Category: World/Reggae

  • Great American Irish Fest Changes Dates, Moving to Utica for 2020

    The Great American Irish Festival has announced that it will be relocating and has changed the dates for next year’s festival. The festival has traditionally been held on the last weekend in July at the Herkimer County Fairgrounds in Frankfort. After 16 years in Frankfort, the festival will make its new home at the new Irish Cultural Center in the Brewery District of Utica on the weekend of Sept. 18-20.

    https://www.facebook.com/864413893600865/posts/3426342484074647/

    The festival’s original intent was to raise funds to establish a state of the art cultural center highlighting the rich Irish heritage in the Mohawk Valley. With the opening of the multi-use facility on Columbia Street in July of this year, that goal has been met and the decision was made to move the event from Frankfort to Utica as its permanent home.

    The new 23,500 square foot venue boasts an event center, an authentic 19th-century Irish pub, Five Points Public House and a museum dedicated to Irish culture.

    The move to the Brewery District means there will no longer be camping available to attendees nor will the popular Highland Games be held.

    “We recognize the fact that a change of venue may present some short-term challenges and adjustments for our guests and volunteer staff,” organizers stated, “but we encourage your support and good-natured Irish spirit as we make this monumental transition.”

    The festival has developed relationships with many of its new Varick Street neighbors, including the F.X. Matt Brewing Company, the Celtic Harp, Nail Creek Pub and Brewery and the Sanctuary, which will allow for more performance spaces.

    This year’s festival was headlined by Enter the Haggis, We Banjo 3, The High Kings and the Young Dubliners. Further information on the 2020 festival will be released in the coming months.

    We Banjo 3 spoke with NYS Music’s Kathy Stockbridge at the 2018 edition of the festival. View that interview below.

  • Matisyahu’s Festival of Light Returns to Brooklyn December 29

    Grammy-nominated singer-songwriter Matisyahu has announced his annual Festival of Lights show for 2019, scheduled for December 29 at Brooklyn Steel. The special evening falls on the last night of Chanukah and will feature performances from Matisyahu, Bedouin Soundclash and Your Old Droog, as well as other special guests to be announced.

    Founded in 2006, Matisyahu‘s Festival of Light is a concert celebration occurring during or throughout the Chanukah season. It presents a community of like-minded musicians to celebrate the season’s spirit of unity and to transcend barriers. The show kicks off at 6:30pm

    The Festival of Light show wraps a string of tour dates across North America, with Matisyahu playing the likes of Salt Lake City, Aspen, Tulsa, St. Louis, Montreal and Buffalo alongside reggae/rock band Bedouin Soundclash.

    Perhaps one of the most eclectic talents in popular music today, singer-songwriter Matisyahu has been captivating audiences since he burst onto the scene in late 2005. His infectious mix of reggae, hip hop and soul has attracted the praise of a multitude of fans and critics alike, with his performances showcasing a raw expression of his spirituality to thousands of people across the world.

    Matisyahu's Festival of Light

    Matisyahu Tour Dates

    Dec. 5 – Belly Up Aspen – Aspen, CO

    Dec. 6 – Center for the Arts – Crested Butte, CO

    Dec. 7 – Gothic Theatre – Englewood, CO

    Dec. 8 – Aggie Theatre – Fort Collins, CO

    Dec. 11 – Cannery Ballroom – Nashville, TN

    Dec. 12 – Cain’s Ballroom – Tulsa, OK

    Dec. 13 – Delmar Hall – St. Louis, MO

    Dec. 20 – Town Ballroom – Buffalo, NY

    Dec. 21 – Corona Theatre – Montreal, QC

    Dec. 22 – Higher Ground Ballroom – South Burlington, VT

    Dec. 26 – Ridgefield Playhouse – Ridgefield, CT

    Dec. 27 – Greenwich Odeum – East Greenwich, RI

    Dec. 28 – Tupelo Music Hall – Derry, NJ

    Dec. 29 – Festival of Light – Brooklyn Steel – Brooklyn, NY

  • Antibalas introduces new single “Fight Am Finish,” plan two nights at Brooklyn Bowl in March

    Afrobeat legends Antibalas, fresh off celebrating their 20th anniversary in 2019, have just released their newest single, “Fight Am Finish.” The group will release their upcoming album Fu Chronicles on Daptone Records on February 7.

    antibalas fight am finish

    Singer Duke Amayo says of the track to Brooklyn Vegan:

    We have arrived at a time when we must be ‘Seshat in Red Gloves’ and punch throw the sand curtain of Lies and deceit.
    We must fight for the Truth.
    We must fight for Sustainability.
    We must fight for Peace.
    We must Fight for our Dreams.
    We must Fight am finish and never ever give up the good fight, for the Destiny of Truth is Exposure.

    Triple triple triple exposure!

    Antibalas will head out on an extensive winter/spring tour in 2020, with two shows at Brooklyn Bowl on March 20 and 21. Tickets are on sale Friday, November 22 at 12noon. Check out NYS Music’s gallery of their 20th anniversary performance at Brooklyn Bowl this past March.

    Antibalas 2020 Tour Dates

    Tuesday, February 11 — The Siren — San Luis Obispo, CA
    Wednesday, February 12 — Moe’s Alley — Santa Cruz, CA
    Thursday, February 13 — The Regent — Los Angeles, CA
    Friday, February 14 — The Independent — San Francisco, CA
    Saturday, February 15 — The New Parish — Oakland, CA
    Sunday, February 16 — The Independent — San Francisco, CA
    Thursday, February 20 — Neptune Theatre — Seattle, WA
    Friday, February 21 — Rickshaw Theater — Vancouver, BC
    Saturday, February 22 — PDX Jazz — Portland, OR
    Sunday, February 23 — The Olympic — Boise, ID
    Wednesday, February 26 — Knotty Pine — Victor ID
    Thursday, February 27 — The Commonwealth Room — Salt Lake City, UT
    Friday, February 28 — Washington’s — Fort Collins, CO
    Thursday, March 19 — The Sinclair — Boston, MA
    Friday, March 20 — Brooklyn Bowl — Brooklyn, NY
    Saturday, March 21 — Brooklyn Bowl — Brooklyn, NY
    Thursday, March 26 — Terminal West — Atlanta, GA
    Friday, March 27 — The Grey Eagle — Asheville, NC
    Saturday, March 28 — Cat’s Cradle — Carrboro, NC
    Friday, April 3 — Sleeping Village — Chicago, IL
    Saturday, April 4 — SPACE — Evanston, IL
    Friday, April 10 — Lee’s Palace — Toronto, ON
    Saturday, April 11 — Lee’s Palace — Toronto, ON
    Friday, April 17 — Theatre of The Living Arts — Philadelphia, PA

  • Flushing Town Hall Presents DDAT: Native American Hip Hop Jazz Fusion on November 16

    On Saturday, November 16, hip hop, jazz, funk, and soul will merge together as DDAT brings an original southwestern feel, energy and excitement to Flushing Town Hall in Queens. The band was named by NPR as one of the top 10 bands in the United States.

    Preceding the 2:15 PM family performance will be a panel discussion, led by Delbert Anderson and Chris Bidtah, both Navajo, on incorporating Navajo Culture in art-making and music as medicine.

    DDAT

    Trumpeter Delbert Anderson says of DDAT’s upcoming panel discussion and performance:

    “We hope to help people understand the importance of preserving our cultural music. During the panel we will educate and expose everyone to the idea of preserving cultural music through contemporary collaboration. There are many ways to preserve cultural music, but we also want to explain the struggles one might face when dealing with fusing cultural music.”

    The funky, poetic and forward-thinking DDAT features Chris Bidtah on vocals, Delbert Anderson on trumpet, Nicholas Lucero on drums, and Mike McCluhan on bass.

    Music from the quartet has been heard all over the world with features on NPR, Sirius XM, Indian Country Today, SAY Magazine, Weekly Alibi and many more. DDAT tours include several West Coast Tours, Canada’s Music is Medicine Tour, Aboriginal Music Week Tour in Canada, and Van’s Warped Tour – USA. Their first album DDAT was released in 2017.

    “All audiences should be excited because there will be something everyone can relate to whether it’s the suspense of the improvisational solos or high energy music,” Anderson says. “MC Def-i will put on an electrifying show backed up by one of the funkiest, hip hop sounding bands. Those who are brave, expect to engage with Def-i while he shows his improvisation skills by rapping about what you decide to hold up in your hands! Together we are DDAT – a music celebration sharing our positive message of hope and collaboration through music.” 

    DDAT

    Tickets to the family performance are $14/$10 Members/$8 Children/$6 Member Children/FREE for Teens, and the panel discussion is free (though online RSVP’s are required). To RSVP and purchase tickets, visit the venue website.

    Flushing Town Hall opens its doors to teenagers, and for free! Under the “Teen Access Program,” all 13- to 19-year-old teens (whether a member or not) will be welcomed to attend any performance for free. The program is designed to appeal to students and help foster a greater love for arts and culture.

  • Indie Argentine-American Belén Cusi releases video for “Estrella Fugaz”

    Belén Cusi, an Argentine-American singer-songwriter based in Brooklyn has unveiled the video for her second single, “Estrella Fugaz” (Shooting Star). Shot over the course of six months around Manhattan and Brooklyn, “Estrella Fugaz” was directed by Tatiana del Fuego, among a diverse core team of mostly LatinX women. Belén Cusi will perform on Saturday, November 9 at Groove in the West Village of Manhattan.

    https://www.youtube.com/watch?v=G0qfpfHtUDg

    In directing “Estrella Fugaz,” del Fuego expressed to Cusi how it important it was for her to helm the ship of a very heavy femme team, “and how important it is for femmes to dictate what we consider sexy and empowering. This is 100% the female gaze, and it’s very delicately executed.”

    Belén Cusi Estrella Fugaz

    Cusi appreciated this vision, and sought of the video to be elegant, feminine, and to show a strong female character that, despite singing about being played on by her partner, emerges as victorious and empowered at the end of the video. “I think we succeeded at that,” said Cusi.

    Born to Argentine parents, Cusi was raised in San Antonio, TX, where she began studying classical piano at age 8. She studied at Boston University where she began singing and writing songs. After working with a local producer on what would be her (unreleased) first LP, Closer, and a two-year leave of absence from college, Cusi felt restless and dissatisfied creatively upon the album’s completion, she returned to school, studying philosophy and traveling to Argentina to connect with her familial roots.

    https://www.youtube.com/watch?v=TEVFpotmNl0

    After an almost five-year hiatus from music, Cusi experienced an epiphany reading the book Mastery by Robert Greene and decided to return to her music career indefinitely. She quickly assembled a band and became a local regular at various Boston clubs, before moving to New York City in 2017.

    Upon her move, she began recording new music with DJ Afro and has since become a local staple at legendary clubs like Groove in the West Village. Lauded as a “whimsical performer who can transport you with just one song,” Cusi has proven herself to be a formidable artist. She consistently hones her craft and takes inspiration from other disciplines. In addition to driving her music project single-handedly, she also works in architecture PR to pay the bills and goes to acting school at night. Cusi is not your average triple threat.

    Listen to her previously released single “Me Has Liberado” (You’ve Released Me) below.

    https://www.youtube.com/watch?v=CLyBbD-OqtE

    Don’t miss Belén Cusi on Saturday, November 9 at Groove in the West Village of Manhattan. Click here for details.

  • Reggae trio New Kingston will rock2roots at Music Hall of Williamsburg this Halloween

    Brooklyn-based family band New Kingston continues to be one of the most prolific and relatable bands in the U.S. reggae community. Their rock2roots showcases the many styles and vibrations New Kingston brings both on the road and in the studio. Their latest single, “Bring Your Rays,” released via Easy Star Records, gives listeners a taste of their trademark sound.

    Comprised of a trio of brothers – Tahir Panton (keys/vocals), Courtney Panton Jr. (drums/vocals), and Stephen Suckarie (guitar/vocals) – New Kingston first came together as a band performing for friends and neighbors under the watchful eye of their father (and bassist) Courtney Panton Sr. Dubbing themselves New Kingston to reflect upon both their Jamaican heritage and their home in New York City, the fusion of these two identities, both cultural roots and Brooklyn roots, guides their musical and stylistic direction.

    rock2roots

    They’ll perform at Music Hall of Williamsburg on Thursday, October 31, after a summer of putting a focus on singles for their rock2roots series. Tahir Panton states, “The rock2roots series will showcase the wide range of our musical styles that we’ve been crafting for over a decade.”

    According to the band, “Bring Your Rays” was inspired by humanity’s collective soul, adding, “In this changing world, love is something we need more of. It will solve more than we know. So be the sunlight in the darkness and “bring your rays”!” It’s the perfect follow up to their fiery last single release “Fyah Nuh Hot Like You,” which dropped in March.

  • Irish Arts Center Will Keep Musical Traditions Alive This Fall

    Midtown Manhattan’s Irish Arts Center has curated some music shows this season. On November 7, they host a performance by pianist Isabelle O’Connell. Mid-month, they will hold the 7th annual New York Trad Fest. And from December 11-15, they celebrate the holidays with their 13th annual Winter Solstice. Tickets are on sale now.

    Isabelle O’Connell: November 7

    Dublin-born contemporary pianist Isabelle O’Connell, who has performed engagements at Carnegie Hall, Lincoln Center, and Ireland’s National Concert Hall, takes Irish Arts Center audiences on an intimate journey into her exciting repertoire of 20th and 21st century music, featuring work by eminent Irish composers including Mícheál Ó Súilleabháin, Bill Whelan, Seóirse Bodley, Jane O’Leary, and Siobhán Cleary.  

    7th Annual New York Trad Fest: November 16 

    Tony DeMarco brings together masters of Irish, Americana, bluegrass, and Cajun traditions at the annual Trad Fest. Kick off this citywide music festival at Irish Arts Center with Mickey Kelly, Cajun greats Kelli Jones and Joel Savoy, and Irish fiddle legend Eileen Ivers with her musical partner Matty Mancuso.  

    Winter Solstice: December 11-15 

    Irish Arts Center’s 13th annual holiday gathering returns to its heart and hearth. Mick Moloney, Athena Tergis, and The Green Fields of America gather a host of special guests in Irish Arts Center’s intimate 51st Street home for six spirited performances of reels, jigs, songs and stories in a musical celebration of Christmas and midwinter traditions from Ireland and around the world.

  • Jazz Rabbi Greg Wall Digs Downtown NYC Roots for 60th Birthday Gig

    Update 11/27/19: Per an email this week, this event is cancelled. The official statement reads:

    Unfortunately, the Museum at Eldridge Street has cancelled the December 1 Greg Wall concert to benefit the Museum due to unforeseen circumstances. We will notify you when the event is rescheduled.

    Saxophonist and composer Greg Wall, a staple on the downtown avant-garde jazz scene since the early 1990s, celebrates his 60th birthday with a benefit concert in the stunning historic sanctuary of the Museum at Eldridge Street on Sunday, December 1 at 3 p.m. Wall will perform with his longtime working bands including: Zion80, Hasidic New Wave, Portal, Klezmerfest, and Greg Wall’s Later Prophets, as well as the Ayn Sof Arkestra and Bigger Band which returns for this concert. Proceeds will benefit the Museum.

    A leading figure in the Jewish music scene for over thirty years, Greg Wall is a pioneer in blending Jewish music with jazz. After early training under Archie Shepp and Max Roach in Amherst, MA, Wall finished his apprenticeship at New England Conservatory in Boston, studying and performing jazz with Jaki Byard, George Russell, and Jimmy Guiffre, and was part of the Klezmer revival scene at NEC.

    After graduation he headed to New York and together with classmate Frank London, helped define the sound of “Jewish Jazz” with groups like Hasidic New Wave, Midrash Mishmash and later, the Ayn Sof Arkestra and Bigger Band, Shechina Big Band, Later Prophets and Zion80. He toured with the late Yosi Piamenta, the “Hasidic Hendrix,” and released several recordings playing original compositions alongside spoken word.

    Wall played regularly at the original Knitting Factory locations, Tonic, the Nuyorican Poet’s Cafe, and the Stone, as well as making frequent tours abroad to Europe and Israel, maintaining a parallel career performing classic and mainstream jazz. While on the road, Wall pursued Talmudic study and was ordained as a Rabbi in 2006.

    Wall is no stranger to Eldridge Street. In the early- to mid-90s he frequented the venue at a time when the landmark was dilapidated and only beginning to establish itself as in important cultural hub for families, hipsters, artists and religious and secular Jews.

    My relationship with the museum goes back almost 30 years, when the restoration of the Eldridge Street Synagogue was the dream of a few determined, hard-working individuals. They never forgot their roots, and simultaneously became an important national cultural icon, while continuing to serve the folks in the neighborhood – It’s my kind of place.

    Greg Wall

    In 2009, Wall was appointed rabbi at the Sixth Street Community Synagogue in the East Village and continued to exhibit his particular blend of spirituality and avant-garde music with regular performances in the temple’s sanctuary. He was the founding Artistic Director of the synagogue’s Center for Jewish Arts and Literacy, which was an incubator for cutting edge modern music with a Jewish flavor. That practice continued, in 2013, when Wall became rabbi at Beit Chaverim Synagogue, in Westport,CT, where he’s continued to perform regularly his eclectic mix of classical and experimental jazz, Eastern European and African American roots music with a rotating group of influential musicians.

    Wall’s latest release is The Book Beri’ah with Zion80, on the Tzadik record label of legendary producer John Zorn. A live recording with jazz pianist Andy LaVerne is scheduled for January, 2020.

    The Museum at Eldridge Street is housed in the Eldridge Street Synagogue, a magnificent National Historic Landmark that has been meticulously restored. Opened in 1887, the synagogue is the first great house of worship built in America by Jewish immigrants from Eastern Europe. Today, it is the only remaining marker of the great wave of Jewish migration to the Lower East Side that is open to a broad public who wish to visit Jewish New York. Exhibits, tours, cultural events and educational programs tell the story of Jewish immigrant life, explore architecture and historic preservation, inspire reflection on cultural continuity, and foster collaboration and exchange between people of all faiths, heritages and interests.

  • Songhoy Blues kick off United Nations Change Week, release ‘Meet me in the City’ EP

    Songhoy Blues are set to release their new EP, Meet Me in the City via Fat Possum on October 18 in support of a 5-week North American tour. The band also helped kick off the United Nations Climate Change Week in New York City with a breakout performance in support of the historic Great Green Wall initiative they are helping bring to life.

    songhoy blues

    The EP is their first collection of new music since the critically acclaimed album Résistance, which Rolling Stone called one of the best albums of 2017, and will be released on special edition yellow vinyl. 

    They recently shared two versions of the EP’s title track — one mixed by Blake Mills (Grammy-nominated producer of Alabama Shakes’ Sound & Color, John Legend’s Darkness and Light, and Perfume Genius’ No Shape) and the other by David Ferguson (known for his sound engineering work with “Cowboy” Jack Clement and on Johnny Cash’s American Recordings). The title track was written by Junior Kimbrough (with additional lyrics by Songhoy Blues and produced by Matt Sweeney).

    Steeped in the deep traditions of classic Malian music & desert blues fused with a youthful and super-charged sound of today, Songhoy Blues formed in 2012 in Bamako after its members had left Timbuktu, which was under siege by Islamist militants. The band released their debut album, Music In Exile, in early 2015 receiving across the board praise, including a 5/5 rating in The Guardian who claimed, “they have all the makings of African-rock crossover heroes.”

    Songhoy Blues says, “We’re really happy to introduce this new EP and our English-language debut on the song ‘Time To Go Home.’ Please enjoy it and get ready for a heavy new album coming up very soon.”

    On PBS’ American Masters, Will Oldham spoke of working with Songhoy Blyes, saying, “They are a Malian band that’s really trying to make sense of what they’ve been witnessing, what they’ve been experiencing, and create or transmit a message to people about what they’re seeing and how they’re trying to understand it and make change…And to think, well I want them to know that I’m trying to listen and trying to understand, and if I can give voice to some of what they’re experiencing, that they might be emboldened by this musical connection.”

    Most recently, the band completed a sold out run of UK dates, recorded a live session for BBC 6 Music; filmed an episode of the new UK TV show Noughts & Crosses in South Africa; featured in a new photography exhibit called My Rockstars by Hassan Hajjaj at La Maison Europeenne de la Photographie in Paris; and collaborated with UK artist Andy Morgan on a multimedia exhibition called Music & Conflict at the Imperial War Museum, which debuted in June 2019. 

    Songhoy Blues are also proud spokespersons for the charity WaterAID, and have helped to raise money & awareness toward providing relief in their native Mali. They will be appearing in an upcoming documentary on climate change in the Sahel; and were featured in the award-winning documentary “They Will Have to Kill Us First”, about the plight of musicians in war-torn Mali.

    Songhoy Blues – remaining 2019 Tour Dates

    10.17 – St. Paul, MN – Turf Club

    10.19 – Chicago, IL – Lincoln Hall

    10.22 – Toronto, ON, Canada – Great Hall

    10.24 – Brooklyn, NY – Baby’s All Right

    10.25 – Easthampton, MA – New City Brewery

    10.26 – Portland, ME – Port City Music Hall

    10.27 – Boston, MA – Brighton Music Hall

    11.07 – Edinburgh, UK – Usher Hall (with Vampire Weekend)

    11.08 – Manchester, UK – O2 Victoria Warehouse (with Vampire Weekend)

    11.09 – Manchester, UK – O2 Victoria Warehouse (with Vampire Weekend)

    11.11 – Birmingham, UK – O2 Academy (with Vampire Weekend)

  • Thievery Corporation Closes Out the Summer Concert Series at NYC’s Pier 17

    World music and electronic act Thievery Corporation closed out the Summer Concert Series at the Pier 17 Rooftop on Friday night to a sold out crowd, despite temperatures in the 50’s and high winds. The show featured a number of talented musicians who rotated in and out during the set, as well as two acoustic songs. They were joined by Brooklyn-based nu-disco band Escourt.

    Nikki B and Escourt

    Escourt opened the evening and got the crowd’s blood flowing with their signature disco dance-hall style beats plus synthesizer-driven harmonies. The band was led by singer Nikki B, sporting a long white tiered train, as well as founders Eugene Cho (synthesizer) and JKriv (guitar). The lineup also included Jim Orso on drums and singers Daniela Bauer and Layla Dionne. Their set had plenty of banter from Nikki B, and closed up with “Cocaine Blues” from their 2011 album Funkytown.

    Thievery Corporation co-founder Rob Garza

    Led by co-founder Rob Garza, Thievery Corporation was up next. They cycled through a number of musicians throughout the night, and delivered their eclectic mix of electronica, dub, hip-hop, Indian, Brazillian and other genres. The core band included Garza (synthesizer, producer), Jeff Franca (drums), Rob Myers (sitar, guitar), Frank Orrall (percussion, drums, vocals), Ashish “Hash” Vyas (bass) and two unknown trumpeters. Additionally, the following musicians were on stage providing vocals for various songs: Racquel Jones, Puma Ptah, Natalia Clavier, Mr. Lif, and Loulou Ghelichkhani.

    Racquel Jones on stage with Thievery Corporation

    The set began at 8:20 p.m. with “Marching the Hate Machines (Into the Sun)” from the 2005 release, Cosmic Games and featured Orrall wearing a contraption of lights radiating from his back and hand. Racquel Jones joined the party for “Letter to the Editor” from the 2017 release The Temple of I & I. Puma Ptah stepped in for the next tune, also from The Temple of I & I, “Babylon Falling.” Natalia Clavier then lended her vocals for the classic downtempo tune “All That We Perceive” from The Richest Man in Babylon. Orrall stepped away from the percussion kit to sing “The Heart’s A Lonely Hunter,” also from Cosmic Games. At one point, Orrall was standing above a speaker, swinging an illuminated poy above his head. Next, Mr. Lif made an appearance in the hip-hop meets downtempo “History,” from their most recent release, Treasures from the Temple

    Natalia Clavier

    “The Forgotten People” from Radio Retaliation preceded a delightful acoustic sequence with two songs from Saudade. Loulou Ghelichkhani contributed vocals for “Le Coeur” and Clavier rejoined the band for “Claridad.”

    Loulou Ghelichkhani

    Thievery Corporation returned to their electronic instruments for “Sweet Tides,” also from Radio Retaliation. Puma Ptah was back in the mix, providing vocals for the Cosmic Games classic reggae tune, “Amerimaka.” Ghelichkhani took over vocals for the next song, “Voyage Libre” from Treasures from the Temple. The band next played their classic downtempo tune from The Richest Man in Babylon, “Omid (Hope),” followed by another Cosmic Games tune, “Warning Shots.” Mr. Lif then rejoined the band and announced that the next song is for those in dark places, which caused the crowd to erupt with emotion. He then provided vocals for hip hop based “Fight to Survive” from The Temple of I & I. The show closed out with the Indian music-inspired and rarely played original “Lebanese Blonde” from 2000’s Mirror Conspiracy

    Rob Garza and Rob Myers

    Thievery Corporation’s tasty electronic and world mix of original tunes kept the crowd warm on a chilly night in New York City’s Financial District, atop the Rooftop at Pier 17, closing out the Summer Concert Series at the venue. NYC eagerly awaits the return of this talented electronica outfit.

    Pier 17 lights always delight

    Setlist: Marching the Hate Machines (Into the Sun), Letter to the Editor*, Babylon Falling**, All That We Perceive***, The Heart’s A Lonely Hunter, History%, The Forgotten People, Le Coeur****^, Claridad***^, Sweet Tides, Amerimacka**, Voyage Libre****, Omid (Hope), Warning Shots, Fight to Survive%, Lebanese Blonde

    * with Racquel Jones

    ** with Puma Ptah

    *** with Natalia Clavier

    **** with Loulou Ghelichkani

    % with Mr. Lif

    ^ Accoustic

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