Rochester five-piece metalcore band Destroy//Create have released “Let Go,” the companion video to the recently released “Hang On.” Taken together, the two-part single/video series focuses on mental health and addiction. Both tracks were produced by distinguished metalcore guitarist, Justin Deblieck (Ice Nine Kills).
This visually captivating music video is directed by Josiahx (Ice Nine Kills, Sirens and Sailors, Like Moths To Flames) and shows the aftermath of part one’s story of two intimate individuals, both struggling with similar situations: coping with depression, anxiety and past trauma that has manifested itself into a psychosis.
One character uses art as an outlet to express and endure her pain, the other takes a more destructive path and turns to drugs and alcohol as a coping method. This video is Destroy//Create’s way of using their art as an opportunity to shed light on the issues of addiction and mental health, which are clearly prevalent in today’s society.
Destroy//Create was formed in 2016 by lead vocalist Adrian Blackwell, guitarist Jimmy Gardner, and drummer Jeff Cole. Shortly after their inception, the trio added Mike McCann on bass. After about a year of playing together, the 4-piece band added Dylan Borrelli for another layer of guitar and for songwriting abilities as well as on-stage performance. With the band’s energetic live performances and positive lyrics, Destroy//Create push to bridge together the old school and modern metalcore sound for everyone to enjoy.
This September, Andrew VanNorstrand released his debut solo LP That We Could Find A Way To Be and this month premieres the video for “Boy with Gray Eyes” off the album. Americana Highways premiered the audio for “Boy With The Gray Eyes” and said of the track, “In a song about hope and hesitation, VanNorstrand constructs comforting, introspective guitar sounds, and the low vocals, clarinet and fiddle are the icing on the cake.”
Andrew VanNorstrand, a musician, singer, songwriter and producer living in Upstate New York, has performed on festival stages, concert halls, dance floors and living rooms all over North America and beyond. For eighteen years, he toured and recorded with the popular dance band Great Bear which also featured his brother Noah VanNorstrand and mom Kim “Mama Bear” Yerton. Andrew and Noah continue to perform together in the bi-coastal folk quartet Wake Up Robin and acoustic power trio The Faux Paws.
His debut solo album, That We Could Find A Way To Be, focuses on the complicated intersections of love, faith, loss and uncertainty, queerness and the search and struggle for understanding from the rust belt to the Blue Ridge, from a cold spring in New England to a summer’s night in Charlottesville. Andrew blends traditional folk, old-time and country music with indie-roots-Americana and a passion for shared connection and a song well sung.
On November 13, Andrew will make his solo, live television debut on Central New York’s ABC affiliate, WSYR Channel 9’s Bridge Street. He also performs a few shows around CNY over the next two months. Click for details below, or visit Andrew’s website for more details.
A Saturday night crowd, on a Monday, settled in for a wonderful night of folk songs in the cozy and warm exposed-brick confines of Restaurant Good Luck. Honest Folk Presents brought in two great artists representing both coasts. The crowd was familiar with Portland Oregon’s Jeffrey Martin, making his third stop at the venue. The Sea The Sea, from the much closer Troy, however, were making their first appearance in Rochester and would open the night.
A male/female duo, featuring Mira and Chuck Costa, The Sea The Sea moved effortlessly between electric and acoustic guitars, a small percussion setup and an even smaller keyboard, mixing different combinations of sounds. Regardless of the instrumentation, their beautiful two-part harmonies were the true highlight throughout the night. It was remarkable how perfect their voices blended together, making a signature sound. They featured them so regularly that it started to become two parts of a single voice. On the rare occasions when only one voice rang out, it was almost as if one of the channels on the stereo was faulty.
The pair has spent a good deal of the past year on the road, and also recently relocated to Troy, both of which have been providing inspiration for a bevy of fresh new tunes, some of which they shared, like “Foreign Country” and “Stumbling Home.” Most of the set was filled with their more well-worn material, like the palindromic “Love We Are We Love” and the familial “Good For Something.” They rounded those out with two choice covers, the Bob Dylan deep cut “I’ll Keep It With Mine,” and “No Love Today” from the under-appreciated songwriter Chris Smither.
Jeffrey Martin was last on the Good Luck stage almost exactly two years to the day from this night. It was in fact the Monday after the end of daylight savings, just as it was on his previous visit. Martin’s music doesn’t really evoke blue skies and sunshine, so the fact that it was middle-of-the-night dark throughout the show, which ended at the Monday-friendly hour of 9:45, was very welcome. Perhaps it was both genius and coincidence.
For an hour Martin held court on the Good Luck stage, telling stories both in song and out. Though sometimes it was hard to tell the difference, as he noodled on his guitar during his between-song bantering and there was just something lyrical about the way he spoke. Some of the stories spanned the songs that interjected, and the songs always related somehow with the stories. Some of the stories inspired the songs, sometimes real life followed the songs, and other times the story and the song were one and the same. Stories, songs, acoustic guitar and a rich singular voice made for about as pure a folk show as you can achieve. Seems so simple, and yet it’s so hard to achieve, but Jeffrey Martin pulled it off with a natural and unfettered brilliance. It’s no wonder Honest Folk has booked him again and again.
As for the next Honest Folk show, they’ve just announced twin-brother outfit, appropriately named The Brother Brothers, who will be at The Arbor Loft on Wednesday December 11. Tickets are on sale now at early bird pricing for a limited time.
Full Body is a Rochester-based rock band that has been making music that fits their name. The band’s deep brand of gangly rock is unique and rounded, tying in elements of shoegaze and post-rock to make something in the realm of noise rock. Their most recent release, Always There, cements their sound in a well produced record. The band is composed of Dylan Vaisey, Jack Chaffer, and Jacob Kotler. Full Body has been navigating the local scene with a sound that stands out, relentless in their writing of melancholy and bittersweet music.
The album has just eight songs, but is constantly engaging. Each song has a sweet melodious center, but the band fills out the rest with oblique instrumentals. “Hard Drive” is a great example of this, with its lurid opening slowly building out chorus-washed guitars into a vigorous guitar solo. The vocals carry the tune well, though they never really take the spotlight away from the mood the song is conveying. This is the case throughout the album as each song is more a product of its parts.
The tunes are short and to the point; there’s no meandering and no ideas that feel unfinished. The third track, “Alias,” is a great look at the band’s ability to mesh together different ideas and grooves to create coherent and viable songs. Though each part compliments the others, it should be pointed out that the drumming on this album is stellar and warrants a close look on its own. The deft navigation of song structure in the rhythm section, including bass, adds a lot of thickness to each tune. “Sonic Boom” is another hard hitting song that shows this.
Overall, Always There is certainly worth a listen through. It is short, interesting, and very well written by a band that is making their own sound and owning it. Full Body has found a niche, but they are not afraid to break out of that to take creative risks that ultimately pay off. Be on the lookout for Full Body to come to your town, and make sure to support by streaming their music on services such as Spotify and Bandcamp.
The ‘Roy Orbison & Buddy Holly: The Rock ‘N’ Roll Dream Tour’ will be coming to New York in November. This once in a lifetime tour began in September and has made several stops along the way throughout North America. Now fans from New York will have a turn to see this duo in concert. First up will be at The Egg in Albany on Nov. 15 before moving to Rochester’s Auditorium Theatre on Nov. 17.
Developed and produced by BASE Hologram, the audience will be treated to a high tech holographic performance with the accompaniment of a live band and back-up singers, all coming together to bring to life many of Orbison and Holly’s best hits. Eric Shaeffer (Million Dollar Quartet) will return as the director. In 2018 Shaeffer led the extremely successful ‘In Dreams: Roy Orbison in Concert’ tour across the world breaking many records.
“When you look at the architects of the Rock and Roll era, the names that come to mind are Roy Orbison and Buddy Holly,” said Brian Becker, Chairman and CEO of BASE Hologram, the leading content developer, producer and distributor of concerts, theatricals and spectacles that combine holographic cinema and mixed reality with live entertainment. “Both of these men weren’t just gifted musicians, but skillful innovators who helped influence others in game-changing ways.”
“These men weren’t just one thing – they were artists in every sense of the word,” said BASE Hologram CEO of Production Marty Tudor. “Like Roy, Buddy has a truly impressive songbook and in many cases, audiences may not have realized he was the one behind so many hits. Part of the beauty of these productions is we get to share the legacy of these performers and remind people of the full range of their talent.”
Despite several jam and recording sessions, these two rock and roll trailblazers have never toured together. Combined they have earned 16 platinum and 19 gold records, dozens of hits and 10 GRAMMY Awards combined. Being of a different era has not stopped these two from having three million Facebook followers and five million streams monthly on Spotify. To this day their musical capabilities captivate millions.
Information is available here for the tour that continues throughout the month of November.
North America Tour Dates
Nov.1 – Au-Rene at Broward Center – Fort Lauderdale, FL Nov.2 – Maxwell C. King Center for the Performing Arts – Melbourne, FL Nov.3 – Ruth Eckerd Hall – Clearwater, FL Nov.4 – Van Wezel Performing Arts Hall – Sarasota, FL Nov.6 – Florida Theatre – Jacksonville, FL Nov.8 – Atlanta Symphony Hall – Atlanta, GA Nov.9 – Memorial Auditorium – Raleigh, NC Nov.10 – Scottish Rite Auditorium – Collingswood, NJ Nov.12 – State Theatre – New Brunswick, NJ Nov.13 – AMP by Strathmore – North Bethesda, MD Nov.15 – The Egg – Albany, NY Nov.16 – Boch Center Shubert Theatre – Boston, MA Nov.17 – Auditorium Theatre – Rochester, NY Nov.19 – FirstOntario Concert Hall – Hamilton, ON Nov.20 – Danforth Music Hall – Toronto, ON
Earlier this summer, the experimental 7-piece rock ensemble Thank You Scientistreleased their critically acclaimed third studio effort, Terraformer, which debuted at Number 8 on the Billboard Heatseekerschart. Fans of the New Jersey group will have plenty of chances to catch them this fall as they embark on their first full-fledged national headlining tour, with the tour kicking off (Rochester, November 7) and ending (NYC, December 14) in the Empire State.
“We are unreasonably excited to announce our first full-fledged US tour for our latest release–the inconveniently long, yet suspiciously charming Terraformer,” shared TYS bandleader and guitarist Tom Monda. “An unexpected byproduct of our years of sloggin’ it out is the incredible network of friends we’ve made across the country, friends whose support make it possible for us to keep creating, even under occasionally dire circumstances, and can’t wait to visit all of you across the country this winter.”
“We promise these shows will be an incredible celebration for us and the fellow weirdos we’ve met on this strange journey,” continued Monda. “To make this event even more ‘extra special-er,’ we’re bringing along some of our dearest friends in the biz: Bent Knee and The Tea Club.”
Bent Knee joined Thank You Scientist for their Northeast run earlier this year. As Monda explains, “The Tea Club is a band I have loved and admired for years, so much so that I coerced them to join us on our first ever US tour many years ago! Their lineup has since expanded to include my brother on drums, making this tour figuratively and literally a family event. Don’t sleep on this or you’re grounded.”
Since the release of Terraformer, Thank You Scientist has spent the summer touring throughout the United Kingdom and recently recorded a live EP, Live At Backroom Studios, featuring three additional string players and complete video footage of live performances for “Son of a Serpent” and “Anchor.”
Thank You Scientist Fall Tour Dates
11/7 – Rochester, NY – Montage Music Hall 11/8 – Akron, OH – Musica 11/9 – Grand Rapids, MI – The Pyramid Scheme 11/10 – Chicago, IL – Beat Kitchen 11/12 – Minneapolis, MN – 7th St. Entry 11/14 – St. Louis, MO – Firebird 11/15 – Lawrence, KS – The Bottleneck 11/16 – Denver, CO – Globe Hall 11/17 – Salt Lake City, UT – Urban Lounge 11/19 – Seattle, WA – Columbia City Theater 11/20 – Vancouver, BC – The Rickshaw Theatre 11/21 – Portland, OR – Dante’s 11/22 – Sacramento, CA – Holy Diver 11/23 – San Jose, CA – The Ritz, San Jose 11/24 – Los Angeles, CA – Bootleg Theater 11/25 – Santa Ana, CA – Constellation Room 11/27 – Scottsdale, AZ – Pub Rock Live 11/29 – Austin, TX – Empire Control Room & Garage 11/30 – Dallas, TX – Three Links 12/1 – Houston, TX – White Oak Music Hall 12/3 – Atlanta, GA – Purgatory at The Masquerade 12/4 – Tampa, FL – Crowbar 12/6 – Charlotte, NC – Amos’ Southend 12/7 – Richmond, VA – Canal Club 12/8 – Washington, DC – Union Stage 12/10 – Pittsburgh, PA – Thunderbird Music Hall 12/11 – Philadelphia, PA – Underground Arts 12/12 – Fairfield, CT – StageOne 12/13 – Asbury Park, NJ – Asbury Lanes 12/14 – New York, NY – Mercury Lounge
In the case of the Futurebirds, it’s a whoa-eliciting moment. Two electric guitars, one acoustic, pedal steel, bass and drums round out this band from Athens, Georgia. They’re so tight, and the sounds intermingle so well. As a listener you don’t pay much attention to who’s playing what, but the full blended sound becomes king.
In their 10th year, and touring in advance of a new album, the sextet found their way to Rochester for the first time, to participate in Three Heads Brewing‘s Rochester Residency. This month’s resident, bassist Kyle Vock, is putting his own spin on things by booking some of his favorite national acts to play in addition to getting in on the action with his own bands.
Futurebirds mix country twang, soulful grooves, shoe-gaze swirls and a twinge of psychedelia with a centring Southern-rock pulse. It was all on full display during their 70-minute set that spanned their catalog, including some new tunes from their forthcoming LP.
“Virginia Slims” off of 2013’s Baba Yaga got things going nicely. They showcased incredible two, and three-part harmonies throughout. Quality vocals certainly came in handy for a mid-set cover, Til Tuesday’s “Voices Carry,” which they wonderfully smashed into an pulpy alt-country ballad. The set ramped up to close, with “Rodeo” off 2015’s Hotel Parties preceding a powerful “Ski Chalet” in the “we’re not playing an encore” slot. Some Neil Young-esque guitar shredding foreshadowed a surprise “Powderfinger” cover they managed to squeeze into the “Ski Chalet” closer to send the crowd off into the night with a proper rocking.
Kyle Vock’s band, The Mighty High and Dry, opened the evening with a short taster set. Alan Murphy on guitar and lead vocals, Alex Cote on drums, and Eric Katerle on lead guitar joined Vock. The band can balloon to nine members or shrink down to a duo, but played at their baseline quartet. Opening with “Day and Night” they showcased their blues-based, soul rock across four of their original tunes, but kept them close to the vest. This is a band that can keep it rocking for three hours strong, stretching out with some fun rock tunes. So don’t miss them next time they play.
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Grammy-nominated band, The Wood Brothers, have a new full-length on the way. Honey Jar/Thirty Tigers is putting out the studio album, Kingdom In My Mind, on January 24, 2020. They’ve just debuted the first song, “Alabaster.”
Kingdom In My Mind is a follow-up to 2018’s One Drop of Truth, which hit #1 on the Billboard Heatseekers Chart and garnered the band their first GRAMMY Award-nomination for “Best Americana Album.” The material for the forthcoming album started as they were breaking in their new Nashville studio, as they were tracking instrumental jam sessions to get a feel for the facility.
“If we had known we were making a record, we probably would have been too self-conscious to play what we played,” reflects Chris. “At the time, we just thought we were jamming to break in our new studio, so we felt free to explore all these different ways of playing together without worrying about form or structure. It was liberating.” Preorders the album here.
The Wood Brothers are currently finishing out an extensive US tour. They’ll be in NYC on January 30 and 31, Rochester on February 5, and Albany on February 8. Some of the proceeds from ticket sales go to support Thistle Farms, a Nashville-based non-profit organization which helps women to rebuild their lives.
The Wood BrothersTour Dates
11/15 – Madison, WI – Barrymore Theatre ^ (Sold Out) 11/16 – Indianapolis, IN – The Vogue ^ (Sold Out) 11/18 – Old Saybrook, CT – Katharine Hepburn Cultural Arts Center 12/3 – Baton Rouge, LA – Manship Theatre ^^ (Sold Out) 12/4 – Houston, TX – The Heights Theater ^^ 12/5 – Austin, TX – Paramount Theatre ^^ 12/6 – Dallas, TX – The Kessler Theater ^^ (Sold Out) 12/7 – Tulsa, OK – Cain’s Ballroom ^^ 12/9 – Omaha, NE – Slowdown ^^ 12/11 – Aspen, CO – Belly Up Aspen ^^ (Sold Out) 12/12 – Steamboat Springs, CO – Strings Music Festival 12/13 – Boulder, CO – Boulder Theater ^^ 12/14 – Boulder, CO – Boulder Theater ^^ 12/15 – Breckenridge, CO – Riverwalk Center ^^ 1/29 – Baltimore, MD – Ram’s Head Live 1/30 – New York, NY – Webster Hall 1/31 – New York, NY – Webster Hall 2/1 – Philadelphia, PA – The Fillmore 2/3 – Toronto, Canada – Mod Club Theatre 2/5 – Rochester, NY – Kodak Center 2/6 – Burlington, VT – Flynn Center for the Performing Arts 2/7 – New Haven, CT – College Street Music Hall 2/8 – Albany, NY – Palace Theatre 2/9 – State College, PA – The State Theatre 2/11 – McKees Rocks, PA – Roxian Theatre 2/12 – Richmond, VA – The National 2/13 – Chattanooga, TN – Walker Theatre 2/14 – Nashville, TN – The Ryman 2/27 – 3/1 – Punta Cana, DR – Avett Brothers at the Beach (Sold Out) 3/4 – Phoenix, AZ – The Crescent Ballroom 3/5 – Los Angeles, CA – The Regent 3/6 – Santa Barbara, CA – Campbell Hall 3/7 – Oakland, CA – Fox Theater 3/8 – Eureka, CA – Arkley Center for the Performing Arts 3/10 – Eugene, OR – McDonald Theater 3/11 – Kirkland, WA – Kirkland Performance Center 3/12 – Portland, OR – Crystal Ballroom 3/13 – Vancouver, BC – Imperial 4/2 – Knoxville, TN – Bijou Theatre 4/3 – Knoxville, TN – Bijou Theatre 4/4 – Chicago, IL – Riviera Theatre 4/5 – Milwaukee, WI – Pabst Theatre 4/7 – Detroit, MI – Majestic Theatre 4/8 – Columbus, OH – Southern Theatre 4/9 – Asheville, NC – The Orange Peel 4/10 – Asheville, NC – The Orange Peel 4/11 – Asheville, NC – The Orange Peel
We live in a world of singles and streaming, and it’s amazing to see bands boast over a series of releases they’ve contributed in a year’s time. For Rochester rock duo Mud Head, the work doesn’t stop after album one. Formalizing their group in January of this year, this industrial alternative outfit has delivered a self-titled album, exclusive single and follow-up EP, all by the end of September, growing their following with every release, rocking 2019 for sure. The group’s latest EP Black Blood, Black Tongue is by no means a wrench in this roaring machine.
This EP is loaded with ruminating lyrical confessions to echo over wet drum slaps and rattling chimes, rising and falling in a progressive rock nebulous. The opening track “Sunshine Boy” has a Floyd-like overture, mimicking clocks with cymbal strikes as a brooding energy builds to the opening down beat.
Considering their lack of bandmates, this duo makes a loud bang when they emphasize their most vulnerable moments. The lyrics are relatable and expressive, without pushing towards a particular source. They know the capacities of studio recording and how to alter them, suiting the EP in an industrial armor.
Stripped clean is the final track of the EP “Hiding Beneath Ladders,” where we see the softest side of Mud Head. The meter is deceptively mixed, and the somber chord progressions lead us into an uneasy waltz. Bands with this versatility only come around once in a while, and performing their discography live would not only bring their music to new heights, but welcome them to develop their image, message and in due time, a massive following.
Ukrainian metal band JINJER brought their tour to The Montage Music Hall in Rochester for yet another sold out show. With support from The Browning and Rochester natives Poison The Prophet, this was an excellent night of metal music.
Opening the show, Poison The Prophet launched into an aggressive, in-your-face, heavy set that you would expect on this kind of bill. While they didn’t have much room to move around the stage due to the other band’s kits, they made up for it with a pure metal performance.
Poison The Prophet moved quickly through their 6-song set and left the crowd wanting more with loud cheers and applause after every song. Featuring two vocalists, Jason Acevedo and Justin Clay, the duo constantly leaned into the crowd with great interaction and stage presence.
Being a “local” band on a national tour can seem intimidating and often one can tell which bands are the “local” ones of the night. However, Poison The Prophet fit right in, and performed a fantastic set that was the perfect introduction to the show.
Next up were The Browning, the four-piece electronic metal band from Kansas City. Wasting no time opening with “Beyond Stone”, The Browning had the crowd going nuts with their unique fusion of rap, EDM, and heavy metal.
Their 10-song set also went rather quickly as the band flowed through their setlist, with highlights being “Carnage,” “Pure Evil” and “Skybreaker.”
Guitarist Brian Moore was the most notable part of the band’s stage presence as he spun around relentlessly covered in paint while wearing a hoodie that resembled a cross between a zombie and a clown.
Closing out their set with “Geist,” the crowd responded with loud cheers and thundering applause. The Browning was a solid support act to be touring with JINJER and certainly gave it their all on stage. Finally, it was time for JINJER. The lights went dark and fog machines slowly began to fill the venue as the crowd screamed in anticipation. The moment Tatiana took to the stage, the band jumped right into the heavy number “Teacher, Teacher.”
When you think of metal bands with female vocals you probably think of In This Moment, Otep, Butcher Babies, or Arch Enemy. JINJER is very quickly making huge waves in the metal world and, in my opinion, Tatiana has the best voice in metal. The way she can transition from her cleans to the guttural screams is incredible to see live.
JINJER’s set was just pure raw energy. Playing fan favorites such as “Judgement (& Punishment),” “I Speak Astronomy,” “Perennial” and “Outlander,” the band commanded the audience’s attention and left them almost in a trance.
Closing out the night with the encore performance of “Pisces,” JINJER showed exactly why they’re selling out many of their tour dates. Expect this band to be performing at much larger venues very soon. Being able to see them at a club-type venue is something all of these fans will certainly remember.
Be sure to check out any of the remaining dates of this tour:
Oct. 15 – Indianapolis, Ind. @ Black Circle Oct. 16 – Angola, Ind. @ The Eclectic Room Oct. 18 – Columbus, Ohio @ Al Rosa Villa Oct. 19 – Flint, Mich. @ Machine Shop Oct. 20 – Grand Rapids, Mich. @ The Stache @ Interection Oct. 22 – Chicago, Ill. @ Bottom Lounge Oct. 23 – Belvedere, Ill. @ Apollo Theater Oct. 24 – Waterloo, Iowa @ Spicoli’s Oct. 25 – Iowa City, Iowa @ Wildwood Smokehouse Oct. 26 – Racine, Wis. @ Route 20 Oct. 29 – Calgary, Alberta @ Dickens Oct. 30 – Edmonton, Alberta @ Starlite Oct. 31 – Vancouver, British Columbia @ The Rickshaw Theater Nov. 01 – Seattle, Wash. @ El Corazon Nov. 02 – Portland, Ore. @ Hawthorne Theater
