Category: News Desk

  • Historic Albany nightclub Rain-Bo Room, frequented by Sinatra, Calloway and Ellington, to reopen

    Inside the expansive back room in the northwest corner of the old Kenmore Hotel hangs a drab, grey curtain concealing the last piece of history tied to the space.

    The curtain protects a mural called “The Court of Cleopatra,” painted on the wall above a modest stage on which Frank Sinatra, Tommy Dorsey, Cab Calloway and Duke Ellington played. It’s a depiction of the Queen of Egypt, whose beauty was unparalleled and whose intelligence matched that of the powerful men she seduced, most notably Julius Caesar and Mark Antony. It’s placement high upon the wall implied that this was the room in which the masters of the universe was expected to frolic.

    Rain-Bo Room
    1948 Cab Calloway Rainbo Room via Albany Group

    The space is now in the midst of a multi-million dollar renovation project that’s breathing new life to the North Pearl eyesore. Modern day Dapper Dons in hardhats expose the promise of a bright future, and at the same time enhance the ghosts of the hotel’s storied past.

    When William Kennedy wrote about the Rain-Bo Room in “O’Albany,” he was still able to observe a piano on that stage. He imagined someone playing “Happy Days and Lonely Nights,” a tune Ruth Etting made popular in 1928, and a reported favorite of the Kenmore’s most famous resident, Jack “Legs” Diamond.

    Diamond’s name was never mentioned during the press conference called by Redburn Development to announce the Rain-Bo Room’s intended rebranding as the Kenmore Ballroom. Nor would it be expected. He was a New York City mobster, whose charges included burglary, kidnapping and bootlegging. Nonetheless, he was a celebrity.

    Rain-Bo Room

    Diamond’s vocation aside, his choice of haunts reveals that the Rain-Bo Room was Albany’s top nightclub during the Roaring Twenties. Stars of the Big Band area would flock up the Hudson River to play there, especially lured by the prospect of broadcasting their live performances on the radio.

    “The Kenmore Ballroom is the heart of this building at the heart of this development,” said Jeffrey Buell, principal of Redburn Development. “We want to fill the space with life, life that spills out into the surrounding streets and supports all of the Downtown.”

    Katie O’Malley Maloney and her husband Nate Maloney will manage The Kenmore Ballroom. O’Malley Maloney has her own long history with the City of Albany. She served as the 50th Anniversary Tulip Queen and worked for the City of Albany planning events and fundraising under former mayor.

    Rain-Bo Room

    Jerry Jennings. She also owns and runs Katie O’ Weddings and Events, an event planning firm celebrating its 10th anniversary later this year. Nate brings over 20 years of corporate and not-for-profit marketing, communications, and event experience to their first venture together. Katie will oversee the day-to-day operations along with Casey Benson, Vice President of Operations for the organization.

    “We are thrilled to be back in Albany and to be a part of the revitalization of Downtown” said O’Malley Maloney. “The Rain-Bo Room was once a vibrant centerpiece of Albany culture and society. We are excited to return the vibrancy of this historic space as the Kenmore Ballroom.”

    The Kenmore Ballroom will accommodate up to 300 people for a seated function. The ornate double staircase, demolished when the building was turned into offices, will be rebuilt as the centerpiece of the space. It will also have a separate bar lounge and rooftop deck. For Elizabeth Young Jojo, she focused on the opulence of the room’s past while choosing all of its fixtures and accents.

    Rain-Bo Room

    “We chose an Art Nouveau inspiration,” said Young Jojo, vice president at Redburn Developments. “That, mixed with some super, super modern elements, as well.” The Art Nouveau style was popular during the turn of the last century, a look characterised by curves and asymmetric shapes to provide the illusion of movement. The juxtaposition of elements, Young Jojo said, “I think will be very fresh, that there is no other space like that in the Capital Region.”

    “Projects like the revitalization of The Kenmore and its ballroom are transforming downtown Albany,” said Albany Mayor Kathy Sheehan. “Thank you to Redburn for their commitment to Downtown, and to Katie O’Malley Maloney and Nate Maloney for believing in Albany and investing in Albany’s newest neighborhood.”

    The Kenmore Building rehab project is part of a nine-building, $82 million neighborhood revitalization that will bring 350 apartments and 11 commercial spaces to a three-block radius. The first phase of the multi-building project, The Knick at 16 Sheridan, will welcome new tenants this week. The Kenmore is expected to be open by October 2020.

    This article was originally published by The Spot 518

  • Cream Drummer Ginger Baker Dead at 80

    Pioneering drummer Ginger Baker, best known for his role in the late ’60s supergroup Cream died Sunday in England at the age of 80.

    Baker’s Facebook account published this message Sunday morning.

    Baker’s style influenced many heavy metal drummers much to his dismay. The notoriously cantankerous drummer, in a 2015 Forbes interview, when asked about his influence on the metal genre, had this to say:

    I find it incredibly repulsive, always have. I’ve seen where Cream is sort of held responsible for the birth of heavy metal. Well, I would definitely go for aborting [laughs]. I loathe and detest heavy metal. I think it is an abortion. A lot of these guys come up and say, “Man, you were my influence, the way you thrashed the drums.” They don’t seem to understand I was thrashing in order to hear what I was playing. It was anger, not enjoyment – and painful. I suffered on stage because of that [high amplifier] volume crap. I didn’t like it then, and like it even less now. 

    Nevertheless, Baker’s heavy-handed, double-bass style of drumming influenced scores of drummers that came after him. Cream was formed from the ashes of Baker and Jack Bruce’s band, the Graham Bond Organization. Eric Clapton had left The Yardbirds in 1966 and suggested forming a power trio to Baker, including Bruce in the equation. The often volatile relationship between Baker and Bruce led to the demise of several of their early bands, including Cream, which lasted only two years.

    In those two years, Cream released four albums that produced such influential singles as “White Room,” “Tales of Brave Ulysses, ” “Sunshine of Your Love,” and “Badge.”

    Following the dissolution of Cream, Clapton and Baker recruited Steve Winwood and Ric Grech to form Blind Faith. The short-lived band produced one self-titled album before calling it quits. Clapton went on to perform with Delaney and Bonnie and Derek and the Dominoes, while Winwood and Grech returned to Traffic. Baker moved to Nigeria, performing with legendary Afrobeat composer Fela Kuti.

    Blind Faith’s first live performance at London’s Hyde Park in 1969

    Baker spent much of the later ’70s, ’80s, and ’90s performing with a number of bands to help pay the bills. One of these bands was Syracuse-based Masters of Reality, a King Crimson and Black Sabbath-inspired band. He joined the group for their Sunrise on the Sufferbus album in 1993. They charted with the single “She Got Me (When She Got Her Dress On).”

    Baker, who famously rejected being called a rock drummer, returned to his jazz roots in the mid-’90s, forming the Ginger Baker Trio with jazz legends, guitarist Bill Frisell and bassist Charlie Haden.

    In 2005 he reunited with his Cream bandmates for a series of concerts in London and New York, the former is chronicled on the album, Royal Albert Hall London May 2, 3, 5, 6, 2005.

    Cream was inducted into the Rock and Roll Hall of Fame in 1993.

    Baker’s health had been deteriorating in recent years, falling victim to chronic obstructive pulmonary disease, degenerative osteoarthritis and heart issues, eventually taking him off the road.

    Artists worldwide from Flea to Paul McCartney have been paying tribute to the legendary drummer on social media.

    https://www.instagram.com/p/B3R0fLSBPHp/?utm_source=ig_web_copy_link
  • Cohoes Music Hall is chock full of great music this fall

    The historic Cohoes Music Hall just north of Albany is hosting an incredible slate of music this fall. Built in 1874, the venue has been the hub for entertainment and culture in the Spindle City, with an ornate style, brilliant acoustics and intimate setting for shows of all genres, as well as musicals and more. All shows are all ages, with doors opening at 7pm and music starting at 8pm. Click here for more info on the shows.

    Thursday, October 10 – Melvin Seals & JGB

    Melvin spun his B-3 magic with the Jerry Garcia Band for 18 years and in doing so helped pioneer and define what has now become “Jam Band Music”. From blues to funk to rock to jazz, Melvin Seals serves up a tasty mix with a little R&B and gospel thrown in to spice things up. John Kadlecik will be joining the band on lead guitar.

    Saturday, October 12 – Marco Benevento with special guest Mikaela Davis

    Touring in support of his new record ‘Let It Slide’. Dubbed “one of the most talented keys players of our time” by CBS Radio, Benevento’s released six critically acclaimed solo albums over the last decade, performed everywhere from Carnegie Hall and Newport Jazz to Lollapalooza and Bonnaroo. “It’s safe to say that no one sees the keyboard quite like Marco Benevento’s genre-blind mashup of indie rock, jazz and skewed improvisation,” the LA Times raved, while NPR said he combines “the thrust of rock, the questing of jazz and the experimental ecstasy of jam.”

    Friday, November 8th – Marc Cohn

    After winning a Grammy for his soulful ballad “Walking in Memphis,” Marc Cohn solidified his place as one of this generation’s most compelling singer-songwriters, combining the precision of a brilliant tunesmith with the passion of a great soul man. Rooted in the rich ground of American rhythm and blues, soul and gospel and possessed of a deft storyteller’s pen, he weaves vivid, detailed, often drawn-from-life tales that evoke some of our most universal human feelings: love, hope, faith, joy, heartbreak.

    Saturday, November 16th – North Mississippi Allstars

    Founded in 1996 by brothers Luther (guitar and vocals) and Cody Dickinson (drums, piano, synth bass, programming and vocals), the now venerable blues rock band are entering their third decade. “This is a very exciting time for North Mississippi Allstars,” Cody says. “There’s been this explosion of creativity lately and it’s encouraging that for a band who has been around for twenty years now, our music is as vital and fresh as ever. It’s like the opposite of burnout — I can’t explain why but it feels totally brand new again.”

    Wednesday, November 20th – Tommy Castro & Tinsley Ellis

    Tinsley Ellis wears his Southern roots proudly. Born in Atlanta in 1957, he grew up in southern Florida and first played guitar at age eight. Averaging over 150 live shows a year, Ellis has played in all 50 states, as well as Canada, Europe, Australia and South America. Whether he’s out with his own band or sharing stages with major artists like Buddy Guy, The Allman Brothers, Gov’t Mule or Widespread Panic, he always digs deep and plays, as Guitar Player says, “…as if his life depended on it.” 

    Whether Tommy Castro is squeezing out the deepest blues or playing the funkiest soul grooves, legendary blues and soul giant Tommy Castro knows how to ignite a crowd. Over the course of his still-unfolding career, the guitarist, vocalist and songwriter has released 15 albums ranging from horn-fueled soul and R&B to piping hot blues to fiery rock ‘n’ roll.

    Thursday, November 21st – Lotus with special guest Wax Future

    Lotus has always been difficult to define musically; an instrumental jamband that has favored groove-based improvisation instead of gaudy solos and noodling. Influences of classic electronic dance music, funk, post-rock and dance-rock have all made their way into the Lotus sound. Approaching two decades together, Lotus has toured actively throughout the US working their way up from dingy basement clubs to world-class venues such as Red Rocks.

  • The Moho Collective Blasts Rochester with ‘Akra’ Release

    The Moho Collective trio will once again return to Lovin’ Cup on October 11, 2019 to celebrate the release of their new EP Akra. Ben Proctor of  The Crooked North is set to provide a solo act to open the show. The Moho Collective will then be joined by a seven-piece ensemble that will include members from The Mighty High and Dry, The Eastman Jazz Ensemble and The Saplings, as attendees will enjoy hearing Akra performed in its entirety.

    Lovin’ Cup is a venue located in Rochester, NY and has hosted the band’s release parties since their first in 2010. This includes the EP Soma that was released just last year. Though The Moho Collective previously spent much of their early career touring the North-East, they decided to go in a different direction and take time off to record tracks with the Temperamental Recordings label out of Geneseo, NY. Soma and Akra are both the result of this studio time, with more releases to come in the future.

    Even with the trio deviating from their usual form of practicing new music live until it is perfect, staying true to form Akra is anything but stagnant. The crowd at Lovin’ Cup can expect more musical experimentation and the trio’s first ever vocal performance. Not only is Akra just as unique as the rest of their recordings but listeners will also hear guest performances from Dana Colley of Morphine and Mike Brown, owner of Temperamental Recordings.

    Doors open at 7 PM with the show starting at 8 PM. Tickets are available ONLINE or at Lovin’ Cup, which includes a copy of the EP.

  • SPAGA announces afternoon NYC show during the Disco Biscuits’ New Year’s run

    Aron Magner will bring his new jazz-focused side project, SPAGA, to DROM in NYC for an afternoon performance on Sunday, December 29th. The show will take place on the day-off, between the second and third nights of the Biscuits’ four-night run at Playstation Theater, offering fans a unique show to see.

    SPAGA NYC

    The “mostly acoustic” trio, rounded out by string bassist Jason Fraticelli and drummer Matt Scarano, eschews the jam-rock/electronica fusion of the Biscuits for a more classic sound that harkens back to Magner’s jazz background. After many years focused on the exploration of improvisational jam rock with the Biscuits, Magner has returned to his Jazz roots with SPAGA. The band released a self-titled debut album over the summer which featured five original songs and a re-imagined version of The Disco Biscuits’ “Resurrection.” SPAGA played their first-ever NYC show in September at (Le) poisson rouge – check out NYS Music’s review of the show here.

    Tickets are now on sale. Visit DROM for more information.

  • Downtown Brooklyn Arts Festival Returns this Weekend

    The annual Downtown Brooklyn Arts Festival (DBAF) is making its way back to town this weekend from Friday, Oct. 4 until Sunday, Oct. 6. The festivities—brought to you by not-for-profit organization, the Downtown Brooklyn Partnership—will be showcasing artists and art institutions that call the Brooklyn Cultural District their home. The Plaza at Ashland is the host for the event, located at Flatbush and Lafayette avenue—downtown Brooklyn’s newest public space in the heart of the Brooklyn cultural district. Artists and art organizations will be offering free classes, tours, and other free outdoor programming, with performances and showings also scheduled.

    Each day of the festival contains specific activities for the public to enjoy. The itinerary is as follows:

    • On Friday, the festivities kick-off at 5:00 p.m., with a dance party with DJ collective Soul Summit Music and a performance by Soul Tigers Marching Band.
    • The following day, officially recognized as DBAF Community Day, festivities will run from 11:00 a.m. until 6:55 p.m. Activities will range from a drum circle, dance classes, workshops with instrumentalists, conversation with DBAF leaders and to end the night, there will be a showing of the Spike Lee semi-autobiographical cult-classic, Crooklyn.
    • To cap off the festival weekend on Sunday, activities will run from 12-5 p.m. With live dance, hip-hop and story-telling performances and to end this year’s BDAF festivities, Brooklyn’s own and hip-hop legend, Talib Kweli sets the backdrop for the Downtown Brooklyn Arts Festival Finale. Along with a pop-up of Nkiru Books, Brooklyn’s oldest African-American bookstore.

    For more information on the Brooklyn Downtown Arts Festival visit their website.

  • Upper Jay Arts Center welcomes Roost and The Mountain Carol this October

    Roost and The Mountain Carol will warm up the Adirondacks this fall with a performance on Friday, Oct. 11 in the Recovery Lounge at the Upper Jay Arts Center. The all-ages show starts at 8 p.m. with a suggested donation of $5.

    Roost, a five-piece dance punk band from Burlington, with three members hailing from the 518, released their debut EP in January 2019, with a follow up EP due out in November. This summer the group hosted a new event in Vermont, the Alder Brook Campout, which they hope to be an annual tradition. They’ve performed alongside The Mountain Carol before and have gone on to play The Monopole in Plattsburgh together a few times.

    The Mountain Carol, a synth-pop group from Plattsburgh, initially took form via two reclusive childhood friends from the backwater town of Saranac, New York. Guitarist Austin Petrashune returned home from Hong Kong where he had spent years playing the fiddle, while, in the middle of the woods down the road, songwriter Charles Wilson had forsaken drums in favor of channeling his imagination through the piano and a broken Casio keyboard. Once reconnected, the band found its ideal balance when they reached out to local impresario Matt Hall, a multi-talented Syracuse-cum-Plattsburgh fixture known for his many independent musical releases. The Mountain Carol seems intent on expanding the conventional role of a band, releasing music as well as video and mixed media art projects in conjunction with their mysterious fan club/utopian life cult “The Divine Council.” Don’t miss their show at Upper Jay Arts Center on December 10.

  • Umphrey’s McGee Adds New Deal, Billy Strings to 20/20 Tour Dates

    Umphrey’s McGee has released the first batch of tour dates for next year for their ‘Hindsight 20/20’ Tour, including two-night runs in New York City, Detroit and Asheville, which will all have umVIP packages available. The tour will also be making a stop in Pellham, TN at The Caverns, where UM will perform in a gorgeous underground amphitheater.

    The Caverns in Pelham, TN

    The tour kicks off with a two-night run at Beacon Theatre in New York City on January 17 & 18, and then the band will stick around to play Brooklyn Bowl in Brooklyn. The tour will then make its way through PA, stopping at Stage AE, and the month of January ends with a two-night run at The Filmore in Detroit, MI. The tour continues into Tennessee, where UM will make a stop at The Carverns on February 13.

    Additionally, Umphrey’s will welcome The New Deal for a handful of dates, as well as Billy Strings and Empire Strikes Brass. The Toronto-based live electronic trio returns with new drummer Davide Di Renzo, joining Jamie Shields (keyboards) and Dan Kurtz (bass) to create the third incarnation of the dance party powerhouse, The New Deal. Singer, songwriter, and guitarist, Billy Strings takes the stage in Asheville with his unique take on psychedelic Americana, after Asheville’s own Empire Strikes Brass opens the two-night run with their blend of high energy brass, funk, and rock.

    See the full list of Hindsight 20/20 Tour dates below, tickets are on sale now.

    Umphrey’s McGee Tour Dates

    Jan. 17 – Beacon Theatre – New York, NY
    Jan. 18 – Beacon Theatre – New York, NY
    Jan. 19 – Brooklyn Bowl – Brooklyn, NY

    Jan. 23 – Penn’s Peak – Jim Thorpe, PA*
    Jan. 24 – Stage AE – Pittsburgh, PA*
    Jan. 25 – Express Live – Columbus, OH *
    Jan. 29 – Clyde Theatre – Fort Wayne, IN*
    Jan. 30 – MGM Northfield Park – Northfield, OH*
    Jan. 31 – The Fillmore – Detroit, MI*
    Feb. 1 – The Fillmore – Detroit, MI *
    Feb. 12 – Soundstage at Graceland – Memphis, TN
    Feb. 13 – The Caverns – Pelham, TN
    Feb. 14 – ExploreAsheville.com Arena – Asheville, NC^
    Feb. 15 – ExploreAsheville.com Arena – Asheville, NC^

    * with The New Deal

    ^ with Billy Strings and Empire Strikes Brass

    Umphrey’s has also just announced Hall of Fame: Class of 2018, a robust collection of the best of the best live tracks performed by the band in 2018 as voted on by the fans. Available in a limited edition, double LP set featuring splattered three-color vinyl, this year’s HOF collection contains four-and-a-half hours of music and enough improv to confuse pop fans everywhere.

  • Fish House Road team up with NJ brewery for beer inspired by latest single

    Fish House Road, a New Jersey-based power jam/rock band, has released their latest single “Honey Drip” in collaboration with 2nd Act Brewery.

    The Dover-based brewery teamed up with Fish House Road as part of their mission to produce musically inspired brews. “Like the 2nd Act of a concert, 2nd Act Beer is the up-and-coming main event, ready to take the stage,” and with early collaborations like this, there is great potential for this craft brewery.

    “Honey Drip” also features artwork developed by the owner of Y’all Art Project, which uses art as the catalyst to heal and empower victims of child abuse and others traumas. Printed copies of the artwork will be featured on t-shirts, posters and more, with proceeds donated back to the non-profit.

    The beer itself, Honey Drip, is a 6.5% abv, hop-forward ale from that is pale in color and brewed with local organic honey from Bird and the Bee honey and a touch of vanilla. The beer is dosed with two dry-hop charges, lead by amarillo and supported by motueka and saphir, which combine for lemon/orange citrus characteristics with herbal undertones. 

    Fish House Road, who blend shades of funk, blues, trance, and Americana, have a unique sound that connects with audiences of classic rock and jam band enthusiasts. It’s easy to be drawn in by roaring guitars, sweet harmonies, and a dynamic rhythm section, found on originals that translate from studio to stage. The group, comprised of Nick Deblasio (vocals, ukulele, harmonica, percussion), Rocky Tironi (guitar, keyboards, banjo), Dan Morrell (guitar), Kayne Neugebauer (bass) and Nick Van Leer (drums), started out in 2011 and have performed across New Jersey with shows in New York, Pennsylvania and New England mixed in as well. Check out their upcoming shows here.

    You can catch Fish House Road on Friday, October 4 with After Funk at Barranquilla Studios in Brooklyn; January 3, 2020 at Mercury Lounge; and they’ll be at The Stone Pony in Asbury Park, NJ with Splintered Sunlight on Saturday, October 12.

  • Keller Williams’ Extensive Fall Tour Will Bring Him to Albany & Syracuse

    With his autumnal tour schedule this year, Keller Williams will be making two fall stops in Upstate NY with shows in Albany at Skyloft on October 24 and Syracuse at the Westcott Theater on October 25. Williams is an artist who defies categorization. With his dynamic and unpredictable live performances, he has developed a reputation for his genre-defying work and creativity.

    Williams is constantly evolving as an artist, with 24 studio releases and countless eclectic side projects. After just releasing his latest studio album Add on May 31, Williams is set to come out with his 25th studio release SPEED on November 22. SPEED will feature his bluegrass outfit Keller and the Keels, comprised of Keller on vocals along with progressive flatpicker Larry Keel and bassist Jenny Keel. The record will be their reinterpretation of popular songs with their psychedelic, Appalachian bluegrass style, including Fiona Apple’s “Criminal,” Kacey Musgraves’ “Slow Burn,” Weezer‘s “Island In The Sun,” and many more. This will be the group’s third collaboration together, following their 2006 release GRASS and the all-covers album THIEF, released in 2012.  

    Williams inhabits an equal parts entrancing and perplexing center of a Venn diagram that includes…bluegrass, jamgrass, musical humorism, satire, and instrumental prowess that combines flatpicking sensibility with Phil Keaggy-style ingenuity.

    Justin Hiltner – The Bluegrass Situation

    Check out fall tour dates below, for more information and tickets, go to Keller William’s website.

    Keller Williams 2019 Fall Tour Dates

    October 11 – Eureka Springs, AR – Hillberry “The Harvest Moon Festival” *

    October 12 – Live Oak, FL – Sewanee Roots Festival *

    October 17 – Columbus, OH – Woodlands Tavern

    October 24 – Albany, NY – Skyloft

    October 25 – Syracuse, NY – Westcott Theater

    October 26 – Holyoke, MA – Gateway City Arts

    November 1 – New Orleans, LA – Tipitina’s *

    November 2 – Asbury Park, NJ – The Stone Pony

    November 7 – Edmonds, WA – Edmonds Center for the Arts #

    November 8 – Bremerton, WA – Admiral Theatre #

    November 9 – Portland, OR – Wonder Ballroom #

    November 10 – Bend, OR – Tower Theatre #

    November 15 – South Burlington, VT – Higher Ground Ballroom

    November 16 – Boston, MA – Paradise Rock Club

    November 22 – Santa Fe, NM – Meow Wolf

    November 23 – Denver, CO – The Ogden Theater @

    December 5 – Brevard, NC – 185 King Street

    December 6 – Carrboro, NC – The Arts Center

    December 27 – Savannah, GA – Southbound Brewing

    December 28 – Atlanta, GA – Terminal West

    * with Keller & The Keels

    ^ with Grateful Grass ft. The Infamous Stringdusters and Oteil Burbridge

    # featuring Keller Williams’ Pettygrass

    @ with Grateful Grass, Keller & The Keels, Love Canon

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