructions Before Leaving Earth), the 4th disciple produced record explores the religious fallacies that have been instilled within the Black community, as well as the hypocrisies within organized religion that many children are forced to accept.
In an interview with Righteous Disorder Tv, Killah Priest divulges how his record made the cut, “it was a process, I just kicked a rhyme for GZA one day before it was even a song and GZA always loved that verse,” and soon after, it was turned into a full song. With the album’s producer — and Wu Tang Clan leader — RZA not sure of its placement within the project, it was turned into a bonus track.
The song begins with Killah Priest repeating the acronym four times before transitioning into the hook
“Life is a test, many quest the Universe and through my research I felt joy and hurt, the first shall be last and the last shall be first. Basic instructions before leaving earth.”
With two lines, he sets the stage for the record’s theme. Acknowledging the joy in finding out the truth about his race and the feelings of sadness that come with the truth. The hook ends with “the first shall be last and the last will be first.” A reference to Genesis chapter 25, verse 23, “Two nations are in your womb, and two peoples from within you will be separated; one people will be stronger than the other, and the older will serve the younger.’”
Priest begins the first verse discussing his interest in the bible and why it is so important to him,
Explored my history that was untold and watched mysteries unfold and drop a jewel on them like Solomon, but never follow men cause if you do your brain hollower than space oblivia or the abyss.
He is ignoring the teachings of the church and doing his own research on the bible and what it means, as well as, who it is meant for. As he learns more, he uncovers new mysteries that he was never taught, and he begins to teach others what he has learned. “Never follow men,” speaks to the ideology that God should be the only entity leading one to salvation.
He carries on,
I speak on Jacob, it might take some time up, and too much knowledge, it might break up the rhyme. I did it anyway, just to wake up the mind of those who kiss stones or prays on carpet. Those who sit home or sell books by the market need to chill and give their mind revived for years religion has done nothing but divide.
The first line serves as a double entendre, as “Jacob” is a known biblical reference, while Jacob Arabo is known popularly within hip hop circles as “Jacob the Jeweler,” for his unique designs of Jewelry — specifically watches — The last two lines throw stones at those who pray and profit off of selling the bible yet, know little of their true history.
On the second verse he advances with his earlier rhetoric on religion and how it has been used to confuse him and his people, while also speaking on the true origins of the White race.
I even learnt that Caucasians were the tribe of Edom the white image of Christ is really Cesare Borgia. And uhh, the second son of Pope Alexander the sixth of Rome and once the picture was shown that’s how the devil tricked my dome.
I prophesized to save man, but no one gives a damn for my nation, the seed of Abraham blessed with the tongue of Hebrew now we strung on needles and some plunging evils. So, study and be wise in these days of darkness, peace to my nephew Marcus.
With a desolate first bar, Killah Priest gives insight into the thoughts of a man who is trying to warn yet, the more he tells people the true history the more they don’t care or take what he says seriously, leaving him frustrated. On the second line, he says that his people are descendants of the biblical figure —Abraham, ascribing to the chosen seed that God prophesized he would be blessed with. At one point his people were blessed in their history and knowledge of Hebrew. Now, they are strung on needles — referencing the many drugs that have been pipelined to Black inner cities — and committing other evil acts. Finishing off by encouraging them to take their knowledge into their own hands.
While Black entertainers continue to receive backlash for their thoughts on Judaism, the authenticity of their claims must be acknowledged. With this record being a quarter-century old, how many more people have already accepted Killah Priest’s claims as their truth? It’s easy to accept the status quo as the truth, challenging accepted ideologies is the only way we can grow as people, and that begins with exploring the possibilities of different origins to every religion, as none belong to any one race.
Today was unlike past pandemic-era Mondays for Phish fans, who were teased with a video of guitarist Trey Anastasio from what appears to be Phish’s Barn Studio in Vermont.
The video, shared via Jambase, was taken by Trey’s daughter Eliza Anastasio and posted to her Instagram stories.
Fittingly, Eliza used the original music of “2001” (née “Also Sprach Zarathrusta”) to demonstrate her dad’s new gear on stage.
Could Phish have something in store of fans in terms of a live stream from The Barn? Given the Dinner and a Movie series each Tuesday night, it’s possible that live performances are on tap, akin to Goose‘s successful Bingo Tour.
On July 13, 1995, Phish was the musical guest on The Late Show with David Letterman. “Julius” was performed with support from The Late Show Band as well as Dave “The Truth” Grippo on saxophone. The second of nine performances at The Ed Sullivan Theater, Phish performed on Letterman over a span of 20 years to highlight upcoming shows and recent releases. Their Letterman performance would be their last show until late September that year.
The band’s first performance included, at Dave’s supposed request, “Chalkdust Torture,” which was performed on the afternoon of the band’s first ever show at Madison Square Garden, December 30, 1994. Jerry Seinfeld was the first guest that night, which led to this iconic photo:
On June 21, 2004, the band memorably performed atop the Ed Sullivan Theater marquee to a crowd of hundreds dancing in the street on Broadway. Then in 2014, on the same night they performed “The Line,” they also treated a lucky group of fans to a set from the same stage where The Beatles made their American debut. Check out the setlist here.
On a steaming hot midsummer night in 1987, two legendary names in the music world combined forces to deliver three sets of music to a ravenous crowd in the swamps of New Jersey, locally known as the Meadowlands. The Grateful Dead’s 1987 Summer Tour included six shows that would see Bob Dylan accompany them for an extra set of music each night. Later immortalized through the live release Dylan & The Dead, these shows featured some Dylan-penned songs that would remain on the Grateful Dead’s live playlist for years to come.
Those who survived this unseasonably warm and muggy day were treated to three sets of music from some of the best in the business. The temperature and conditions were such a concern that concertgoers near the front of the stage were literally hosed down in an effort to cool off both before the show and during sets. So on a day where shade was at a premium, the festivities fittingly kicked off with “Hell in a Bucket,” and the show was off and running.
The rest of the first set resembled a fairly common one for this era of the band. Classics like “Loser” and “Greatest Story Ever Told” mixed with contemporary tunes like the Brent Mydland-helmed “Tons of Steel,” which would only be played five more times after this. There’s an incredibly jazzy version of everyone’s favorite Dead crowd PSA, “Take a Step Back.” And an atypical placement of “Bertha” in the first set closer’s spot seemed to energize the whole stadium and created a palpable buzz between sets.
Giants Stadium 7/12/87
The second set picks up right where its predecessor left off with another interesting placement thanks to an opening “Morning Dew” that was preceded by a little “Addam’s Family”-themed tuning. The rest of the set continued to serve as a traditionalist’s dream with an electric “Playin’ in the Band” and a thunderous “The Other One” before the crowd serenaded the band off the stage with the traditional lyrics from Buddy Holly’s “Not Fade Away.”
But instead of an encore to follow, there was an entire third set to be had first and this one would see Bob Dylan play in front of, arguably, one of the greatest backing bands in rock. While it may not have evoked the same widespread energy levels of the earlier sets, this one would serve as foresight to some degree for the Dead and give a glimpse of what was to come.
While they had been debuted earlier in the tour, this collaborative set of music would only be the third time that the band would attempt live performances of “Stuck Inside of Mobile with the Memphis Blues Again” and “Queen Jane Approximately.” Both of these songs would continue to be played for the rest of the Dead’s touring career, with “Queen Jane” even making an appearance at the band’s last show in July of 1995.
Fans were also treated to Jerry Garcia jumping on the pedal steel and showing off his chops on “Tomorrow Is A Long Time.” Songs were kept mostly straightforward in this set, absent of the long, psychedelic journeys which typically accentuate a Dead show. But it surely must have been a treat to see the band backup the legendary Dylan on numbers like “It’s All Over Now Baby Blue” (a song the Dead used to actually cover in the late ’60s) and “All Along the Watchtower.” The encore was a double bill as well as renditions of Touch of Grey, the Dead’s latest “hit” single, and “Knockin’ On Heaven’s Door” sent a packed Giants Stadium crowd back to reality and into the hot summer night.
Watch the entire third set and encore with Dylan:
The Grateful Dead with Bob Dylan 7/12/87 Giants Stadium – East Rutherford, NJ
Set 1: Hell In A Bucket, West L.A. Fadeaway, Greatest Story Ever Told, Loser, Tons Of Steel, Ramble On Rose, When I Paint My Masterpiece, When Push Comes To Shove, Promised Land-> Bertha
Set 2: Morning Dew, Playin’ In The Band-> Drums-> Jam-> The Other One-> Stella Blue-> Throwing Stones-> Not Fade Away
Set 3: Slow Train, Stuck Inside Of Mobile With The Memphis Blues Again, Tomorrow Is A Long Time*, Highway 61 Revisited, It’s All Over Now Baby Blue, Ballad Of A Thin Man, John Brown, The Wicked Messenger, Queen Jane Approximately, Chimes Of Freedom, Joey, All Along The Watchtower, Times They Are A Changin’
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. NYS Music will bring you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Tune into WEQX.com this Sunday night to hear music from Asa Morris, Olsen Brothers Band, Dylan Giambatista, Zam Smarkey, Brian Kaplan Band and many more!
Asa Morris – You’re Always Home
Asa has been a part of the Upstate NY music scene for more than a decade and is currently living in Burlington, VT. On Tuesday, July 14th he will be releasing his 35th solo EP in six years. Seriously. Go check him out at Bandcamp and count them for yourself. The new EP, God Has Entered My Body. My Perfect Body, My Same Size was recorded this past spring and features many of his former band mates who all recorded their parts remotely and will be available at all major digital retailers with proceeds being donated to organizations in support of both Black Lives Matter and Police abolition.
Olson Brothers Band – Candle in A Storm
These brothers from Bennington, Vermont say “This is a song about having the strength to say NO to Violence, to say NO to ALL forms of discrimination,” It’s “about equality and the journey to obtain it. Sometimes you have to stand up for yourself, even if it gets you into trouble.”
Dylan Giambatista – Run For It & Vote For Me
Essex County (VT) House Rep. Dylan Giambatsta recorded and released a two track album about the experience of running for office. He says he grew up in the southern Route 7 corridor of Vermont and he has announced plans to run for one of the six Chittenden County Senate seats in January. He is giving away 7” records of his two songs “Run For It” and “Vote For Me” which you can get by visiting vtdylan.com and clicking on the “Music for 2020” tab.
Zam Smarkey – Helado
Zam Smarkey is a band from Saratoga Springs who just released an album called TheIce Cream Album. The idea came about when the band members were discussing what they would like to do for a summer job and they kicked around some ideas like a shaved ice business and buying an ice cream truck. Ice cream truck was the winning idea but they don’t like ice cream truck music. So what are a bunch of musician friends to do? Make an entire album of songs about ice cream. That’s what. They have yet to procure an ice cream truck but I can imagine by the sound of their stuff that they have the passion to get it done.
Brian Kaplan Band – Only For Tonight
This song is from Brian Kaplan’s new album Make No Mistake. EQX’s Jason Keller says “With Brian’s latest album, you’ll find an experienced musician, writer, and storyteller who is comfortable with showing you that one album doesn’t have to be one style. You’ll find some crunchy guitar riffs, like on “Break From the Weight,” but you can also find songs like “You Can Have It” that slow things down a bit and capture a slightly more sentimental vibe. Brian’s clear, strong, voice really brings this production together.” Listen to the track on the band’s website.
Indie pop rock duo Roan Yellowthorn have released a cover of Chris Cornell’s “Can’t Change Me” to benefit the Chris and Vicky Cornell foundation.
Photo courtesy of roanyellowthorn.com
This single is the second in the Blue Élan’s ‘We Are The Highway’ project series, which features Chris Cornell covers to benefit children across the globe who struggle with issues like homelessness, neglect, abuse, and poverty. The project seeks to uphold Chris Cornell’s legacy and show that music can create positive change. Blue Élan stresses that now it is more important than ever to help children in need, and co-founder of Blue Élan and friend of Cornell Kirk Pasich states that “We cannot think of a better musical way to do that than sharing the music of Chris Cornell, in his memory, and to help children.”
Roan Yellowthorn is made up of Shawn Strack and Jackie McLean, daughter of Don McLean. Jackie McLean comments on covering “Cant Change Me,” saying: “When I hear [Cornell’s] words, I am struck by his depth of feeling. I am struck by the intensity of his emotion. I am struck by the strength of his presence.”
Much like Chris Cornell, Jackie McLean is an artist who is also known for putting deep feeling in her music. Their latest album Indigo “is an extremely sincere album” and was written as a way for McLean to process her feelings. All of Roan Yellowthorn’s music comes from the heart.
There are more songs to come in Blue Élan’s We Are The Highway project. The songs inspire people in difficult situations to survive and persevere despite their struggles, embodying the Chris and Vicky Cornell Foundation’s mission to help children who cannot help themselves. You can follow the official “We Are The Highway” playlist here.
On July 10, 1994, Phish headlined for the first time at Saratoga Performing Arts Center. Two years prior, the Vermont group had opened for Santana at SPAC, one of the few opening slots Phish would perform in their career.
via Brendan McKenna, as published in PhanArt: The Art of the Fans of Phish
The summer of 1994 would feature The Eagles, Peter Gabriel, James Taylor, The Beastie Boys and the debut of Dave Matthews at the classic Upstate amphitheater, in addition to Phish, whose performance was at the tail end of their summer tour.
Of note from the first set is the “Stash,” which appears on Live Bait 10, and fun with the lyrics of “Julius,” adding “I haven’t decided, no no no’ during the chorus, and “Ya Mar” where the band gave shout-outs to Trey’s dog Marley, including “Who is she?” (also their record label’s name) and “Who’s the Mar Mar?”
Tickets were only $18.50 for reserved seats
The middle of the second set held the heat with a strong “Mike’s Groove”, adding in “Low Rider” to the typical three song sequence inside of “Mike’s Song.” At the end of the second set, The Dude of Life came to the stage and sang his composition “Crimes of the Mind” with the band.
Phish – SPAC, Saratoga Springs, NY – July 10, 1994
Soundcheck: Jive Talkin’, The Old Home Place, Nellie Kane, work on Jive Talkin’
Set 1: Chalkdust Torture, Horn > Peaches en Regalia > Rift, Stash, If I Could, My Friend, My Friend > Julius, Cavern
Set 2: Sample in a Jar, David Bowie, Glide, Ya Mar, Mike’s Song -> Low Rider -> Mike’s Song > I Am Hydrogen > Weekapaug Groove, Bouncing Around the Room, The Squirming Coil, Crimes of the Mind
Encore: Golgi Apparatus, Rocky Top
Notes: My Friend included a Purple Haze tease and Julius contained a Buried Alive tease from Trey. The Dude of Life sang vocals on Crimes of the Mind
