Category: Rock

  • The Music of Cream Announces 2020 Disraeli Gears Tour

    The Music of Cream, the pedigree of the hallowed ’60s trio Cream: Kofi Baker (Ginger Baker’s son), Malcolm Bruce (Jack Bruce’s son) and Will Johns (Eric Clapton’s nephew), have announced an exciting new tour for 2020. Honoring the legendary band’s landmark album, the 40-date North American tour will feature Disraeli Gears performed in its entirety followed by a set of additional hits and rarities from Cream, Clapton, Blind Faith and more. The upcoming tour finds The Music of Cream continuing their celebration of the extraordinary music and legacy their family members created more than 50 years ago via their extensive live show and personal stories and footage of their fathers and mentors.

    Will Johns, Kofi Baker, Malcolm Bruce

    Kicking off February 28th in Victoria, BC, Canada, the Disraeli Gears Tour will travel all across North America stopping everywhere from Vancouver, Seattle, Portland, Santa Barbara, San Diego, Phoenix, Boulder, Baton Rouge and Fort Lauderdale to Birmingham, Atlanta, Annapolis, Long Island, Boston, Toronto, Chicago, Milwaukee, Omaha and all that’s in between, before wrapping May 3rdin Austin. See below for the full list of tour dates. Tickets are on sale starting this Friday, October 18 at 10 a.m. local time; visit www.musicofcream.com for ticketing information.

    With primal riffs, soaring operatic choruses, poetry, fashion and theater rolled into one, Disraeli Gears defined the era in which it was written. The super-group’s second studio album, released in November of 1967, is often considered Cream’s crowning achievement. Disraeli Gears, featuring the singles “Sunshine of Your Love” and “Strange Brew,” was their American breakthrough reaching #4 on the Billboard Top 200 Albums Chart before ultimately becoming a platinum-seller in the U.S. The album was inducted into the Grammy Hall of Fame in 1999 and Rolling Stone included Disraeli Gears in their list of the Top 500 Greatest Albums of All Time saying, “Cream’s sharpest, most linear album focused its instrumental explorations into colorful pop songs.” In addition to critical acclaim over the decades, the original band members themselves praised their work on Disraeli Gears. Ginger Baker noted, “You can’t escape the fact we were having such fun playing with each other,” while Jack Bruce said, “This was a whole new beginning for the band and I loved that time very much,” and Eric Clapton added, “We had found ourselves…it was a pivotal point in the history of popular music.”

    Malcolm Bruce

    For the members of The Music of Cream, who first launched their celebratory 50th Anniversary World Tour in 2017 and have since performed over 100 shows together worldwide, including a string of recent sold-out UK shows, honoring Disraeli Gears and the storied history their family members created on this new tour was an easy choice.

    “To follow our 50th Anniversary Tour, it was a no-brainer to go out and celebrate Disraeli Gears in its entirety,” shares Kofi Baker (drums). “There are songs that are quite different, they wanted to challenge everything! And from a personal point of view, it gives me the opportunity to perform another song my dad wrote called ‘Blue Condition’ that I really like. I also loved the artwork for the album; my sister and I used to laugh because we said you could see up my dad’s nose. Happy memories that we can bring to the stage.”

    Kofi Baker

    “Why Disraeli Gears? Well, that’s easy for me,” says Will Johns (guitar, vocals). “It was the birth of the wah-wah pedal and you gotta love the wah-wah! That we can interpret such groundbreaking music and continue to tell Cream’s story is as exciting for us as we know it was for the band when they recorded it all those years ago. Like my uncle, I am a blues man through and through, and on this record there’s some fantastic interpretations of this genre, the likes of ‘Lawdy Mama’ and ‘Outside Woman Blues,’ so it doesn’t get better than that!”

    “There are many reasons I love the idea of performing Cream’s second album Disraeli Gears,” adds Malcolm Bruce (bass, vocals). “Many of Cream’s best-known songs are on the record including ‘Sunshine of Your Love,’ ‘Strange Brew’ and ‘SWLABR.’ But importantly to me, perhaps my favorite Cream song, and I think my Dad’s too, ‘We’re Going Wrong’ is on there as well. It has always been such a special song to perform, so open in its possibilities for improvisation, and lyrically, the song works on a number of levels, both personal and universal. I also love some of the less well-known songs on the album like ‘World of Pain’ and ‘Dance the Night Away.’ It even contains comedy elements in ‘Mother’s Lament.’ Overall, it is a very cohesive set to perform. We are looking forward to it!”

    Will Johns

    During its heartbreakingly short lifespan, Cream was an explosive musical cocktail that provided the super-group blueprint for others to follow. Their third album, Wheels of Fire (1968), was the world’s first platinum-selling double album, and collectively Cream sold more than 15 million copies of their albums worldwide. Not surprisingly, Rolling Stone ranked the Rock and Roll Hall of Fame group (inducted in 1993) as 67th in their 100 Greatest Artists of All Time list. The trio originally said farewell on a 1968 U.S. tour, and apart from a brief reunion in 2005 at London’s Royal Albert Hall and New York’s Madison Square Garden, Cream retained an almost mythological status in the music world, right up until the passing of Jack Bruce in 2014. This, for many fans, marked the end of an era and an acceptance that there would never really be another opportunity to celebrate the group’s legacy. That is, until The Music of Cream emerged. And with the recent passing of Ginger Baker, the new trio (Kofi, Malcolm, Will) look forward to sharing more of their stories as well as Cream’s incomparable music with fans new and old to keep Cream’s legacy alive.

    For more information on The Music of Cream, visit:

    www.musicofcream.com

    www.facebook.com/musicofcream

    • THE MUSIC OF CREAM – DISRAELI GEARS TOUR DATES
    Friday, February 28
    Victoria, BC @ McPherson Playhouse
    Saturday, February 29
    Vancouver, BC @ Rickshaw Theatre
    Sunday, March 1
    Bellingham, WA @ Wild Buffalo House of Music
    Tuesday, March 3
    Seattle, WA @ Triple Door
    Wednesday, March 4
    Spokane, WA @ Bing Crosby Theater
    Thursday, March 5
    Portland, OR @ Aladdin Theatre
    Friday, March 6
    Mill Valley, CA @ Sweetwater Music Hall
    Saturday, March 7
    Santa Barbara, CA @ Soho Restaurant and Music Club
    Sunday, March 8
    San Diego, CA @ Balboa Theatre
    Tuesday, March 10
    Folsom, CA @ Harris Center for the Arts
    Wednesday, March 11
    San Juan Capistrano, CA @ The Coach House
    Saturday, March 14
    Phoenix, AZ @ Crescent Ballroom
    Sunday, March 15
    Tucson, AZ @ Fox Tucson Theatre
    Tuesday, March 17
    Beaver Creek, CO @ Vilar Performing Arts Center
    Thursday, March 19
    Boulder, CO @ Boulder Theatre
    Saturday, March 21
    Greenville, TX @ Texan Theater
    Sunday, March 22
    Baton Rouge, LA @ Spanish Moon
    Tuesday, Mach 24
    Ponte Vedra, FL @ Ponte Vedra Concert Hall
    Wednesday, March 25
    Ft. Lauderdale, FL @ The Parker Playhouse
    Thursday, March 26
    Lakeland, FL @ Youkey Theatre
    Friday, March 27
    Bonita Springs, FL @ Southwest Florida Event Center 
    March 28-31
    Miami, FL @ Flower Power Cruise
    Thursday, April 2
    Birmingham, AL @ Workplay
    Friday, April 3
    Atlanta, GA @ Center Stage
    Monday, April 6
    Greensboro, NC @ Carolina Theatre
    Tuesday, April 7
    Annapolis, MD @ Rams Head On Stage
    Thursday, April 9
    Alexandria, VA @ The Birchmere
    Friday, April 10
    Glenside, PA @ Keswick Theatre
    Tuesday, April 14
    Ridgefield, CT @ The Ridgefield Playhouse
    Thursday, April 16
    Huntington, NY @ The Paramount
    Friday, April 17
    Montclair, NJ @ The Wellmont Theater
    Saturday, April 18
    Derry, NH @ Tupelo Music Hall
    Sunday, April 19
    Boston, MA @ The Wilbur
    Tuesday, April 21
    Pittsburgh, PA @ Jergel’s Rhythm Grille
    Friday, April 24
    Toronto, ON @ Queen Elizabeth Theatre 
    Sunday, April 26
    Chicago, IL @ Park West
    Tuesday, April 28
    Milwaukee, WI @ Pabst Theater
    Wednesday, April 29
    Omaha, NE @ Slowdown
    Friday, May 1
    Jackson, MS @ Duling Hall
    Sunday, May 3
    Austin, TX @ 3Ten ACL Live
  • In Focus: Explosions In The Sky Light up Asbury Hall in Buffalo

    Post-rockers Explosions In The Sky embarked on a nationwide tour which brought them to Asbury Hall in Buffalo for only the second time in their career. After 20 years of making music, the band’s only other appearance in Buffalo was at the Tralf in 2008.

    Setlist: A Song for Our Fathers, The Birth and Death of the Day, The Only Moment We Were Alone, Greet Death, Yasmin the Light, Have You Passed Through This Night?, Disintegration Anxiety, Your Hand in Mine, Magic Hours, Catastrophe and the Cure, Colors in Space.

  • Hearing Aide: Mud Head ‘Black Blood, Black Tongue’

    We live in a world of singles and streaming, and it’s amazing to see bands boast over a series of releases they’ve contributed in a year’s time. For Rochester rock duo Mud Head, the work doesn’t stop after album one. Formalizing their group in January of this year, this industrial alternative outfit has delivered a self-titled album, exclusive single and follow-up EP, all by the end of September, growing their following with every release, rocking 2019 for sure. The group’s latest EP Black Blood, Black Tongue is by no means a wrench in this roaring machine.

    This EP is loaded with ruminating lyrical confessions to echo over wet drum slaps and rattling chimes, rising and falling in a progressive rock nebulous. The opening track “Sunshine Boy” has a Floyd-like overture, mimicking clocks with cymbal strikes as a brooding energy builds to the opening down beat.

    Considering their lack of bandmates, this duo makes a loud bang when they emphasize their most vulnerable moments. The lyrics are relatable and expressive, without pushing towards a particular source. They know the capacities of studio recording and how to alter them, suiting the EP in an industrial armor.

    Stripped clean is the final track of the EP “Hiding Beneath Ladders,” where we see the softest side of Mud Head. The meter is deceptively mixed, and the somber chord progressions lead us into an uneasy waltz. Bands with this versatility only come around once in a while, and performing their discography live would not only bring their music to new heights, but welcome them to develop their image, message and in due time, a massive following.

    Key Tracks: Sunshine Boy, Hiding Beneath Ladders.

  • Whitney Houston & The Notorious B.I.G Nominated for Rock Hall of Fame

    While in the midst of a change of leadership, the Rock & Roll Hall of Fame has nominated 20 new possible inductees for 2020. These latest nominees—which include posthumous nominations for legendary rapper, The Notorious B.I.G, as well as R&B and soul songstress Whitney Houston—are bridging a gap between genres, genders and race. Something departing Rock Hall chairman Jann Wenner has been criticized for in the past. A claim which he has refuted. “Musical achievements have got to be race-neutral and gender-neutral,” said Wenner, according to the New York Times.

    Nonetheless, incoming chairman John Sykes—the president of Entertainment Enterprises for the radio conglomerate iHeartMedia—has made it a point to embrace the new direction that music is heading into. “The important goal is to diversify the New York foundation board, with more women, more people of color and [become] a board that reflects the artists that are now being inducted,” said Sykes, according to The Cleveland Plain Dealer.

    While new agendas are being set forward, traditional rock bands are still a mainstay of the Rock Hall of Fame. This year’s nominations include rock acts Motörhead, Judas Priest, Dave Matthews Band, Nine Inch Nails, the MC5, Thin Lizzy and T Rex, among others.

    After nominations, the committee in charge of electing inductees—made up of more than 1,000 historians, members of the music history and every living Rock Hall inductee—fill out ballots with the five highest vote getters making up that year’s class. Beginning in 2012, fans have been allowed to vote who they think belongs in the Rock Hall, with the top five fan vote-getters making up one ballot. Artists become eligible to be nominated 25 years after the release of their first commercial recording, according to the Rock Hall’s official website.

    The official inductees will be announced in January, with the ceremony to take place in May. The show will air at a later date on HBO.

  • Along Comes Mr.Oysterhead – Supergroup Announces Two Colorado Dates for February

    Rumors of a possible Oysterhead reunion ramped up over the weekend when mysterious Instagram and Twitter accounts appeared using the @oysterhead and @realoysterhead tags.

    The supergroup, which included Trey Anastasio of Phish, Les Claypool of Primus and Stewart Copeland of the Police last performed in 2006 at both Bonnaroo and the Allgood Festival.

    On Tuesday, the band announced two dates for 2020 in Colorado. The band will play Feb. 14 and 15 at 1STBANK Center in Broomfield, CO. The ticket request period is open now and runs until Thursday, Oct. 17 at 9:00 a.m. MDT. General on-sale will begin Saturday, Oct. 19 at 10:00 a.m. MDT.

    The band came together originally as a one-off for the 2000 New Orleans Jazz Fest when Claypool was tasked by promoters to assemble a band. Claypool contacted Anastasio and the two agreed to ask Copeland to join them to complete the power trio.

    They recorded one studio album, The Grand Pecking Order and embarked on a supporting tour in 2001.

  • Thievery Corporation Closes Out the Summer Concert Series at NYC’s Pier 17

    World music and electronic act Thievery Corporation closed out the Summer Concert Series at the Pier 17 Rooftop on Friday night to a sold out crowd, despite temperatures in the 50’s and high winds. The show featured a number of talented musicians who rotated in and out during the set, as well as two acoustic songs. They were joined by Brooklyn-based nu-disco band Escourt.

    Nikki B and Escourt

    Escourt opened the evening and got the crowd’s blood flowing with their signature disco dance-hall style beats plus synthesizer-driven harmonies. The band was led by singer Nikki B, sporting a long white tiered train, as well as founders Eugene Cho (synthesizer) and JKriv (guitar). The lineup also included Jim Orso on drums and singers Daniela Bauer and Layla Dionne. Their set had plenty of banter from Nikki B, and closed up with “Cocaine Blues” from their 2011 album Funkytown.

    Thievery Corporation co-founder Rob Garza

    Led by co-founder Rob Garza, Thievery Corporation was up next. They cycled through a number of musicians throughout the night, and delivered their eclectic mix of electronica, dub, hip-hop, Indian, Brazillian and other genres. The core band included Garza (synthesizer, producer), Jeff Franca (drums), Rob Myers (sitar, guitar), Frank Orrall (percussion, drums, vocals), Ashish “Hash” Vyas (bass) and two unknown trumpeters. Additionally, the following musicians were on stage providing vocals for various songs: Racquel Jones, Puma Ptah, Natalia Clavier, Mr. Lif, and Loulou Ghelichkhani.

    Racquel Jones on stage with Thievery Corporation

    The set began at 8:20 p.m. with “Marching the Hate Machines (Into the Sun)” from the 2005 release, Cosmic Games and featured Orrall wearing a contraption of lights radiating from his back and hand. Racquel Jones joined the party for “Letter to the Editor” from the 2017 release The Temple of I & I. Puma Ptah stepped in for the next tune, also from The Temple of I & I, “Babylon Falling.” Natalia Clavier then lended her vocals for the classic downtempo tune “All That We Perceive” from The Richest Man in Babylon. Orrall stepped away from the percussion kit to sing “The Heart’s A Lonely Hunter,” also from Cosmic Games. At one point, Orrall was standing above a speaker, swinging an illuminated poy above his head. Next, Mr. Lif made an appearance in the hip-hop meets downtempo “History,” from their most recent release, Treasures from the Temple

    Natalia Clavier

    “The Forgotten People” from Radio Retaliation preceded a delightful acoustic sequence with two songs from Saudade. Loulou Ghelichkhani contributed vocals for “Le Coeur” and Clavier rejoined the band for “Claridad.”

    Loulou Ghelichkhani

    Thievery Corporation returned to their electronic instruments for “Sweet Tides,” also from Radio Retaliation. Puma Ptah was back in the mix, providing vocals for the Cosmic Games classic reggae tune, “Amerimaka.” Ghelichkhani took over vocals for the next song, “Voyage Libre” from Treasures from the Temple. The band next played their classic downtempo tune from The Richest Man in Babylon, “Omid (Hope),” followed by another Cosmic Games tune, “Warning Shots.” Mr. Lif then rejoined the band and announced that the next song is for those in dark places, which caused the crowd to erupt with emotion. He then provided vocals for hip hop based “Fight to Survive” from The Temple of I & I. The show closed out with the Indian music-inspired and rarely played original “Lebanese Blonde” from 2000’s Mirror Conspiracy

    Rob Garza and Rob Myers

    Thievery Corporation’s tasty electronic and world mix of original tunes kept the crowd warm on a chilly night in New York City’s Financial District, atop the Rooftop at Pier 17, closing out the Summer Concert Series at the venue. NYC eagerly awaits the return of this talented electronica outfit.

    Pier 17 lights always delight

    Setlist: Marching the Hate Machines (Into the Sun), Letter to the Editor*, Babylon Falling**, All That We Perceive***, The Heart’s A Lonely Hunter, History%, The Forgotten People, Le Coeur****^, Claridad***^, Sweet Tides, Amerimacka**, Voyage Libre****, Omid (Hope), Warning Shots, Fight to Survive%, Lebanese Blonde

    * with Racquel Jones

    ** with Puma Ptah

    *** with Natalia Clavier

    **** with Loulou Ghelichkani

    % with Mr. Lif

    ^ Accoustic

  • Watch “Loose Lucy” and “Uncle John’s Band” from Grateful Dead Giants Stadium Box Set

    “The Swamp,” as Giants Stadium was affectionately known, hosted Grateful Dead shows in 1987, 1989 and 1991. In 1987, the band saw their hit “Touch of Grey” reach the Top 10 and the band’s stadium rock years hitting their peak. The latest box set from the godfather of jam bands, GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased Grateful Dead shows from Big Blue’s home in East Rutherford, NJ: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991.

    Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir’s TRI Studios in San Rafael, CA and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters.

    This release is limited to 10,000 individually numbered copies and available via Dead.net. Find more details on the Giants Stadium box set here.

    Grateful Dead archivist and legacy manager David Lemiuex says of the “Loose Lucy” from the June 17, 1991 show, “Gone from the repertoire for 16 years, 1974-1990, when it made its return at the Capital Center on 3/14/90, it was in its slower 1973 arrangement, and was incredibly well-received, with one of the most inadvertently self-referential choruses in the Dead’s canon. Were they thanking us for a real good time? Were we thanking them? Regardless, it was a blast to sing along with Jerry when he was clearly having fun singing this classic.”

  • In Focus: White Denim Rocks Jersey City

    White Denim blew the proverbial roof off of the new White Eagle Hall in Jersey City, bringing their sweet Austin, Texas rock sound to the East Coast and fans throughout the tri-state area. The two-hour headlining set from the high powered rock outfit never skipped a beat and was virtually non-stop. Night after night, this band displays communal showmanship and a loud lesson for how to make rock and roll work very well in 2019. White Denim presented a two hour clinic is proof that a diversified rock sound played by very talented musicians still deserves a spot in the debate of today’s best contemporary music.

  • In Focus: Ty Segall invades The Bowery

    Ty Segall & The Freedom Band are playing extended residencies in cities all around the world. They are playing his new album First Taste in full as well as many of the eccentric artist’s older albums. After a five-night stay at The Bowery Ballroom, the word is out on the amazing double drum, guitar-less new album that fans are boasting is his best yet.

    The performance of First Taste really makes the most of the two-drummer setup, with Ty moving back and forth from a kit positioned at the front of the stage at least once every song. It is his great connection with The Freedom Band that blends so many different styles of music, leaving no trouble in making a crazed, heavy and loud as hell rock n’ roll experience.

  • Cream Drummer Ginger Baker Dead at 80

    Pioneering drummer Ginger Baker, best known for his role in the late ’60s supergroup Cream died Sunday in England at the age of 80.

    Baker’s Facebook account published this message Sunday morning.

    Baker’s style influenced many heavy metal drummers much to his dismay. The notoriously cantankerous drummer, in a 2015 Forbes interview, when asked about his influence on the metal genre, had this to say:

    I find it incredibly repulsive, always have. I’ve seen where Cream is sort of held responsible for the birth of heavy metal. Well, I would definitely go for aborting [laughs]. I loathe and detest heavy metal. I think it is an abortion. A lot of these guys come up and say, “Man, you were my influence, the way you thrashed the drums.” They don’t seem to understand I was thrashing in order to hear what I was playing. It was anger, not enjoyment – and painful. I suffered on stage because of that [high amplifier] volume crap. I didn’t like it then, and like it even less now. 

    Nevertheless, Baker’s heavy-handed, double-bass style of drumming influenced scores of drummers that came after him. Cream was formed from the ashes of Baker and Jack Bruce’s band, the Graham Bond Organization. Eric Clapton had left The Yardbirds in 1966 and suggested forming a power trio to Baker, including Bruce in the equation. The often volatile relationship between Baker and Bruce led to the demise of several of their early bands, including Cream, which lasted only two years.

    In those two years, Cream released four albums that produced such influential singles as “White Room,” “Tales of Brave Ulysses, ” “Sunshine of Your Love,” and “Badge.”

    Following the dissolution of Cream, Clapton and Baker recruited Steve Winwood and Ric Grech to form Blind Faith. The short-lived band produced one self-titled album before calling it quits. Clapton went on to perform with Delaney and Bonnie and Derek and the Dominoes, while Winwood and Grech returned to Traffic. Baker moved to Nigeria, performing with legendary Afrobeat composer Fela Kuti.

    Blind Faith’s first live performance at London’s Hyde Park in 1969

    Baker spent much of the later ’70s, ’80s, and ’90s performing with a number of bands to help pay the bills. One of these bands was Syracuse-based Masters of Reality, a King Crimson and Black Sabbath-inspired band. He joined the group for their Sunrise on the Sufferbus album in 1993. They charted with the single “She Got Me (When She Got Her Dress On).”

    Baker, who famously rejected being called a rock drummer, returned to his jazz roots in the mid-’90s, forming the Ginger Baker Trio with jazz legends, guitarist Bill Frisell and bassist Charlie Haden.

    In 2005 he reunited with his Cream bandmates for a series of concerts in London and New York, the former is chronicled on the album, Royal Albert Hall London May 2, 3, 5, 6, 2005.

    Cream was inducted into the Rock and Roll Hall of Fame in 1993.

    Baker’s health had been deteriorating in recent years, falling victim to chronic obstructive pulmonary disease, degenerative osteoarthritis and heart issues, eventually taking him off the road.

    Artists worldwide from Flea to Paul McCartney have been paying tribute to the legendary drummer on social media.

    https://www.instagram.com/p/B3R0fLSBPHp/?utm_source=ig_web_copy_link
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