Young Cobain shares his latest single, “I Got It,” a unique blend of emo rap and alternative rock that draws influence from artists of multiple, diverse genres. The effort to combine digital instruments with live instruments bonds the mix together to create a melodic tune that flows effortlessly. It’s difficult as an artist to find the right balance. Young Cobain is able to execute this task smoothly in a way that blurs the thick lines between genres.
Finding himself immersed in a story of heartbreak and betrayal, his unforgiving lyrics are directed towards an old lover, that decides an attempt to reconcile with the artist only after he rose to fame. The story begins with Young Cobain flipping burgers and bumming cigarettes, wondering where his partner is while he’s in a low point. His fame suddenly sky rockets, and his life is coincidently filled with friends and girls all of the sudden. These fearless lyrics express his frustration about people trying to ride his wave of success, and gain everything they can while it lasts. The story ends in a refreshing tone as Cobain belts out that she had her chance to reach out to him, but now he’s too occupied with his Benz. Ouch!
Young Cobain is able to easily convey his emotions and channel them into his music. Combining influences from different genres in his own creative way proves that this mixed style is Young Cobain’s forte. Throughout his heartfelt story of his struggles with love and fame, Young Cobain proves himself a resilient icon that is thriving through his lyrics and music. Expect to see Young Cobain on festival lineups and consistently producing music.
KISS brought their End Of The Road Tour to Syracuse, NY at the St. Joseph’s Health Amphitheater last night. Fans of the iconic rock stars were treated to loud heavy guitars, theatrics, explosions, silly gimmicks, lots of fire, fast paced music, and even more explosions. Even if you’re not a big fan of their music, it’s hard to not have a great time at a KISS concert. With all the production, rivaled by very few others in the music industry, KISS is just a great time.
As the name suggests, this claims to be their last and final tour ever. With Gene Simmons and Paul Stanley both near 70 years old, it would be good timing to retire the band that has been performing since 1973. If this truly is the final KISS tour, it is going out with a bang with one of the most pyrotechnic, flame-throwing concert sets you’ll ever experience .
Neal Casal, prolific guitarist and member of Circles Around the Sun, Chris Robinson Brotherhood and many more over his career, has died at age 50. Pitchfork reports through a representative of Casal that the death was ruled a suicide. The tragic news was confirmed on Neal’s Instagram account this morning.
https://www.instagram.com/p/B1qfCJHDC73/
A native of Denville, NJ, Casal was best known for his work with Circles Around the Sun, Chris Robinson Brotherhood, Ryan Adams and the Cardinals, Hazy Malaze and Blackfoot. Ryan Adams shared his thoughts this morning on his Cardinals bandmate
Oh man. My heart is broken What an honor to have known you, true believer. I love you. Go easy “I’ve seen things you people wouldn’t believe. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain”#RIPNealCasalpic.twitter.com/4vlj3l2EoU
Casal had performed at Lockn’ Festival in Arrington, VA. this past weekend with Circles Around the Sun (as well as with Oteil and Friends), a project that originated from being tapped to compose music played over the P.A. during setbreak of Fare Thee Well in July 2015. That music was so well received by fans, that Circles Around the Sun released the music as a double album,Interludes for the Dead, in 2016 and made their debut at Lockn’ Festival that summer, as noted by Jambase.
In addition to his recent success with Circles Around the Sun, Casal was an original member of Chris Robinson Brotherhood alongside the Black Crowes co-founder. From 2005-2009, Casal was a member of Ryan Adams and The Cardinals, during which time Easy Tiger and Cardinology were released to critical acclaim. Neal spoke with American Songwriter in 2012 and said this of his time with The Cardinals:
“It really was a great lineup… For a couple years there, man, we were on fire. We really were. We were playing some amazing shows and running through Ryan’s entire catalog, just burning those songs to the ground. We really felt confident for awhile. We had a lot of synergy, we were all really connected, and everyone believed in it. We were firing on all cylinders. It was a great thing to be a part of.”
Casal was also a founding member of Hard Working Americans, a supergroup including Dave Schools and Duane Trucks (Widespread Panic), singer Todd Snider, and Chad Staehly (Great American Taxi), and performed with Phil Lesh and Friends on numerous occasions. Neal was also a photographer who shot cover art for a number of albums and publications.
This October 18, Casal’s upcoming EP Circles Around the Sun Meets Joe Russo, is scheduled to be released. Listen to “Peace Reprise” from the forthcoming album.
The boys were back in town at the New York State Fair. In 2018, Dropkick Murphys was a last minute Chevy Court fill-in for Dickey Betts, who suffered a mild stroke and was unable to perform. Singer Ken Casey announced at the 2018 performance that it was the band’s first state fair appearance. The Boston-based Celtic punk rock band drew a crowd of 13,000 in 2018. This year, they more than doubled that with an estimated 30,200 in attendance. Casey joked that, “We played here last year as a last-minute addition. They invited us back this year. I can tell you, we don’t get invited back too many places.”
Singers Al Barr and Ken Casey traded vocals throughout the evening as they ran back and forth across the stage, getting the crowd amped up. They brought along their traditional entourage of back-up sounds that included an accordion, banjo, keyboard and of course the bagpipes. All punk music should have bagpipes! The Dropkicks played a nice mix of fan favorites and rebel rousing tunes including, “The Boys Are Back,” “The State of Massachusetts,” “Johnny I Hardly Knew Ya,” “First Class Loser” and their spin on the traditional Irish song “Black Velvet Band.”
The Dropkicks ripped through 23 songs and kept the crowd on their feet and bouncing along to the music. A quick poll of the audience determined there were many first-time attendees. The band ended their main set with the inspirational union track “Worker’s Song” before coming back to finish off the night. For the encore, Ken Casey let the crowd sing along to the catchy hit “Rose Tattoo.” They rounded out the evening with “Until the Next Time” and ended with their biggest sing along hit, “I’m Shipping Up to Boston.” Singers Casey and Barr ran through the crowd high-fiving fans and inviting them to sing along. The band knows how to make their fans feel welcome and that is why the Dropkicks will keep getting invited back.
Ray Brothers BBQ in Bouckville, New York is getting ready for the fifth annual Hop Harvest Smoke Out, set to take place on September 1 at The Yard Amphitheater. The event that began as a small party behind the restaurant has turned into a daylong festival featuring vendors, multiple stages and well-known regional musicians. The Hop Harvest Smoke Out also offers hops and beer demonstrations from local farmers and much more.
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In celebration of the event’s fifth year, the first 50 people through the door will receive a commemorative pint glass and their first beer will be on the house. The RBQ food truck will be set up outside serving items from the menu, the inside bar will be open with beer, wine and spirits, and the outdoor bar will be open for canned and draft beer. In addition to food and drink, The Hamilton Hop Mission will be onsite sharing educational talks about their homegrown hops. Attendees will have the opportunity to add fresh hops to their draft beer. Craft and merchandise vendors include artisan jewelry by Courtney Elise Handmade and wood burned designs by Shady Grove Burns.
The musical guests for the fifth annual Hop Harvest Smoke Out include Root Shock, Sophistafunk, and Chris Eves and the New Normal, all hailing from Syracuse, and The Old Main from Utica. Root Shock is a high-energy roots, soul and reggae group with conscious, uplifting lyrics. Also with an energizing and uplifting vibe, Sophistafunk brings a unique combination of hip hop, funk and jam music to the stage. Chris Eves and the New Normal blurs the lines between rock, funk, blues and jam. Utica’s Old Main has been compared to The Avett Brothers, The Band and other greats in the Americana genre while making the sound all their own.
The event is all ages and kids 12 and under get in for free. Patrons are encouraged to bring blankets and chairs and get comfortable. This event will happen rain or shine. Tickets are $20 in advance and $25 day of. They can be purchased at the door or online. Doors are at 3 pm.
Thursday morning, just hours before her show at the New York State Fair Grace Potter announced the release of her first new single in four years, the soul wrenching “Love is Love.” Fans in attendance at Chevy Court were the first to hear the song performed live according to Potter. The song is the first single from Grace Potter off her upcoming album, Daylight, set to be released October 25.
Potter told fans they were going to play a few new songs but, “had to get warmed up first.” The band kicked off the set with “Medicine” and played many dance-worthy tunes including “Loneliest Soul,” “Nothing But the Water,” “Alive Tonight,” “The Lion, The Beast, The Beat and the hip shaking hit, “Paris (Ooh La La).”
Potter proclaimed her excitement for “being back in Central New York where she belongs.” She attended college at St. Lawrence University in Canton, NY and recalled visiting Syracuse while she was at school. “We used to go to Syracuse to go shopping and it was the big city.” She told the audience that she has a new appreciation for State Fairs now that she has a kid, “I used to spend the whole time avoiding the fried dough. But now I’m like, yeah I’m having the fried dough.”
Grace Potter and her backup band worked their way through a high energy 95-minute set leaving the estimated 8,700 in attendance dancing as she walked off the stage. Be on the lookout for her new album Daylight October 25 and available for pre-order now.
Masked metal icons, Slipknot, are bringing their Knotfest Roadshow tour to Darien Lake Performing Arts Center this Sunday, August 25. The Grammy winning pioneers have a very heavy supporting lineup that makes for a good contender as the best metal tour this summer.
Joining Slipknotare Danish rockers, Volbeat; French metallers, Gojira (who are absolutely incredible live); and Polish Black Metal giants, Behemoth.
With the very recent release of Slipknot’s new album, We Are Not Your Kind, fans can expect to here quite a bit of new music.
Slipknot is known for an elaborate stage production, and they take things even further with this tour. Corey Taylor previously stated he wanted to create some “Iron Maiden stuff” for this roadshow, which should make fans very excited.
There’s also the question of who exactly is “Tortilla Man.” While no one knows exactly who he is yet, you can expect to see him banging away at the top of the drums.
Lastly, Slipknot will be offering fans a “specially curated” look at the bands history with a mobile museum. The exhibit will feature a plethora of “never-before-seen memorabilia,” including instruments, props and masks. The band shared a peek at the exhibit on Twitter, showing a few of the pieces to be featured at the festival.
The band shared a peek at the exhibit on Twitter, showing a few of the pieces to be featured at the festival:
The #KnotfestRoadshow will feature an immersive exhibit from throughout the band’s history complete with instruments, memorabilia, wardrobe and personal never-before-seen items. Grab your VIP packages now for guaranteed access: https://t.co/P7Lvihg8J5pic.twitter.com/Zzfgmdwsdy
To access the showcase fans will need to invest in a VIP ticket package. Two tiers are being offered along with exclusive merchandise, photo privileges and early access to the festival.
Tickets for Knotfest are still available via Live Nation here.
Few things are more poetic than the lyrical talent of Curtis Flach. It’s been quite the year for C.K. and The Rising Tide. The band, a five-piece Americana and folk powerhouse, is relatively new on the scene, but they have slowly been playing every major venue and more, grabbing new fans along the way. Flach released a solo EP in 2016 before finding his band members.
In 2018 the band, then only a trio and managing itself, released American Romance, a 10-track homage to the finer things in Americana. Armed with fun songs like “Friends” and slower ballads like “Road to Damascus,” American Romance ushered in a wave of success, two new members and new management.
Flach and his bandmates, who include keyboardist and violinist Danny Boudreau, drummer Rob Piccola, bassist Chris Brant and lead guitarist John Lenio (who joined the band in the last few months) are set to release 10 new songs later this month. The album, Perfect Stranger, is said to be more positive, more at peace and quite frankly, “more mature.” Perfect Stranger was released August 16, and followed up with a show at Lost & Found in Albany the next day.
“With this album, we approached things much differently,” Flach said. “When we recorded American Romance, we all recorded our parts separately and didn’t hear it all together until it was fully mixed. We actively worked as a whole this time around.”
Boudreau concurred with Flach’s statement. Boudreau, who has only been playing the violin for a few years, was concerned about his parts in American Romance. This is his first time participating in a band, let alone one that’s successful.
“I didn’t understand how I was going to write my parts because I had no idea what everyone else was doing,” he said. “Luckily, once it came together, it all worked. It was amazing.”
Flach, Brant and Boudreau were the original trio, with some help from Flach’s brother. After recruiting Matthew Copperwheat and Piccola, the band came into its own.
“I’m no longer handling a lot of production tasks, which gives me more time to write and work on music,” Flach said. “Andrew and Rose are amazing at not only keeping us on track, but they are getting us gigs and marketing us in a way we never could have imagined.”
Andrew and Rose Gabriel are the owners and managers at the band’s record label, Ambassador Music Group. The Gabriels pride themselves in handling all the business and marketing for their clients so everyone can focus on what they do best.
“Andrew is really good at keeping us going with deadlines and making sure we fulfill whatever responsibilities we have,” Flach said. Brant added his managers are really good at keeping the group organized. All band members said Rose Gabriel is absolutely amazing with her marketing and social media management, garnering the band significant recognition.
“Between the two of them, we’ve been able to keep it moving along and stay focused,” Brant continued. “It’s been a great fit for us and I hope for them too.”
The Management
Andrew and Rose Gabriel said their business is in “permanent beta” mode. What does that mean? It’s pretty simple; they keep seeing what works for each client and then adjust the business accordingly.
The Gabriel force, who are also partners in life, has made quite a name for itself in the local community. They’ve worked with many of the acts in the Capital District music scene — including Grape Juice, Sydney Worthley and El Modernist — either through doing business directly or featuring bands on their hit live social media show, “AMG Live!”
“AMG’s slogan is ‘focus on music, we’ll take care of business,’” Andrew said. “During this album cycle, we did just that. We were pretty hands-off with the artistic direction of the album. We heard a few demos early on and knew that [C.K. and The Rising Tide] had something special in the works, so we got out of the way and did what we do best: take care of business.”
It’s definitely a lot of work. The hardest part of managing groups like C.K. is no rest. “We get no rest because this band accepts and accomplishes every challenge we throw at them,” Rose said. “We offer feedback one night and the next night they’ve implemented it. We push them to be the best artists they can be and, likewise, they push us to be the best managers we can be.”
Ambassador and C.K. and The Rising Tide just celebrated its one year anniversary together. Flach said he’s hoping the Gabriels are drafting the second year contract. But that’s the thing — the partnership works for the band as well as it does its managers. Both parties have learned a lot about their respective roles in the past year, but neither would change anything.
“We honestly wish we found them sooner,” Andrew said. “…this year [has] made our team stronger, more connected and more ambitious.”
The camera’s eye
Attend any C.K. show, and you’ll probably see a petite blonde with a camera in her hand. If you’ve seen any artwork for the band, the same woman is behind it. Looking at most photos of the group, an A.K. Photography and Design logo is visible somewhere in the frame.
Ann Kielbasa is the official C.K. and The Rising Tide photographer and graphic designer. But she’s special — she’s been there since the group was rehearsing in a garage. She’s a critical part of the foundation that keeps it going because she’s spent so much time showing it off in her work.
“It’s been a whirlwind to watch them grow like this,” Kielbasa said. “It’s very hard to put all of these emotions into words because I’ve watched them blossom into what they are now.”
Kielbasa, while not a part of the official five-piece group, is considered one of the most important parts of the squad. While balancing her full-time job, she’s essentially working another 40-hour-plus gig keeping up with the men and developing her photography business.
“There’s such a sense of pride because I’ve seen all of the encouragement they’ve received and how hard they work behind the scenes,” Kielbasa continued. “I’ve only heard snippets of what’s coming and all I can say is wow. I can’t wait to hear the full thing.”
In regards to her photography, her goal is simple; she aims to visually epitomize the C.K. sound.
“I want to show people what they sound like and who they are without having to know the context,” Kielbasa said. “I’m so lucky to have such an insider view of this and I want to convey some of that knowledge through my lens.”
The Gabriels can’t get enough of Kielbasa either, calling her an “incredibly fun and professional person to work with.”
The Buzzards are Circlin’ ‘round
Drummer Piccola, who was recruited from Craigslist, said it didn’t take him too long to learn his parts on American Romance. Taking over for Flach, who provided drums on the first album, has been exciting.
“Honestly, I think Curtis might be a bit better of a drummer than I am,” he said. “But we all have a corner of the group that works best for us.” Piccola added he’s excited about the release because, like his bandmates, he wants to see how people connect with the music.
A chance to connect came on July 26, when the quintuple-threat released its first single from Perfect Stranger on YouTube, a hauntingly beautiful song called “Follow The Buzzards.” The MP3 track was released several days later. Boudreau explained how “Buzzards” is only a glimpse of what’s to come.
“I feel like Perfect Stranger is much more excited about the prospects of the future, while American Romance talked about things long gone and bitter loss,” Boudreau said. “One lyric that really stands out to me is ‘Follow the sweet, sweet sound / leave it all in the cold, cold ground’ because it’s kind of a way to break with the past of hurt and move into happier times.”
The music video for “Follow The Buzzards” reached 1,000 YouTube views within three days. At print time, the video is close to 2,000. Boudreau said if “Buzzards” is good, listeners will love the rest of the album.
“We’re heading more into indie rock while still maintaining our roots of folk and Americana, which we love,” Brant explained. “This album is definitely a bit different than what we released last time.” Despite the differences, the band assures fans they will still recognize that signature C.K. sound.
Flach is excited, but he’s cautious. He explained that he’s afraid to really go into how much the band’s sound has matured because he doesn’t want to “shoot [himself] in the foot.” However, he admits he’s stepped up his game. No longer the sit-in drummer with 50 different jobs — he’s now the frontman.
“Six months after American Romance, I presented some demos and it has now blossomed into this,” he said. “We’re feeling confident that we’ve been able to top what we put out last time in what’s coming soon. We’ve really been working hard on this.”
The band’s sound has evolved. What was once simple and characteristic of a band getting on its feet is now layered with advanced production and the sound of musicians who know what they’re doing. You can hear the improvement in Flach’s voice, and he’s blessed to have support from four men who are rapidly improving in their own right. It’s a pretty impressive feat, especially when you consider how all five band members work full-time jobs.
C.K. and The Rising Tide will be playing Rocktoberfest 2019, Ambassador’s one-day music festival, at Colonie Park on Oct. 5. It shares a bill with Madison VanDenburg, El Modernist, Vince Palmeri (another Ambassador talent) and more.
“I think we’re all excited to just connect with people some more,” Piccola concluded. “We use our music to convey emotions and thoughts. I’m just excited to see how the public will connect with us.”
Perfect Stranger will be available on iTunes, Spotify and in CD format.
This article was originally published by The Spot 518, is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSMusic. TheSpot518 and NYSMusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.
To paraphrase the Downchild Blues Band, the 2019 Chenango Blues Festival had everything you need, almost. The lone exception was a few bouts of rain and lightning. Even then, the staff anticipated the weather, advised festival-goers, revised the schedule, kept things rolling with minimal interruptions, and were rewarded with a spectacular rainbow once the rain subsided.
Norwich’s native son, Brian Golden, kicked things off on the main stage. Golden has a long history of playing in Syracuse-area bands before eventually moving to Nashville, where he met his wife and band mate, Aletha. The Brian Golden Blues Experiment encompasses his interest in blues, but also makes room for Aletha Golden’s powerful voice on soul/R&B/gospel-styled songs, which included a powerful cover of “I Shall Be Released.” More information is available here.
Up
next on the main stage was a returning crowd favorite, Johnny
Sansone. A multi-instrumentalist, Sansone had fans up and dancing
with his energetic accordion playing on zydeco tunes, adding Delta
blues and swamp rock numbers throughout the set.
Johnny Sansone
The tent stage is traditionally where CBF presents emerging solo/duo acts, or artists that might cover different ground than traditional blues. There were a couple of highly anticipated performers there, beginning with Jontavious Willis. At just 23 years old, he has caught the attention of venerable blues men Keb’ Mo’ and Taj Mahal, who combined as Producer and Executive Producer on Willis’ Spectacular Class, released in April of this year and available for purchase here. Willis proved to exceed expectations, showing prowess, showmanship, an easy rapport with the audience, and surprising covers of a roof-raising version of Ray Charles’ “What’d I Say?” and a crowd sing-along on Prince’s “Kiss.” This is an artist not to be missed.
Jontavious Willis
“When I heard him play I said to myself: this is how the blues, as I know it, is going to stay alive. Jontavious Willis is the first blues musician I’ve seen in over 30 years that I would pay to see – and he’s only 20 years old! I’ve seen the best. Jontavious is the real deal.” [Paul Oscher, noted blues musician, and former harmonica player in the Muddy Waters Band]
Multiple Blues Music Award winner and Grammy nominee Danielle Nicole took the stage for an abbreviated set cut short by the first rainfall of the day, which made it impossible for her to continue on the main stage. Still, she displayed the powerful vocals and driving bass guitar that were staples of her debut album Wolf Den and last year’s Grammy nominated Cry No More. Hear her music and check out her tour schedule here.
With rain falling, the infield crowd shoehorned into the tent stage area to see Pokey LaFarge. A performer with a distinct vintage fashion style, LaFarge’s set had elements of ragtime, swing, country, and certainly blues. He was often hilarious and seemed joyous to receive such an enthusiastic response. A highlight was his very recently penned tune, “There’s Always Something to Drink About.” LaFarge commented that he wrote the song a few days prior to the festival, after contemplating his decision to “try” to quit drinking last month.
“…those…storms that rip up the world as you know it, and leave, like a sacrifice, a rainbow to make you forget what has come before.” ― Jodi Picoult, Picture Perfect
While festival staff scrambled to protect equipment and clean up the main stage, it was decided not to wait, but to switch the Downchild Blues Band from the main stage to the tent stage. Frankly, it was a stroke of genius as the legendary band, celebrating their 50th anniversary, was able to replicate the feel of pulsating, crowded Canadian venues they had played for upwards of 250 to 300 shows a year for many of those years. Led by top-notch harmonica player and guitarist Donnie “Mr. Downchild” Walsh, with award-winning vocalist Chuck Jackson, the group played songs from throughout their history, including their famous “Shotgun Blues” and “I’ve Got Everything I Need (Almost),” as well as the high-energy “Mississippi Woman, Mississauga Man” from their 2017 release, Something I’ve Done, which features songs written by five different band members. The band’s impressive history and music can be found here.
Joe Louis Walker had a couple of surprises for fans during his set. Piano player extraordinaire Kenny “Blues Boss” Wayne, easily the best-dressed person in attendance, joined what had initially been billed as a trio. Walker is a familiar face to Central New York blues fans, having played in Utica years ago and more recently at Funk N Waffles in Syracuse. He shared stories of the elder blues men that gave him a chance when he was just starting out and paid tribute by playing a song by Earl Zebedee Hooker. The second surprise was when Walker paid it forward by inviting Jontavious Willis to join him. Willis looked elated as he grabbed Walker’s red and black Greco guitar and smiled all throughout his time onstage.
Once
the rain ended and the
rainbow appeared, perennial
blues festival circuit favorite Tab Benoit took to the main stage. A
dynamic guitar player with a distinct vocal style that mixes his
Cajun roots with a whiskey-soaked sound more often heard in country
music, Benoit is an original in a genre that often relies on familiar
forms. A power trio with just Benoit and a rhythm section, the band
had fans crowding up front and singing and dancing along.
Tab Benoit
Closing out the day was Mississippi Heat band leader Pierre Lacocque, an impressive harmonic player and singer in his own right, directing a slightly stripped down touring version of the band, which sometimes features a horn section and multiple guitarists. The band still packed a punch and Lacocque was perfectly willing to share the stage and shine a light on the other performers, including the magnetic Carla Stinson on vocals for several songs and very special guest, Chicago legend Lurrie Bell on guitar and vocals.
Now in its 27th year, the Chenango Blues Festival is revered by fans far and wide. They have a fantastic knack of identifying and presenting emerging artists that create thousands of brand new fans. Valerie June, Ghost Town Blues Band, Davina and the Vagabonds, Southern Avenue, Nikki Hill, and Jerron “Blind Boy” Paxton come to mind in just the last few years. They also showcase known crowd pleasers and veteran acts that deserve an appreciative, responsive audience. They treat fans and artists with respect, pay attention to details, and just do things right. It’s a simple formula, but that doesn’t mean it’s simple to do. However, those are exactly the reasons why it is many fans’ favorite festival each and every year.
Beck and Cage The Elephant arrived in Saratoga on Monday night, as it was the next stop in their Night Running Tour, which will conclude at the end of August. The night was kicked off with a bang, as the New York City based Sunflower Beans brought an energetic indie-rock sound, bringing the early-arriving crowd to their feet. Their set was followed up by Spoon, who kept the same pace and energy as the Sunflower Beans, despite being two decades older.
Cage The Elephant took the stage shortly after the Spoon’s set. The lights all fell, and the Bowling Green native band was silhouetted by the surrounding pyrotechnics. Eventually Matt Shultz, the band’s lead singer, emerged wearing an outfit you’d only imagine from a Cage The Elephant frontman— a grey trench coat, a masquerade mask, a straw sunhat and an assortment of accessories on various satchels donned by the singer. This was the outermost of many (and I mean many) layers that Shultz was wearing. Throughout the set he unpeeled each layer, revealing strange outfit after strange outfit, until he was left in a nude leotard and red short-shorts. These layers of clothing didn’t impede Shultz’s mobility in the slightest however, as there wasn’t a single minute in the 19-song-set that he wasn’t running, dancing, jumping, or leaning hard into each and every lyric.
Photo by Jim Gilbert
Cage just released their fifth studio album, Social Cues, this past April, so naturally, they played many tracks from the new record, including; “Broken Boy,” “Social Cues,” “Ready To Let Go” and various others. As the set went on the energy of the band never slowed, keeping the thousands in attendance dancing right along. Playing hits such as “Ain’t No Rest For The Wicked,” “Come A Little Closer” and “Cigarette Daydream,” before finally finishing their set with “Teeth.” However, just because the band was done didn’t mean Matt Shultz was. Midway through the last song the singer left the stage and began to make his way through the crowd, and didn’t stop when the song concluded and his bandmates left the stage. Shultz continued on, making his way through the amphitheatre, eventually reaching the lawn, where he crowd-surfed all the way up to the concourse and eventually made his way to the balcony, embracing and entertaining fans the whole way. It was almost 20 minutes after the set that Matt Shultz made his backstage, however, we hadn’t seen the last of him yet…
After Cage The Elephant’s long and exhilarating set it was hard to believe we still hadn’t seen the main act. But, sure enough, there was another entire set to be seen, and it did not disappoint. Beck opened his portion of the night with an acoustic slide guitar solo, such as one you may hear in an Old Western, that solo transitioned into arguably his most recognized song, “Loser.” Beck’s set was filled with his signature indie-rock-rap music, impressive solos from him and his band, bright lasers and lights, and fans who had not stopped dancing since the night began. The night did slow down for a few minutes, when Beck gave a touching speech, talking about his mother who was in the crowd, the importance of savouring what you have and not taking anything for granted – this did not disappoint the fans though, as they continued to cheer and show their support. Beck then covered the Korgis “Everybody’s Gotta Learn Sometime,” then played his own “E-Pro,” before exiting the stage in preparation for the encore that was surely to follow.
Beck began his encore with the sound of the iconic guitar intro of “Where It’s At,” leaving no one unsure of what song was being played. Once that was over Beck gave an unexpected but riveting harmonica solo, beginning his 1994 song “One Foot in the Grave.” Following this, Beck invited the Spoon singer, Britt Daniel, to come back on stage and asked him what he song he wanted to play, Britt replied, “Pump It Up” by Elvis Costello, and so that became the third song of the encore.
Next, Beck invited yet another singer back on stage, this time Cage The Elephant frontman Matt Shultz (who came out wearing yet another exotic outfit, this time complete with a yellow rain jacket and hat). Beck and Shultz sang their recent single together, “Night Running” (of which the tour was named after), followed by a reprise of “Where It’s At,” during which confetti rained from the amphitheatre before the night finally came to an end.
