The historic Cohoes Music Hall just north of Albany is hosting an incredible slate of music this fall. Built in 1874, the venue has been the hub for entertainment and culture in the Spindle City, with an ornate style, brilliant acoustics and intimate setting for shows of all genres, as well as musicals and more. All shows are all ages, with doors opening at 7pm and music starting at 8pm. Click here for more info on the shows.
Thursday, October 10 – Melvin Seals & JGB
Melvin spun his B-3 magic with the Jerry Garcia Band for 18 years and in doing so helped pioneer and define what has now become “Jam Band Music”. From blues to funk to rock to jazz, Melvin Seals serves up a tasty mix with a little R&B and gospel thrown in to spice things up. John Kadlecik will be joining the band on lead guitar.
Saturday, October 12 – Marco Benevento with special guest Mikaela Davis
Touring in support of his new record ‘Let It Slide’. Dubbed “one of the most talented keys players of our time” by CBS Radio, Benevento’s released six critically acclaimed solo albums over the last decade, performed everywhere from Carnegie Hall and Newport Jazz to Lollapalooza and Bonnaroo. “It’s safe to say that no one sees the keyboard quite like Marco Benevento’s genre-blind mashup of indie rock, jazz and skewed improvisation,” the LA Times raved, while NPR said he combines “the thrust of rock, the questing of jazz and the experimental ecstasy of jam.”
Friday, November 8th – Marc Cohn
After winning a Grammy for his soulful ballad “Walking in Memphis,” Marc Cohn solidified his place as one of this generation’s most compelling singer-songwriters, combining the precision of a brilliant tunesmith with the passion of a great soul man. Rooted in the rich ground of American rhythm and blues, soul and gospel and possessed of a deft storyteller’s pen, he weaves vivid, detailed, often drawn-from-life tales that evoke some of our most universal human feelings: love, hope, faith, joy, heartbreak.
Saturday, November 16th – North Mississippi Allstars
Founded in 1996 by brothers Luther (guitar and vocals) and Cody Dickinson (drums, piano, synth bass, programming and vocals), the now venerable blues rock band are entering their third decade. “This is a very exciting time for North Mississippi Allstars,” Cody says. “There’s been this explosion of creativity lately and it’s encouraging that for a band who has been around for twenty years now, our music is as vital and fresh as ever. It’s like the opposite of burnout — I can’t explain why but it feels totally brand new again.”
Wednesday, November 20th – Tommy Castro & Tinsley Ellis
Tinsley Ellis wears his Southern roots proudly. Born in Atlanta in 1957, he grew up in southern Florida and first played guitar at age eight. Averaging over 150 live shows a year, Ellis has played in all 50 states, as well as Canada, Europe, Australia and South America. Whether he’s out with his own band or sharing stages with major artists like Buddy Guy, The Allman Brothers, Gov’t Mule or Widespread Panic, he always digs deep and plays, as Guitar Player says, “…as if his life depended on it.”
Whether Tommy Castro is squeezing out the deepest blues or playing the funkiest soul grooves, legendary blues and soul giant Tommy Castro knows how to ignite a crowd. Over the course of his still-unfolding career, the guitarist, vocalist and songwriter has released 15 albums ranging from horn-fueled soul and R&B to piping hot blues to fiery rock ‘n’ roll.
Thursday, November 21st – Lotus with special guest Wax Future
Lotus has always been difficult to define musically; an instrumental jamband that has favored groove-based improvisation instead of gaudy solos and noodling. Influences of classic electronic dance music, funk, post-rock and dance-rock have all made their way into the Lotus sound. Approaching two decades together, Lotus has toured actively throughout the US working their way up from dingy basement clubs to world-class venues such as Red Rocks.
The Moho Collective trio will once again return to Lovin’ Cup on October 11, 2019 to celebrate the release of their new EP Akra. Ben Proctor of The Crooked North is set to provide a solo act to open the show. The Moho Collective will then be joined by a seven-piece ensemble that will include members from The Mighty High and Dry, The Eastman Jazz Ensemble and The Saplings, as attendees will enjoy hearing Akra performed in its entirety.
Lovin’ Cup is a venue located in Rochester, NY and has hosted the band’s release parties since their first in 2010. This includes the EP Soma that was released just last year. Though The Moho Collective previously spent much of their early career touring the North-East, they decided to go in a different direction and take time off to record tracks with the Temperamental Recordings label out of Geneseo, NY. Soma and Akra are both the result of this studio time, with more releases to come in the future.
Even with the trio deviating from their usual form of practicing new music live until it is perfect, staying true to form Akra is anything but stagnant. The crowd at Lovin’ Cup can expect more musical experimentation and the trio’s first ever vocal performance. Not only is Akra just as unique as the rest of their recordings but listeners will also hear guest performances from Dana Colley of Morphine and Mike Brown, owner of Temperamental Recordings.
Doors open at 7 PM with the show starting at 8 PM. Tickets are available ONLINE or at Lovin’ Cup, which includes a copy of the EP.
Umphrey’s McGee has released the first batch of tour dates for next year for their ‘Hindsight 20/20’ Tour, including two-night runs in New York City, Detroit and Asheville, which will all have umVIP packages available. The tour will also be making a stop in Pellham, TN at The Caverns, where UM will perform in a gorgeous underground amphitheater.
The Caverns in Pelham, TN
The tour kicks off with a two-night run at Beacon Theatre in New York City on January 17 & 18, and then the band will stick around to play Brooklyn Bowl in Brooklyn. The tour will then make its way through PA, stopping at Stage AE, and the month of January ends with a two-night run at The Filmore in Detroit, MI. The tour continues into Tennessee, where UM will make a stop at The Carverns on February 13.
Additionally, Umphrey’s will welcome The New Deal for a handful of dates, as well as Billy Strings and Empire Strikes Brass. The Toronto-based live electronic trio returns with new drummer Davide Di Renzo, joining Jamie Shields (keyboards) and Dan Kurtz (bass) to create the third incarnation of the dance party powerhouse, The New Deal. Singer, songwriter, and guitarist, Billy Strings takes the stage in Asheville with his unique take on psychedelic Americana, after Asheville’s own Empire Strikes Brass opens the two-night run with their blend of high energy brass, funk, and rock.
See the full list of Hindsight 20/20 Tour dates below, tickets are on sale now.
Umphrey’s McGee Tour Dates
Jan. 17 – Beacon Theatre – New York, NY Jan. 18 – Beacon Theatre – New York, NY Jan. 19 – Brooklyn Bowl – Brooklyn, NY Jan. 23 – Penn’s Peak – Jim Thorpe, PA* Jan. 24 – Stage AE – Pittsburgh, PA* Jan. 25 – Express Live – Columbus, OH * Jan. 29 – Clyde Theatre – Fort Wayne, IN* Jan. 30 – MGM Northfield Park – Northfield, OH* Jan. 31 – The Fillmore – Detroit, MI* Feb. 1 – The Fillmore – Detroit, MI * Feb. 12 – Soundstage at Graceland – Memphis, TN Feb. 13 – The Caverns – Pelham, TN Feb. 14 – ExploreAsheville.com Arena – Asheville, NC^ Feb. 15 – ExploreAsheville.com Arena – Asheville, NC^
* with The New Deal
^ with Billy Strings and Empire Strikes Brass
Umphrey’s has also just announced Hall of Fame: Class of 2018, a robust collection of the best of the best live tracks performed by the band in 2018 as voted on by the fans. Available in a limited edition, double LP set featuring splattered three-color vinyl, this year’s HOF collection contains four-and-a-half hours of music and enough improv to confuse pop fans everywhere.
Fish House Road, a New Jersey-based power jam/rock band, has released their latest single “Honey Drip” in collaboration with 2nd Act Brewery.
The Dover-based brewery teamed up with Fish House Road as part of their mission to produce musically inspired brews. “Like the 2nd Act of a concert, 2nd Act Beer is the up-and-coming main event, ready to take the stage,” and with early collaborations like this, there is great potential for this craft brewery.
“Honey Drip” also features artwork developed by the owner of Y’all Art Project, which uses art as the catalyst to heal and empower victims of child abuse and others traumas. Printed copies of the artwork will be featured on t-shirts, posters and more, with proceeds donated back to the non-profit.
The beer itself, Honey Drip, is a 6.5% abv, hop-forward ale from that is pale in color and brewed with local organic honey from Bird and the Bee honey and a touch of vanilla. The beer is dosed with two dry-hop charges, lead by amarillo and supported by motueka and saphir, which combine for lemon/orange citrus characteristics with herbal undertones.
Fish House Road, who blend shades of funk, blues, trance, and Americana, have a unique sound that connects with audiences of classic rock and jam band enthusiasts. It’s easy to be drawn in by roaring guitars, sweet harmonies, and a dynamic rhythm section, found on originals that translate from studio to stage. The group, comprised of Nick Deblasio (vocals, ukulele, harmonica, percussion), Rocky Tironi (guitar, keyboards, banjo), Dan Morrell (guitar), Kayne Neugebauer (bass) and Nick Van Leer (drums), started out in 2011 and have performed across New Jersey with shows in New York, Pennsylvania and New England mixed in as well. Check out their upcoming shows here.
You can catch Fish House Road on Friday, October 4 with After Funk at Barranquilla Studios in Brooklyn; January 3, 2020 at Mercury Lounge; and they’ll be at The Stone Pony in Asbury Park, NJ with Splintered Sunlight on Saturday, October 12.
Ace Frehley and his band once again returned to the Hudson Valley on September 28 at The Chance Theater in Poughkeepsie. Ace and his bandmates Ryan Cook, Jeremy Asbrock, Phillip Shouse and Matt Starr performed to a full house and the energy was electric.
The Rocket Man was consistently in top form and still blew the audience away. The night was a good mix of Ace’s originals from the opening song “Rip it Out” to a great cover of Eddie Money’s “I Wanna Go Back” along with many KISS classics like “Rocket Man,” “Cold Gin,” “Detroit Rock City,” a few sizzling guitar solos and, of course, the crowd favorite, “Back in the NY Groove.” The venue was packed and the band was on fire, combining with excellent sound and lighting from the historic Chance Theater. It was a show to remember.
Ace’s tour continues with dates in Stuart, Orlando and Kruisefest in Florida in October; then Dallas and Houston in TX; Bakersfield, Big Bear Lake, Agoura Hills, Ramona, Santa Clarita and Pasadena in CA in November; and Rosemont, IL and Westland, MI in December.
A 3-D photo from the front row which is only viewable on Facebook as 3-D
Setlist: Rip It Out, Parasite, Hard Times, Watchin’ You, Rocket Ride, I Wanna Go Back, Mission to Mars, Strange Ways, 2000 Man, Rock Soldiers, New York Groove, Shock Me, Cold Gin, Detroit Rock City, Deuce
This November and December, guitarist Jorma Kaukonen and bassist Jack Casady will take to the road to close 2019 as Hot Tuna and wrap up their 50th year with acoustic shows with electric holiday performances as well.
Town Hall in New York City will host the tour kick off with two nights of electric Hot Tuna on Nov. 29 and 30, with special guest Steve Kimock. The Jefferson Airplane alums will then team up with Larry Campbell and Teresa Williams for 11 shows around the Northeast and Midwest, including stops in Troy, Poughkeepsie and Buffalo. Hot Tuna will then close out 2019 in Florida with shows on Dec. 28 in Clearwater and Dec. 31 in Ft. Lauderdale with an electric performance. Full tour dates can be found below.
Hot Tuna Fall Tour Dates
Nov. 29-30 – The Town Hall – New York, NY* Dec. 2 – Musikfest Cafe at ArtsQuest Center – Bethlehem, PA^ Dec.3 – Troy Savings Bank Music Hall – Troy, NY^ Dec.5 – Bardavon 1869 Opera House – Poughkeepsie, NY^ Dec. 6 – The Colonial Theatre – Keene, NH^ Dec. 7 – Garde Arts Center – New London, CT^ Dec. 9 – Asbury Hall – Buffalo, NY^ Dec. 10 – The Palace Theatre – Greensburg, PA^ Dec. 11 – Kent Stage – Kent, OH^ Dec. 13 – Park West – Chicago, IL^ Dec. 14 – Fitzgerald – St. Paul, MN^ Dec. 15 – Turner Hall Balroom – Milwaukee, WI^ Dec. 28 – Bilheimer Capitol Theatre – Clearwater, FL Dec. 31 – Parker Playhouse – Fort Lauderdale, FL+
* w/ Steve Kimock ^ w/ Larry Campbell & Teresa Williams
On June 15, 1972, Jeff Curtis went to see Led Zeppelin perform at the Nassau Coliseum on Long Island, and he would leave with a guitar case belonging to Jimmy Page and hold onto it for 47 years.
The case, an original Liften guitar case, famously came with 1958-1960 Gibson Les Paul guitars. While only about 1,500 Sunburst Les Paul guitars were made during this time period, they are regarded as the most prized and demanded guitars by rock musicians and known for their incredible tone. Such notables who played and recorded with 1958-1960 Les Pauls include Jimmy Page, Eric Clapton, Slash, Jeff Beck, Keith Richards, and many other guitar gods.
The case can be seen on the inside cover of Led Zeppelin IV
Jimmy Page owns two of them, but his favorite is his 1959 Les Paul sold to him by Joe Walsh around 1969. Jimmy recorded pretty much all of his iconic Led Zeppelin songs with that guitar, starting with Zeppelin’s second album. Page used a telecaster on the first album before he acquired his ’59 Les Paul.
via LedZeppelin.com
That summer, Led Zeppelin was in the middle of their eighth U.S. tour, and two heavy nights at Nassau Coliseum served as the final East Coast dates of the summer. After the show, Mick Hinton, John Bonham’s drum tech, who Jeff had met the year before at Madison Square Garden, invited Jeff to the stage after the show. Jeff was in the stands behind the stage and shouted to Mick, “How do I get down there?”
Hinton picked up and tossed a guitar case belonging to the Led Zeppelin guitarist to Jeff, who then walked down, past two security checkpoints with the case in hand, up onto the stage, and handed it back to Mick. For years, the case was “hidden under a pile of junk deep in an attic” as Curtis shared with NYS Music. Living in Westbury, Curtis is a guitarist who can be found at open mic nights across Long Island and has performed in Hawaii, California and Sweden.
Curtis shared the full story on Facebook how he wound up with the original case, and was recently able to return it to Jimmy. Read below their photo for the full story.
After the few minutes it took to pack up the drums, he says to me, “You can have that.” I was speechless, to say the least! “Where will the guitar go?” He took me over and showed me Jimmy Page’s number one Les Paul guitar in its brand new anvil road case. The case I was given was being discarded that night since its back was crushed and no longer afforded protection to the guitar. Talk about being in the right place at the right time!
So began my decades-long possession of a genuine rock n’ roll artifact. But I also realized from that point onward that it was something I couldn’t talk about. While there have been a small handful of friends over the years who were aware that I had it, I had kept this a deep secret over the past 47 years in fear that someone might either burglarize my house or worse, threaten me in order to steal it. For this reason, I had decided a couple of years ago that I no longer wanted the guitar case.
Despite its certain significant monetary value to a collector, I had also decided that I wouldn’t ever sell it since making money off someone else’s fame is simply against my principles. I decided that I would find a way to personally return it to Jimmy Page. But how to accomplish this? How would I get in touch with the right people to set up a meeting?
Back in July, I went to see the Play It Loud exhibit at the Metropolitan Museum of Art in New York City. Jimmy Page’s number one Les Paul guitar was one of the instruments on display. I got the idea that maybe I could be put in touch with his people via the exhibit’s curator. A few days later, I called the museum and spoke with the curator’s assistant who asked me to send an e-mail with photos, which I did. About two weeks later, I got a call from a gentleman, Perry, who works with Jimmy. He asked to set up a meeting to personally examine the case and take several more detailed photos. About a month later, I received word that Jimmy wanted to meet me and have the case returned.
So, on a beautiful Sunday afternoon in a hotel lounge in New York City, my two daughters, a close friend and I had the pleasure of a 1-hour sit-down and conversation with Jimmy, with him finally getting the guitar case back. When I opened it up, the look on his face was priceless: “What memories this brings back!” “Thank you so much!” In person, he is a genuinely warm and very welcoming gentleman. We talked about Led Zeppelin, he asked about my musical influences, asked my daughters what type of music they enjoyed and various other topics. I gave him copies of both my CDs, which he said he would listen to. He also had brought me a special limited box set edition of Led Zeppelin 2 and signed its book as well as another book I had brought with me. I can honestly say that after the first few minutes, my nervousness completely disappeared and it felt like I was talking with an old friend. Nevertheless, the experience of having had the opportunity to sit down with the very person whose music not only greatly influences my own but also inspired to me to initially pick up and learn to play the guitar almost 50 years ago is something that I will never forget!
Thanks so much Jimmy and thank you Perry! Mission accomplished.
After sitting with Page for an hour, Curtis said of the legendary guitarist, “It was like talking to an old friend.” He continued, “Jimmy was a real gentleman to sit and talk with, not a hint of ego. He asked my daughters about their musical interests, and asked about my influences as well. He made us all feel very comfortable. But it took a week to kind wrap my head around the experience of meeting him for that long.”
This article was originally published by Under the Radar – Covering the Long Island Music Scene and appears as a special to NYS Music. Under the Radar and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene across Long Island. For more, visit BreslauBombers.com.
“The team at The Queensbury Hotel has been amazing to work with and we chose this venue because with attendees and performers all staying in the same building, the stage is perfectly set for a memorable weekend of music and unique collaborations.”
– Mateo Vosganian, Summit Organizer and Drummer for Wild Adriatic
The lineup so far includes Wild Adriatic, Andy Frasco and the UN, Rustic Overtones, Annie In the Water, Let’s Be Leonard, Chestnut Grove, Sly Fox & the Hustlers, PJ Duo & Friends, Paradisa, and The East End Boys, with more to be announced soon.
Tickets are on sale now through Brown Paper Tickets
While you’re waiting for this year’s event, here’s the recap from 2018:
On Saturday September 21, 2019 four veteran hard rock bands rolled into Tags Summer Stage in Big Flats, NY to close out the summer concert series with a bang. 80’s iconic rock bands RATT, Warrant, Firehouse and Kix shared the stage for a night of rock and roll, reminiscing with gritty guitars, thundering bass, pounding drums, classic hits and power ballads. The entire six hour concert was abounding with that quintessential big driving eighties sound, par can lights, iconic riffs, screaming guitar solos, and lots of hair (for those who still have it) – along with plentiful lipstick and leather and vintage concert T’s both onstage and throughout the crowd. For many, 30 years ago seemed like yesterday and we were transported back to 1989.
STEPHEN PEARCY ~ RATT
Kicking the night off were veteran rockers Kix. Hailing from Hagerstown, Maryland, Kix formed in late 1977 with Ronnie “10/10” Younkins, Brian “Damage” Forsythe on guitars and bassist Donnie Purnell, with drummer Jimmy Chalfant and frontman Steve Whiteman coming on board shortly after. Kix released their debut self titled album Kix in 1981, followed up by Cool Kids in 1983 and Midnite Dynamite in 1985. It was after their release of their platinum album, Blow My Fuse in 1988, when the band experienced major commercial success with the hits “Blow My Fuse,” “Cold Blood,” and the power ballad “Don’t Close Your Eyes,” which reached number 11 on Billboard 100.
Kix hit the stage at 5:30 pm and began figuratively blowing fuses with their jaw dropping performance. Never missing a beat, Kix hit the ground running and never slowed down a for second during their hour long set. Steve Whiteman’s vocals were as strong as ever and still hit those high notes effortlessly. Whiteman, who has been out front revving up the crowds for nearly four decades with his charismatic and highly energetic stage presence, ran out on stage wearing all blue, as the band kicked into their opening number “Midnite Dynamite.” Whiteman has avoided the fate of many rock frontmen of his generation and has withstood the test of time as he still has the pipes, stage presence and energy of performers half his age.
KIXROCKS TAGS SUMMER STAGE
Despite being the first band in this classic line-up, many fans felt that Kix stole the show with their no frills, in your face, straight up rock and roll. As stated previously, Whitemans’s vocals were spot on superb. Both guitarists Younkins and Forsythe, although not overly flashy, were highly impressive with their style of playing and musicianship. Each yielding exquisitely beautiful guitars, their tone was magnificent as they complimented each others unmistakable style. Rounding out the astounding musicians in Kix were drummer Chalfant and newest member (2003) bass player Mark Schenker. Talk about a rock and roll bottom end, these two had the air moving. I’m sure the fans in the lawn section could feel the power emanating from the subs as the bottom end exploded like thunder.
The bands dominating performance unequivocally stunned the large crowd at Tags Summer Stage with their dynamic show stopping 10-song set. Their set included the opening number “Midnite Dynamite” as well as favorites “Get It While It’s Hot,” “Cold Blood” and “Don’t Close Your Eyes.” For a veteran rock band with a career that spans over forty years, Kix is proving to generations of fans, new and old, that they are timeless and still in charge. With seven studio albums under their belt, there are an array of songs in their catalog from the classics to the lesser known that they can pull out any night leaving the crowd wanting for more.
C.J. SNARE GREETS THE CROWD AT TAGS
Next up was Firehouse led by original members vocalist C.J. Snare, guitarist Bill Leverty and drummer Michael Foster, along with newest member Allen Mckenzie who joined the band in 2004.
Firehouse wasted no time kicking things off in blazing style as they exploded into their opening powerhouse number, “Overnight Sensation,” from their 1990 double platinum self titled debut album. Next was “Crash” from their 2003 album Prime Time, followed by “Shake and Tumble” from their debut album. Although Firehouse has not released an album of new material, they are no strangers to touring as road seasoned and extremely talented musicians and showmen who continue to perform with the energy and presence they have been know for for the past thirty years.
Tonight was no different. Snare had the crowd engaged and on their feet from the minute he stepped on stage as he interacted openly, made jokes and even invited a couple onstage to celebrate a special occasion with a dance during “When I Look Into Your Eyes.” His stage presence and commanded rock and roll respect and his vocal range and power are still as strong and commanding as ever. Leverty’s guitar playing remains soulful and melodic, yet blistering and intricate as he takes his playing through the stratosphere with his custom C.R. Alsip guitar. As Leverty solos through all the iconic Firehouse songs, it is easy to hear why he still remains one of the most gifted and talented guitarists after all these years.
BILL LEVERTY ~ FIREHOUSE
Rounding out the accomplished veteran line-up are original drummer Foster and their newest member, bassist McKenzie. Together, this dynamic duo kept the pace and rhythm with booming finesse as the band continued playing hit after hit including “Oughta Be a Law,” “All She Wrote” and “Lover’s Lane.” Firehouse closed out their 11 song power packed set with “Reach For The Sky” and lastly, “Don’t Treat Me Bad.”
The crowd at Tag’s did not have any time to cool off before Warrant took control of the stage in dominating fashion. With original members guitarists Erik Turner and Joey Allen, bassist Jerry Dixon and drummer Steven Sweet along with ex-Lynch Mob vocalist Robert Mason, who joined the band in 2008, they took the stage around 8:30, ready to roll as they exploded into their opening number “32 Pennies.” This summer Warrant is hitting the road promoting their “Dirty 30” tour in celebration of the anniversary of their first album, Dirty Rotten Filthy Stinking Rich, which was released in 1989.
WARRANT
For the last thirty years Warrant has been tearing up the charts, recording and touring since the release of their double platinum debut album despite lineup changes on and off. Although Mason brings his unique style, energy and dynamic vocal performance to the band, he covers former original vocalist Jani Lane’s range effortlessly with tenacious vigor and rock and roll attitude.
Warrant exploded on stage with as much passion and attitude as they have for the last 30 years. It is obvious they want to give the fans what they have been coming to see after three decades of touring. Make no mistake, the performance, rock and roll attitude and energy are a big part of what makes Warrant as popular as they are with the fans, however the musicianship and dedication to their craft is what it is all about. Their powerful, unmistakable signature sound on all of their big hits such as “Down Boys,” “Uncle Tom’s Cabin” and “D.R.F.S.R.,” as well as their power ballads including “Sometime’s She Cries” and “Heaven” was evident Saturday at Tag’s.
ROBERT MASON ~ WARRANT
After much excitement and anticipation, headliners RATT took command of the stage at 9:45. If the eager crowd at Tag’s had not had their fill of incredible rock and roll yet, they were in for a full out assault as RATT invaded Big Flats, New York. With only two original members of RATT in this current line-up, RATT, with frontman vocalist extraordinaire Stephen Pearcy is going strong; they look and sound as good as ever.
Along with Pearcy, bassist Juan Croucier is the only other original member of this multi-platinum commercially successful rock band. Despite the absence of three original musicians, this version of the band currently consists of guitarists Jordan Ziff (2018) and Chris Sanders (2018) formerly of Brittany Fox, along with drummer Pete Holmes formerly of the band Black and Blue. This line-up is phenomenal with Ziff easily filling the shoes of original RATT guitarist, Warren DeMartini.
JORDAN ZIFF ~ RATT
RATT kicked of their supercharged 75-minute set with “In Your Direction” from their 1984 multiplatinum album Out of the Cellar, followed by “Wanted Man,” from Cellar and “Dangerous But Worth the Risk” from their 1985 follow up album, Invasion of Your Privacy.
RATT mesmerized the audience for over an hour with 14 songs from their catalog of hits including “Way Cool Jr.,” “Lay It Down” and “You’re in Love.” Ziff and Sanders shredded through the classic RATT songs with finesse and speed making even the most intricate guitar parts appear simple. Croucier appeared to have the intensity and vitality as he had during the early days of RATT with his dynamic stage presence and performance, flipping his bass guitar around and over his head. RATT closed out the show with “Back For More” and finally their biggest hit, and probably most well known song, “Round and Round.”
Despite the cooling temperatures on the last day of summer 2019, Kix, Firehouse, Warrant, and RATT easily had the crowd at Tags heated up and not wanting the night, or summer to end. However, for all that attended this awesome rock and roll show, the summer most definitely ended on a positive, memorable note.
Great news for Elton John fans. The Rocketman singer has announced that he is adding new dates to his final tour, “Farewell Yellow Brick Road.” The tour, a play on his seventh studio album and song of the same name, was originally announced on a VR180 YouTube live special. This farewell, which is planned to span three years, three hundred tour dates and five continents, commenced on Sept. 8.
“It’s time to come off the road so I can fully embrace the next important chapter in my life,” he said on his official website. Having already performed throughout the United States, he is coming back for another go-around in the States, only this time, he’ll be solely performing in the New York/ New Jersey area. In fact, of the remaining twenty-one dates he has left in the United States, the final eight will be performed throughout the tri-state area. His last show in the United States will be on April 18, 2020, at the Nassau Coliseum in Long Island.
Overall, the five-time Grammy award winner has ninety-three dates left on his tour. Thirty-four in Australia, twenty-one in the United States, twenty in the United Kingdom, eight in Canada, Six in New Zealand, three in France, and one in Ireland. Elton John has his final tour date on this grand expedition set for Dec. 16, 2020, at the O2 arena in London, UK.
More information can be found here. A list of remaining New York tour dates can be found below.
