NYS Music 202​0

Category: Media

  • The Dead Peak at the Beacon For The Last Time: June 15, 1976

    Shortly before the country would celebrate its Bicentennial in 1976, the Grateful Dead would play a show at the Beacon Theatre. This is the second and last time the band would play this New York City venue before upgrading to the larger confines of Madison Square Garden a few years later. They had recently ditched their fabled massive Wall of Sound PA system for a more stripped down and intimate stage setup, opting to let the music speak for itself rather than overpowering the audience. A string of East Coast shows in June of this year would see the band in pristine form as they dusted off some of their classic songs and began to introduce new ones, ushering in a new era of The Grateful Dead.

    The first set starts off in electric fashion thanks a crisp vocal section led by guitarist Bob Weir that helps fuel a cover of “Promised Land” that would make Chuck Berry glow. A slow, drippy “Sugaree” follows that allows fellow guitarist Jerry Garcia a chance to stretch out his vocal chords a bit before a rip roaring “Cassidy” sets the tone for the first set, thanks to accompanying vocal support from Bob Weir and Donna Jean Godchaux.

    Dead Beacon

    An audible first set highlight, based on the crowd reaction alone, is a sultry “Candyman” that places the lyrical craftsmanship of Robert Hunter and the complimentary guitar play from Garcia front and center. Soon after, the ravenous New York City crowd gets a little taste of Grateful Dead shows of old show thanks to a stirring rendition of “It Must Have Been the Roses,” a song the band played extensively in 1974 and a staple of Jerry Garcia Band shows for years to come.

    The first set of this show ends with an impressive sequence of a “Let It Grow” that stretches out all the way to a “Drums”-esque type jam before settling into a set closing “Might As Well.” Even though this tune was also played the night before, it still marked only the sixth time this Dead tune was played live, one they would continue to showcase for another eighteen years,

    Dead Beacon
    Grateful Dead, June 1976

    The band wastes no time in opening the second set with a “Saint Stephen” that immediately explores the given space and stretches into a formidable jam. However, instead of a “William Tell Bridge,” the rhythmic partners of Bill Kreutzmann and Mickey Hart begin the percussive intro of “Not Fade Away,” a Buddy Holly cover that, by now, The Grateful Dead seem to have appropriated as their own.

    Contrary to most Dead shows, the ensuing Beacon “Drums” section gets ripcorded almost instantly in favor of an incredibly emotional “Stella Blue” that’s spearheaded by poignant Garcia-sung lyrics. This particular version is marked by a beautifully patient progression from all parties and is definitely one of the show’s highlights. Garcia’s hauntingly slow delivery of the vocals, matched perfectly by the rest of the band, gives this version a rather emotional feel to it. Take a listen to the entire segment from “Saint Stephen” to “Stella Blue” below – worth the price of admission alone.

    “Samson and Delilah,” a song that made its live debut only weeks earlier in the beginning of the tour, shows off its future potential nicely with a shortlived jam that picks the energy back up before a leisurely “Friend of the Devil” brings things to a crawl again. A manic “Dancin’ in the Streets” then follows as the band seems to delight in varying up the tempo of this second set. The telepathic interplay between Garcia and bassist Phil Lesh is on prime display here.

    Perhaps what makes this show so special is the superb sound quality, thanks to soundboard recordings captured by the band’s longtime live recording engineer Betty Cantor-Jackson. For years, this and the other June ’76 shows were some of the most revered recordings in the tape trading community. Picking up on that, these recordings have since been further polished and remastered and are now available for purchase as part of a 15-disc box set that highlights this special era of Grateful Dead music. It features this and four of the other shows surrounding this one. With production limited to only 12,000 individually numbered copies and a slew of crisp recordings from this seminal era of the band’s history, it’s sure to be a “sound” investment for any fan.

    Grateful Dead Beacon Theatre – New York City, NY

    Set 1: Promised Land, Sugaree, Cassidy, Candyman, The Music Never Stopped, It Must Have Been The Roses, Looks Like Rain, Tennessee Jed, Let It Grow -> Might As Well

    Set 2: Saint Stephen->Not Fade Away->Drums->Stella Blue, Samson & Delilah, Friend Of The Devil, Dancin’ In The Streets->The Wheel->Sugar Magnolia->Scarlet Begonias->Sunshine Daydream

    E: Johnny B. Goode

    Dead Beacon

  • Discover Local Music With EQXposure Featured Artists Of The Week

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. NYS Music will bring you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    Art LaFleur – “Reset“

    Art has been in the local Albany music scene for nearly 20 years performing in modern country bands such as Offramp, Rattlesnake, True Grit Outlaws, Byrds of Prey, and most recently, Grit N Whiskey. Art was out of the music scene for a couple of years dealing with the long term illness and the death of his wife who sadly passed away in 2017. As a means to deal with the loss, he has begun writing his own songs and putting more emphasis into building his songwriting career. He draws influences from Lynyrd Skynyrd, The Outlaws, Warren Haynes, The Eagles, Sting, and Charlie Daniels.

    Thinner Friends – “Demons Are All I Have“

    A new electronic punk trio from Troy in the vein of DEVO meets Le Tigre, Thinner Friends have just released their debut album and 50% of all sales on Bandcamp will be donated to the Black Trans Protesters Emergency Fund. Whatever is not needed will be given to Black trans-led organizations that work to stop violence against Black trans people.

    Johann – “Sparkly Summer Radio Song“

    A college student from Cambridge, NY, Johann released Thanks for Coming in April which is available on Bandcamp. “Sparkley Summer Radio Song” is his latest and was recorded during quarantine thanks to the extra time to write.

  • This day in hip-hop: Bobby Shmurda becomes the ‘Hot-test’ of them all

    Six years ago today, Bobby Shmurda and his effervescent first single “Hot N-gga” was made digitally available for consumption by Epic Records. The music video – which has garnered nearly 650 million YouTube views – was released in May of 2014 and quickly became an internet sensation. While the record was re-packaged, the music video was not subjected to such changes, most likely because it had already reached “viral” status, but also because it represented the ingenuity of Brooklyn inner-cities. It spawned the “Shmoney Dance” craze where, in a moment of inventiveness, the rapper throws his hat in the air and begins to pop his hips left and right. Unplanned, the “Shmoney Dance” helped cement the record as the song of 2014. Peaking at Number 6 on the Billboard Hot 100, it helped usher in a new era. This was the first song that this current incarnation of social media (Instagram, Facebook and Twitter) made prominent, something we’ve since seen replicated several times over. 

    The hottest song of 2014

    A subsequent EP – Shmurda She Wrote– followed along with other Billboard hits like “Bobby B!tch” and the cult classic “Computers.” Unfortunately, the success was short-lived. In December 2014, Bobby Shmurda, along with his associates, his brother and GS9 label-mate Rowdy Rebel, were arrested on charges of drug and gun possession, reckless endangerment and conspiracy to commit murder. 

    bobby shmurda hot
    Ah Ah Ah

    Less public members of the organization received the harshest of sentences, while Bobby Shmurda and Rowdy Rebel have been behind bars for the past six years, with an impending release set for the tail-end of 2020. Their impact on the New York culture has not been forgotten (as they successfully implemented the Chicago drill sound to help popularize the sub-genre of New York drill) and in return, fans have showered them with support and promises of a hero’s return. Hot

  • Joe Bonamassa Releases Revamped Classic “Colour and Shape”

    With a dramatic entry into the world of blues opening for B.B. King in Rochester at the age of 12, Joe Bonamassa has carved out a place in blues history for himself which spans a decades-long career that has produced 15 solo albums, 11 of which reached #1 on the Billboard Blues Charts.

    Twenty years ago the first of those albums A New Day Yesterday was released and the fan-favorite track “Colour and Shape” was introduced to the world. Now with a more evolved style listeners can experience Joe Bonamassa’s artistry all over again with the 2020 release of “Colour and Shape”.

    Coming August 7 via J&R Adventures, Bonamassa will be releasing a revamped version of his debut album A New Day Yesterday with both new vocals and mixing remastered by long-time producer Kevin Shirley. Listeners can pre-order the album now.

    This revamped album will include not only six of Bonamassa’s original tracks but also six cover songs from historically renowned blues and rock artists. The cherry on top is that three never before heard bonus songs will be added, produced by Stevie Van Zandt for Bonamassa.

    To get live updates of Bonamassa’s new exploits be sure to visit his website, Youtube channel, Facebook, Twitter, and Instagram, as well as checking out Keeping the Blues Alive Foundation, a charity established to support musicians and the musical arts.

  • Karolina Rose Releases Music Video for Power Anthem “Runaway Angels”

    NYC-based alt-pop artist Karolina Rose has released the music video to her new single “Runaway Angels,” a deeply personal place of experience from the nomadic artist, split between NYC, Los Angeles, and Europe.   

    Karolina Rose

    Rose’s previous singles include the glittery upbeat rhythms of “Greytopia” and the dusky grooves in “Objection.” “Runaway Angels” is the latest installment of Karolina’s versatile brand of ‘noir rose pop’ and step three in her visual EP project.

    Speaking about “Runaway Angles,” Karolina explains: 

    Runaway Angels is more ballet-inspired with a graceful, haunting feeling. It balances between this place of healing and a place of hell—running from a dark, painful abyss of memories that mostly only come up while you’re dreaming. I started releasing the EP last year and these last two songs were quite personal to me. I took some months off on a sort of spiritual journey to look within and do some healing; Runaway Angels helped me process a part of my life that was really difficult for me. It’s euphoric to exercise this part of me out and share it. The chorus was written in my apartment and the rest of it was finished on a vacation during the thick of the #metoo movement. I wrote parts in the middle of the night and tweaked it on the beach with a mini Taylor I had with me and my laptop.      

    Karolina Rose’s compelling track inspires listeners in an empowering way while on their own journeys of finding love and healing.

    https://soundcloud.com/karolinarose/

  • Hallie Spoor Releases Inspirational New Music Video for “City Angels”

    Brooklyn based folk/rock singer-songwriter, Hallie Spoor releases her newest music video which inspires joy, youthfulness and unity despite the global shutdown.

    Cover art for Spoor’s newest album, “New Ground.”

    Spoor’s song “City Angels,” promotes a feel good attitude, during a time that many of us are struggling emotionally because of the pandemic.

    “The idea I had was that during this time of isolation and separation, I thought we could use more joy,” Spoor said.

    Growing up in Denver, the young musician is now based out of Brooklyn. She has played at several famous music venues like, Sunny’s Bar in Red Hook and Rockwood Music Hall.

    Spoor completed her first national tour last fall through playing small performances in unique locations with the well known music events start-up, Sofar Sounds.

    Spoor’s website describes her as an “old soul,” who possesses similar sounds to Joni Mitchell. That part of her personality comes out in the music video where she created a collage of pictures and video clips sent to her by friends and family. The collage promotes memories and a cheerful outlook on life in the city.

    According to her Youtube page, Spoor wrote “City Angels,” after experiencing a lonely day in NYC. Her mood changed after running into a few, “New York characters.”

    “All these very human moments made me feel like I might belong after all. So, this video is dedicated to them- the city angels that make us feel like we’re home in this exciting, scary, beautiful place called New York,” Spoor wrote.

    Hallie Spoor asked her friends and family to send her nostalgic pictures and video clips.

  • Alondra Galopa Release Cover of Simon and Garfunkel’s “Sound of Silence”

    Alondra Galopa dropped their cover of “Sound of Silence” originally by Simon and Garfunkel. The cover comes from a place of unrest and gives the song a new meaning in 2020. 

    Alondra Galopa is an alternative indie band that originates from Granada, Spain. The band has worked with Linier Discos and The Borderline Music record labels producing one of a kind sounds. Some of their biggest songs include, “no hay marcha atrás,” “héroe,” and “a ninguna parte.” The band is made up of Juan A Salinas, Monica Navarro, Antonio “Lopez” y Manuel Marín.

    Before the worldwide pandemic, Alondra Galopa, was in full production work for their next record release. The album production process had to stop due to the group’s inability to reunite. Band members Mónica Navarro and Juan A. Salinas have adapted “Sound of Silence” by Simon & Garfunkel to Spanish during their unexpected downtime. They have turned the sound into a dark pop terrain, with the essence of post rock and dark noise that characterizes some of their productions. Between Monica Navarro’s vocals and the eerie sound it’s an original version of  “Sound of Silence.” The cover is really something special that takes a classic song and changes to the sound while still keeping the essence of the song intact which isn’t an easy thing to do. 

    The song is definitely worth giving a listen to if you are a Alondra Galopa or Simon and Garfunkel fan. The song is out now and available on most streaming services.  


    For more information on Alondra Galopa visit their Facebook Page.

  • Weird Al doesn’t throw away his shot with “Hamilton Polka”

    Just one day after the musical’s release on Disney+, Weird Al Yankovic uploaded a comedic mashup video to go along with his 2018 “Hamilton Polka.”

    weird al hamilton

    Parody artist Weird Al is famous for his mashup polkas of famous songs. His first polka, “Polkas on 45,” was released in 1984. Weird Al has continued to make polkas throughout the decades using each generation’s music. His most recent is “NOW That’s What I Call Polka!,” which was released in 2014 and features songs by Miley Cyrus, One Direction, Daft Punk, and more.

    The single was released in 2018 as a part of the Hamildrop series, where different artists made remixes of Hamilton content throughout the year. Miranda has been a fan of Yankovic since he was a kid, and hearing the song was a dream come true for him. He and Weird Al have been good friends for some time, and Yankovic describes Hamilton as “maybe the greatest piece of art [he’s] ever seen,” so he pulled out all the stops to make sure that the “Hamilton Polka” was perfect. 

    The “Hamilton Polka” is Weird Al’s third polka to use songs by only one artist. “The Hot Rocks Polka” features songs only by The Rolling Stones, and his “Bohemian Polka” mashes up Queen’s famous “Bohemian Rhapsody.” The “Hamilton Polka”  still made history as being the first time Yankovic used multiple songs by one artist but from just one album. 

    He features some of the most popular songs from the show, including: “Alexander Hamilton,” “Wait For It,” “The Schulyer Sisters,” “Yorktown (The World Turned Upside Down),” “You’ll Be Back,” “The Room Where It Happens,” “Right Hand Man,” “Guns and Ships,” “Washington On Your Side,” “Non Stop,” “History Has its Eyes On You,” and “My Shot.”

    Even with the songs’ uniformity, Weird Al manages to stay true to his style and add silliness to the single. The comically edited lip syncs of the video feature the 2016 cast of Hamilton performing Weird Al’s vocals. The actors’ dancing and blocking for each song is shown, finishing with the cast’s final bow.

  • September 28, 1976: The Grateful Dead Paint the War Memorial Orange

    Our look back at the Grateful Dead’s tour history in New York makes a stop in the heart of Central New York, with a trip back to September 28, 1976 and a show so good it deserved placement on a Dick’s Pick release. The latter half of Volume 20 of this particular series of live shows showcases the band at the top of its game as it rolled into Syracuse in late September, after a show at Rochester’s War Memorial the night before.

    Grateful dead war memorial

    New York has always served as fertile ground for memorable Grateful Dead shows and this particular one at the Onondaga County War Memorial falls right in line, with the band continuing to break new ground as they explode through this transformative mid ’70s era.

    View this show and more Grateful Dead shows from across the years in New York State with our interactive map below!

    The proceedings start with an upbeat and inspirational “Cold Rain and Snow” that seems to warm the collective hearts assembled in Central New York this evening and gives the band a chance to warm up their harmonies early.

    A “Cassidy” that later follows takes the set’s early momentum and runs with it, courtesy of its typically brief yet intense ending progression section. The band then stretches their collective legs a little with a version of “Tennessee Jed” that has a delightful, rambling jam attached to it and a stout version of “Candyman” soon follows. But the real highlight of the opening stanza is an an enthusiastic “Let It Grow” that fosters a jam which meanders effortlessly through the highs and lows provided by a rhythm section in lock step with the vocals of Bob Weir and Donna Jean Godcheaux before it dissolves into psychedelic bliss. This more than helps provide the kindling for a set closing “Goin’ Down The Road Feeling Bad” that easily catches fire, ending the first set in a pristine blaze of glory.

    Grateful dead war memorial

    A direct and authoritative “Playing In the Band” opens the second set with Jerry Garcia on lead guitar laying down ferocious melodies atop a bed of intense rhythms fueled drummers Bill Kreutzmann and Mickey Hart and bassist Phil Lesh. The near 11-minute opening salvo is the band at their finest as they collectively finesse through a psychedelic jaunt that eventually makes way for “The Wheel.”

    A joyous “Samson and Delilah” follows, which wastes no time after its completion before seguing into another blissful, guitar-driven improvisational jam with Garcia still leading and the rest of the band in hot pursuit.

    Much like the first set, the bulk of this show’s punch comes towards the end, in the form of a tidy “Drums” section that gives way to an absolutely blistering “Eyes of the World” that sees the full band in complete cohesion and harmony, in a somewhat speedy version that was not atypical for this era of Dead.

    This rapid rendition of “Eyes” then gives way to a loose, ragged collective jam that’s since been dubbed the “Orange Tango Jam,” the only one of its kind and seemingly a nod to the local Syracuse confines. This off-the-cuff jam has flashes of inspiration but eventually peters out and gives way to a rousing “Dancing In The Streets” before the set concludes with a bookending “Playing In The Band.”

    Make no mistake. Even through this show might be the second half of Volume 20 of the esteemed Dick’s Picks archival releases, it takes a back seat to very few others from this era. It shows the band playing relaxed and cohesive as a whole, with the ability to shift into unstructured territory at a moment’s notice – a sign of things to come with the band soon entering perhaps the most explosive year of its existence.

    Grateful dead war memorial

    Grateful Dead – Onondaga War Memorial Aud., Syracuse, NY – September 28, 1976

    Set 1: Cold Rain and Snow, Big River, Bertha, Cassidy, Tennessee Jed, New Minglewood Blues, Candyman, It’s All Over Now, Friend of the Devil, Let it Grow, Goin’ Down the Road Feelin’ Bad

    Set 2: Playin’ in the Band > The Wheel >Samson and Delilah > Comes a Time > Drums > Eyes of the World > Dancin’ in the Streets, Playin’ in the Band

    Encore: Johnny B. Goode

  • Discover Local Music With EQXposure Featured Artists Of The Week

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. NYS Music will bring you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    WEQX eqxposure joe mansman

    Tune into WEQX.com this Sunday night to hear music from Joe Mansman and the Midnight Revival Band, Underwater Cartographers, New Saviors, Grape Juice!, Ida Mae Specker and many more! Get a preview of these artists below.

    Joe Mansman and the Midnight Revival Band – “Blood on the Scales”

    These guys rock, plain and simple. Hailing from Glens Falls and have most recently released Fear In The Valley: Live From The Den, a collection of live acoustic songs recorded during quarantine. Joe Mansman says of the recording process which took place in an old boat garage:

    There was at least some comfort sitting in that moldy and dusty room with people you love, because it felt more normal than what was going on outside of it. We took our acoustic guitars, and just hit the record button most nights, letting it take us wherever. That felt normal. To me, this record will forever serve as a time capsule that’ll remind me of how we found a little bit of comfort in a strange and uncertain moment in the world’s history.

    Joe Mansman

    Underwater Cartographers – “Wave Goodbye and Watch it Go”

    Albany’s Joe Pasinella is staying busy as always. Look up Underwater Cartographers on Bandcamp to see what I mean. It’s crazy how many songs this dude cranks out. He sends me new music constantly and it’s always interesting both lyrically and musically, all done for fun recording on Garage Band. Just like you, or maybe not depending on your situation, he works a standard job. I have no idea what that job is but he makes music like it’s his job. This is from the new Album Benign Fascinations.

    New Saviors – “Pieces”

    Ryan, host of EQXposure, shares insight on the newest from New Saviors.

    Zack King’s latest project New Saviors are based out of Southern Vermont and Upstate New York. Zack plays guitar and takes on many other roles within the group. I’ve known him for well over a decade and have always known him to be in a band of some kind, even experimenting with rap as King Daddy Deucey (KDD) for a period of time. He’s a hustler for sure. When KDD merch was for sale you could see the t-shirts all over Bennington before Zack had even released any music under the name. I myself had at least three shirts, a hoodie, and a hat. That’s the thing about Zack. He’s just got the drive, talent, and personality to move any project forward.

    Grape Juice! – “Strawberry Pie“

    From Saratoga Springs, Grape Juice! is Hunter Fish (lead vocals, guitar, ukulele), Jesse Zuccaro (bass), and Michael Smith (drums, vocals). The three met in a creative writing class at SUNY Adirondack in 2017 and started the band at the beginning of 2018. “Strawberry Pie” was one of the first original songs they ever played and wrote together, and has been a favorite of their’s ever since. They recorded and mixed it all by themselves in their bass player’s basement, and if you listen closely, you can hear that it features his mom walking around upstairs toward the end of the song. They released our debut EP Outer Spvce EP on July 10, and are constantly writing, recording, and practicing. It shouldn’t be long before they have more music and start building their audience in the region.

    Ida Mae Specker – Billy In The Heartland

    Ida Mae Specker lives in Dorset, Vermont, having growing up in Andover, Vermont, where she began playing fiddle and singing in her family band, The Speckers. In addition to singing and fiddling, she’s also played drums and guitar in folk and indie rock bands. Her new EP Billy in the Heartland was recorded last year at Owl Sounds Recording and was the first time she recorded her original songs. The EP was to be followed up with some shows with the bands Upstate and Saints and Liars but the shows were unfortunately canceled due to COVID-19. Her web designer, photographer, and agent are all local VT women and you can see their work at on her website.