Category: News Desk

  • Empire State Youth Orchestra Announces 40th Season

    The Empire State Youth Orchestra has announced the 2019-2020 season which includes: a 40th birthday celebration for the organization, a concert with an ESYO alumnus who is assistant principal cellist for the Chicago Symphony Orchestra, and a tour to South America.  

    The organization is comprised of 13 performing ensembles and the successful CHIME (Creating Harmony Inspiring Musical Excellence) program. ESYO will also participate this season in two national music cohorts: Presto Sistema USA, and Carnegie Hall’s Weill Music Institute PlayUSA. ESYO’s Symphony Orchestra will once again be led by music director Carlos Agreda.

    This year also marks the organization’s 40th birthday. In celebration, there will be a concert on Saturday, Nov. 2 at the Troy Savings Bank Music Hall.

    Hailing from the Capital Region, Kenneth Olsen, the assistant principal cellist in the Chicago Symphony Orchestra will also be joining Agreda. The Times Union will be sponsoring the November concert. 

    This upcoming season is particularly exciting. We have the celebration of our 40th Anniversary and also the appearance of an amazing soloist, who once played in ESYO. We are also going on an international tour to Argentina and Uruguay. But, on top of that, we are working on our new partnership with the Troy Savings Bank Music Hall that will bring a greater value to arts in the Capital Region.

    Carlos Agreda

    Since its founding in 1979, the  Empire State Youth Orchestra (ESYO) has challenged and inspired young people to achieve excellence through music in a rigorous learning environment leading to high-level performance opportunities. Over 600 youth from the Capital Region of New York and western New England are selected by audition each year for the ESYO program. They then participate in one of the ten performing ensembles that collectively give approximately 30 performances a year. In 2015, ESYO launched ESYO CHIME (Creating Harmony, Inspiring Musical Excellence). ESYO CHIME seeks to expand access to music in underserved communities making sure that every child has access to musical excellence regardless of economic status.

    ESYO concert attendees are once again able to use Access ESYO to attend the concert. Access ESYO allows ticket purchase for as little as $1.00 per seat, and will be sustained through a pay-it-forward campaign inviting donors to deposit the cost of a seat in an online ticket bank. For more information on ticketing click here

    2019 – 2020 Concert Dates

    *locations and times are subject to change

    Nov. 2 – Troy Savings Bank Music Hall – Troy, NY

    Nov. 4 – Shaker Junior High School – Latham, NY

    Nov. 24 – TBA

    Dec. 6 – TBA

    Dec. 15 – Massry Center for the Arts, College of Saint Rose – Albany, NY

    Dec. 19-22 – Proctors Theatre – Schenectady, NY

    Feb. 1 – Crossgates Mall – Albany, NY

    Feb. 12 – TBA

    Feb. 13 – TBA

    Feb. 27 – Massry Center for the Arts, College of Saint Rose – Albany, NY

    Mar. 9 – UAlbany Performing Arts Center – Albany, NY

    Mar. 29 – UAlbany Performing Arts Center – Albany, NY

    Apr. 1 – Proctor’s Theatre – Schenectady, NY

    Apr. 26 – Troy Savings Bank Music Hall

    May 1 – TBA

    May 2 – Arthur Zankel Music Center, Skidmore College – Saratoga Springs, NY

    May 3 – Brown School – Schenectady, NY

    May 10 – Massry Center for the Arts, College of Saint Rose – Albany, NY

    May 17 – Massry Center for the Arts, College of Saint Rose – Albany, NY

    May 31 – Saratoga Performing Arts Center – Saratoga Springs, NY

    June 20 – GE Theatre at Proctors – Schenectady, NY

  • Interview: NYS Music catches up with Psychedelic Trio Cycles

    Denver, Colorado psychedelic jam-trio Cycles are making their way through the northeast this week, performing a series of shows throughout New York state as part of an extensive 2019 fall tour. Last night, the band played at Buffalo Iron Works, with Colorado’s The Magic Beans and Connecticut’s Eggy, for a commemorative night celebrating the venue’s tenth anniversary. This past Wednesday, Cycles sat down for an interview with NYS Music in Brooklyn, NY, just before performing a set at famed music club The Knitting Factory.

    This was a first time appearance for the trio’s drummer Collin O’Brien, not only at the venue, but in Manhattan altogether. “I haven’t been to New York in like fourteen years,” he told NYS Music. “I’ve been freaking out walking around all day.”

    It was a return, however, for the band’s guitarist Patrick Harvey and bassist Tucker McClung, whom have performed as Cycles in NYC before. “We’ve played New York a few times,” said McClung. “There was Brooklyn Bowl, and then we played at American Beauty once, for a Phish after party. That was really fun.”

    “There’s a really sick jam from that [Phish] show,” said Harvey.

    Sick jams were definitely in full supply for their The Knitting Factory show, which saw the band deliver a full range of musical styles, from jazz to funky-metal to soulful rock, across a dizzying set of songs that were all linked together via impeccable technical abilities.

    While new to the city, O’Brien is also a relatively new addition to Cycles, at least as a full time member. The Chicago-born drummer moved to the band’s home base of Denver earlier this year and jumped on board with the band just in time for huge gigs like Arise Music Festival, Peach Music Festival, and Resonance Music Festival just last weekend. “I love it,” he said. “This has been the best summer of my life.”

    cycles
    Cycles’ Drummer Collin O’Brien. Photo: Tara Gracer

    He certainly fits into Cycles’ live musical experiment, with constantly shifting drumbeats and tempos thrown up against barrages of shrieking guitar solos from Harvey and slap-happy bass rips from McClung. As a unit, the band navigates an amazing balance between improvisational spontaneity and technical precision, and the results fuse together unique, often even quirky, song material with a sustained sense of freewheeling whimsy. A sense that, musically, anything could happen at any moment.

    In their Knitting Factory show, they showed this resolutely. Some songs bled out into super spacey, affecting moments of trippy space rock. Other moments saw battles for highest intensity between chromatic guitar picking and dramatic drums fills—sometimes while McClung was balancing his bass on one finger like a vaudeville performer. At one awesome point in the set, Harvey broke from a melodic guitar solo to incorporate audio samples of an eighties’ sounding, glam rock tune into a hard-driving metal-funk jam from bass and drums. Does that sound odd? Absolutely. It is exhilarating and actually pretty groovy.

    “I think when we first started, it used to be challenging to make it sound really full,” commenting on the three-piece driving force behind such heavily improvisational shows night after night. “But now, it just feels like I get to do whatever I want all the time. We’ve been playing together so much over the past three years, I feel like we all know where to get in and fill space, or where to leave space.”

    Tucker McClung, Bass.

    “Yeah, there is a lot of freedom in not having a lot of people on stage,” said O’Brien. “It’s easier to communicate ideas more instantaneously.” This sense of freedom is what gives the band the inspiration to perform a live musical game show next month, at Denver’s Cervantes’ Masterpiece Ballroom (where they will actually have many people on stage).

    Tucker broke the concept down to NYS: “It’ll be one set of us performing as Cycles, but we’ll open up the night with a set of this game show. It’s going to be a super interactive experience. We might have as many as 30 to 40 people coming up intermittently and participating in the show, and we’ll be the host band for this Johnny Carson mixed with Wheel of Fortune kind of experience.”

    “And,” added Harvey, “we have a game show host who is the freakin’ man! Dennis Craig. Definitely the best host any game show could ask for.”

    “It’ll be a healthy amount of uncertainty,” said O’Brien. “Stuff will go wrong in the best possible way.”

    cycles
    Cycles Guitarist Patrick Harvey. Photo: Miles Hurley

    The rest of Cycles’ schedule coming ahead has them linking up with jam scene contemporaries like The Magic Beans, Sunsquabi, and others. The trio looks forward to a huge hometown show in December: a debut at Denver’s The Fillmore Auditorium opening up for Umphrey’s McGee. 

    “I used to see them all over the place when I lived in Chicago,” said O’Brien. “They’re so nice. They’re just some normal guys that are like really, really freaking talented.” McClung, meanwhile, talked about seeing the six-piece staple act for the first time at this year’s Resonance Music Fest. “Yeah, they did an acoustic set which was pretty awesome. I was getting really pumped watching it.”

    This week, catch Cycles as they finish their New York stretch with a show tonight at Syracuse’s The Westcott Theatre, followed by shows next week at Olive’s in Nyack and at The Hollow in Albany. While this season of touring seems to continue a road-tested sense of hardcore gigging for the band, they show no sign of slowing down, an instead an invigorated and grateful attitude for the experience.

    When you’re as blessed to be doing what we’re doing, it’s foolish to be agitated at the world. Because you have this awesome opportunity to rock out. There’s nothing better than this. If there was something better than this, I’d be doing it.

    Patrick Harvey, Guitar.

    For more information about the band, their music, and their upcoming shows, head to their website.

  • Whose Hat is This? featuring members of TTB plan East Coast tour for November

    For their first shows in over a year, Whose Hat Is This?, the free jazz collective of current and former Tedeschi Trucks Band members will be hitting the road for an East Coast U.S. tour this November. Featuring bassist Tim Lefebvre (David Bowie), saxophonist Kebbi Williams (Outkast), and drummers JJ Johnson (John Mayer) and Tyler “Falcon” Greenwell (Col. Bruce Hampton), the all-improvisational group will perform for the first time since the release of their second live album, Everything’s OK. Special guests on the tour include Ryan Stasik (Umphrey’s McGee) in Charleston, SC and Rachel Ann Morgan Band in Washington, DC.

    Drawing on their collective experiences, Whose Hat is This? seamlessly conjure up music that combines elements of experimental jazz, funk, electronica, with unhinged musical spontaneity. The band’s debut self-titled record was released in 2017 and featured highlights from their first-ever performance, an impromptu gig at the A-Trane in Berlin.

    Tour Dates:

    Nov. 18 – Charleston, SC – Charleston Pour House (with Ryan Stasik’s Wondrous Band)

    Nov. 19 – Washington, DC – The Hamilton

    Nov. 20 – Baltimore, MD – The 8×10 (with Rachel Ann Morgan Band)

    Nov. 21 – Philadelphia, PA – Green Soul

    Nov. 22 – New York, NY – Rockwood Music Hall

  • Jazz at Lincoln Center announce ‘Big Band Holidays II’

    Jazz at Lincoln Center’s Blue Engine Records celebrates the most wonderful time of the year with the release of Big Band Holidays II, a sequel to a beloved and festive album released in 2015, performed live by the world-renowned Jazz at Lincoln Center Orchestra with Wynton Marsalis

    The Big Band Holidays concerts have been a New York City tradition among jazz lovers and families for more than a decade. Every December, the critically acclaimed Jazz at Lincoln Center Orchestra ,Wynton Marsalis and an all-star roster of guest vocalists explore the canon of holiday standards to perform both new and traditional arrangements of Yuletide favorites. Blue Engine Records has assembled highlights from these historical performances, making them available on record for the first time. 

    Big Band Holidays II includes an electric, never-before-released solo piano performance of “O Tannenbaum” by Aretha Franklin. The Queen of Soul sang the holiday classic in English and German, while accompanying herself on pianoat a surprise performance at Jazz at Lincoln Center’s 2015 Big Band Holidays concert. “O Tannenbaum,” exclusively on Big Band Holidays II, is one of only a handful of tracks to be released since Franklin’s passing on August 16, 2018.

    Additional guests on Big Band Holidays II include some of today’s commanding new voices in jazz: Catherine Russell, Veronica Swift, Denzal Sinclaire and Audrey Shakir. This newest collection of holiday classics is now available for pre-order and will be available on all digital platforms on October 25, in stores as a CD on November 8, 2019, and available on 2xLP audiophile vinyl later in the holiday season.

    Big Band Holidays II tracks include holiday favorites “Silver Bells,” “The Most Wonderful Time of the Year,” and “Silent Night.” They feature the Jazz at Lincoln Center Orchestra’s signature sense of swing, New Orleans-flavored nuances, and deeply soulful, church-rooted grooves. 

    To celebrate this special Blue Engine Records release, the Jazz at Lincoln Center Orchestra and guest vocalists Denzal Sinclaire and Alexis Morrast will embark on a 12-city Big Band Holidays U.S. Tour. Kicking off the holiday season with messages of peace and good cheer, the Big Band Holidays tour commences on November 30 in Toronto, Canada and ends with four performances December 18-22, including a special matinee at Jazz at Lincoln Center’s Rose Theater at Frederick P. Rose Hall, located at Broadway at 60th Street in New York, New York. 


    TRACK LISTING
    1. It’s the Most Wonderful Time of the Year
    2. Cool Yule (ft. Catherine Russell)
    3. We Three Kings (ft. Denzal Sinclaire)
    4. O Tannenbaum (ft. Aretha Franklin)
    5. Rise Up, Shepherd, and Follow
    6. (Everybody’s Waitin’ for) The Man with the Bag (ft. Veronica Swift)
    7. What Will Santa Claus Say? (When He Finds Everybody Swingin’) (ft. Catherine Russell)
    8. Brazilian Sleigh Bells
    9. Silver Bells (ft. Catherine Russell)
    10. Snowfall
    11. Silent Night (ft. Denzal Sinclaire)

  • Carpool Heading Out on East Coast Tour

    Carpool has just announced a month-long East Coast tour. It kicks off with a hometown show at Bug Jar in Rochester on Oct. 11. They make their way down the coast on their way to play Fest on Nov. 2. After that, they wind their way through the Midwest, hitting Chicago and Detroit on their way back to the finale on Nov. 14, back at the Bug Jar. Follow them on social media for updates.

    The four-piece emo/punk band includes Chris Colasanto (Guitar/Vocals), Tommy Eckerson (Guitar/Vocals), Milo Duhn (Bass/Vocals), and Alec Westover (Drums/Vocals). Carpool released their sophomore EP I Think Everyone’s A Cop a year ago. Check out the NYS Music interview about the band and making of ITEAC here.

  • Elton John Announces Additional ‘Farewell Yellow Brick Road’ Tour Dates

    Great news for Elton John fans. The Rocketman singer has announced that he is adding new dates to his final tour, “Farewell Yellow Brick Road.” The tour, a play on his seventh studio album and song of the same name, was originally announced on a VR180 YouTube live special. This farewell, which is planned to span three years, three hundred tour dates and five continents, commenced on Sept. 8.

    “It’s time to come off the road so I can fully embrace the next important chapter in my life,” he said on his official website. Having already performed throughout the United States, he is coming back for another go-around in the States, only this time, he’ll be solely performing in the New York/ New Jersey area.  In fact, of the remaining twenty-one dates he has left in the United States, the final eight will be performed throughout the tri-state area. His last show in the United States will be on April 18, 2020, at the Nassau Coliseum in Long Island.

    Overall, the five-time Grammy award winner has ninety-three dates left on his tour. Thirty-four in Australia, twenty-one in the United States, twenty in the United Kingdom, eight in Canada, Six in New Zealand, three in France, and one in Ireland. Elton John has his final tour date on this grand expedition set for Dec. 16, 2020, at the O2 arena in London, UK.

    More information can be found here. A list of remaining New York tour dates can be found below.

     Nov. 16 – Nassau Coliseum- Long Island, NY

     April 6 – Madison Square Garden- New York, NY

     April 7 – Madison Square Garden- New York, NY

     April 10 – Barclays Center- Brooklyn, NY

     April 11 – Barclays Center- Brooklyn, NY

     April 17 – Nassau Coliseum- Long Island, NY

     April 18 – Nassau Coliseum- Long Island, NY

  • Above and Beyond to ring in 2020 at New York Expo Center in The Bronx

    On Tuesday, December 31, titans of the electronic music genre Above and Beyond will ring in 2020 with a special headline show at the 60,000 sq foot New York Expo Center. Presented by Above & Beyond’s Anjunabeats label and New York nightlife impresario DEG Presents (formerly RPM Presents), Jono Grant, Tony McGuinness and Paavo Siljamäki will return to one of their favorite cities for the biggest party of the year. Special guests will be announced soon to support the festivities.

    The globetrotting trio have penned several of dance music’s most abiding anthems. Whether performing as DJs or as a live band, Above & Beyond have always kept songwriting at the very heart of what they do. This dedication to their craft has earned the group two GRAMMY nominations in recent years. Their global Anjunafamily of fans continues to grow as does the community of artists found on their iconic Anjunabeats label imprint, which celebrates its 20th anniversary next year.  

    https://www.youtube.com/watch?v=Qde9KyFtWUA

    In 2018, the trio’s fourth electronic album Common Ground debuted at number three on the Billboard Album Chart. The band have performed for sold out crowds at an enviable list of venues including Madison Square Garden, Red Rocks, The Gorge and LA Forum among many others. Don’t miss this amazing way to ring in 2020 in The Bronx!

  • The New Motif Lays out Fall Tour – Includes Stops in Colorado and Northeast

    Eclectic funk/jam band The New Motif are back on the road this fall and look to branch out of the Northeast with their two-night debut run in Colorado.

    With stops in NYC at The Cutting Room, two nights on Cape Cod, a Phish after-party in Providence and supporting Kung Fu leading up to a performance at Bethel Woods Center for the Arts, the deep psychedelic grooves The New Motif has become known for will reach wide audiences as they close out 2019 with a bang. For New Years Eve, they’ll perform at the iconic Paradise Rock Club in Boston, opening for Pink Talking Fish.

    Sept. 20 – The Press Room – Portsmouth, NH 
    Sept. 28 –  MTG Pheno Cup Music & Arts Festival – Lancaster, NH
    Oct. 11 – LaBoca – Middletown, CT 
    Oct. 12 – Cutting Room – NYC, NY
    Oct. 18 – Hawks & Reed – Greenfield, MA  w/Strange Machines
    Oct. 26 – P.H.O.M.E. – Portland, ME  w/ Strange Machines
    Nov. 15 – Your Mom’s House – Denver, CO –  PPPP After Party w/Stig
    Nov. 16 – ULLR Tavern – Winter Park, CO
    Nov. 22 – Grumpy’s Pub – Falmouth, MA 
    Nov. 23 – Grumpy’s Pub – Falmouth, MA 
    Nov. 29 – Stone Church – Brattleboro, VT  w/ Kung Fu
    Nov. 30 – Fete – Providence, RI  Phish After Party w/ Meraki
    Dec. 19 – Port City Music Hall – Portland, ME  w/ Kung Fu
    Dec. 20 – 3S Artspace – Portsmouth, NH  w/ Kung Fu
    Dec. 21 – Toads Place – New Haven, CT  w/ Kung Fu
    Dec. 22 – Bethel Woods Center for Arts Bethel, NY  w/ Kung Fu
    Dec. 31 –  Paradise Rock Club – Boston, MA w/ Pink Talking Fish
  • 18th Annual Independent Music Awards announce call for entries

    Music Resource Group has announced the official Call for Entries for the 18th annual Independent Music Awards (IMAs) to honor the year’s best indie music and visual design work from around the world.  

    Now in its 18th year, The Independent Music Awards is the premier platform for independent creatives from around the world. Honoring artistry, diversity and excellence, winners and nominees are promoted to millions of music consumers and industry insiders via ongoing promotion, performance and distribution opportunities, and celebrated during the annual IMA ceremony and Indie Konference in New York City.

    Independent

    Entries are judged – for their artistry and innovation rather than streaming stats or social influence – by panels of influential recording and touring artists, programmers, talent buyers and other influencers worldwide. Previous IMA judges include Keith Richards, Tom Waits, Laurie Anderson, Snoop Dogg, Amanda Palmer, Keith Urban, Chris Thile, Aimee Mann, M’shell Ndegeocello, Norah Jones, Peter Gabriel, Melissa Etheridge, Buddy Guy, Ozzy Osbourne among many others.

    The most diverse awards on the planet, the prestigious program celebrates achievements by established and emerging talent in more than 100 Album, EP, Song, Producer, Video and Graphic Design categories. Projects can be submitted for review here through December 12, 2019. Enter by September 29 to take advantage of the early entry period.

    Fans are able to register to determine this year’s Vox Pop Nominees and will be in the running for the IMA Super Fan Award by promoting their favorite Song and Video entries to their social networks.

    Nominees will be announced in Spring 2020, and all Winners revealed in June at the annual ceremony during the IMA Indie Konference in New York City.

    Known for championing artists who follow their muse rather than metrics, the program receives submissions from 119 countries from artists previously on major labels, as well as notable indie label and self-released talent in all styles and mediums.

    Past IMA Winners & Nominees include:Amy Lee, Asking Alexandria, fun., Melissa Auf der Maur, Five Finger Death Punch, Meghan Trainor, Passenger, Valerie June, …And You Will Know Us by the Trail of Dead, Lacuna Coil, Macy Gray, All That Remains, Band of Skulls, Ben Kweller, Chris Whitley, Cursive, Dale Watson, Flying Lotus, Girl in a Coma, Jamie Lidell, JD McPherson, Miguel Migs, Jackson Browne, Spinnerette, Team Me, The Apples in stereo, Tony Trischka, Vienna Teng, and many, many more.

  • Portland’s Ezra Bell rolls through New York this week

    Carving a wide path through the musical spectrum, Ezra Bell brings thrir folk/soul/rock sound to New York City on Friday, September 27 and Syracuse on Sunday, September 29. Featuring the irreverent and introspective songwriting of Benjamin Wuamett, Ezra Bell has been a staple of the Portland, OR scene since 2013, with three well-received EPs under their belt.

    Ezra Bell features Maurice Spencer (bass), Tom Trotter (drums), Aaron Mattison (horns and arrangements), Honora Hildreth (backing vocals and percussion), and Jeremy Asay (keys and guitar) more-than-ably backing up Wuamett’s story-songs and satirical jigs with organic precision.

    Ezra Bell

    Ezra Bell has released three EP’s: Don’t All Look Up at Once, 2013; We Came by Canoe, 2014; and Farewell Griffin, 2016. Their first full length eponymous album dropped in May 2018 and is streaming now. They are currently recording regularly and releasing singles almost as quickly as the months fly by.

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