Since their inception back in 2004, The Wood Brothers have been creating their own flavor of American traditional music on their own terms. The trio is comprised of brothers Chris (bass & vocals) and Oliver (guitar & vocals) Wood , as well as Jano Rix (percussion & shuitar). Together they have been successful in creating a unique musical gumbo which includes the combination musical styles including Blues, Folk, Country, and Rock.
The Wood Brothers also recently received critical acclaim for their latest studio release, 2018’s One Drop Of Truth, which included a Grammy nomination for Best Americana Album. If that weren’t enough to keep the band busy, The Wood Brothers have just released Live At The Fillmore a new live album, their fifth, that was recorded over a two night stint at San Francisco’s famed musical landmark. The trio is famous for their live performances and the band shines on the stage. The opening track on Live At The Fillmore is “Blue and Green,” which is a stripped down, intimate number off of 2011’s Smoke Ring Halo LP. The deft vocals that Oliver and Chris deliver, as well as the ambient noise of the crowd, easily transports the listener to the gig at the historic Fillmore.
The boys tear it up on the third track “Snake Eyes” with a great percussion intro by Rix, which leads into a nicely executed guitar accompaniment by Oliver, featuring some heavy feedback. The Wood Brothers infectious performance, along with the a little on stage prompting from Oliver persuaded the audience to join the band in the chorus of the upbeat number, creating a vivid picture in the mind’s eye of the listener. The trio’s harmonies were spot on and the track wrapped up with another nice guitar fill by Oliver.
The Wood Brothers keeps the energy flowing with “Raindrop,” the fifth track from Live At The Filmore LP. Oliver and Jano constructed an intro featuring guitar and percussion which effortlessly leads into the jamming number. With the catchy opening vocal “Broke a heart for a cheap thrill. Seemed worth it at the time. There’s a hundred of ’em out there still. You can hear ’em all cryin’,” Oliver is able to evoke the frustration that anyone can feel while trying to get over a painful breakup.
The sixth tune, “Chocolate On My Tongue,” has an infectious groove that will get your foot tapping along with The Wood Brothers as they expertly ply their trade. Catchy riffs and smooth harmonies make this tune a true gem of a performance and a highlight on the LP.
Overall the fourteen tracks on Live at The Filmore are successful in proving The Wood Brothers are at their comfort zone on stage, playing for a live audience. It also illustrates how proficient the trio, who have had extensive time on the road performing, are able to anticipate and coordinate their playing together as a road tested unit. Oliver Wood once said while talking about selecting songs for a set list: “Sometimes it is like choosing between your children, you don’t want to have to do that but sometimes you have to.” Luckily for fans of The Wood Brothers, the band chose extremely well on Live At The Filmore, creating a voyeuristic experience where the listener gets to experience the best of two nights in the life of a great live band playing at a historic musical venue.
The two-day music and arts event, Adirondack Music Festival, returned to Lake George this past weekend for its fifth year in a row. Held once again on the serene LG section that is Charles R. Park, this year’s ADK Fest felt like the most well-received and celebrated yet, as many attendees seemed to vocally attest. If you were in attendance this weekend, you most likely at some point overheard someone discovering the festival for its special charm. Something along the lines of: “I can’t believe how nice this festival this is” and “Well, I am definitely coming back next year.”
As with every year since its start, ADK Fest opted for a classic setup with two main stages of music, set side by side—the style adopted by big-time events like Gathering of the Vibes and the first few years of LOCKN’. This format, which has bands perform back to back without delays, kept the energy on the field, and white hot, from early morning through sunset, as well as kept collective excitement packed into one shifting, intimate crowd.
A number of recently highly popular musical acts made their debut at ADK Fest. Midnight North, for starters, features members of The Terrapin Family Band and have been a hot ticket over the last year or so. Dead-relation aisde, Midnight North is its own beautiful creation, an americana powerhouse of band that displays a strong breadth of songwriting through dynamic, soulful musicianship. Members of this band were well connected within this music scene from the west coast and sat-in with many other artists as well.
Other buzz-generating artists performing at ADK for the first time ever were artists like The People’s Blues of Richmond, Marco Benevento, and G. Love and Special Sauce. People’s Blues, PBR for short, surely must have unexpectedly knocked a number of ADK patrons out of their musical comfort zone with their fearlessly-intense style of garage-punk blues. But the trio’s ceaseless, air-tight musicianship won many fans over as well. Marco Benevento’s own power-trio took the main stage just a few hours after them and wielded their own no-holds-barred mash of indie-pop, funk, and glam rock.
It felt strange to see G. Love perform a midday set at three in the afternoon -here was an artist, after all, that surfed high through the 2000’s on a number of big hits, but he was a highly received set nonetheless. In addition to a solo acoustic intro, the guitarist and hip-hop-inspired vocalist careened the edge of the stage above a swath of outward hands and starry-eyed expressions. G. Love’s collaboration with Twiddle frontman, Mihali Savoulidis, saw the two trading vocals for guitar riffs on a version of Hall and Oates’ “I Can’t Go For That,” which was much better than the “What I Got” that happened between the two in Twiddle’s headlining show later.
ADK Fest Day 1: G. Love and Mihali cover Hall and Oates. Photo: James Sullivan
Yet the four man dance-ready jamband, Twiddle, still performed a huge couple of sets to close out Saturday evening, to an elated audience that swamped the park’s concert area all the way to the vendors in the back. Highlights of their two closing sets were a guitar-shredding collaboration with Midnight North frontman, Graham Lesh, on their original “Subconcious Prelude” and then the foursome’s searing finish on “The Box.”
Another artist who met the crowd with a freewheeling sense of stage presence was the northeast jam scene’s golden girl, Hayley Jane. Fronting her band, The Primates, for a midday Sunday set, Jane sang face-to-face with a rail-climbing mass of highly excited young women. Hayley and The Primates as a unit announced their decision earlier this year to go on hiatus. This set at ADK Fest was undoubtedly an emotional one for many, despite the fact that Hayley, in her true style, beamed with smiles and soul through her own set. The joy transcended others that she guested on stage such as with polyrhythmic dub-rock band, Bartika, and then Jane sat in with Everyone Orchestra’s set a bit, after her own.
In a very special move, Adirondack Music Festival booked an Everyone Orchestra set for its day two second-to-headlining spot. EO shows are, of course, completely improvisational from start to finish and are always performed by a mix of artists from different bands. Lake George’s set was pretty substantially stacked for its members. Solo artists Haley Jane and Ryan Montbleau handled lead vocals (with the latter also offering some nice guitar solos here and there), while Deep Banana Blackout’s, Fuzz Giovanni, handled lead guitar work.
Saxaphone legend Sam Kinninger was a secret weapon here, shining up the band’s various types of funk and rock jams with amazing melodic work. Kinniger and the rest played beside a hefty rhythm section that included moe.’s Vinnie Amico on drums, TAB’s Tony Markelis on bass and Steve Moltiz on keys. Highlights here were a belly-laugh inducing, reggae-tinged sing-along about golf pirates. Super creative vocals led by Ryan Montbleau followed with an extremely moving, soul inspired jam which Everyone Orchestra impresario, Matt Butler, built a vocal tribute to the recently passed Neal Casal.
ADK Fest Day 2: Everyone Orchestra Pays Tribute to the late Neal Casal. PC: Miles Hurley
While some roll their eyes at cover bands, Pink Talking Fish works extra hard and thinks creatively to stand out from the ever-growing pack. The quartet began their set with a great surprise in The Beastie Boys’ “Sabotage,” which Phish has covered on rare occasion. In a climax to their set, PTF reprised a bit of the magic from their Junta album extravaganza at The Capitol Theatre earlier this year, which had Pigeons Playing Ping Pong’s Greg Ormont act as Master of Ceremonies. Here at ADK Fest, PTF began with a beautiful segue-sandwich from “You Enjoy Myself” to Pink Floyd’s “Wish You Were Here” and back. Upon returning to the Phish hit, Ormont joined the band mid-song, to first engage in some trampoline-style jumping with bassist, Eric Gould, and new guitarist Cal Kehoe. They finished with a very kooky vocal jam.
It was another strong move to have Pigeons Playing Ping Pong return to close the festival Sunday evening, just as they did last year. These four jam-funk players having seen a truly meteoric rise recently (they will be headlining Explore Asheville this coming December). A few highlights for their near-explosive set included an electronically charged collaboration with Steve Moltiz on their own tune, “Live it Up,” and a very colorful jam on Deee-Lite’s “Groove Is In The Heart.”
Major music events in Lake George, NY like Adirondack Music Fest often share in a little community-favorited crown jewel—a post festivities top-off at local music hub, King Neptune’s Pub. Being a time-tested spot for upstate bands to play, King Neptune’s always sees great crowds, but then really turns out when late night performances go down.
For Saturday night’s musical extend, nearby favorites, Funktional Flow from Buffalo, and New Haven, CT’s, Eggy, offered a proper finish to a full first day of music. Eggy, coming from the fertile music scene in New Haven, made a grand introduction for themselves in this venue, and they rocked the opportunity big time. The groove rock four-piece blasted their way through intense versions of originals like “Shadow” and “One More Dance,” along with improvisationally-heavy takes on covers like Traffic’s “Low-Spark of High-Heeled Boys.” For a set-topper, Eggy invited Midnight North keyboardist, Alex Jordan, for a blissful and high-powered take on the band’s “Buying Time.”
ADK Fest Day 1: Eggy rocks late night w/ Special Guest Alex Jordan. PC: Miles Hurley
While night one’s crowd was impressive, festival buzz Sunday afternoon must have spread like wildfire to make late night two’s crowd even more massive and energetic, for Neptune’s at the tail end of the weekend was nearly flooding out the door. After Sunday night’s originally scheduled openers, psychedelic funk outfit The New Motif, had to cancel their slot and the evening switched around to second act, Annie In The Water, opening before a festival-family superjam close out.
Annie in The Water thus kicked off with a very uplifting display of original music, with some cover hits thrown in for good measure. A presentation of styles ranging all the way from folk rock to reggae to even some hip-hop was connected via strong, confident solos and endearing vocals. Members of Lucid, Magic Beans, Pigeons Playing Ping Pong coalesced into one family-type super jam set, for a final set at Adirondack Music Festival, that seemed to represent everything this dynamic music scene is about. At one point in this performance free-for-all, three keyboardists—Magic Beans’ Scott Hatchey, former Formula 5’s Matt Richards, and PTF’s Richard James—hammered away on one rig at the same time, for a spectacle that was also technically impressive.
As with any festival, there’s more musical experiences than can be reported on. From piano wizard Marco Benevento and his trio debuting material from their new record (Let it Slide), to upstate jam favorites Lucid commanding the main stage mid-Saturday as they do with fervor every year, ADK Fest’s fifth year was artistically overflowing. All of this top-notch live music was met resolutely throughout the weekend with a positive and welcoming vibe, upheld via a sense of strong community and creativity. For mid-size festivals Adirondack Music Festival is one of the best you can experience in the ever-musically-fertile land of upstate NY—yet here’s to a steady growth from mid-size to who knows how big.
Check out a gallery of images of Adirondack Music Festival 2019 below, courtesy of photographer James Sullivan.
The Disco Biscuits are back. The Philly-based trance-fusion band has announced an extensive 23-date winter tour with several multi-day runs, including SI Hall at the New York State Fairgrounds in Syracuse on November 22 and 23, 2019.
The tour kicks off with two dates in McKees Rocks, PA at the Roxian Theatre on Nov. 14 and 15. The tour also includes the previously announced four-day run at the Playstation Theater for New Year’s Eve. The run marks the band’s 40th and final time performing there as the venue announced it will be closing at the end of December.
Photo: Stephen Olker, NYS Music
Tickets for the tour go on sale Friday, Sept. 6 at 10:00 a.m. local time. Ticketing information can be found on the band’s website here. See the full list of dates below.
The band issued a statement regarding the tour and timeline for their upcoming album:
“We’ve been teasing this for some time now, it feels so good to finally be able to share it with you. We are back…and back in a big way. New tours. New music. New Jams. 2019 and 2020 are going to be our best years yet and all of you are at the heart of it. Expect to see us a lot, expect the unexpected.
The first thing we’ve got for you is our winter tour starting in just a few weeks. We’re coming back to a few places we haven’t been to in a while, and others that we’ve seen a lot through the years. All will be sweat dripping off the ceiling, Bisco fire fueled nights.
The second is a new album…we’re already burning the midnight oil on this, and can’t wait for you to hear it. We plan on teasing some of these soon, and dropping them individually in early 2020, then a full album next summer. ‘Til then, we’ll be seeing you all quite a bit and spending every waking hour making sure this is the best of the Biscuits for all of us.”
Disco Biscuits Winter 2019-2020 Tour Dates: Oct. 5 – Breckenridge Brewery Hootenanny – Littleton, CO Nov. 14 – Roxian Theatre – McKees Rocks, PA Nov. 15 – Roxian Theatre – McKees Rocks, PA Nov. 16 – The National – Richmond, VA Nov. 17 – The National – Richmond, VA Nov. 20 – Higher Ground – Burlington, VT Nov. 21 – Higher Ground – Burlington, VT Nov. 22 – SI Hall – Syracuse, NY Nov. 23 – SI Hall – Syracuse, NY Dec. 11 – House of Blues – Orlando, FL Dec. 12 – Jannus Landing – St. Petersburg, FL Dec. 13 – Revolution – Ft. Lauderdale, FL Dec. 14 – Revolution – Ft. Lauderdale, FL Dec. 27 – PlayStation Theater – New York City Dec. 28 – PlayStation Theater – New York City Dec. 30 – PlayStation Theater – New York City Dec. 31 – PlayStation Theater – New York City Jan. 2 – Riviera Theatre – Chicago, IL Jan. 3 – Riviera Theatre – Chicago, IL Jan. 4 – Riviera Theatre – Chicago, IL Jan. 15 – The Ritz – Raleigh, NC Jan. 16 – The Fillmore – Charlotte, NC Jan. 17 – The Fillmore – Silver Spring, MD Jan. 18 – The Fillmore – Silver Spring, MD
Every third Thursday of the month, starting September 19, Buffalo is going to be getting funky at MFDF Funk Nights at Nietzche’s, presented by NYS Music.
Guitarist Matt Fantini of Space Junk and keyboardist Donny Frauenhofer of Intrepid Travelers, DF3, & THE TRUTH will be your hosts, bringing in a rotating cast of local, regional, and national artists each month for a night of improvised heavy funk. This month will feature John Fohl from Intrepid Travelers/Big Martha on drums, James Benders from grüvology/DF3 on bass, and Ellen Pieroni from Folkfaces/THE TRUTH on saxophone.
Admission is $5 at the door, and the events are 21and over unless accompanied by a guardian. Upcoming dates for MFDF Funk Night are Sept. 19, Oct. 17, Nov. 21 and Dec. 19.
Five bands on the same bill in one night makes for one long, but rocking evening. With so many bands playing it really felt like Breaking Benjamin brought a mini rock festival to the Lakeview Amphitheater in Syracuse, NY on Saturday August 24.
There was a great mixture of new and well known faces on the stage performing that night. Opening the evening was one rad rocker-chick named Diamante. Her blue hair and Joan Jett inspired style added to her incredible stage presence.
Next up was another amazingly talented rad rocker chick named Dorothy. Dorothy’s fashion and singing style was completely different, but equally as rocktastic as Diamante. It was great seeing two stylish and talented women opening up this tour. Dorothy has an old school rock sound mixed within with her sound. Diamante may have looked like Joan Jett, but Dorothy sounded more like a Joan Jett vibe/sound.
Three Days Grace is one of those bands that you don’t realize how many hits they have on the radio until you see them perform live. They have come a long ways with their lead vocalist change up back in 2013, but their new singer knows how to bring the energy and connect with the crowd.
Direct support for this tour was Chevelle. Chevelle is a three piece and always has played as a three piece live with no additional guitarist or tracks. They pride themselves on playing truly live and they don’t disappoint. Chevelle is a band that is all about the music and their performance reflects that. Chevelle is much like Three Days Grace where you just don’t realize how many of their songs have been on the radio over the years.
Headliners Breaking Benjamin started out strong with “Red Cold River” while lead vocalist Benjamin Burnley walked out giving the crowd a heart sign then began to sing. Breaking Benjamin had a cool stage set up along with pyros.
Breaking Benjamin are known for their song mash-ups during their sets and they brought it to Syracuse. This time their mash up consisted of “The Imperial March,” “Cowboys From Hell,” “Smells Like Teen Spirit,” “Bohemian Rhapsody,” “Enter Sandman,” “Bulls On Parade,” and they finished with a drum solo from Burnley. Burnley turned the mic over to band members guitarist Keith Wallen and bassist Aaron Bruch to sing a few songs.
Rochester based multi-instrumentalist Alex Northrup and his band The Backup released their six-song album in March titled Long Story Short. The band is made up of Alex Northrup (keyboard, vocals), Andrew Carter (bass guitar, backup vocals), and Jake Walsh (drums, backup vocals). The trio has a sound that ranges from really small to huge, making use of each member’s prowess on their instrument and their abilities to hold a strong harmony. One thing that pops out in any of Northrup’s recordings is Alex’s ability to take a song out of the pocket with his strong keyboard performances. Evinced by the six tracks on this release, Alex Northrup and The Backup are beginning to carve out a sound all their own.
The opening track “Put on the Break-Up” ultimately sets the overall pace for the album. The sweet vocal melody is hashed out by wonderfully performed harmonies. Nothing here is too pristine; that is to say, the vibe is similar to the old Weezer Pinkerton days. The listener will be able to tell that the process of recording that the band took was organic, leaving the bulk of the work to the musicians to make the songs sound good.
“Sinning on a Saturday” offers a better look at how dynamic the band can be in their orchestration. The bass takes on a life of its own and the texture of the keyboard flexes a bit more as well, as Alex navigates his chord progression to make meaningful and interesting solos. The mood shift that takes place between the verse and chorus is subtle, but noticeable enough to invoke the feelings reflected in the lyrics.
https://www.youtube.com/watch?v=fXOWdRFEhr8
One thing that should be taken note of is how Alex writes his lyrics. He talks casually, and even comically at times, about serious issues while never sacrificing the weight of the song’s topic. “Girl of My Dreams” is one such song. The ballad is a nice throwback to older ballads from the 50’s and the band does the style justice. While most of the songs are written by Northrup himself, he does collaborate with other members of the Rochester music scene. Specifically in “There We Go Again”, where some new creative elements and bass lines are added in by Dave Drago.
The album’s cap is an ethereal instrumental that comes out of almost nowhere to great effect. Each song flows into the next really well, and the entire album felt like it should end much like it does in “Blinded by Delight.” The band’s harmonies are sitting tight in the background behind a beautiful soundscape of textures. Overall, the album’s flow offers a whole new dimension worth analysis of its own. Definitely take a chance on this release, and be sure to find Alex Northrup and The Backup on Spotify, Bandcamp and social media!
Key Tracks: Sinning on Sunday, Put on the Break-Up, Girl of My Dreams
Sister Sparrow & The Dirty Birds have announced a final stint of shows before lead singer Arleigh Kincheloe embarks on maternity leave, with a second baby on the way, due in October. But that has not stopped her from holding true to the nitty-gritty Dirty Bird funk that goes down each and every time the band hits the stage.
The Dirty Birds had just performed a free show at Athens Riverfront Park in Athens, NY. For the last three dates fans will flock to Chattanooga, TN; Jersey City, NJ and a final cap at Brooklyn Bowl on September 14.
Kincheloe told NYS in a phone interview how it is just time to take a break from the road, rightfully so. However the front-woman stuck out the entirety of her pregnancy touring on the road, where as she did not with her first child. Despite the reactions by some fans, mothers especially, this is a true gift, taking the bands family ties to a second generation. Kincheloe is nothing short of grateful and glowing to be moving around stage with her child. Spiritually, and quite literally, Kincheloe feels her newborn-to-be on stage with her, making for a unique and special run of final shows.
Arleigh, rocking out with her newborn-to-be in Athens, last Friday.
Touring vigorously with Kincheloe’s latest realise Gold, the band spent the latter half of 2018 and early 2019 on the road selling out venues, including the accliamed Levon Helm Studios. Gold was produced and co-written in collaboration with Carter Matschullat (Chef’Special, Secret Weapons) at Brooklyn’s DØØM Studio, and made NYS Music’s Best Album of the Year in 2018, below.
The glimmer of Gold has caught our eyes. The overanxious wait for another Dirty Bird release had us on edge. In the past three years we have been deprived of the nitty-gritty funk powerhouse and soulful horn section that is Sister Sparrow & The Dirty Birds. While Gold is everything we want, this record is a spotlight on the undeniable front-woman Arleigh Kincheloe, a.k.a Sister Sparrow. This razors edge has captivated fans – a blend between modern-pop shimmer, electronic accents and that Dirty Bird flare.
It really takes a special talent to bring a performance to life, like the way Lindsey Stirling does. Her show at the great New York State Fair on Friday, August 23 was inspiring. Lindsey can play the violin flawlessly while dancing choreographed parts of her songs with dancers, and alone. It was a beautiful mix of dance, ballet and music. Lindsey performed many of her hits including “The Upside,” “Crystallize” and “Shatter Me.”
Brooklyn-based quintet Of Clocks and Clouds is a psychedelic rock powerhouse whose sound has been turning heads all over NYS and beyond. Their inclusion on numerous lists of bands to keep an eye on isn’t uncanny, it’s deserved. Through hard work and perseverance, the band has created a sonic experience that sets them apart from the litany of jam bands that have been popping up all over the northeast. Composed of Joe Salgo, Nick Salgo, Tom Salg, Yuri Soussov and Zander Ryzinski, the band offers fans of live music a look at their progressive psychedelic rock with this release of their set Live at Brooklyn Bowlfrom February 3, 2019.
Fusing elements of electronic music with their deft ability to improvise, based on style adherent chord progressions, is what gives OCAC such a characteristic sound. The first track of the live release, “Cold Hearted Woman” drives this point home, with each member adding in subtle elements to a core blues tune. The keyboard breaks open chords and sets a basis for a hard-hitting blues guitar solo. The drums do an excellent job of knowing when to break out of the pocket – the fills will range anywhere from lightning-fast to minimalist, with the overall mood of the song being reflected in the fills.
The live recording captures the band’s aesthetic really well. It’s evident that they are able to feed off of the audience and drag out jams without losing their interest. This translates really well on record too, with the 11+ minute “Worst Look” being a testament to that. OCAC starts their songs off similarly, with a slow build transitioning into an intro jam. Yet each time they do that, the outcome is sonically different. The band members find their own place within the song to either stand out or step back. The bass barrels forward without hesitation, accenting the grooves underneath the lush orchestration that the keys and guitars create.
While instrumental skill surely defines the band, something must be said about their vocals. The 90’s alternative rock style vocals fit well with the sound. It takes the listener out of the busy composition and bring focus to the anthemic nature of the lyrics. There’s also a lot of versatility in the singing – their cover of Rage Against the Machine’s “Bullet in the Head” is well worth checking out.
It’s impossible to listen through this live album and not notice how well the flow of the set moves. There are dynamic shifts, exciting developments, and headbanging instrumental breaks. With so much to love, it’s no wonder Of Clocks and Clouds is gaining so much steam nationally. Check out this NYS gem’s release, and be sure to catch them live if they come to your town!
Key Tracks: Worst Look, Cold-Hearted Woman, Hole in My Head (Pts. 1 & 2)
20,000 fans showed up to party with Ice Cube to see the legendary rap icon, movie star and Rock n’ Roll Hall of Famer packed Chevy Court at theNew York State Fair. Decked out in his trademark black bandana, tucked under a ball cap and dark sunglasses, Ice Cube got the party kicked off with the body moving track, “The New Funkadelic.”
Ice Cube and hype man Dub C “WC” delivered a slew of bass heavy, pumping dance songs spanning Ice Cube’s 30-year career from his beginnings in NWA to his most current release Everythang’s Corrupt.
Ice Cube paused and addressed the crowd shouting, “There ain’t nothing like rockin’ a house on Friday night.” He was quickly corrected by Dub C who pointed out that it was still only the middle of the week. “Whenever you see Ice Cube, it’s a goddamn Friday,” the rapper said as he gave Dub C the stare down.
Ice Cube kept the crowd bumping with notables such as “Check Yo Self,” “Straight Outta Compton” (tease) bridging into “Gansta Gansta,” followed by “No Vaseline.” The set felt short, 60-minutes, but no one in the crowd could complain about the closing number, “It was a Good Day,” one of his greatest tracks ever. So, for all of you who had their doubts, who didn’t think Cube could get on stage and still rock the mic, I say, “You better check yo’ Self before you wreck yo’ self.”
Setlist: That New Funkadelic, Now I Gotta Wet’cha, You Know How We Do It, Bop Gun (One Nation), Check Yo’ Self, Friday, Roll All Day, We Be Clubbin’, Straight Outta Compton (N.W.A.), No Vaseline, Natural Born Killaz, $100 Dollar Bill Y’all, I Ain’t Got No Haters, You Can Do It, Go to Church, It Was a Good Day.
