After tirelessly recording live at Long Pond (The National’s Studio) and elsewhere, Alan Braufman is releasing the second album under his name, The Fire Still Burns, will debut Aug. 28, 2020 (Via Valley of Search). Accompanying Alan Braufman (alto sax, flute) is Cooper-Moore (piano), James Brandon Lewis (Tenor Sax), Andrew Drury (Drums), and Ken Filiano (bass).
In preparation for the album’s release, Alan shares the lead single off The Fire Still Burns titled, “Sunrise.” This dreamy track rises and falls amidst the dance of Alan’s saxophone, and Cooper-Moore’s Piano, producing another heightened evolution of the “Loft Jazz” Alan is so well known for.
Born in Brooklyn, Alan moved into a vacant building at 510 Canal Street in Manhattan with several other musicians, after studying at Berklee College of Music. Considering the fact that rent at the time for a whole floor was $140 a month, the space quickly became an area for rehearsals and a venue for shows. It was in this gritty atmosphere that the tradition of a “do-it-yourself” attitude was forged for the creatives of the city as well as Alan’s cult classic ,Valley of Search, released with the label India Navigation in 1975 and rereleased by Alan in 2018 amid popular demand.
You can find Alan’s work on his Bandcamp and follow along with updates on the new album on hisFacebook.
Beau Fleuve Music & Arts Festival will be continuing its celebration of local art and culture with a 4th annual festival. Titled “Ultimate Sunday Funday,” it will take place on Sunday, Aug. 30, 2020 at Silo City.
The Beau Fleuve Music & Arts Festival will have art installations, culture exhibitions, a silent disco, vendors, food trucks, and a diverse musical lineup for all ages. Additionally, there will be an indoor and outdoor event space provided for festival guests. A virtual experience curated by “The Fleuve,” Beau Fleuve’s multi-media brand, sets this even up for all.
More event details about the festival will be announced in the coming weeks, you can follow these updates on Beau Fleuve’s Instagram @beaufleuvemusicarts and website.
The Rust Belt Brigade began as an acoustic punk duo from Buffalo that has since become a 4 piece Alt-Country/Americana outfit carving out their own niche in and around the Buffalo area. Coming Sept. 18th, the album, Howdy Hallelujah, Here’s the Thing, is a timestamp from the last two years as a 4-piece band composed of songwriters Victor Castilo, Jeremiah Franco, and Brandon Mueckle with Trevor Jennings on cajon/percussion. The album also differs from the normative live experience through full band-electric recordings composing roughly half the record and guest Sally Schaefer on Violin for the more traditional high energy bluegrass tracks.
The first single off of Howdy Hallelujah, Here’s the Thing, “Roll Call” is a fast-paced piece that instills a feeling of paranoia and urgency. From the get-go, the instrumental portion builds into an attention-grabbing and heart-pounding pace. The story told within “Roll Call” is one that encourages you to try anyway, even if you’ve hit rock bottom. This lesson is communicated after the ballad describes a life of someone who is truly desperate, with the final few lyrics informing the listener to “Roll the dice man, see if your lucks ran, lucks ran dry.”
“Love Is A House” slows the pace down from “Roll Call” and describes love through a series of touching metaphors. The lyrics “tell me what’s wrong, so I can fix it, fore winter comes, won’t let the cold get the best of us” exemplifies the importance of communication in relationships and serves as just one of the wholesome lessons that can be drawn from the track.
These two tracks serve as just a taste of Howdy Hallelujah, Here’s the Thing. Two more tracks from the album will be released on The Rust Belt Brigade’s Bandcamp titled “Kentucky Rain Dance” and “Buried in the Ground.” on July 24 with the full album releasing Sept. 18.
Unfortunately, this will be the last album produced by the band with songwriter Victor Castillo for the foreseeable future, as the band revealed through a Facebook post that Victor would be pursuing his career in Colorado without the group.
While the group will be decreasing their level of actively greatly the brigade isn’t disbanding, stating that “We still plan to release new music down the road and play shows in Buffalo when we can all get together but this is indeed an end to era.”
Based in Westchester, Raquel de Souza (Singer), Cat Lines (Fiddle), Luis Cruz (Guitar), Tommy Carlucci (Drummer), and Steve Riccio (Bass) are Raquel and the Wildflowers. This troupe have provided a breath of fresh air into the country/rock genre with Raquel’s first single “Run Towards The Highway” charting #32 on DRT top 50 Country Airplay charts in 2018.
https://www.youtube.com/watch?v=5rEvzv0d8sI
After the bands public debut in 2019 they have been on a marathon of performances. The band has opened for multi-platinum artist Andy Grammer, award winning band Skeeter Creek, international country star Jessica Lynn, performed at The Cutting Room for Lauren Davidson’s first “Urban Country Jam”, Daryl’s House, qualified for the “Battle Ground Talent Show Case” finals at West Point Eisenhower Theatre and much more.
Most recently the band played the virtual concert for the radio station BIG FROG 104, and have posted the lovely performance on their Facebook page. For this performance, the band played covers as well as some of their originals, “King of the Jungle”, “Hot July”, “Room 15”, in addition to soon to be released songs “At least that’s what they say” and “What’s Done is Done”
In addition to online shows, the band will be doing “front lawn concerts” where they will be available to play for private shows and can be booked through their contact list on their website.
Their fully released songs are available on all major music outlets and you can find Raquel and the Wildflowers on their Facebook, Instagram, and website.
Escaper guitarist Will Hanza’s spirits are high as he and his fellow bandmates prepare for the highly anticipated release of their new album Apotheosis this Friday (June 19thRopeadope Records). Hanza spoke to NYS Music about the inspiration and process involved in creating Apotheosis as well as the future plans of Escaper with quarantine in mind.
Thomas Lent: The album art for Apotheosis by Matthew Chase is striking – what input and guidance, if any, did you and the band members have on the design?
Will Hanza: Oh the art is all Matt’s and he’s done a lot of work for us in the past but as far as our contribution goes he gets an advanced copy of the album, listens to it, and the we discuss what the album is about, what the meaning is, and then he creates the art. Apotheosis definitely feels like a breakthrough in his own art.
Tl: What was the songwriting process like for Apotheosis?
WH: It sort of depends on the individual track, the first few albums were instrumental but then we had some vocals.“Apotheosis” was one of our first tracks with vocals. A lot of our writing process comes from jams at first, and then we refine It from there. Open sky for example started as a solo acoustic. I brought it to the band and then fleshed it out more. For “No Strings” I remember Phil saying he wanted an “Ah Ah Ah!” feel, then we dug into that and then we started refining it into what “No Strings” finally became. The first track, “Vista,” was born out of us jamming after a song during a concert and a new sort of ‘danceable’ track came up and we decided to make it into another own song. We called it “Vista” because we felt the song elicits the feeling of climbing a mountain and reaching a new vista point.
TL: For the listener, what would you like the main takeaway to be from Apotheosis?
WH: We want this album to be a journey, start at “Vista,” goes to Open Sky – “Eye in the Open Sky”- then you realize that you are it, that we all can have that ‘Third Eye’ realization. I mean, the third track “Superhead” is all about your higher sense of self. Then when you make it to “No Strings,” it’s a fun song, once you find your sense of self, you can go onto the dance floor so to speak.
TL: Your “Escaper at Home” Youtube video series is a real treat to see. How was much of Apotheosis created in this virtual way during quarantine?
WH: Oh well ya that series was partly a treat for the fans but the album was created by us when we were together last year. It largely came out of our new drummer (Ricky Petraglia) and playing smaller shows and harvesting new material from the quartet and writing with each other late last year and refining it. Near the end of that year, we got to work with John Davis again and recorded and mixed the whole album in 6 days. Much of it was actually recorded live as well. “Res Magna” for instance had a lot of improv involved in its creation.
TL: Quarantine has made life harder for just about everyone, how do you see artists making it in this new lockdown environment?
WH: There’s a lot of hurt, it’s hard to complain about anything in my life, I don’t want to take away from other peoples struggles now with all of the new movements and causes but we scheduled this release 6 months out and had to cancel our tour we had planned with it so it’s hard. To compensate we’ve done these online things but were itching to play. We’ve looked at private parties, beaches, small events outdoors that can have a certain capacity. I know it’s somewhat controversial but music is good for people’s souls, and I believe people need that. Hopefully, by fall or next summer, we can be back on the road.
TL: What is one more thing you would like to impart upon the listener for Apotheosis?
WH: I’m hoping everyone will get it into their ears, now there’s vocals, songs with messages and important feelings that make a positive album. We’ve also tried to include the danceable part of it to have the experience and the grove as well since we’ve missed dancing with people at shows. Overall we’re very proud of the album, we hope it can help people “Escaper” a little bit.
Escaper will release Apotheosis on June 19th 2020, on Ropeadope Records.
Covid-19 has cancelled just about everything this year. Sporting events, graduations, and concerts have all been postponed or cancelled in some capacity. The Rochester Lilac 5k/10k is no exception to these cancellations. In the absence of the Lilac Fest, Rochester Events have established their first ever virtual run, the “Roc’n RUN.” This event will benefit MusiCares, a non-profit organization formed by the Recording Academy, who usually run the GRAMMYS, to raise money to provide a much needed safety net for out of work people in the entertainment industry.
Rochester Events owner Jeff Springut stated “Although we’ve probably lost the Festival season, we’re giving not only our local community but anyone in the world a chance to tie up the laces and turn up the tunes! The virtual run and walk has a distance for everyone- and can be run anywhere- whether you are an athlete, music fan, or both!” This event was made possible by The Springut Group, a Rochester-based company with greater than 35 years of experience in bringing events to the community. They produce the Rochester Lilac Festival, Five Star Bank Party in the Park Concert Series, Midtown Eats, and other special events.
The ROC‘n RUN event will take place June 26th – 28th and will host 4 races. The Summer Madness 5K, Lovin’ Summer 10K and Cruel, Cruel Summer Half-Marathon, as well as a Schools Out for Summer 2-Miler for those under 14.
Registration for the ROC’n RUN opened on Wednesday, June 3rd and can be found at their website.
