Author: Nora Hones

  • Spotify CEO Daniel Ek Thinks Artists Aren’t Working Hard Enough, to Musician’s Dismay

    Spotify CEO Daniel Ek thinks that it’s the artist’s own fault they aren’t making enough money because they aren’t putting out enough music. It’s been widely known that the popularity of streaming services instead of buying music from the artists or their labels has hurt the artists revenue but Daniel Ek is taking it to the next level by putting the blame on the artist for their measly payouts.

    Spotify CEO Daniel Ek, photo via Bloomberg.

    Spotify has a market value of about $21 billion in 2019 and Daniel Ek himself has an estimated net worth of nearly $2 billion. According to Business of Apps article they say,“Estimates vary on how much a Spotify stream is worth to artist: from $0.006-0.0084 to as low as $0.00318/stream”  at a pay rate of $0.006-0.0084 a stream it would take a million streams for an artist to make $7,000. In comparison the article states that, “Amazon Music tops the list in terms of average payment per stream on $0.01196/stream. YouTube Premium delivers $0.00803, Apple offers $0.00563, and Google Play $0.00551. Pandora’s rate, on the other hand, is even lower than Spotify, at $0.00151.” In the first quarter of 2020 Spotify’s revenue brought in $1.85 billion from Premium subscribers, while ad-supported users generated $161 million for the company.

    Spotify
    Graph curtsey of Counterpoint’s article.

    Daniel Ek stated in an interview with Music Ally that, “There is a narrative fallacy here, combined with the fact that, obviously, some artists that used to do well in the past may not do well in this future landscape, where you can’t record music once every three to four years and think that’s going to be enough,” essentially putting the lack of revenue the artists own fault. Daniel Ek explained that, “ What tends to be reported are the people that are unhappy, but we very rarely see anyone who’s talking about… In the entire existence [of Spotify] I don’t think I’ve ever seen a single artist saying, ‘I’m happy with all the money I’m getting from streaming.” Which begs the question, are artists not working hard enough or are they just not being properly compensated for their work by streaming services? 

    Musicians are not happy about this mindset in the music industry that Daniel Ek has been promotin. Ben Albert of  Rochester Groovecast thinks Daniel Ek’s remarks are, “Disrespectful” saying that, “Music is not a fast food chain.” The fact that Spotify’s CEO believes that artists aren’t working hard enough and should just turn out more music is disheartening to the music community particularly those who are on the road a lot and believe in creating more complex and artistically driven music. Gabriel Marin from Consider the Source spoke on this matter saying, “People like [Daniel]  Ek seem to only look at pop and commercial music as how all music is made. Yes those forms of music are easy to make happen and often a whole career of someone in that field will be 3-4 years. Music that has more weight takes longer; bands that make a living and artistically thrive in a live setting can’t put albums out at a predictable pace like that.”

    In times like these where COVID-19 is hitting the music industry harder than many industries it’s hard to understand how someone running one of the biggest music platforms can so easily criticize artists instead of supporting them. Justin Henricks of Wurliday and Beau Sasser’s Escape Plan chimed in on the matter saying that, “Spotify is in a very unique position of ability to offer some real aid and relief to an industry that is in dire need of it at the moment. Take a page from Bandcamp who offered to relinquish their revenue share and give 100% of their proceeds on specific days to the artists/labels. I find it appalling that not only has Spotify chosen to ignore their ability and responsibility to help in any way but have actually double downed to say Artists should work harder, churn more music into their billion dollar money making machine, and leave us all out to dry. Shame on them.” 

    Dopapod‘s Rob Compa shared a similar sentiment, saying “I don’t think Daniel Eck understands that touring was how bands like mine and many friends of ours was how we raised any money to record albums, let alone make a meager living. Now, with COVID, we can’t even do that. So if he expects us to produce album after album, where does he expect us to get the money to make them? To me, he’s a little like some general who’s never even been in a fight, telling all of us to get out of the trench and run into no man’s land.”

    For more on this story and Ek’s point of view, read Music Ally’s original interview here.

  • Albany Symphony Subgroup Dogs of Desire Announces “Hot, w/Mustard,” Series

    Albany Symphony subgroup Dogs of Desire announces their “Hot, w/Mustard,” 10 week series featuring 10 emerging composers. The series will start on August 2 and run through October 4 and the series will be available on the Albany Symphony’s website.

    Albany Symphony’s Dogs of Desire Photo Provided by Albany Symphony.

    The Dogs of Desire are made up of 18-members of Albany Symphony and will feature genre-bending new music. The emerging composers highlighted are: Alexis Lamb, Carlos Bandera, Annika Socolofsky, Andre Myers, Nina Shekhar, Jack Frerer, Clarice Assad, Gala Flagello, Paul Mortilla, and Derrick Spiva. The works of “Hot, w/Mustard” will cover a wide range of subjects, including an anthem paying tribute to nurses on the front-lines, Thoreau’s thoughts about the miracle of seeing the world through another person’s eyes;,the hope embodied in Dolly Parton’s music, bedtime stories,  and a feminist look at Dear Abby. 

    Artistic Director David Alan Miller explained the reasoning behind the creation of the “Hot, w/Mustard,” series saying,  “During difficult times, music is a source of inspiration, hope and comfort. We asked some of our favorite composers to create works to showcase the uniqueness of Dogs of Desire during a summer in which it is much more difficult than usual for listeners to experience exciting new art. We hope this new series will provide both our ardent fans and those who have never heard the Dogs [of Desire] the chance to enjoy our brilliant ensemble in all its glory through the rest of the summer. So, we hope you’ll kick back, relax and enjoy this one-of-a-kind experience each Sunday.” 

    https://youtu.be/bRr6EIxu9os

    The series will start up on August second featuring  Alexis Lamb on “Look Through” inspired by a quote from Henry David Thoreau’s Walden. On August 9th the series will host Carlos Bandera with The Vast Hour. On August 16  will host Annika Socolofsky with an arrangement of Dolly Parton’s “Light of a Clear Blue Morning.” On August 23 Andre Myers  will step up to the plate with “Pulp Anthem: Reflected Glory” which is an anthem for nurses. On August 30 Nina Shekhar will present “Dear Abby” focusing on the 1956, Dear Abby is a newspaper column in which readers ask for advice on a variety of topics, including etiquette, relationships, sex, health, and career guidance. On September 6 Jack Frerer will be featured with “Getting Better.” On September 13 Clarice Assad will feature “Treta.”

 On September 20 Gala Flagello will present “Persist” after a poem Flagello wrote earlier this year. On September 27 Mortilla will present “Transmuting Ether // Quarantine-Dreams.” And on October 4 Derrick Spiva will wrap up the series with “From Embers” mimicus ideas of meditation, beginning small, then growing and unfolding with compound meters, mimicking the uneven beats of a pumping heart.

    The series will be available on Albany Symphony’s website and on Albany Symphony social media channels. Each new work will be unveiled on Sunday. There will also be features, including interviews with the performers and composers and festive menu ideas, accompanying each release. 

    For more information visit Albany Symphony’s website.

    Watch the first performance in the series by composer Alexis Lamb below.

  • Summerstage Anywhere Announces Lineup for Global Performances

    Summerstage Anywhere announced its plan to put on Global Performances. Summerstage Anywhere is being put on by Capital One City Parks Foundation and is hosting a variety of performances, DJ sets, conversations and more from the global sector of the digital series. The global series took off on July 21. The shows will be available on the SummerStage YouTube channel.

    Summerstage Anywhere has been presenting nearly daily content since July with Mondays hosting Contemporary Dance, Tuesdays with Global content, Wednesdays Indie Rock with content, Thursdays with Latin content, Fridays with Hip Hop content and Saturdays with Jazz content. Their global content includes Brazilian Drag Queen, Pabllo Vittar and Brazilian singer/songwriter, Duda Beat on Tuesday, August 4at 8PM EST on SummerStage’s Facebook, YouTube, Twitter, Instagram. Tunisian singer-songwriter Emel Mathlouthi on Tuesday, August 11 at 8PM EST on to be announced platforms. There are more shows in the works with details to be announced in the near future.

    SummerStage Anywhere Global Series has some content available to watch in full now on the SummerStage YouTube channel now. These include a Culture Talk with legacy SummerStage artist and Grammy award winner, Angelique Kidjo and veteran entertainment journalist and Executive Director of the Museum of Contemporary African Diasporan Arts (MoCADA), Amy Andrieux. There will also be a session with the iconic Femi Kuti, who performed live exclusively for SummerStage Anywhere from the New Afrika Shrine in Nigeria.

    Summerstage Anywhere is also hosting a variety of performances on their website for free daily. To check out the schedule visit their website. These free shows intend on providing exclusive content easily available to the public all summer long.

    For more information on Summerstage Anywhere’s global performances visit their website.

  • moe. Miracle Mile Drive-In Concert Cancelled

    The moe. Miracle Mile Drive-In concert was cancelled days before it’s shows on July 31 and Aug. 1. by venue management on July 29 due to safety concerns. Vernon Downs Casino Hotel was scheduled to host the performances but abruptly changed their minds with continuing concerns revolving around the COVID-19 pandemic. 

    Organizers of the event stated that, “Despite putting a comprehensive health and safety plan in place for the events, Vernon Downs management made the preemptive decision to not allow the concerts to be held on-site due to the continuing health and safety concerns surrounding the global COVID-19 pandemic,” according to the article in Observer-Dispatch.

    The band announced via their Facebook that their moe. Miracle Mile Drive-In would have to be canceled due to the short notice given to them by Vernon Downs Casino Hotel. They also stated that refunds will be automatically issued by Ticketmaster to all original ticket purchasers. 

    https://www.facebook.com/moe.org/posts/10158496404552438

    The promoter of the show, Creative Concerts Inc, states in their Facebook post that Vernon Downs Casino Hotel breached their contract and forced the show to be canceled. “We’re devastated by this turn of events and are still committed to bringing safe socially distanced events to upstate and central NY….Thank you for being so supportive of our efforts hopefully we can find a new venue in the near future that will honor their promises and commitment,” stated Chuck Chao, President of Creative Concerts Inc.

    https://www.facebook.com/cconcerts/posts/1563077290541928?__xts__[0]=68.ARBysQBqtmVI1EEWey_4SXVWbLpx9pumn6y0VQ6Q-QP9g0WCTErOF_qqwDZ5MDQamprDOmWXq-FoWnwmda8c59oBASeG46E3Lt1ulIUtH16m1f5u5r6MTMtCpLUhI9kprA7zEY7SYoFcFDyzcovdV3R4varDuvQ7f8OBKu_JcMCHABnnQ1nc2YORo67shuQbLqo9uQlJw7jG_NlAPNrIPp9SRuoKU0Vf6_K3kpB02x2BaJAfs5DCWURXqn3FEql_GoA8fd0oZH_GXlKZ6b-3WVk8BJqwO83dTD6uJG9YWuSAoSeDL43m0EmOfUTxV2B8rHwaC6-mq9RhtXaoYliEMDWx-Ltvkre1z-QHh6BMunN_jfDE4vURDqT2ME6V6wcjotTREv-sWqBFt0JLR2nu79fkKHeg2yIctoBP7Lvkho5_cK_2ACfwnslizl-xFj42MoLX1OcejF3qUjGtztSl4GEZCqaJi39rJAu7MC_hSRW3dqjO&__tn__=-R

    moe. also announced that, “While [we] can no longer play for you in a live concert setting, we will still perform for you live via webcast. We have been rehearsing in an historic church-turned-recording studio and will broadcast two full moe. shows from this setting, starting at 7pm on Friday and Saturday evenings. We hope you can join us virtually. For tickets and more information, please visit tourgigs.com/shows” 

    moe drive in

    For more information visit moe.’s website.

  • Summer Camp Music Festival Announces 2021 Lineup

    Summer Camp Music Festival announces their 2021 Lineup for the festival’s 20th Anniversary celebration. The festival will include big names like Ween, Joe Russo’s Almost Dead, Billy Strings, Three Six Mafia, Rezz, STS9, and Tipper. It will take place on May 28 – 30 , 2021 at Three Sisters Park in Chillicothe, IL and will be Sticking closely to the original 2020 lineup. 

    https://www.facebook.com/summercampmusicfestival/videos/839003283173344/

    So far the 2021 line up includes: moe., Umphrey’s McGee, Ween, Joe Russo’s Almost Dead, Billy Strings, Three 6 Mafia, Rezz, STS9, Tipper, Snails, Pigeons Playing Ping Pong, Shpongle (Simon Posford DJ set), The Wood Brothers, Houndmouth, The Floozies, Lettuce, Cherub, Manic Focus, Emancipator, CloZee, Jade Cicada, Boogie T, EOTO, Twiddle, ScaryPoolParty, The Record Company, LSDream, Whipped Cream, Yonder Mountain String Band, Here Come the Mummies, Andy Frasco & The U.N., Aqueous, Badfish, Banyan featuring Stephen Perkins, Willie Waldman and more, Big Something, Boogie T.rio, BoomBox, Break Science, Cycles, Detox Unit, Doom Flamingo, Dopapod, Everyone Orchestra, GG Magree, Horseshoes & Hand Grenades, Keller Williams, Kursa, Kyle Hollingsworth Band, Lawrence, Maddy O’Neal, Marvel Years, Monophonics, Moody Good, Mungion, The New Deal, Papadosio (Microdosio), Ryan Montbleau, Southern Avenue, Spafford, Sunsquabi, The Werks, Aaron Kamm and the One Drops, Brass Against, Chicago Farmer & The Field Notes, Chomppa, Consider the Source, Dogma, Family Groove Company, Fate Nite ft. Brendan Bayliss +, Friends, Filibusta, Funk You, Gangstagrass, GoodSex, Hot Buttered Rum, The Jauntee, Joe Hertler and the Rainbow Seekers, Jon Stickley Trio, K+ Lab, Kitchen Dwellers, Lee Dewyze, LTX, Marcus Rezak’s Shred is Dead, Mike Dillon and Punkadelic, Mize, Neal Francis, Nobide, Old Shoe, Pert Near Sandstone, Porn and Chicken, Red Wanting Blue, Steady Flow, Sun Beard, Sun Stereo, Tropidelic, AHZ, Alison Hanna Band, The Althea Grace Band, APO10, Audiodacity, Backyard Tire Fire, Badman, Barefuzz, Ben Miller Band, DJ Belly, Berth, Biomassive, BluePrint Metro, Bones Jugs, Brainchild, Daniel Rodriguez, Dark Moon Hollow, The Dawn, Dizgo, EGi, Electric Orange Peel, Fall Classic, Fletcher’s Grove, Float Like a Buffalo, Funkstatik, FUX, Guerrilla Theory, The Iceman Special, Ifdakar, Jack Cloonan Band, Joslyn and the Sweet Compression, Junkyard Samurai, JUULS VERNE, Kadela, KVZ, Levity, Little Stranger, Magnolia Boulevard, Medusa, Nicholas Gerlach, The North 41, Positive Vibr8ions, Pushing Daisy’s Band, The Ries Brothers, The Rockstar DJ Tre, Since JulEYE, Still Shine, Stormy Chromer, DJ Tim Williams, Travers Brothership, The Textures, Thee Delinquents, The Tripp Brothers, Trouble Chasin’,TruFeelz, Undercover Organism, Victoria Canal, Vine, Vintage Pistol, WokeZan, Yam Yam, ZOSKA, and more to be announced. 

    Ian Goldberg who is the festival’s founder made the official call to move the 20th anniversary festivities to 2021 last week. Ticket holders will have the option to roll over this year’s pass to next year or receive a refund. People can request refunds from July 13 – 31 st at 11:59pm CST.

    For more information visit Summer Camp Music Festival website.

  • Mavis 80, A Newport Folk Revival Screening on the SPAC Grounds

    A Screening of ‘Mavis 80, A Newport Folk Revival’ was announced by “Caffè Lena @ SPAC.” The screening will take place on the SPAC (Saratoga Performing Arts Center) grounds on July 31, 2020 at 8PM EST in Saratoga Springs, NY.

    The film was originally recorded live in Los Angeles at The Theatre At Ace Hotel on May 22, 2019 will be premiering as the only place where the concert will be streamed in person is on the SPAC grounds. The grounds will be open with a limited capacity of only 50 people, and with carefully mapped out, socially-distanced seating and rigorous COVID protocols for the screening. 

    The broadcast of  ‘Mavis 80, A Newport Folk Revival,’ is the premiere of Mavis Staples’ 80th birthday celebration in Los Angeles, following shows in New York and Nashville. Staples was joined by big names like Jason Isbell, Phoebe Bridgers, Brandi Carlile, M. Ward, Talking Heads’ Jerry Harrison, Dawes’ Griffin and Taylor Goldsmith, Benjamin Booker, Ben Harper, Lucius, Trombone Shorty, Joe Henry, Son Little, the War & Treaty, and more. The show was produced by Newport Festivals Foundation, Inc. and proceeds from the “Caffè Lena @ SPAC” screening will support the Foundation’s music education programs.

    The screening will take place rain or shine around SPAC’s new concession building. There are designated 10X10 lawn spaces will be allocated and reserved for ticket buyers. Tickets are available to purchase for $25 as a box, which can seat up to two people. All guests are required to purchase tickets in advance here; tickets will not be available for purchase at the door. Guests are permitted to bring chairs, blankets, factory sealed water bottles and essential personal items.  Food and alcohol are not permitted on the grounds, however Mazzone Hospitality will be on site to provide food and beverage options

    Everyone attending the event will need to enter through the Hall of Springs Gate and are required to complete a health screening questionnaire upon entry. Guests are required to wear a face mask at all times unless situated in their reserved box. Restrooms will be available with social distancing and enhanced cleaning and sanitation protocols in place in accordance with recommended guidelines. 

    For those unable to attend in person, the event will be streaming on Fans website at 8:30 PM EST. Tickets went on sale on Tuesday, July 14 for this viewing experience. The proceeds are going to support the Newport Festival Foundation’s educational initiatives that celebrate innovation while preserving the deep traditions inherent in Jazz and Folk music.

    For more information please visit SPAC’s website and Fans’ website.

  • CashorTrade Announces New Streaming Platform to Support Artists, Venues, and Festivals

    CashorTrade announces it’s new streaming service CashorTrade Streams​ which will be a platform to help support artists, venues, and festivals. The new streaming platform will focus on generating revenue online for venues, festivals and artists prevented from conducting normal business by the COVID-19 pandemic. The streaming service was launched on July 21. 

    CashorTrade is a site that sells resale tickets at face value. Their pivot into the live-streaming continues the brand’s mission to democratize live music. CashorTrade’s innovative platform covers both live streams and archival footage, delivering curated content to their dedicated community of music lovers directly from artists, venues and festivals. People can follow channels to get notified of upcoming streams and participate in the stream via live chat. Performers and promoters can choose to include a very clear call-to-action to donate alongside each stream, making CashorTrade Streams into a powerful tool for live streamed fundraising events as well. The platform includes free promotional tools and a finance manager to arrange splits and guarantees between performers and promoters, just like a traditional booking setup.

    Prior to its formal launch CahorTrade launched several hundred streams on the platform, including a simulcast of the live stream benefit called Hug Your Farmer, featuring performances from Dave Matthews, Grace Potter, Martin Sexton and Chadwick Stokes from Dispatch that generated over 20,000 for farms and food security in Vermont. They also simulcasted Justice Comes Alive, a virtual festival for equality that generated over $55,000 and saw performances from Phil Lesh, Umphey’s McGee, Antibalas, Lettuce, and over 3 dozen other bands. 

    “Everyone and everything we love in music needs our support: individual performers, touring bands, our beloved venues, and really festival culture itself,” says Brando Rich, Founder and CEO of CashorTrade. “The pandemic has put up unprecedented roadblocks between fans and live music. Our streaming platform supports artists while bringing music straight to the people again.” The new streaming services creates the possibility for bands to easily ask for donations from viewers right during the stream which isn’t as doable on platforms like Facebook.  

    For more information visit CashorTrade’s website.

  • “Daze Between” Announced in Celebration of the Life and Music from Jerry Garcia

    “Daze Between” was announced by The Jerry Garcia Family and The Rex Foundation in celebration of the life and music created by Jerry Garcia. The event will include exclusive musical performance and storytelling for nine days of fun. The event’s live stream will be free but open for donations and run August 1-9.

    “Daze Between” will will feature performances by: Grateful Dead, Dead & Company, Bob Weir & The Campfire Band, The Jerry Garcia 75th Birthday Band, The Jerry Garcia 75th Birthday Acoustic Band,featuring Bob Weir, Phil Lesh, Mickey Hart, Bill Kreutzmann, Jeff Chimenti, Donna Jean Godchaux, Neal Casal, Joe Russo, Jon Graboff, Mike Gordon, Jim Lauderdale, Adam McDougall, Jason Roberts, Harper Simon, Josh Kaufman, Sam Cohen, Jonathan Wilson, Cass McCombs, Chris Tomson, Craig Finn, and Tad Kubler.  The event will also be screening the film Move Me Brightly

    The event will feature new and archival performances as well as storytelling from artists including: ALO, Andy Thorn, Amigo the Devil, Amos Lee, Circles Around The Sun, Dark Star Orchestra, David Grisman, Del McCoury Band, Della Mae, From Good Homes, Fruition, Giant Panda Guerrilla Dub Squad, Graham Nash, Greensky Bluegrass, Greg Errico, Hiss Golden Messenger, Hot Tuna, Jackie Greene, Jason Crosby, Katie Skene, Keller Williams, Kitchen Dwellers, Leslie Mendelson, Lettuce ft. Melvin Seals, Marco Benevento, Midnight North, Molly Tuttle, Nicki Bluhm, Peter Rowan, Pigeons Playing Ping Pong, Railroad Earth, Roots of Creation, Ross James, Sandy Rothman, Seth Walker, Scott Law, Tejon Street Corner Thieves, The Infamous Stringdusters, The Record Company, Travelin’ McCourys, Twiddle, Tyler Grant & Lindsay Lou, Yonder Mountain String Band with more to be announced.

    “Daze Between” is partnering with Live From Out There/11E1even Group, DayGlo Ventures, Relix, Jerry Garcia Estate, Activist Management, Nugs.net, level, KEEN and Teton Gravity Research to bring this community-wide celebration to life. 

    “Daze Between” will be streamed live across Nugs.net, Fans.com, Facebook, Youtube, and other channels, with a home base on www.dazebetween.com. Throughout the week, people will have the option to donate to the Rex Foundation using text-to-give or payment options embedded within each streaming platform. There will also be a signed guitar by Bob Weir, copies of Jay Blakesberg’s books of photography, a complete set of Jerry Garcia-inspired posters by Chuck Sperry and more up for auction. 

    The daily lineup has been announced. Check below to see who you can stream starting August 1!

    daze between

    For more information visit Daze Between’s website.

  • Billionaire John Malone Approved to Take Over Control of iHeartMedia

    John Malone has been approved by the Justice Department to expand its shares of iHeartMedia by up to 50 percent and in doing so take over control of iHeartMedia on July 15. Malone’s company Liberty Media Corporation was approved to do this and expand its domination of the music industry via radio, streaming, concerts, festivals, and ticketing.

    john malone
    John Malone Photo by Drew Angerer/Getty Images

    Liberty Media is a mass media company that was formed in 1991 and is owned by Malone and Greg Maffei is it’s CEO. The company currently controls 850 AM and FM radio stations and the streaming service iHeartRadio. It also already owns and operates Sirius XM and Pandora. Liberty Media has controlling stakes in concert behemoths Live Nation and Ticketmaster.  Liberty Media holds a 33 percent stake in Live Nation Entertainment which effectively gives it a seat at the head of the table.

    Liberty Media would increase their current 5% of shares in iHeartMedia up to 50% of its shares per the Justice Department’s ruling. This ability to buy this amount of shares in iHeartMedia could be catastrophic for the radio market. It would make it so there were fewer options in stations, less diversity between stations and their programming, and increased prices. Both the coalition of consumer and anti-monopoly groups opposed this deal including the Open Markets Institute, Public Citizen and the Center for Digital Democracy. With Liberty Media already owning the controlling stake in SiriusXM, the U.S.’s biggest satellite radio provider, owning that amount of shares at iHeartMedia would make them able to control an overwhelming amount of radio broadcasts according to Politco’s article: 

    WEQX

    102.7 fm EQX is an independently owned radio station. Their slogan is that they are “the real alternative.” Jeff Morad, the Program Director of EQX, indulged in his thoughts on the buyout via email saying,

    “It comes as no surprise that one person, who has probably not been to a concert or purchased an album in 50 years, is currently the only person in control of the vast majority of concerts and music in this country.  As one of the only independently owned and operated stations in the country, we choose not to be disappointed by this, but rather inspired to continue to give independent artists and independent minded listeners an outlet. The only thing that can shut us down is if people choose to support corporate radio and their advertisers as opposed to supporting independent, local radio and their small business advertisers.  We can’t control who controls the media (except for by voting) but we can control what we listen to.  A friendly reminder that you can listen throughout our 4-state area at 102.7FM or on our free apps for iPhone and Androids or on our free 24/7 stream at weqx.com” All though much of our media is run through mega corporations there is always the option to find independent outlets that aren’t filtered through the mega corporations ideals.

    For more information please visit Liberty Media Corporations website.

  • “Save Our Stages” Act Introduced by Senators to Help Struggling Venues During COVID-19

    Senators John Cornyn of Texas and Amy Klobuchar of Minnesota introduced a relief bill known as “Save Our Stages” on July 22. The bill will support struggling venues during COVID-19 pandemic. If approved, the bill will provide six months of financial support to small independent music venues through the Small Business Administration.

    The bill was announced via a press release from Klobuchar. The proposed bill would help keep these venues afloat so they can pay their employees and help preserve the critical economic sector they provide for communities across America. The proposed plan would provide small venues with amounts less than 45% of a business’ operation costs from 2019 or $12 million depending on the venue’s revenue. The bill states estimates of $9 billion in losses if ticket sales can not resume until 2021 in the music industry. “Small live music and entertainment venues have been hard-hit during the coronavirus pandemic, with 90 percent of venue owners, promoters, and bookers reporting they are at risk of closing without additional financial assistance” the press release states. This program would be similar to the previous small Business Administration grants through the Paycheck Protection Plan but focus on small independent venues. The proposed funding could be used by recipients for rent, utilities, mortgage obligations, PPE procurement, payments to contractors, regular maintenance, administrative costs, taxes, operating leases, and capital expenditures related to meeting state, local, or federal social distancing guidelines. The bill is trying to get $10 billion in SBA grants.

    The bill comes on the coattails of the “Restart Act” which focused on businesses with high overhead and no revenue during the pandemic which included venues but wasn’t specifically about them. Senators Cornyn and Klobuchar felt the need for a bill that focused on venues in particular. “Minnesota’s concert halls, theatres and places of entertainment, like First Avenue in Minneapolis, where Prince famously performed, have inspired generations with the best of local music, art and education,” Senator Klobuchar said in a statement.  She explained that, “This legislation would help ensure that small entertainment venues can continue to operate and serve our communities for generations to come.” Senator Cornyn echoched these feelings saying that, “Texas is home to a number of historic and world-class small entertainment venues, many of which remain shuttered after being the first businesses to close. The culture around Texas dance halls and live music has shaped generations, and this legislation would give them the resources to reopen their doors and continue educating and inspiring Texans beyond the coronavirus pandemic.”

    The “Save Our Stages” act is supported by the National Independent Venue Association (NIVA). NIVA has an action campaign with a prewritten letter to legislators that people can fill out supporting the “Save Our Stages Act.” The prewritten letter explained the need for the bill saying, “Venues are experiencing upwards of 90% revenue loss and will be closed well into 2021 due to safety concerns posed by large gatherings. Without support from Congress, 90% of NIVA’s independent venues across America say they will be forced to close their doors forever.This would also take a toll on our local economy. Independent music venues are economic multipliers, community builders, and beloved institutions.” The letter can be found here.

    For more information visit the Save Our Stages website and read the press release here.