Category: NYC Metro

  • Jazz Rabbi Greg Wall Digs Downtown NYC Roots for 60th Birthday Gig

    Update 11/27/19: Per an email this week, this event is cancelled. The official statement reads:

    Unfortunately, the Museum at Eldridge Street has cancelled the December 1 Greg Wall concert to benefit the Museum due to unforeseen circumstances. We will notify you when the event is rescheduled.

    Saxophonist and composer Greg Wall, a staple on the downtown avant-garde jazz scene since the early 1990s, celebrates his 60th birthday with a benefit concert in the stunning historic sanctuary of the Museum at Eldridge Street on Sunday, December 1 at 3 p.m. Wall will perform with his longtime working bands including: Zion80, Hasidic New Wave, Portal, Klezmerfest, and Greg Wall’s Later Prophets, as well as the Ayn Sof Arkestra and Bigger Band which returns for this concert. Proceeds will benefit the Museum.

    A leading figure in the Jewish music scene for over thirty years, Greg Wall is a pioneer in blending Jewish music with jazz. After early training under Archie Shepp and Max Roach in Amherst, MA, Wall finished his apprenticeship at New England Conservatory in Boston, studying and performing jazz with Jaki Byard, George Russell, and Jimmy Guiffre, and was part of the Klezmer revival scene at NEC.

    After graduation he headed to New York and together with classmate Frank London, helped define the sound of “Jewish Jazz” with groups like Hasidic New Wave, Midrash Mishmash and later, the Ayn Sof Arkestra and Bigger Band, Shechina Big Band, Later Prophets and Zion80. He toured with the late Yosi Piamenta, the “Hasidic Hendrix,” and released several recordings playing original compositions alongside spoken word.

    Wall played regularly at the original Knitting Factory locations, Tonic, the Nuyorican Poet’s Cafe, and the Stone, as well as making frequent tours abroad to Europe and Israel, maintaining a parallel career performing classic and mainstream jazz. While on the road, Wall pursued Talmudic study and was ordained as a Rabbi in 2006.

    Wall is no stranger to Eldridge Street. In the early- to mid-90s he frequented the venue at a time when the landmark was dilapidated and only beginning to establish itself as in important cultural hub for families, hipsters, artists and religious and secular Jews.

    My relationship with the museum goes back almost 30 years, when the restoration of the Eldridge Street Synagogue was the dream of a few determined, hard-working individuals. They never forgot their roots, and simultaneously became an important national cultural icon, while continuing to serve the folks in the neighborhood – It’s my kind of place.

    Greg Wall

    In 2009, Wall was appointed rabbi at the Sixth Street Community Synagogue in the East Village and continued to exhibit his particular blend of spirituality and avant-garde music with regular performances in the temple’s sanctuary. He was the founding Artistic Director of the synagogue’s Center for Jewish Arts and Literacy, which was an incubator for cutting edge modern music with a Jewish flavor. That practice continued, in 2013, when Wall became rabbi at Beit Chaverim Synagogue, in Westport,CT, where he’s continued to perform regularly his eclectic mix of classical and experimental jazz, Eastern European and African American roots music with a rotating group of influential musicians.

    Wall’s latest release is The Book Beri’ah with Zion80, on the Tzadik record label of legendary producer John Zorn. A live recording with jazz pianist Andy LaVerne is scheduled for January, 2020.

    The Museum at Eldridge Street is housed in the Eldridge Street Synagogue, a magnificent National Historic Landmark that has been meticulously restored. Opened in 1887, the synagogue is the first great house of worship built in America by Jewish immigrants from Eastern Europe. Today, it is the only remaining marker of the great wave of Jewish migration to the Lower East Side that is open to a broad public who wish to visit Jewish New York. Exhibits, tours, cultural events and educational programs tell the story of Jewish immigrant life, explore architecture and historic preservation, inspire reflection on cultural continuity, and foster collaboration and exchange between people of all faiths, heritages and interests.

  • Songhoy Blues kick off United Nations Change Week, release ‘Meet me in the City’ EP

    Songhoy Blues are set to release their new EP, Meet Me in the City via Fat Possum on October 18 in support of a 5-week North American tour. The band also helped kick off the United Nations Climate Change Week in New York City with a breakout performance in support of the historic Great Green Wall initiative they are helping bring to life.

    songhoy blues

    The EP is their first collection of new music since the critically acclaimed album Résistance, which Rolling Stone called one of the best albums of 2017, and will be released on special edition yellow vinyl. 

    They recently shared two versions of the EP’s title track — one mixed by Blake Mills (Grammy-nominated producer of Alabama Shakes’ Sound & Color, John Legend’s Darkness and Light, and Perfume Genius’ No Shape) and the other by David Ferguson (known for his sound engineering work with “Cowboy” Jack Clement and on Johnny Cash’s American Recordings). The title track was written by Junior Kimbrough (with additional lyrics by Songhoy Blues and produced by Matt Sweeney).

    Steeped in the deep traditions of classic Malian music & desert blues fused with a youthful and super-charged sound of today, Songhoy Blues formed in 2012 in Bamako after its members had left Timbuktu, which was under siege by Islamist militants. The band released their debut album, Music In Exile, in early 2015 receiving across the board praise, including a 5/5 rating in The Guardian who claimed, “they have all the makings of African-rock crossover heroes.”

    Songhoy Blues says, “We’re really happy to introduce this new EP and our English-language debut on the song ‘Time To Go Home.’ Please enjoy it and get ready for a heavy new album coming up very soon.”

    On PBS’ American Masters, Will Oldham spoke of working with Songhoy Blyes, saying, “They are a Malian band that’s really trying to make sense of what they’ve been witnessing, what they’ve been experiencing, and create or transmit a message to people about what they’re seeing and how they’re trying to understand it and make change…And to think, well I want them to know that I’m trying to listen and trying to understand, and if I can give voice to some of what they’re experiencing, that they might be emboldened by this musical connection.”

    Most recently, the band completed a sold out run of UK dates, recorded a live session for BBC 6 Music; filmed an episode of the new UK TV show Noughts & Crosses in South Africa; featured in a new photography exhibit called My Rockstars by Hassan Hajjaj at La Maison Europeenne de la Photographie in Paris; and collaborated with UK artist Andy Morgan on a multimedia exhibition called Music & Conflict at the Imperial War Museum, which debuted in June 2019. 

    Songhoy Blues are also proud spokespersons for the charity WaterAID, and have helped to raise money & awareness toward providing relief in their native Mali. They will be appearing in an upcoming documentary on climate change in the Sahel; and were featured in the award-winning documentary “They Will Have to Kill Us First”, about the plight of musicians in war-torn Mali.

    Songhoy Blues – remaining 2019 Tour Dates

    10.17 – St. Paul, MN – Turf Club

    10.19 – Chicago, IL – Lincoln Hall

    10.22 – Toronto, ON, Canada – Great Hall

    10.24 – Brooklyn, NY – Baby’s All Right

    10.25 – Easthampton, MA – New City Brewery

    10.26 – Portland, ME – Port City Music Hall

    10.27 – Boston, MA – Brighton Music Hall

    11.07 – Edinburgh, UK – Usher Hall (with Vampire Weekend)

    11.08 – Manchester, UK – O2 Victoria Warehouse (with Vampire Weekend)

    11.09 – Manchester, UK – O2 Victoria Warehouse (with Vampire Weekend)

    11.11 – Birmingham, UK – O2 Academy (with Vampire Weekend)

  • Syracuse’s Trench Announce Fall Tour

    Syracuse shoe-gazers Trench has announced a series of November dates that sees the band hitting up venues throughout the Northeast. The tour kicks off in the band’s hometown at the legendary Lost Horizon on Nov. 9.

    Joining Trench at the Lost Horizon show are Rochester’s The Joke’s on Us, Boston’s reprieve., and Syracuse’s Buggin’ Out and The Same Page. Tickets for the 6:30 p.m. show are available now through Ticketweb. Advanced sale tickets are $10. Tickets the day of the show are $12.

    Trench formed in 2015 when Chris Reilly (guitar/vocals) and Roberto Becerra (bass) got together. They were soon joined by Ron Ballweber (guitar) and Dan Sanborn (drums) to round out the band. They released their debut EP Sun Soaked on Flesh and Bone Records in 2016 and followed it up touring with Nothing, Thrice, Basement, and Silversun Pickups.

    Their second release, 2018’s genre-spanning Ritual Love has the band visiting spaces that include post-rock, shoegaze, post-hardcore and dream pop. Speaking about the album, Reilly states, “The most important thing when writing music is to be honest and genuine, and I think we accomplished that both musically and lyrically on this record.” Ballweber adds, “We never write a song and say that isn’t ‘us.’ When you write honestly and without a conscious influence or direction then everything you create is sincere.”

    Trench is part of a growing Syracuse alternative scene that includes artists such as Mattydale Music Collective, Late Earth, Lucky33, Atkins Riot, Major Player, Lily Grave and Outside Voices. Reilly, speaking to Rochester alternative culture magazine Floated recently said of the scene, “I feel like the community is stronger than it’s been in a long time…It doesn’t feel like a competition. Everyone’s moreso contributing in building a community.”

    Trench Fall Tour Dates:

    Nov. 9 – The Lost Horizon – Syracuse, NY

    Nov. 12 – Monkey House – Winooski, VT

    Nov. 13 – Jewel – Manchester, NH

    Nov. 14 – Muchmores – Brooklyn, NY

    Nov. 15 – Massapequa VFW – Massapequa, NY

    Nov. 16 – Flemington DIY – Flemington, NJ

    Nov. 17 – Cult Classic Brewing – Stevensville, MD

  • Greensky Bluegrass announce Winter Tour, with stops in Ithaca, NYC and Albany

    Greensky Bluegrass has announced an expansive Winter Tour to kick off 2020 with stops in Ithaca, NYC and Albany.

    With the first show in St. Louis, MO at The Pageant on January 15, the tour winds through the Midwest and East Coast, and finishing with a two-night stand at The Tabernacle in Atlanta. Ghost Light will joining Greensky as the opener for a majority of the dates, with another act being announced in the near future. General on-sale begins on Friday, October 18.

    greensky ithaca nyc

    Ahead for Greensky Bluegrass this fall include appearances at Hulaween & Hangtown festivals, then an epic Midwestern Halloween weekend run kicking off in Chicago at the Chicago Theatre on Halloween, then off to Kansas City and St. Paul. The band will appear at ‘What The Night Brings’ tribute to Jeff Austin on November 4 then a duo of shows in their hometown of Kalamazoo, MI Nov. 29 & 30. Greensky will debut at Denver’s new Mission Ballroom on Dec. 6 & 7 before heading to Mexico for Cloud 9 Adventure’s Strings & Sol. The band will ring in 2020 with a three-night stand at The Riverside in Milwaukee, WI – with support from Horseshoes & Hand Grenades on 12/29 and 12/30, and a three-set Greensky NYE event to close out the year.

    The band’s third incarnation of its Camp Greensky Music Festival is the latest confirmed 2020 date, happening June 4 to 6 in Wellston, MI, tickets are available now

    Greensky Bluegrass Winter Tour dates

    1/15 – The Pageant, St. Louis, MO

    1/16 – Old Forester’s Paristown Hall, Louisville, KY

    1/17 – Agora Theatre, Cleveland, OH

    1/18 – The Met, Philadelphia, PA

    1/19 – Roxian Theatre, McKees Rock, PA

    1/22 – State Theater, Ithaca, NY*

    1/23 – State Theatre, Portland, ME*

    1/24 – Beacon Theatre, NYC

    1/25 – House of Blues, Boston, MA*

    1/28 – Flynn Center, Burlington, VT*

    1/29 – The Egg, Albany, NY*

    1/30 – Penn’s Peak, Jim Thorpe, PA*

    1/31-2/1 – The Anthem, Washington, D.C.*

    2/4 – Madison Theater, Covington, KY*

    2/5 – Mill and Mine, Knoxville, TN*

    2/6 – The Fillmore, Charlotte, NC*

    2/7-8 The Tabernacle, Atlanta, GA*

  • Reverend Peyton’s Big Damn Band announces Blues Revolution Tour featuring special guests

    The Big Damn Blues Revolution Tour will bring together three artists who are both master musicians and amazing showmen. With five stops across New York in November, The Reverend Peyton, Dom Flemons and J.D. Wilkes will take the blues-roots-folk music that they love and live on a unique tour. Each night will culminate with a special jam session featuring all three artists. 

    Blues Revolution Tour

    The tour begins November 6 in Asheville, N.C., then heads north for a date in Brooklyn at Knitting Factory on November 13. From there, shows in Saratoga Springs (Nov 16), Syracuse (Nov. 19), Buffalo (Nov. 20) and Corning (Nov. 21) will bring blues-driven folk across the Empire State.

    The Reverend Peyton’s Big Damn Band, a 2019 Blues Music Award nominee, includes the Reverend’s wife, “Washboard” Breezy Peyton, drummer Max Senteney and is led by the Reverend Peyton, considered to be the premier fingerpickers playing today. A singularly compelling performer and persuasive evangelist, the rootsy, country-blues styles that captured his imagination early in life led him to Clarksdale, Mississippi to study under such blues masters as T-Model Ford, Robert Belfour, and David “Honeyboy” Edwards. The recently released album Poor Until Payday debuted at #1 on the iTunes Blues Chart and #4 on the Billboard Blues Chart.

    Joining Reverend Peyton is Don Flemons, who draws from a repertoire of more than 100 years of American folklore, ballads, and tunes. A Grammy Award winner and two-time Emmy nominee, Dom Flemons is known as “The American Songster” and is a music scholar, historian, and multi-instrumentalist – an expert player on the banjo, fife, guitar, harmonica, jug, percussion, quills, and rhythm bones. His 2018 Smithsonian Folkways release Dom Flemons Presents Black Cowboys received a Grammy nomination for Best Folk Album. Flemons co-founded the Carolina Chocolate Drops, who won a Grammy for Best Traditional Folk Album in 2010 and were nominated for Best Folk Album in 2012.

    J.D. Wilkes is a true Renaissance man — musician, visual artist, author, filmmaker, and self-proclaimed “Southern surrealist.”  Also an accomplished multi-instrumentalist (notably on harmonica and banjo), Wilkes has recorded with Merle Haggard, John Carter Cash, Mike Patton, and Hank Williams III. Wilkes is perhaps best known as the founder of the Legendary Shack Shakers, a Southern Gothic rock and blues band whose fans include Stephen King, Robert Plant, and former Dead Kennedys frontman Jello Biafra. Rolling Stone named Wilkes “best frontman” at the 2015 Americana Music Association Festival for his performance with the band.

    https://www.youtube.com/watch?v=wItG_D3Vuvc

    Big Damn Blues Revolution Tour Dates:

    Wed., Nov. 6  ASHEVILLE, NC  The Grey Eagle

    Thurs., Nov. 7 WINSTON-SALEM, N.C. The Ramkat

    Fri., Nov. 8  RALEIGH, NC The Pour House Music Hall

    Sat., Nov. 9   LEESBURG, VA  Third Annual Chad Dukes Veterans Day Jamboree @ Tally Ho Theater; without Dom Flemons

    Sun., Nov. 10  ANNAPOLIS, MD  Rams Head On Stage

    Tues., Nov. 12 BOSTON, MA  City Winery  

    Wed., Nov. 13  BROOKLYN, NY  Knitting Factory

    Thurs., Nov. 14  SELLERSVILLE, PA   Sellersville Theater 1894; without Dom Flemons

    Fri., Nov. 15  TUCKERTON, NJ   Lizzie Rose Music Room; without Dom Flemons

    Sat., Nov. 16  SARATOGA SPRINGS, NY   Cafe Lena; without Dom Flemons

    Sun., Nov. 17  HAMDEN, CT Space Ballroom

    Tues., Nov. 19  SYRACUSE, NY   Westcott Theatre; without Dom Flemons

    Wed., Nov. 20  BUFFALO, NY The Tralf

    Thurs., Nov. 21  CORNING, NY Corning Museum of Glass

    Fri., Nov. 22  MORGANTOWN, WV 123 Pleasant Street

    Sat., Nov. 23  COLUMBUS, OH Woodlands Tavern

    Fri., Nov 29  INDIANAPOLIS, IN  The Vogue; without Dom Flemons

    Sat., Nov 30  NEWPORT, KY  The Southgate House Revival; without Dom Flemons

  • New exhibit at Morrison Hotel Gallery celebrates the Long, Strange Trip of Rock’s Legendary Jambands

    Morrison Hotel Gallery in Manhattan will pay homage to the world’s greatest jambands and the many talented photographers who have worked with these legendary performers with a new exhibition opeing on Thursday, October 17 at 7PM. From the Grateful Dead to Widespread Panic: Morrison Hotel Gallery Celebrates the Long, Strange Trip of Rock’s Legendary Jambands will take music lovers from Jerry Garcia and the gang backstage at the Fillmore East to Greg Allman posing next to a portrait of his brother as well as rehearsing with the band. The exhibit examines the forefathers of the jamband movement and takes visitors on an exploration of many of the like-minded bands that have followed, including The Band, Dave Matthews Band, Gov’t Mule, Grace Potter, Pigeons Playing Ping Pong, Tedeschi Trucks, and more. 

    The Jambands exhibition will feature images by photographer Jay Blakesberg, known for his iconic shots of the Grateful Dead captured over 41 years of working closely with the band. Blakesberg will also be the featured artist for Morrison Hotel Gallery’s November 3rd Close Up Artist Talk, co-hosted by the ACE Hotel New York. The Artist Talk will be in celebration of the release of Blakesberg’s new book, Jerry Garcia: Secret Space of Dreams, which was released on October 11. 

    In addition to Blakesberg, the Jambands exhibition will also feature extraordinary images by photographers Danny Clinch, C. Taylor Crothers, Sam Erickson, Herb Greene, Brantley Gutierrez, Lynn Goldsmith, Patrick Harbron, Rene Huemer, Elliot Landy, Gilbert Lee, Catherine McGann, Patricia O’Driscoll, Ken Regan, Amalie R. Rothschild, Norman Seeff, Allan Tannenbaum, Peter Tarnoff, Dave Vann, and Baron Wolman. This exhibition will show many of the musicians in this vibrant scene both on and off stage, over the course of the last 50 years. 

    The October 17 event is open to the public but an RSVP is required to attend. Email RSVPNYC@thepresshouse.com if interested. Morrison Hotel Gallery is located in Soho at 116 Prince Street.

  • Joyce Carol Oates and Tony Trischka to collaborate for intimate performance in Washington Heights

    Famed author and Syracuse University alumna Joyce Carol Oates will join banjo virtuoso, songwriter and educator Tony Trischka on October 29 for a unique collaboration in Washington Heights. The evening will be recorded for Ben Arthur’s podcast SongWriter, which brings authors and musicians together to collaborate on storytelling and song-making.

    joyce carol oates tony trischka

    The performance, hosted by the black-owned Ethiopian micro-roastery Cafe Buunni, will feature Joyce Carol Oates reading her short story, “A Brutal Murder in a Public Place,” and songwriters Tony Trischka and Jennifer Marks will perform songs written in response to her story. SongWriter is hosted by Ben Arthur, and is released as a podcast and excerpted on the syndicated radio program Acoustic Cafe for 2M listeners.

    Cafe Buunni is located at 4961 Broadway between 207th Street and Isham. Take the A Train to the last stop at 207th Street. The show begins at 8pm, with a suggested donation of $10. More information can be found here.

    Listen to the first season of SongWriter here.

  • Hearing Aide: The Drunken Hearts ‘Wheels of the City’

    I can imagine it is sometimes difficult to be called an Americana band. I’ve heard a number of music fans hear that description and respond, “You mean they sound like Mumford and Sons, or The Avett Brothers?” That response is not only limiting, it’s unfair. Listening to The Drunken Hearts pending release, Wheels of the City, dispels the notion that they are a one dimensional entity. There is country, with pedal steel and banjo, as well as elements of soul, some of the classic Laurel Canyon sound, touches of rock comparable to Drive-By Truckers, and alt-country stylings reminiscent of Son Volt.

    The Drunken Hearts

    The album, recorded at Denver’s Silo Sound Studios, starts out with “Fire in a House,” slowly building an intro, leading to a verse, a piano melody, and continuing with layers of other instrumentation and backing vocals. The tune eventually deconstructs to some degree toward the end, sonically arriving back where it began. “Alive ‘n Free” reflects the overall upbeat feel of Wheels of the City, as evidenced by the lyrics

    “Sometimes in life, you get to where you want to / Sometimes in love, you fall just where you’re meant to / Sometimes this world shows you how to be free / Alive ‘n free.”

    The addition of strings and a female accompanying vocal on “Passchendaele” lend a sense of sad elegance to a song about one of the most prolonged battles of World War I, and a soldier discovering lost love after returning home from war. “In the Middle” is an uptempo tune that can easily have the listener singing along, tapping their toes and swaying to the music.

    “Two Hearts (On a Limb)” perhaps best fits the “Americana” genre, although The Drunken Hearts display a much broader range than any one single style. That range is displayed on “Wheels of the City.” The title tune begins with a country music feel, and as horns come in midway through the song, it morphs a bit into a soul sound. That subtle transition reflects the chameleon-like qualities of the songs, and the band as a whole. By virtue of the way the songs take advantage of multiple band members’ instrumental skills, this may well be a group that hits its stride in live performances more so than in a recording studio. That’s not to say Wheels of the City is lacking in any way, it’s simply that some bands build their chops over the course of hundreds of live gigs, and the band took a decidedly different approach to this release – writing and recording eleven new songs in eleven days, rather than recording familiar pieces that had been road tested.

    The album closes with “The Cave,” which begins with a spoken word intro and leads into an instrumental section which is markedly different than the rest of the album. As noted, the band’s novel approach to this recording was a rather daring roll of the dice, with unknown possibilities.

    Wheels of the City will be released on multiple platforms as well as the band’s website on Friday, October 18. For more about the band, click here.

    Key Tracks: Alive ‘n Free, Two Hearts (On a Limb), Wheels of the City

    The Drunken Hearts current tour will provide opportunities to see them throughout New York State. All five of those shows are in support of Yonder Mountain String Band. The Saturday, October 19 show will be a homecoming of sorts for bassist and vocalist Jon Macartan, a native of nearby Guilderland, New York, in the capital region. The New York State days are listed below.

    Wednesday, October 16, at Buffalo’s Tralf Music Hall Tickets here.

    Thursday, October 17, at Center for the Arts of Homer Tickets here.

    Saturday, October 19, at Putnam Place in Saratoga Springs Tickets here.

    Thursday, November 11 at Brooklyn Bowl Tickets here.

    Sunday, November 17 at Levon Helm Studios in Woodstock Tickets here.

  • Phil Lesh postpones Halloween run at Capitol Theatre, Dark Star Orchestra to fill in

    Phil Lesh announced on Monday that due to his recovery from recent back surgery and postpones his upcoming “Phil-O-Ween” run at The Capitol Theatre in Port Chester, NY, planned for October 31, November 1 and 2.

    Filling in for Phil and Friends will be Dark Star Orchestra, who plan to perform their own three-night Halloween run, where they will recreate classic Dead shows from The Capitol Theatre. Tickets will go on sale tomorrow, Oct. 15, at 10 a.m.

    phil lesh postpones

    The Capitol Theatre said in a Facebook post, “Phil’s surgery was a success and we are working with Phil to reschedule the shows and will announce new dates as soon as we can.”

    Lesh said in a video explaining the postponement “I’m feeling really good, but the doctors recommend that I take more time to recover from the surgery.”

  • Thievery Corporation Closes Out the Summer Concert Series at NYC’s Pier 17

    World music and electronic act Thievery Corporation closed out the Summer Concert Series at the Pier 17 Rooftop on Friday night to a sold out crowd, despite temperatures in the 50’s and high winds. The show featured a number of talented musicians who rotated in and out during the set, as well as two acoustic songs. They were joined by Brooklyn-based nu-disco band Escourt.

    Nikki B and Escourt

    Escourt opened the evening and got the crowd’s blood flowing with their signature disco dance-hall style beats plus synthesizer-driven harmonies. The band was led by singer Nikki B, sporting a long white tiered train, as well as founders Eugene Cho (synthesizer) and JKriv (guitar). The lineup also included Jim Orso on drums and singers Daniela Bauer and Layla Dionne. Their set had plenty of banter from Nikki B, and closed up with “Cocaine Blues” from their 2011 album Funkytown.

    Thievery Corporation co-founder Rob Garza

    Led by co-founder Rob Garza, Thievery Corporation was up next. They cycled through a number of musicians throughout the night, and delivered their eclectic mix of electronica, dub, hip-hop, Indian, Brazillian and other genres. The core band included Garza (synthesizer, producer), Jeff Franca (drums), Rob Myers (sitar, guitar), Frank Orrall (percussion, drums, vocals), Ashish “Hash” Vyas (bass) and two unknown trumpeters. Additionally, the following musicians were on stage providing vocals for various songs: Racquel Jones, Puma Ptah, Natalia Clavier, Mr. Lif, and Loulou Ghelichkhani.

    Racquel Jones on stage with Thievery Corporation

    The set began at 8:20 p.m. with “Marching the Hate Machines (Into the Sun)” from the 2005 release, Cosmic Games and featured Orrall wearing a contraption of lights radiating from his back and hand. Racquel Jones joined the party for “Letter to the Editor” from the 2017 release The Temple of I & I. Puma Ptah stepped in for the next tune, also from The Temple of I & I, “Babylon Falling.” Natalia Clavier then lended her vocals for the classic downtempo tune “All That We Perceive” from The Richest Man in Babylon. Orrall stepped away from the percussion kit to sing “The Heart’s A Lonely Hunter,” also from Cosmic Games. At one point, Orrall was standing above a speaker, swinging an illuminated poy above his head. Next, Mr. Lif made an appearance in the hip-hop meets downtempo “History,” from their most recent release, Treasures from the Temple

    Natalia Clavier

    “The Forgotten People” from Radio Retaliation preceded a delightful acoustic sequence with two songs from Saudade. Loulou Ghelichkhani contributed vocals for “Le Coeur” and Clavier rejoined the band for “Claridad.”

    Loulou Ghelichkhani

    Thievery Corporation returned to their electronic instruments for “Sweet Tides,” also from Radio Retaliation. Puma Ptah was back in the mix, providing vocals for the Cosmic Games classic reggae tune, “Amerimaka.” Ghelichkhani took over vocals for the next song, “Voyage Libre” from Treasures from the Temple. The band next played their classic downtempo tune from The Richest Man in Babylon, “Omid (Hope),” followed by another Cosmic Games tune, “Warning Shots.” Mr. Lif then rejoined the band and announced that the next song is for those in dark places, which caused the crowd to erupt with emotion. He then provided vocals for hip hop based “Fight to Survive” from The Temple of I & I. The show closed out with the Indian music-inspired and rarely played original “Lebanese Blonde” from 2000’s Mirror Conspiracy

    Rob Garza and Rob Myers

    Thievery Corporation’s tasty electronic and world mix of original tunes kept the crowd warm on a chilly night in New York City’s Financial District, atop the Rooftop at Pier 17, closing out the Summer Concert Series at the venue. NYC eagerly awaits the return of this talented electronica outfit.

    Pier 17 lights always delight

    Setlist: Marching the Hate Machines (Into the Sun), Letter to the Editor*, Babylon Falling**, All That We Perceive***, The Heart’s A Lonely Hunter, History%, The Forgotten People, Le Coeur****^, Claridad***^, Sweet Tides, Amerimacka**, Voyage Libre****, Omid (Hope), Warning Shots, Fight to Survive%, Lebanese Blonde

    * with Racquel Jones

    ** with Puma Ptah

    *** with Natalia Clavier

    **** with Loulou Ghelichkani

    % with Mr. Lif

    ^ Accoustic

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