On Tuesday, Twiddle announced their return to the historic Capitol Theatre in Port Chester for a two-night FRENDSGIVING run on November 29 and 30, 2019. Joining them both nights, for their debut at the Cap, will be Buffalo-based groove-rock band Aqueous. With the exception of Resonance Music Festival, Frendsgiving looks to be the only shows Twiddle will be playing between now and their New Year’s Eve run in Boston, MA.
Tickets for the Frendsgiving run go on sale Friday, Sept. 13, however, VIP packages will be available for purchase on Thursday Sept. 12. VIP packages will include GA tickets for each night, early entry into each night, limited edition signed poster, commemorative VIP laminate, limited edition VIP variant pin, and an exclusive invite to Saturday’s VIP Pre-Party at Garcia’s from 4-6 PM. At Garcia’s VIP’s will have the opportunity to hang out with the band and see a very special and intimate musical performance.
Additionally, Twiddle frontman Mihali Savoulidis has announced a run of solo dates this fall. The tour kicks off at Ocean Mist in Wakefield, RI on Oct. 11 and includes stops at the Pearl Street Pub in Albany on Nov. 1 and The Haunt in Ithaca on Nov. 16. For a full list of dates, check Savoulidis’s website.
There is a festival where volunteer staff wear t-shirts that read “La Famiglia” and what better way to encapsulate a feeling of family. Many festivals claim to provide a feeling of family, but none better provides a sense of true community than the intimate Mazzstock Music Festival, where founder Lee Mazzola has graciously opened his back yard for music lovers like himself.
On August 8-11, 2019 the uber-affordable Mazzstock Music Festival took place at Mazzstock Fieldin Marlboro, NY, within the picturesque and bucolic Hudson Valley Region. Conveniently located 1.5 hours from New York City, 2 hours from Hartford, 3 hours from Philadelphia and 4 hours from Boston, Mazzstock celebrated its 12th year (5th year as a 3-day fest) and drew soaring crowds with another very strong lineup.
Photo by Mickey Deneher
With the motto “3 days, 2 stages, 1 love, no worries,” Mazzstock Music Festival is something special. It is so intimate and friendly, one feels that they will meet and get along with any one of the smiling faces on the dance floor, in tent city or at concessions. This year included a variety of strong ascending artists. Festival favorite and Mazzstock veteran Zach Deputy returned as a headliner; while Flux Capacitor, Dark Side of the Hudson, Gratefully Yours, Escaper, Cousin Earth and Hayley Jane are just a few offerings from the festival’s varied lineup – which also featured a number of stylized and talented DJs for a very popular late-night silent disco.An impressive set from Kingston DJ, Joey Hernandez, who brought up-tempo house musings.
The weather was perfect throughout and there was no cell service so patrons were connected without any distractions. Another bonus was that one could clearly hear each set clearly from their campsite! Lee, Vinny and the rest of the organizing team provided a seamless experience with impeccable amenities including clean porto-potties with stocked toilet paper, always – all weekend.
Dave Reiss and I Anbassa proved they are a fun band to watch; Flux Capacitor showed why they are invited to play so many festivals, Tom Clancy and Dave Heinzinger led a feisty Sky Daddy set that ignited a tight “Fire on the Mountain.” Will Hanza guided his ascending band, Escaper, to some monster jams while festival mainstay, Alpha Male Gorillas, brought a heavier but contagious groove.
Photo By Mickey Deneher
Tigerman brought the funky rhythms, and stellar guitar work was showcased by ShwizZ Himsef while he adorned a tiger onesie. Dark Side of the Hudson demonstrated they are a premiere Pink Floyd experience with a professional cover rendition of the album Dark Side of the Moon and an exquisite vocal solo on “Great Gig in the Sky.” There were six artists at large, but those from Nyack (ShwizZ Himsef, Natasha May DiMarco, Dan Rappaport, Danielle Sheri Wasserman) shined brightest throughout their plethora of appearances; the bonfire jams were comforting with many bringing voices and instruments of choice for the familiar festivities.
Highlights of the festival included Cousin Earth, Cosmal and Zach Deputy!
Cousin Earth were a pleasant welcoming committee to the many fans that arrived late Friday evening during the set. Formerly Ukelelian, the quintet has been touring hard over the past year, even doing a vast Southern run, spreading their energetic and innovative sound. The NY based band, (a member of the Jam Band Syndicate), consists of Terry Brennan (vocals/keys/percussion), Melissa Raye (vocals/percussion), Corey J. Feldman (bass/vocals), Joey Calfa (ukulele/vocals) and Nate Searing (drums). The band was a breath of fresh air with their eclectic songwriting and hard to predict delivery. They are a band to watch as they ascend the ranks of our scene with more visibility.
The Mazzstock set was electric – fuelled by soaring harmonies and moments of beautiful jam improvisation. “Can You Get to That” was buoyed by the virtuoso guitar work provided by guest ShwizZ Himsef (Ryan Liatis) and his presence on stage with Calfa, who possesses monster chops, was a music lovers delight. “Super Laser Beams” remains a show staple and for good reason– it really showcases the band at its full power with intricate time signatures, blended melodies and trippy surreal solos as part of a musical package that lures attendees in like a laser beam. A recent release, “Don’t Kill Us” is the song that could be a hit as a released and promoted single. Raye’s vocals lead a pleasurable auditory attack with a seriously addictive chorus on a fantastical lyrical romp.
Set List: Pancakes, Burning Up, Window Video Game, Super Fun Laser Beams, Can You Get to That, Please Don’t Kill Us, Fleshy Car/Spain, Capricorn on the Cob
Hailing from New Paltz with over a decade of experience, Cosmal is well known to music aficionados in the Hudson Valley and beyond. Ryan Coyle (guitar/vocals) and his wife, Ali Laz (vocals/live painter), have partnered to unleash a musical experience like no other. A surreal and trippy exploration to the unknown, the dynamic duo has truly mastered the sharing of downtempo moods. Laz is relatively new to sharing her vocals on stage, but performs like a seasoned pro. She has become the consummate frontwomen – sexy, prolific and with a smooth vocal delivery.
Laz is also an accomplished live painter who creates one of a kind masterpieces on canvas that fans share much adulation for. The Wizard of Cosmal though is Coyle, who harnesses his brilliance to compose a myriad of uniquely contagious and infectious original sounds. The new song, “Snake Charmer” is meticulously crafted with solid guitar fills. However, it is “Caliente” that takes down the house as the highlight of the gig. Laz sultry sings, “I love the way you touch me” with relentless beats supporting the groove and it really delivers a euphoric vibe ala Gilberto in “Girl From Ipanema.” The song isn’t about sexual lust, but rather the yearning to feel someone’s entire soul. Cosmal are a quickly ascending band that I expect many more pleasant surprises from in the immediate future.
Set List: Sumatra, Caliente, Ancient Future, Drishti, Realize, Snake Charmer, Final Gear, Way Down, Encore: Blossom, Moment
Zach Deputy :: West Stage :: Saturday 11:10pm-12:40am
Zach Deputy returned to Mazzstock Music Festival as the headliner and had the prime Saturday night slot at the Main Stage. There is only one thing you need to learn about ‘Zachy Dee’ – he is a Master Looper. If you didn’t know that, his fiery and upbeat set soon would convince you. Hailing from Savannah, GA Deputy honed his chops at Riders Lounge on Hilton Head Island, South Carolina. His unique approach delivered a bevy of bombastic acoustic numbers that inspired the crowd to shake their booty in delight. He shared crowd favorites like the party anthem “Put it in the Boogie,” the infectious “Twisty Twisty” and the rhythmic “Home.” He had the longest set of the weekend and patrons still were boogying at the end and salivating for more. A down to earth, generous, jovial giant of a man gifted fans with an assortment of benevolent ditties and in doing so proved that Santa Claus still delivers.
“Something that won’t necessarily be discussed today, just because we don’t have enough time, is how to do all of this outreach. How do you send that e-mail? How much is not enough, or too much and too annoying? But we should have this discussion, either in a separate function or one-on-one, and you can come talk to me. Because I want this region to do well; there is too much talent here.” Joel Feinberg, CEO of DeWolfe Music, said this at at the end of an engaging panel discussion titled Licensing Update: Moving Beyond Commercials at the inaugural Hudson Valley Music Summit, held August 9 in Kingston, NY.
Feinberg, who calls New Paltz, NY home, is certainly right: The Hudson Valley comprises the section of New York reaching from Upstate to the the edges of the big city itself. And while that’s a vast stretch, it’s a strongly connected one, with many fast-growing musical and artistic performance scenes burgeoning within them. Representing this area and its continually multiplying numbers of talented, independent artists in the context of the music industry is an important and noteworthy, albeit long term, cause.
That’s where the Hudson Valley Music Summit comes in, the single day event planned and organized for as long as over a year by author and independent musician David Hoffman.
Beginning bright and early at 9 A.M. and lasting through a more informal, live music event at Kingston’s BSP lounge, the Summit was a chance for local artists and music career professionals to both connect with highly successful and renowned members of the industry and learn trade secrets from them. Across a series of panel discussions, hosted by a moderator and joined by a small handful of talking heads, the summit’s aim was to demystify the often intersecting, co-dependent niches of the music industry, and offer insight into the many diverse ways to achieve financial, creative, entrepreneurial success within it.
In that Licensing panel, for starters, Feinberg along with a handful of others, like panel moderator Sharon Tapper, CEO of Pivot Music Group, answered questions about the myths, misunderstandings, and gems of truth about getting one’s content into the hands of publicists, label executives and more. When discussing writing music for commercial, “Upbeat always beats depressed in the numbers,” was just one insight of many upon which the panel unanimously agreed.
In a panel titled Conceiving a Coherent Image for a Strong Merchandising Strategy, Mara Frankel, Senior Directive Creator of Atlantic Records led a very intriguing conversation on artists’ best approach to visual mediums and making them work for their brand. At one point during this session, John Warner, owner of Hi-Line Merchandising, held up Keller Williams’ newest album, Add, to the crowd and succinctly explained its direct yet effective use of a single title single image to communicate the one-man-jamband’s thematic intention.
Some of the day was less study session and more nifty. One of the day’s highlights, for instance, was a lunch hour overseen by an intimate discussion between Relix Editor-in-Chief Dean Budnick and Capitol Theatre owner Peter Shapiro. Budnick pressed Shapiro for details on the recent success of The Cap, Port Chester’s renowned rock music venue, along with tidbits about its sister venues The Brooklyn Bowl and the now-defunct, yet ever famous, Wetlands Preserve.
One of the more intriguing questions asked of Shapiro concerned how bands might able to transition from playing one size venue to a larger one, to which he offered: “Keep in touch with bookers, and let them know where you’ve played. Also be open to opening, tell bands and bookers you can bring this many people to their show. Go crush Garcia’s and you’ll probably get a phone call from us.”
And, in response to a question from the crowd asking, “Why staff at The Capitol Theatre love Shapiro so much?” which is something you don’t see too much,” Budnick actually answered for Shapiro, giving an answer that seemed to fit. “It’s because he’s there, at the shows. He’s down in it, just like any fan watching a show, and I think that’s what anyone should aspire to.”
In a special panel that closed out the day, Manager’s Roundtable, the Summit gathered together the managers of The Wood Brothers, Wilco’s Nels Cline and others to paint a picture of a day in their life. The four members and moderator Linda Lorence-Critelli (president of the New York chapter of the GRAMMYs) all agreed firmly upon a simple yet paramount idea, one that seemed to sum up the entire day. In response to an audience member’s question about how to make get inside a manager’s door and establish a connection, they said, “It comes from relationships.” Hard Head Management founder and wife of Warren Haynes, Stephanie Scamardo, went on to describe how she recently also became manager of rock sensation The Revivalists, noting that it stemmed from a friendly conversation that led to a lunch date, and then ultimately a strong partnership.
Hopefully, that’s what the collection of local musicians, marketers, content producers and more found in attending the Hudson Valley Music Summit: the chance to connect with an industry leader or two, learn a thing or two, and possibly even offer services to one another or vice versa.
There was nothing but a good time at Orange County Chopper Cafe in Newburgh, NY on Saturday, July 13. The crowd was on their feet dancing and singing along as if it was 1990. Before Shot of Poison took the stage, The Beacon River Dogs warmed up the crowd with a mix of originals and covers.
The Beacon River Dogs have been howling their songs for the last five years in the Hudson Valley area of New York. The band consists of Robert Stell on vocals and lead rhythm guitar, Fred Czaszar on bass, and Vinnie Quattrocchi on drums. Rob plays many original songs. He is strongly influenced by KISS, but he remembers having a passion about music since he was a young child, stating he used to listen to AM radio and loved hearing Stevie Ray Vaughn, Aerosmith, Jimi Hendrix, Jimmy Paige, and Randy Rhodes. He started his first band when he was only 14 years old, playing the guitar his grandmother had given him.
Robert Stell – vocals and rhythm guitar
Grandma must have seen something in that kid. He has since opened for many artists, including Lou Reed, John Corobi, Government Mule with Warren Haynes, Rick Derringer, and tribute bands such as SATO Ozzy Band, the Alice Copper tribute band School’s Out, Rolling Stones tribute band Satisfaction, and on this night, for Shot of Poison, a Poison tribute band.
The setlist for The Beacon River Dogs was quite extensive as they were asked to play a little longer by the promoter, Rockin Rob Jagusch. Songs included were “Riding Home,” “Angel Christine,” “Give Me Back My Gun,” “Billy the Kid,” “Little Cryer”, and “Let it Bleed.” Check out their Facebook page for upcoming shows.
Bassist Fred “Z” also mentioned “Rock Out the Dope” The Opioid Prevention and Awareness Music Festival will be held on August 9-11 at the Blackthorne Resort located in East Durham, NY. This family friendly event will feature over 100 acts at 13 stages during the three-day event. Find out more here
The Beacon River Dogs
Fred Czaszar
Fred Czaszar
Rob Stell
Fred Czaszar
Rob Stell
Vinnie Quattrocchi
Vinnie Quattrocchi
Rob Stell
Rob Stell
Shot of Poison then came on stage to a roaring crowd and thrilled them with “Cry Tough”. It was a non-stop party after that. The band consists of Ken Gillman on drums, Adam Boc on Bass, Bruce Bennett on guitar, and vocals by Frank Pupillo.
I asked Ken Gilman, the drummer for the band that originally started ten years ago, “”How did this all start?” Although it was successful, it was short lived, only lasting about a year. But he didn’t give up. He envisioned something bigger, and better. It finally happened in November of 2017, with new band members and more lively artists. When you see how busy they are with the tour, you know how successful it is.
Bruce Bennet, Frank Pupillo and Adam Boc of Shot of Poison
When asked, “Why Poison?” each band member had their own input: KEN’s answer: To me, Poison is the epitome of ’80s glam metal and Bret Michaels is to glam metal what Elvis Presley was to adult rock in the ’60s and ’70s. ADAM’s answer: I learned a lot from starting another tribute band five years earlier. I studied statistics and the market landscape, and saw a market gap for a top-quality Poison tribute. Bruce similarly learned a lot from starting a tribute earlier. He always loved Poison, and he also saw the potential. Frank enjoys the glam style, in general, and saw an opportunity to express his love for entertaining people. And boy, did he entertain.
At first, you close your eyes and you hear Bret Michaels, but unlike some tribute bands, you open your eyes, and you also see “Bret Michaels.” Frank does an amazing job portraying the fun-loving Michaels, and he got the crowd involved throughout the night. From having the crowd sing along, to Bruce and Frank getting into the crowd and performing their rose ceremony, if you were there, you were a part of the show. They interacted with any willing fan. At one point, upon seeing the camera, they stopped what they were doing and posed. What a fun bunch.
The set-list was non-stop as well and featured songs like “Cry Tough,” “I Want Action,” “I Won’t Forget You,” “Talk Dirty to Me,” “Love on the Rocks,” “Nothin’ But a Good Time,” “Back to the Rocking Horse,” “Tearin’ Down the Walls,” “Look But You Can’t Touch,” “Fallen Angel,” “Every Rose Has Its Thorn,” “Unskinny Bop,” “Life Goes On,” “Ride the Wind,” “Something to Believe In,” “What I Like About You,” “Rock and Roll All Nite” and “We’re an American Band.”
Check out the list of upcoming locations and make a plan to experience Shot of Poison first hand, you will be amazed.
Upcoming dates/locations Fri, AUG 9 – Finnegan’s Irish Rock Club – Scranton, PA Sat, AUG 10 – Woodlawn Beach & Tiki Bar – Buffalo, NY Thu, AUG 15 – Maple Tree Place Summer Concert Series – Williston, VT Fri, AUG 16 – Sharkey’s Summer Stage – Liverpool, NY Sat, AUG 17 – New London Veterans Motorcycle Run – New London, OH Fri, AUG 23 – Mc Sober’s Saloon – Coldwater, OH Sat, AUG 24 – Goodstock Music Festival – Goodland, IN Sat, SEP 7 – Sterling Fair – Sterling, MA Fri, SEP 13 – Gusto’s – Barre, VT Sat, SEP 14 – Mixers Nightclub & Lounge – Sabattus, ME Sat, SEP 28 – Hairfest 2019 at Indian Ranch Amphitheater – Webster, MA Sat, OCT 12 – The Phoenix – Stonington, CT Thu, NOV 21 – Granite State Music Hall (with Mr. Speed) – Laconia, NH Fri, NOV 22 – Blue Ocean Music Hall (with Mr. Speed KISS tribute) – Salisbury, MA
Blacktop Mojo will be bringing their Can’t Sleep 2019 Tour to The Chance in Poughkeepsie, NY on Wednesday, August 7. Athens, Gerogia’s hard-rock grunge band, Lullwater, will be providing support.
Blacktop Mojo is touring in support of their upcoming record, Under the Sun, which comes out this September. The album follows, Burn the Ships which featured the singles “Where the Wind Blows” and their cover of Aerosmith’s “Dream On.” Under the Sun is available now for preorder at all download platforms. Anyone preordering Under the Sun will receive the first single “Can’t Sleep” as an instant gratuity track.
Lullwater is touring with their critically acclaimed new album Voodoo, which is available now.
As previously announced, Blacktop Mojo will be doing extensive touring throughout 2019 and 2020 in support of the record. Tickets for the first leg of touring are currently on sale and can be .
With the motto 3 days, 2 stages, 1 love, no worries, Mazzstock Music Festival is something special. With a long history ranging back for over a decade, people are taking notice of the intimate and affordable festival located within the picturesque, bucolic Hudson Valley Region at Mazzstock Fieldin Marlboro, NY. Conveniently 1.5 hours from New York City, 2 hours from Hartford, 3 hours from Philadelphia and 4 hours from Boston, Mazzstock is celebrating its 12th year (5th year as a 3 day fest) and drawing crowds with another very strong lineup.
Co-Founder “Big Lee” Mazzola, co-producer Vinny Pomarico and their team, have always been known for providing a superior music experience, but this year’s Mazzstock offers an impressive assortment of quickly ascending artists. Festival favorite and Mazzstock veteran, Zach Deputy, returns as a headliner, while Flux Capacitor, Dark Side of the Hudson, Gratefully Yours, Escaper, Cousin Earth and Cosmal are just a few offerings on the festival’s varied lineup – which also features a number of stylized and talented DJs for late-night silent disco.
The most incredible thing about Mazzstock is that the 3-day pass is very reasonably priced – hands down the most affordable festival you’ll find all summer – ensuring one gets a lot of bang for the buck. Three-day passes for Mazzstock Music Festival are available here. The festival is two weeks away, from August 9 to 11, so one should start making their plans now – this is a festival that should not be missed.
Check out our list of five acts you’ll definitely want to catch this year below!
Zach Deputy
This jovial master looper returns as the headliner with his patented potent musings
Hayley Jane and the Primates
The beautiful and talented Hayley Jane and her band return to share infectious tunes in one of their last shows ever
Cousin Earth
This Brooklyn-based outfit, heavily influenced by the ukulele, offers an energetic and unique bevy of jams.
Cosmal
This eclectic duo consistently delivers translucent melodies and contagious grooves.
DJ Joey Hernandez
The innovative and energetic DJ will be dropping those deep funky house music beats for your dancing feet.
Ask Jimmie Vaughan what he thinks of what the Fabulous Thunderbirds have done since he left the band in 1990, and he chuckles. “I don’t know what they’ve done. I’m busy worrying about myself.”
The T-Birds may have been his highest profile gig outside of Family Style, the one double-Grammy winning CD he recorded with his late legendary brother Stevie Ray Vaughan, but he’s won two Grammys since then as a solo act and plays the Suffolk Theater in Riverhead, New York on Friday, July 12 and Darryl’s Place the next day touring on the release of his latest CD, Baby, Please Come Home.
The Chicago Tribune summed Jimmie up adroitly when they said, “Jimmie Vaughan is one of the great guitarists of the last 30-40 years, though you might not know it – he’s not about calling attention to himself. He’s about substance and economy rather than excess and showmanship.”
While his guitar work with the T-Birds fused the swamp blues sound of Slim Harpo and Lazy Lester with a gritty bar band rock that made the songs “Tuff Enuff” and “Wrap It Up” pop chart hits more than three decades ago, his current style rests comfortably in the retro R&B songs he covers on the new album.
The originals of all 11 numbers were first released in the 1950s including Chuck Willis’s “What’s Your Name,” Fats Domino’s “So Glad,” Jimmy Reed’s “Baby, What’s Wrong,” and T Bone Walker’s “I’m Still in Love with You.” As diverse as that sounds, the arrangements consistently feel like they were recorded in the Duke/Peacock label’s Houston studios between 1947 and ’54. Vaughan’s guitar playing throughout is elemental, retro perfect, on point, prickly and as unlike his late brother Stevie Ray’s sound as Chuck Berry is to Jimi Hendrix.
It is unavoidable that Stevie’s history-making legacy would cast a huge shadow over everything Jimmie has done since his brother died in a helicopter crash in 1990 a month prior to the release of Family Style. Jimmie Vaughan says the pain even today of having to put out that album after his brother’s passing is indescribable.
“We were together every day in the studio. We had a great time. We went to New York, Memphis, Dallas. We had a good time with each other, and we enjoyed it, and we had a fabulous record. We were looking forward to it coming out, and then that happened. I don’t even know how to describe it. I don’t know what to say still.”
Listen to any one of Jimmie’s solo albums back to back with one of Stevie’s, and it makes you wonder how two brothers four years apart in age and living together growing up could be so different. The common thread was Jimi Hendrix.
“We both loved Hendrix. I found the 45 of “Purple Haze” in the garbage can at a TV show. It was a promotional copy that they had thrown away. So, I got it early on before it came out. If you’re already into Muddy Waters, and you hear Hendrix, it’s exactly like Muddy Waters had a kid who went into outer space and came back and knew stuff nobody else knew. But it’s still Muddy Waters.
“I could do “Purple Haze” and “Foxy Lady” with the band I was in. They were all 21, and I was 15, (in 1966). Stevie was there on that set, and then somebody would challenge him. Stevie had to outdo me in his mind. He was my little brother, and sometimes little brothers have to try harder than big brothers.”
Stevie would go on to become the biggest influence in helping blues cross over into the mainstream since Hendrix himself, eclipsing his brother’s popularity by a huge margin. And when they recorded Family Style, it was that process that added a capability to Jimmie’s talents that finally would turn him into a solo recording artist four years after Stevie died. The biggest boost to Jimmie’s solo career came from handling vocals for the first time.
“I never had any vocals training. It wasn’t my goal. So, when I got to Family Style with Stevie, (producer) Nile Rodgers said, ‘Stevie’s gonna sing his songs. What songs are you going to sing?’ I said, ‘Well, I wasn’t really thinking of that.’ He said, ‘Well, you gotta sing.’ So, I said ok. I had to do it. That was a good way to start for me. and I’ve been singing ever since.”
Jimmie’s vocals on Baby, Please Come Home are a perfect complement to his extraordinary guitar playing.
Eric Clapton who lost three members of his entourage in the same helicopter crash that killed Stevie, invited Jimmie to perform at five Royal Albert Hall blues concerts in London soon after the accident. I was working on my Buddy Guy biography at the time and spent an evening with Jimmie, his mother, and the Beefeaters guards in their pub in the Tower of London. The Brits made this American blues journalist feel like royalty. The good cheer was palpable, but it was as if Jimmie were inside a bubble apart from the goings on. I didn’t know what to say to him. “Well, neither did I. I didn’t know what to say to you or anyone. So, it’s just what I had to do, and actually it was the best thing for me at the time to play which is what I’ve always done anyway.”
It was four years after Stevie’s passing before Jimmie released his first solo album Strange Pleasure including the song “Six Strings Down” dedicated to his brother. It was produced by Nile Rodgers and featured Dr. John on bass. Career highlights since then have included a special guest appearance on Bo Diddley’s 1996 album A Man Amongst Men, playing guitar on the tracks “He’s Got A Key” and “Coatimundi.” He played a member of the fictional Louisiana Gator Boys led by B.B. King in the Blues Brothers 2000 film and earned a Grammy for Best Blues Album for his 2001 release, Do You Get The Blues?
In the new millennium he’s recorded with Omar Kent Dykes’ On The Jimmy Reed Highway, Lazy Lester’s Blues Stop Knockin’, toured with Dylan in 2006, and joined Gary Clark, Jr. for the encore of Clapton’s show at Madison Square Garden on May 19, 2017.
If you read between the lines, you could get the impression that Jimmie’ career is about the guitar licks where his brother’s was about the glory.“The thing about Stevie and I playing so differently is just that he would do the Hendrix thing, and he would do Albert King and Hendrix incorporated into his style. He stole their riffs and put it into his playing and did it so well, that it became part of his thing.
“I already was doing a different thing. So, if Stevie were here right now, it would be interesting to see how he played, but when you’re young and you’re out there having a good time and – ”
He pauses.
“This is not to take away from Stevie’s playing. I don’t want you to think that. I’m just trying to explain why he did all that.”
One has to wonder where Jimmie would be today if Clapton hadn’t pulled him back out on stage. “I’m grateful that Eric got me to play ’cause I didn’t know what to do and how to handle a group at the time. I had left the Thunderbirds, and I was just in turmoil. Like, what do you do with all this information? Where do you put it? Where’s my place in it? You know what I mean? So, anyway, that was my first outing, and I’ve been playing ever since. So, I think I was good for me that Eric got me out of the house and away from myself.”
Last weekend the annual Clearwater Music Festival, continued its amazing and rich tradition as a premier event celebrating great music and environmental awareness in our community. With a lineup that included Mavis Staples, The Wailers, Ani DiFranco and Railroad Earth, Clearwater alumni came out despite bad weather predictions to celebrate a great weekend of music and revival in Westchester county.
Day one of the festival brought amazing weather complimenting the beautiful setting of Croton Point Park. Highlights of the afternoon included intimate sets from James Maddock, and The Lone Below, as well as a Deadgrass set that filled the Dance Stage with singing and moving deadheads. Ani DiFranco welcomed in the evening with one of the top sets of the weekend, treating fans to her powerful, poetic performance – the perfect appetizer. The evenings’ main act, legendary Mavis Staples showed her audience why she is a national treasure and one of the great soul singers of our time.
Day two plagued by rain and mud did not deter fans from another fun day of music on the Hudson, and their faith paid off because in the end the weather held out. The Fatherâs Day Sunday included amazing sets from Scott Sherrard, The Del McCoury Band, and Leslie Mendleson. The weekend favorite, Railroad Earth, kept the bluegrass roots alive, treating fans to unique songs from the bands amazing catalog. Closing out the 2019 edition of the Clearwater Music Festival was The Wailers; a relaxed group of fans were treated to all the hits of the famous reggae band, closing out an amazing weekend of music and community.
Inspired by Pete Seegerâs desire to clean up the river over forty years ago, The Great Hudson River Revival initially helped raise the funds to build the sloop Clearwater, which has since become a world-renowned floating classroom and a symbol of effective grassroots action.
Hudson River Sloop Clearwater, Inc. is a non-profit organization that sails at the forefront of the nationâs environmental challenges. The revenue raised by the festival goes to support Clearwaterâs numerous educational programs and its work toward environmental and social justice.
Today, seeing the success of the Clearwater organization, one cannot imagine these achievements being possible without the Clearwater Festival. The Great Hudson River Revival has helped raise funds and served as a beacon toward raising awareness in support of Americaâs First River. And it all started more than 35 years ago, when it was but the dream of a banjo-picking folksinger.
Mountain Jam marked year 15 by migrating to Bethel Woods Center for the Arts, the site of the original 1969 Woodstock Festival. When the change was announced earlier this year, Mountain Jam co-founder Gary Chetkof shared with the Poughkeepsie Journal: “What could be more amazing than Bethel Woods and the home of the Woodstock festival… It was really just a matter of going to the promised land.”
Driving up on Friday (day two of the four day event) I turned off NY Route 17 onto 17B. Headed down this one-lane road affectionately named “The Woodstock Way,” I started to imagine what it was like in 1969 as people abandoned their cars on the road and started walking the final 10 miles to the festival. The closer I got, I could hear Arlo Guthries’s iconic “THE NEW YORK STATE THRUWAY’S CLOSED, MAN!” in my head.
Peace flag
Festival organizers took advantage of the great expanse that Bethel Woods had to offer. The box office was located on the southern perimeter of Bethel Woods in a remote field with tall grass and mud. The flashback was suddenly becoming real. After hiking up a hill toward the festival, I found myself looking out over the site of the original Woodstock. Images of 1969 started flashing before me.
I was quickly brought back to 2019 as I strolled past campers and RV’s of various sizes and shapes with glamping professionals nestled in their folding chairs, munching on BBQ, and consuming their favorite beverages. At the entrance pockets were emptied, bags checked, and metal detector wanding was carried out by security.
Phil Lesh & Friends
Mountain Jam, spelt out in 10-foot tall letters with teepee bookends, greeted me. The sound of music was immediate. The first stage I encountered was the Valley stage, a medium sized stage with a Ferris wheel parked next to it. Acts including The Nude Party, Hollis Brown and Tyler Ramsey performed there. The Valley stage also served as the location for late night jam sessions by Andy Frassco & the U.N. and Consider the Source held on Friday and Saturday nights.
Headed farther into the festival you came upon the Mountain Stage (main pavilion amphitheater) which hosted featured performers Gov’t Mule, Willie Nelson, Dispatch, The Avett Brothers, and Phil Lesh & Friends to name a few. Add to that the Terrace stage; a performance space with seats built into a hillside, VIP stage where special acoustic sets were performed by acts who had played bigger stages earlier that day, and an event gallery space. With this cornucopia of musical riches it made it difficult to chose who and where to go to listen to music. On Saturday and Sunday the Hudson Valley based band Yard Sale busked throughout the site, injecting a free form feeling reminiscent of 1969.
The vibe,
the location, the history, the people
Intended to celebrate radio station WDST/Woodstock’s 25th anniversary, Mountain Jam started as a one-day event in 2005 by principle station owner Gary Chetkof and Warren Haynes. After 14 years at Hunter Mountain the decision to move to Bethel Woods was made. A move of 70 miles from its original location at Hunter Mountain, proving to be light years away from the previous home. The vibe from the original three days of Peace and Music festival was palpable. Tie dye, bare feet, singing and dancing was the norm. A “Wish Tree,” part of Yoko Ono’s ongoing Imagine Peace art installation series invited people to make a wish; write it on a piece of paper and attach it to the tree. The on-site security and support staff wore t-shirts with Peace Patrol emblazoned on their backs. Babbling brooks illuminated in multi-colors, open fields and dream catchers situated throughout the site augmented the vibe.
Those in attendance ran the gamut from old to young. Parents were there with their adult children, sitting on the hillside, sharing beers together while new parents introduced their young ones to the experience of live music. Many took advantage of the beautifully maintained grounds of Bethel Woods seaking out remote spots, allowing them to chill out and absorb the spirit that was Woodstock.
Zen moment
The Music
In addition to over 40 bands performing at this years Mountain Jam, rock and roll photographer Jay Blakesberg, know as the photographer of the Grateful Dead, shared a slide show telling presentation of his work to a packed event gallery audience. An easy to use Mountain Jam app was available to help you track of all the performers, their set times, locations, and help you plan your daily daily schedule. It also updates you to special activates happening in real time.
A highlight of the festival was Gov’t Mule’s Saturday night appearance (they played Friday night also) paying tribute to the bands that had performed at the original Woodstock festival. Warren Haynes, backed by percussionist Tato Melgar of Lukas Nelson & The Promise of The Real, opened the set with Richie Havens’ “Freedom.” The band’s set included The Who’s “Eye Sight to the Blind,” CSNY’s “Find The Cost Of Freedom,” and Sly Stones “I Want To Take You Higher.” Throughout the night Gov’t Mule was joined on stage by special guests including Lukas Nelson, and Arleigh Kincheloe and Jackson Kincheloe from Sister Sparrow and the Dirty Birds. They ended the evening’s tribute with a blistering encore of Jimi Hendrix’s “Voodoo Child (Sight Return).”
Rain did find its way to the
festival late Saturday night and sporadically on Sunday, but with all stages having
protective covering (the amphitheater has a permanent roof over the seats) the
music never stopped. Being the 50th anniversary of Woodstock, who
wouldn’t have expected it to rain at some point. After a successful four days
and establishing a new location, Mountain Jam has secured the future of Peace
& Music in the Hudson Valley.
Gov’t MuleToots & The MaytalsLukas Nelson and The Promise of The RealThe Avett BrothersAmy HelmThe RevivalistsMountain Jam coupleSister Sparrow & The Dirty BirdsAlison Krauss & Union StationBella’s BartokJoe Russo’s Almost DeadThe Big Takeover
Michael GlabickiBethel Woods securityAllman Betts BandDispatchMichael Franti & SpearheadFather and sonThe Commonheart
The original Woodstock Music and Arts Festival almost never happened. From changes in mass gathering policies requiring a change of venue to epic traffic jams, Woodstock experienced some seemingly insurmountable problems. Under different circumstances, this festival would have been canceled.
The Road to Woodstock details the plight of one man who used his super powers to overcome these struggles and put on the biggest mass gathering ever at the time. Michael Lang’s abilities as a negotiator and communicator enabled him to bring a sense of calm to almost any chaotic event. The concept behind Woodstock was entirely Lang’s vision. He knew that if conditions were right, a beautiful, peaceful festival would grow. Lang’s perseverance through extreme adversity is unfathomable, and the cornerstone of the Woodstock Festival. More recently, Lang has encountered similar problems for the Woodstock 50 festival, but continues to engage his talents in an effort to make this festival happen.
Woodstock Visionary Michael Lang (photo by Dion Ogust)
Lang’s skills as a master communicator and negotiator started at a young age. While in school at NYU, he dropped out, moved to Miami and opened a head shop in Coconut Grove. This store was under constant scrutiny and police busts, but was never shut down by the authorities. He was able to put on the 1968 Miami Pop Festival in three weeks time based on his negotiating abilities.
These skills later enabled him to turn the powerful Billy Graham from a competitor into a team member, when Graham threatened to pull the plug on Woodstock. He also convinced Max Yasgur to have the festival on his farm. Max’s wife Miriam commented, “It takes Michael about 20 minutes to charm you.” As the preparations at Max’s farm proceeded, Lang was able to recruit almost every able bodied person to help build the festival and provide goods and services. Lang also stopped gunfights and kept everyone who was owed money from insisting violence.
In addition to being a master communicator, peacekeeper and negotiator, Lang was the visionary behind Woodstock. He could feel the peaceful vibe and knew a large mass gathering centered around music and arts would be successful. A random call from a Bethel resident led Lang to Max’s farm. He saw the bowl and knew this was the place.
He had the vision to know that a police presence was needed, but in a peaceful way. Security was handled by unarmed NYC police officers and The Hog Farm, the longest running hippy commune based in California, founded by activist Wavy Gravy. They convinced Lang to let them build a free kitchen, which was always stocked for people who are hungry. Lang made it clear that people who aren’t hungry or thirsty are happier and less prone to fighting. This was unconventional thinking at that time, but Lang was right. Who knew granola equaled crowd control? The sentiment continued at Woodstock ’99. When Lang found out water was four dollars per bottle, he ordered a truck load of it to be distributed for free.
Lang’s visionary skills were accompanied by an unwillingness to give up on this vision. The two sites prior to Bethel did not want the festival to happen. Saugerties never approved anything, but Wallkill did. As the authorities realized the festival’s intentions, extreme county laws were passed requiring a sign off from the town sanitary inspector to the State Department of Transportation. These requirements were insurmountable in the time remaining before the festival. Rather than give up, he immediately started looking for a new site. He knew all money invested in Wallkill was lost, but that didn’t matter in the grand scheme.
Lang’s ‘never give up’ attitude has stayed with him into 2019 for the 50th anniversary Woodstock Festival. Lang has struggled to secure permits at Watkins Glen. This led to his sponsor, Dentsu Aegis Network, backing out and officially “cancelling” the festival. A judge ruled that Dentsu Aegis Network had no right to cancel, and thus, preparations continue.
The Road to Woodstock paints a rosy picture behind the man who broke social barriers to bring about a festival that many believed wasn’t possible. He opened the door for our beloved modern festivals and showed the world how to embrace the growing youth counter culture. And he’s still continuing to use his skills to bring music to the masses in 2019.
