RATT’s In Your Direction Tour made its eighth stop of the 17-show tour at the dazzling new Skyloft in Albany, NY on Friday, July 5 and did not disappoint. Rumors were swirling, claiming the show might be canceled due to poor ticket sales, but there was no evidence of that. The Skyloft, the new venue at Crossgates Mall in Albany, NY was packed with cheering fans. The volume was loud, and the vibe was energetic.
The crowd was pumped when the first notes of the opening song “In Your Direction” rang out. Without a break, the band then went into and wailed on “Wanted Man.” The show came to a close with the wildly anticipated “Round and Round.” See the complete setlist below.
Stephen Pearcy of RATT
Perhaps the band is falling into place with the new members, now that they have played half of their tour. Things will only get better so check their website for upcoming shows and cities.
Setlist: In Your Direction, Wanted Man, Dangerous But Worth the Risk, You Think You’re Tough, Walkin’ the Dog, Way Cool Jr., I’m Insane, Lack of Communication, Lay it Down, You’re In Love, Lovin’ You’s a Dirty Job, Slip of the Lip, Nobody Rides for Free, Body Talk, Back for More, and closed out with the fans wildly anticipated Round and Round
Ratt consists of lead vocalist Stephen Pearcy, bassist Juan Croucier and “new breed” members — drummer Pete Holmes (Black ‘N Blue), and guitarists Jordan Ziff (Razer) and Chris Sanders (Britny Fox, Knight Fury)
Chris Sanders Jordan Ziff Stephen Pearcy Juan Croucier Pete Homes Pete Homes
Dead and Company returned to play a mainstay of their tours, Citi Field, on June 23 for an all-around solid show with a seemingly near capacity crowd in tow and The Wolf
Perfect weather ushered in the first set, filled with mellow jams and easy grooves. Since the band’s inaugural shows in 2015 at the Times Union Center in Albany and Madison Square Garden in Manhattan, fans have seen a partial core group of Grateful Dead members with a few guests grow into the new touring force in the wake of the Grateful Dead. John Mayer’s increasing share in vocals and frontman duties alongside Bob Weir manifested from the first refrain in the opening song “St. Stephen.” In a surprise to fans, Jerry Garcia’s famed Wolf guitar was played by Mayer for the entire show, which added a subtle accent to his imitation of Garcia’s style.
The second set resembled the construction of a late 1970s Grateful Dead set anchored by two giant ballads, “Terrapin Station” to start the set and a post-Drums/Space “Morning Dew.” In contrast with these two more-scripted songs, the rest of the set took to a rather lengthy jam with “Truckin’” expanded well beyond its original form, teased upon in the outro of Space, including a few doodles from Mayer which briefly echoed a bit of David Gilmour’s guitar style. The set concluded after a rather short encore break and a melodious “Breakdown Palace” (the show was possibly running into a venue or local curfew).
Set 1: St. Stephen -> Cold Rain and Snow, Samson and Delilah, High Time, They Love Each Other, Ramble On Rose, Sugaree, Jack Straw.
Set 2: Terrapin Station, Althea, Scarlet Begonias -> Fire on the Mountain -> Drums -> Space -> The Wheel -> The Other One -> Morning Dew.
The sun was hot, quickly rolling into sets, swimming and hanging at the beach with friends. The pressure of squeezing so many good bands into a single Sunday of Vans Warped Tour grew daunting, but others vibed out. Nearly every band was packed – both Full Sail and Blackcraft stages shared adjoining beach and in the end, the mass of people merged as if they were one.
California’s Atreyu took Van’s “Off The Wall” mainstage at doors. Over the past 15 years the band, who has preserved a near original lineup, pulled out all the stops from favorites “Becoming The Bull” and their cover of Bon Jovi’s “You Give Love a Bad Name,” with a metal twist, of course.
Guitarist Travis Miguel in his comfort zone. Photo by Chuck DeFilippo.
Guitarist, Travis Miguel, was hyped on the gig. “It’s not every day that you literally get to play on the beach. Usually when you’re at a big festival like this, nine times out of ten it’s in the middle of nowhere in some field. It’s nice to see the Atlantic Ocean from the stage.” This energy and consciousness allowed longtime brotherhood to shine though in the delivery of their material from intense oldies like “Blow” or the more cinematic “House Of Gold,” from their latest album, In Our Wake.
“Vans Warped Tour is pretty surreal; I remember my first Warped Tour was 1998 and Deftones played, CIV and Rancid. Incubus played on this little flatbed-truck-stage before anyone knew who they were. It was a long day, I remember getting sunburnt and the Deftones went on – everyone lost their minds in a dirt field in Orange County. It was gross, pulling dirt buggers out for two days and beign sunstruck… but with that being said I had the fucking time of my life,” said Miguel.
“I’ve gone to Warped Tours since then, but in 2005 we actually played and that was surreal because not long before that – I was the kid going to Warped Tour having the time of my life. To be asked to play the 25th Anniversary is cool because it is like bringing back old memories: seeing crew people, friends I haven’t seen in years, and you pick up right where you left off. It’s sensory overload because there’s so much going around: press, a half pipe out there, a human cannonball, music everywhere – it’s a fun day for sure.”
Travis Miguel, Atreyu.
“Now that I’m older, looking back, it’s safe to say that everybody in the band’s view is: we’re extremely lucky to be doing this. We don’t take it for granted. There’s a lot of bands we came up with back in the day that are long gone and the fact that we still get to do this, essentially the same five members for 15 years…I’m definitely proud of that.”
Atreyu embodies the morals of Warped, fans and crew alike. “We’ve all seen each other at our best and our worst. It’s very much a brotherly relationship between the five of us: we get on each others nerves just as much as actual brothers would, I’ve been in two of their weddings and we’ve been apart of each other’s big life moments. It’s definitely a family vibe,” said Miguuel.
Sunday kicked in, full force from the start, making it difficult to navigate through all the great bands playing. The beaches were packed – a sea of people relaxing or constantly shifting from stage to stage. Mid-afternoon highlights included Circa Survive frontman, Anthony Green, crowd-surfing his way from the mainstage into the Atlantic.
Punk-rockers, Keep Flying, dominated the Monster Energy stage early on in the day with their addictive horn lines and heart-racing tempos. The sextet blew up at last years Warped Tour, and if you didn’t know any better, you would think they had been there from the start. They controlled the crowd with showstopper “I Always Knew,” both visually and musically overstimulating. Not to mention the electrifying horn section, intricate harmony and energy from each member.
Keep Flying, dominating the Monster stage with furious drums, punk-horns and electricity.
The day carried on with Worcester, MA veterans, Four Year Strong. Contrasted by their laid back vibe and over-familiarity with Vans Warped Tour, the four piece pulled out all the stops. Opening with “Heroes Get Remembered, Legends Never Die,” FYS set the bar with signature double-bass, dueling-guitar and dueling-vocal exchanges. The crowd was absolutely insane.
There was just too much to digest: Big D and the Kids Table, Dirty Heads, The Used and Bowling For Soup – but the day rolled on. The Skatalites changed the pace on The Blackcraft Stage with authentic reggae flare. As the sun set and punk-rockers grew tired, a solid crowd swayed for Kingston, Jamaica’s finest. Atlantic City was blessed by none other than “The Queen of Ska,” Doreen Shaffer, who soulfully harmonized with the band. Born in the 1940’s, Shaffer filled the crowd with a youthful energy, and soul.
Cusped between electronic, pop and rock genres, Andy Black turned heads for unfamiliar listeners, drawing them to the Monster Energy stage as they passed on the beach. His most explicit example, the album titled track “Ghost Of Ohio” fuses these elements into something obscure and refreshing. Fans of any taste can harmonize with his energy and showmanship.
Taking Back Sunday warmed up the main stage for Warped closers’ Blink-182 with driving tracks like “What It Feels Like To Be A Ghost,” while lead Adam Lazzara strut the entire length of the stage, twirling his microphone like a noose. Later in the evening, ska legends, Reel Big Fish, drew attention from the Full Sail stage as the crowd shifted angles to The Blackcraft stage for an epic RBF Set. Kicking of the set with “Asshole,” turning backstage into a skank-inspired dance party.
Vans Warped Tour did an amazing job attending to sparse incidents in the pits or those who needed medical attention. Surrounded in a mosh-pit or relaxing by the beach was one in the same, because everyone truly had each other’s backs. The mass of Vans Warped Tour cannot be defeated, as we all plead for another year.
Reel Big Fish skank-party as the sun set on the Atlantic.
Interviews with Atreyu, Matt Butler, Kaleido and Shiragirl spoke on behalf of the festival as a whole: its status, impact, family vibe and overall positivity. Regardless of why you were there, who you were with and who you saw, Vans Warped Tour’s 25th Anniversary Tour was the necessary cap to years past.
“It’s amazing to see how the tour has grown and affected so many people,” said Brooklyn’s Shiragirl. “To be apart of this is a huge honor – there are so many amazing bands. We are super stoked to be apart of the final chapter. Last year we were lucky enough to bring back the stage for the final full cross country tour. I just have nothing but great things to say about Kevin Lymann. I wanna be like him when I grow up.”
Stay Tuned for the full Post Warped Tour interview with Shiragirl.
Reminisce with highlights from the bands of Vans 25th Anniversary Warped Tour.
For those of us 25 or younger, Vans Warped Tour has spanned our entire existence – an accumulation of memories, music and friendships interlocked like puzzle pieces from across the country. Each individual has intertwined their story – that admits them into the Warped family. A place where most narratives overlap: growing up listening to pop-punk and rock or aspiring to be on the big stage, old attendees now take the main stage, influenced by the masses before them. Fans threw down, attacking their most inspirational bands with vigor in the pits, belting lyrics verbatim spewing with good vibes, and sand.
Last weekend marked the second final Vans Warped Tour for a 25th Anniversary bash, after curator, Kevin Lyman announced the ‘last’ run in 2018. The tour was on its East Coast stop in Atlantic City, New Jersey for a jam packed weekend of music on the beach. Nearly 60,000 people crowded the beach to send off the tour in natural rockstar fashion. Promptly at noon the boardwalk was lined for miles with distinctly Vans Warped veterans, band t-shirts and friends to see their favorite headliners from Blink-182, A Day To Remember, Simple Plan, Good Charlotte, 311, CKY, Taking Back Sunday, Andrew W.K. and so much more.
The sun was blistering overhead Saturday afternoon as Manhattan’s own, Matt Butler took an early set on the Monster Energy Stage. The folky, singer-songwriter gave a refreshing outsider’s perspective that pushed Warped fans outside of their comfort zone. Butler has gathered the sounds and stories of the road, shaped in ‘Warped’ roots; he grew up playing in punk and rock bands at CBGB’s and Arleen’s on the lower East Side. “My Favorite bands in high school were Nirvana and Fugazi… my favorite album was Ten by Pearl Jam,” said Butler. “I got more into folk and songwriting because of a band called The Replacements and Bruce Springsteen [laughing]. That’s always the bridge – as we say that in Boardwalk Hall, very appropriate.”
Butler’s contrasting genres is something that stacks his arsenal, using it to his advantage. “Our presentation is so different than everybody else’s that it has its own draw. I played on Warped Tour all last summer solo – me and an acoustic guitar only. For the 25th anniversary show I wanted to bring a full band, but we were never going to try and compete with some of the other groups here, so we kept it as intentionally stripped down as possible… And I figure im the only harmonica player on the tour at the moment [laughs]. Ya Know.”
Manhattan’s Matt Butler, Chuck DeFilippo (NYS Music) and Tour Manager Mario Diurno
“I was drawn to music for as long as I can remember, but music seemed very difficult and inaccessible. As a kid I was pretty insecure and wanted to do things where I was confident I could do it well. I felt like it was this equation: 49% terrified and 51 % desperate, enough to where I have to try this. You have to risk being rejected and judged. That’s part of the plan, that it’s so scary. I think that whatever you’re scared of doing most, that’s probably what it is that you’re supposed to be doing – on an evolutionary level.”
His story is unique, capturing the heart of Vans Warped Tour evolution. As Butler is on the brink of studying music, learning jazz and notation, he taps into the vividness of creating something new. “I tell ya what man, anytime you make something new for yourself again you always remember how exciting it can be and why you live it.”
“I haven’t played with a band in a while, so playing here today I felt pretty pumped.” Backed by Astoria’s Holy Vulture siblings, Misia and Dante Vessio, the world drum and bass duo allowed Butler to become vulnerable to punk fans. This kick off was the start of a reunion; for Butler he was looking forward to seeing old friends, one playing drums for Tatiana DeMaria and another playing bass for Glassjaw. “It’s funny because the three of us actually played Warped together a couple years ago at Jones Beach. It’s an honor. It’s such an institution of a tour and Kevin is someone to idolize on some level, he’s just a great guy.”
Butler’s set featured numerous tracks recorded this past March, but not yet released including soon-to-be single, “Tell Lucy That I Love Her.” Butler wrote the tune inspired by a tour of state prisons, and at this point he has played around 200 jails in the past 16 months. The idea quickly boomed from a fan-funded endeavour to Butler securing his 501(c)(3) non-profit, to officially bring curated arts programs to jails and underserved institutions – a heart-wrenching inspiration and driver for his music. At certain times it can be as little as four people in a room where they collectively share stories, experiences and music. “It’s a way to see the country, I’ll tell you that. This new song (Lucy) comes from the perspective of someone incarcerated.”
“I can talk about the storytelling component forever. What we’ve done, and what I see it as – we just travel the country with an acoustic guitar telling stories. I think if you do that long enough and you’re open to it enough you can tap into collective consciousness and that’s where stories and songs get channeled from – and hopefully it resonates and connects with people.”
Bad Religion takes “Off The Wall” MainStage.
The day saw Less Than Jake, Travie McCoy, Bad Religion, CKY and many more. Fans crowded each stage, big or small and shifted with the tide between the well crafted set changes. Each band drew their most loyal fans in, while the tides washed curious listeners in, late into their sets. The day was hectic with freestyle motocross over head and an arching half-pipe backdropped by the Atlantic Ocean. Afternoon sets from Shiragirl and Kaleido, who NYS got to speak with, kept the anticipation high.
Kaleido 2019: Cody Morales, Christina Chriss, Joey Fava. Photo by Steve Sergent. Courtesy of NP!M PR and Marketing
As the day started to settle in, a dark cloud loomed over the beach. Detrioit rock band, Kaleido, anxiously awaited a pre-set storm as frontwoman Christina Chriss yearned for the stage. “We were one of the last bands that got to play Saturday due to weather and we were just freaking out. This big grey/black cloud was coming ever closer And I thought: this is gonna start right when we go on, like are you kidding me?” It didn’t.
“We’ve played random dates and cities on the warped tour since 2013,” said Chriss. “So it’s really, really, special to be apart of the 25th anniversary; Kevin just knocked it out of the park like he always does. This lineup is just insane. I have been jokingly saying: it’s woodstock for scene bands – straight up. It is s just fucking amazing, so were really honored to be apart of it. A bunch of bands that were huge influences of ours have a big hand in influencing all those things that you collect, and it comes out [in Kaleido’s music]. A lot of these bands are apart of that.”
Kaleido’s set was no different, a band that draws on so many diverse forms of art. They’re heavy pop, emotion and life wrapped into an ever-changing tube. Their newest single, “Pretending,” was released two weeks ago – a heavy-driving tune that you’ll be sure to throw down to, and swept fans at Warped. The rest of the EP will be out July 19 and is the truest, purest form of what Kaleido really is; Chriss affirmed.
“Inside of the kaleidoscope are a bunch of different pieces: the different colors, the different shapes – they all come together to make one beautiful image, that as you shift can change. I feel like I am that as a human with all of those influences and all of that music.
Christina Chriss, Kaleido
” I am a chameleon type of person. I like lots of different things. I’m not in just one lane,” intensley weaving her hand through the air, her palm set to kill. “So I take all of those things and internalize that, and then let it out the other way with the creativity of writing songs. All audio and video come together to create my art,” inflecting hints of passion through her midwest accent. “I am the human kaleidoscope.”
Front-woman Christin Chriss. Photo by Steve Sergent – Courtesy of NP!M PR and Marketing
Chriss touches on basic human emotions and songs that people easily relate to. Kaleido’s high energy shows become intense, as if the dawn of a storm, piercing fans like lightning. “I like to connect with people from the stage and enter their souls with my eyes. Come get some,” said Chriss as she broke into an evil-type laugh.
As the rain broke, lightning bridged the sky and boardwalk. What about A Day To Rember? What About 311? What about Wage War? Are They Gonna Play? I wanna wach ‘em! – Chriss thought aloud during our interview with excitement and color.
Jeremy McKinnon, A Day To Remember.
After a two hour delay the desolate beach grew new life as everyone recovered. It was a timid storm in the wake of Saturday’s headliner, A Day To Remember. The beach went dark with silhouettes spanning the entire boardwalk. ADTR showed no mercy kicking things off with “2nd Sucks.” Vocalist Jeremy McKinnon, announced “Sticks & Bricks” was named from the security guards of the Vans Warped Tour, a song not originally printed on the setlit. Security had a signal alerting that the crowd was going to be insane, foreshadowing the moments to come as the band let loose into a storm warning.
A Day To Remember has a unique ability to contrast intense breakdowns with driving lyrics and melody, blending worlds of warped. The set list showed little rest as people toppled over each other and McKinnon enticed ‘crowd-surfing a crowd-surfer.’ Driving through “All I Want,” “I’m Made of Wax, Larry, What Are You Made Of?” and “The Plot to Bomb the Panhandle” bodies passed overhead and we were lost in this ocean of people, only to letup for the sentimental acoustic “If It Means A Lot To You.”
Suddenly a harmonious beach began to sway, with lighters overhead. Par for the course would be closer, “The Downfall Of Us All” – a fitting end to the day. New and old fans alike created a community in and outside of the pit. A Marshmello character emerged with a t-shirt cannon celebrating the band’s most recent single and collaboration with the EDM star. It was just nuts. In the short 40-minute set we left dripping sweat and covered in sand as nearly 60,000 people slowly evacuated the beach, yet again.
Slowing down for “If It Means A Lot To You,” fans lit the sky of Atlantic City beach for ADTR.
For 16 years, the Cortland Main Street Music Series has been bringing local, regional and national music acts to downtown Cortland. This year, a total of 12 musical performances, spanning a variety of genres, will take place over the course of four free concerts every Friday this month at the CFCU Community Credit Union Stage.
The series kicks off on July 5 with the local duo of Lonnie Park and John West. Following them in the evening will be The Fall Creek Brass Band from Freeville, NY, with their funky big band sound. Headlining the evening will be alternative rockers from Connecticut, The Alternate Routes. The following week, July 12 is also SUNY Cortland Alumni weekend. The night will start off with local bands The Beauchesnes and The Cousins. To celebrate alumni weekend, internationally acclaimed Todd Hobin Band from Syracuse will be headlining. Todd Hobin Band has performed on the SUNY Cortland campus more than any other band in the school’s history, and they are returning in collaboration with the Music Legacy group’s unveiling of a commemorative sculpture for this year’s alumni weekend events.
On July 19, Cortland Main Street Music welcomes Enter The Haggis, a high-energy group of Celtic-rockers combining bag pipe and fiddles with a rock rhythm and meaningful lyrics to bring a distinctively electric sound. Opening up the night will be local favorites The Starmer Brothers, and following them will be the foot-stomping folk band The Old Main. The final Friday of July will bring Brandon “Taz” Niederauer, a sixteen-year old guitar prodigy, who got his nickname “Taz” for his ferocious guitar playing. Openers for the July 26 show includes a solo performance from Marc Ryan from Tribal Revival, as well as the soulful Americana of Mike Powell and the Black River.
The veteran band treated the loyal Mule faithful to a perfect first set with a vibe and energy feeding off that relaxing beach feeling, on a traditional late June summer evening. Fan favorites “Hammer and Nails,” “Beautifully Broken” and “Birth of The Mule”filled the first set, leaving fans only wanting more. Sadly, after the first two songs of the second set, the show was canceled dues to inclement weather, just about the only thing dampening the spirits of the amazing Gov’t Mule fan base.
Bring On The Music-Live At The Capitol Theatre, a live album and concert film directed by Danny Clinch, was recorded at The Capitol Theatre on April 27 and 28, in 2018. It comes in a multiple variety of digital, CD, DVD, Blu-Ray, and vinyl Packages. It features over two hours of live music, interviews with members of Mule, behind-the-scenes footage, photos shot by Clinch over the years and much more.
Set One: Hammer & Nails, Rocking Horse, Game Face > Mountain Jam > Game Face, Beautifully Broken, Birth of a Mule, I’m A Ram, Broke Down On The Brazos > Tributary Jam
Set Two: Stone Cold Rage, Kind Of A Bird, (Show ended due to inclement weather)
Glens Falls will become a mecca for the arts, with the return of the 4th annual GEM Fest on July 26 and 27. The Glens Falls Entertainment and Music Festival brings together bands from across the greater Glens Falls area, as well as national acts, and combines comedy, live art, film, theater, photography and more at venues around Glens Falls for a FREE two-day event.
The focus on the arts started when Brian Michael visited Gugs in April of 2016. “Gugs is the central venue in Glens Falls where a ton of bands were just starting to cut their teeth at the time – Candy Ambulance, Joe Mansman, William Hale, Asa Morris and The Mess, among others. Mike Rios put together an open mic night on Thursdays, but Gugs was only open from Thanksgiving Eve until April 20,” said Michael, GEM Fest Director. So with the venue closing for the season, and there being very few places in the city of Glens Falls for live music, Brian and Joe Mansman had an idea to hold a Venue Festival in Glens Falls, where venues would host music throughout the day.
The organizers went to the owner of Mean Max Brewing and asked to back him on the festival concept. That led to the owner of 190 Grill and Cinema (now the Downtown Social) getting on board as well. From there, GEM Fest was born and the event became a one-day street fest in the Summer of 2016, which was entirely free to the public. It featured a art gallery presentation at the two venues, and several local bands.
From there, a team effort has helped bring GEM Fest for four consecutive years. Local venues are on board, and local businesses see better business on the day of GEM Fest than they do any other day of the year, according to Michael. With the help of Candice Frye, the Executive Director of LARAC (Lower Adirondack Regional Arts Council), which supports the in Warren and Washington counties, Brian was able to secure grant funding. The ever growing event received maximum funding for this year, and with sponsors on board, the fest remains free for the fourth year in a row, accessible for everyone who wants to attend.
The impact of GEM Fest can be seen already. In 2016, there was one venue in town with regular music, plus Gugs was only open part of the year. Now, in 2019, there are four venues that book bands on a regular basis, with a fifth soon to open. Michael says of this development, “GEM Fest helped clue the local businesses in on the music in the region, and certain niche markets – Helping to elevate the visibility of the music & arts in our city. The integration of this festival into an organization called Art in the Public Eye has also further solidified our commitment to creating platforms for local / and now regional musicians – as well as many other forms of art – to be seen and heard in the heart of Hometown USA.”
Since 2016, GEM Fest brings an immense crowd out in support of the arts, with a benefit to local businesses, who are patronized by those who attend. The direct support of local businesses is supplemented by the careful selection of craft vendors – while encouraging patrons to eat and drink at local businesses, due to a markedly low acceptance of food type vending.
Thanks to grants and sponsors, GEM Fest is 99% free, with a fee charged only for the comedy shows each day. Since events are free, venues don’t sell out, although last year three venues reached capacity, a sign of growth after only three years of GEM Fest. In order to bring fans out, Michael says GEM Fest “keeps a high level of integrity, adding the best local musicians and a few national headliners. Getting the local support and financial backing is key to maintaining the fest, and we’re glad to have that for four years now. We are a destination event and it helps grow the scene and throws art in the public eye.”
There is history in the area as well, as plenty of art to be found that GEM Fest has brought greater attention to. The Hyde Collection, which includes work by Rembrandt, Picasso and Edward Hopper, is one of the greatest collections of art in the 518. The Park Theater has recently undergone a $13 million dollar renovation, and the Charles R. Wood Theater in downtown Glens Falls plays host to a wide variety of arts, from plays to concerts to comedians.
With the support of LARAC, Glens Falls can be viewed as always having been an artistic town, with a great deal of artists and painters emerging from the Lower Adirondack area. “There might be five different artistic communities within the city and we want everyone to work together on that day to exhibit what we’ve got as a community.”
GEM Fest is designed so that everything is going on at once, making it a challenge to decide what to see. “What we are encouraging people to do is to come out and see art they may not see otherwise. The music draws them out – if they like comedy, they can check that out, and maybe they see more comedy that year. Some kids might walk by a live painter and be inspired to become a painter. Everywhere you look, there’s something else going on. Walk about the whole city because for the two days, it’s an artistic showcase of Glens Falls.”
In just a few short years, GEM Fest has established itself as a destination event where music and art collide. Find out more at the official website for the festival and check out the music artists who will be performing around town July 26-27.
Vermont’s jam loving rock band, Phish, graced the stage of the woodsy meets urban Merriweather Post Pavilion in Columbia, MD, as they blazed on their 2019 summer tour. The June 22, 2019 show included a debut from Trey Anastasio side project, Ghosts of the Forest. Phish consists of Trey Anastasio (guitar), Mike Gordon (bass), Page McConnell (keyboard, organ) and Jon Fishman (drums).
MPP is located in the heart of Symphony Woods, a woodland preservation designed by famous architects, Frank Gehry and N. David O’Malley in 1967. It was originally built as a summer stage for the National Symphony Orchestra. The venue has won over popular music acts because of its natural surroundings and excellent sound.
Set one kicked off with “Undermind,” from the album with that name. Two funky fan favorites followed, “Tube,” with a delicious jam from McConnell, and the Son Seals’ cover, “Funky Bitch.” The fire-and-ice jam vehicle “Steam” was up next, followed by phish classics “My Sweet One” and “NICU.”
Phish slowed the set down with the debut of “Friend,” from Anastasio’s side project Ghosts of the Forest. This band was created to play songs honoring Anastasio’s long time friend, Chris Cottrell, who lost his battle with cancer in 2018. Meaningful lyrics pierce hearts: “why do we have to wait until it’s gone to know what love is?”
The boys pressed the gas pedal for “No Men in No Man’s Land,” off their album Big Boat. Classics “The Horse” > “Silent in the Morning,” from the album Rift, had the crowd with arms in the air. Jam monster “David Bowie” was played next, and for the first time in 2019. The set closed out with “Squirming Coil,” from Lawnboy as the sun set behind the venue.
The second set was full of segues and jamming, starting with “Ghost,” from Story of the Ghost. “Ghost” transitioned to the a jam sandwich with high energy “Axilla,” then into new tune, “Set Your Soul Free.” The Pink Floyd-esque “What’s the Use?” and finally “Billy Breathes” followed suit.
“Death Don’t Hurt Very Long,” from their new album Kazvot Vox, started the second segue sequence. The next layer in the jam triffle was “Backwards Down the Numberline” from the 2009 release, Joy. The perennial Phish favorite “Harry Hood” was up next, and Anastasio’s on point guitar work had the crowd feeling good. The boys transitioned into “Rise/Come Together,” another new song. The final layer was the classic “Golgi Apparatus,” ironically last played almost one year ago at Merriweather Post Pavilion.
Phish sent their fans home happy with “Bug” > “Character Zero,” including an electrified closing jam. Phish fans await what night two has in store for them. Tickets are sold out, but can be obtained through CashorTrade.
Set 1: Undermind, Tube, Funky Bitch, Steam > My Sweet One > NICU, Friend[1], No Men In No Man’s Land > The Horse > Silent in the Morning, David Bowie, The Squirming Coil.
Set 2: Ghost > Axilla > Set Your Soul Free > What’s the Use? > Billy Breathes, Death Don’t Hurt Very Long > Backwards Down the Number Line > Harry Hood > Rise/Come Together > Golgi Apparatus.
Last weekend the annual Clearwater Music Festival, continued its amazing and rich tradition as a premier event celebrating great music and environmental awareness in our community. With a lineup that included Mavis Staples, The Wailers, Ani DiFranco and Railroad Earth, Clearwater alumni came out despite bad weather predictions to celebrate a great weekend of music and revival in Westchester county.
Day one of the festival brought amazing weather complimenting the beautiful setting of Croton Point Park. Highlights of the afternoon included intimate sets from James Maddock, and The Lone Below, as well as a Deadgrass set that filled the Dance Stage with singing and moving deadheads. Ani DiFranco welcomed in the evening with one of the top sets of the weekend, treating fans to her powerful, poetic performance – the perfect appetizer. The evenings’ main act, legendary Mavis Staples showed her audience why she is a national treasure and one of the great soul singers of our time.
Day two plagued by rain and mud did not deter fans from another fun day of music on the Hudson, and their faith paid off because in the end the weather held out. The Fatherâs Day Sunday included amazing sets from Scott Sherrard, The Del McCoury Band, and Leslie Mendleson. The weekend favorite, Railroad Earth, kept the bluegrass roots alive, treating fans to unique songs from the bands amazing catalog. Closing out the 2019 edition of the Clearwater Music Festival was The Wailers; a relaxed group of fans were treated to all the hits of the famous reggae band, closing out an amazing weekend of music and community.
Inspired by Pete Seegerâs desire to clean up the river over forty years ago, The Great Hudson River Revival initially helped raise the funds to build the sloop Clearwater, which has since become a world-renowned floating classroom and a symbol of effective grassroots action.
Hudson River Sloop Clearwater, Inc. is a non-profit organization that sails at the forefront of the nationâs environmental challenges. The revenue raised by the festival goes to support Clearwaterâs numerous educational programs and its work toward environmental and social justice.
Today, seeing the success of the Clearwater organization, one cannot imagine these achievements being possible without the Clearwater Festival. The Great Hudson River Revival has helped raise funds and served as a beacon toward raising awareness in support of Americaâs First River. And it all started more than 35 years ago, when it was but the dream of a banjo-picking folksinger.
Albany based duo, Ignis, released their sophomore LP Mirrorless on June 10. The unique styling of the record, comprised of brothers Colby and Tristan Beach. A background in piano from a very early age led both brothers to take on other instruments, and as a result, formed Ignis back in 2017. The brothers have released two self-recorded EP’s to date: Walking, and Cover. In January 2018 they released their first full length album, The Face of Mars. Even though there are issues with the actual production value and execution of Mirrorless, the band is young, with time and perhaps a deft hand in the studio to assist in the production of new material, they will surely be able to overcome these technical deficiencies.
Unfortunately there are some tracks like “Go With Me” where the guitar is noticeably out of tune. If that was the intention of the duo, it made it an unpleasant experience for the listener. The vocals by lead singer Colby also seem to be inconsistently in tune throughout the LP. Nowhere is this issue more apparent than on both the third song “Fade Away” and the final track “Wombat Master”. There also seems to be some audible timing issues on “Fade Away” as well, which points to potential inexperience at the mixing board.
There are some positive aspects of Mirrorless that are pleasing. The majority of the musical arrangements show intelligent musicianship. They are able to evoke feelings that Ignis wants to convey to its audience. The duo definitely seem to be working with an extensive musical pallet that includes numerous style elements including keys, percussion and a variety of interesting guitar styles.
Additionally Mirrorless shows promise with songwriting by the Beach brothers that includes lyrics and rhythms that are both eccentric, introspective and interesting to listen to. Since this is the band’s sophomore effort, there is no doubt that there is still more in store for the future of this group. If the duo continues to evolve and are attentive to the details required of recording, they will be on track towards developing a bigger following and popularity in the Capital District. This of course takes time and experience. That experience comes from playing live and continued time in the studio. If Ignis performs regularly and commits to improving their knowledge of the mechanics of musical recording, they will be able to develop a more mature sound that will elevate their art to the next level.
