There is a saying that it takes 15 years to become an overnight success and, with a lot of hustle and hard work, that statement rings true for the band Shinedown.
Back in February of 2004, Shinedown headlined at a small club in Syracuse with maybe 50 people in attendance. Flash forward to July 6, 2019 and they practically sold out the Syracuse Lakeview Amphitheatre. It was truly a sight to see all of their hard work back then paying off with a fan-filled amphitheatre.
Shinedown’s band members, lead vocalist Brent Smith, drummer Barry Kerch, guitarist Zach Myers and bassist Eric Bass, pour their energy out into the crowd as soon as they hit the stage. They keep a curtain up to build up anticipation but once that curtain drops, Shinedown hit the ground running.
Brent Smith took the time to shake hands with photographers in the photo pit.
Lead vocalist Brent Smith is a tremendous performer and front man because of his magnetic engagement with the audience, his band members and even the photographers down in the pit. Smith loves his band and his fans, which shows in how he interacts with everyone he comes in contact with at Shinedown’s shows. Smith is always very humble and thankful for Shinedown’s fans. No matter how much a fan loves a band and their music, it is always heartfelt and touching to know the band appreciates the fan in return. All relationships are a two-way street and Shinedown helps to pave both sides.
Halfway through Shinedown’s set the entire band disbursed throughout the huge audience at the amphitheatre, playing stripped down versions of “Amaryllis,” “I Dare You,” “Through The Ghost,” and “Second Chance.” It is a challenging feat to play together so well being so far apart, but they pulled it off and it was a unique way to give audience members stripped down versions of the songs.
One of the highlights of the night was when they performed one of their latest singles, “Get Up.” Smith had the crowd light up the amphitheatre with their cell phones. It was a chilling site to see and the song portrays such a positive message that it almost served as a pep talk from the band to keep going no matter what life throws at you.
Shinedown is one of those bands that simply puts on an amazing show every single time and the Syracuse, NY show was no different. When a band truly loves and appreciates their fans and truly love what they are doing it shines through in their music and performance. It may have taken the music world a little longer than Shinedown’s earlier fans from that night back in 2004 to see their amazing talent, but now the music world is aware and it’s truly apparent with the filled Lakeview Amphitheatre a few weeks ago that Shinedown has touched so many fans throughout their still growing career!
Be sure to check out one of Shinedown’s shows when they come back to NY in September. You can see Smith & Myers acoustic on September 12 and the full band with Papa Roach, Asking Alexandria, and Savage After Midnight on September 20 in Albany, NY and September 27 in Buffalo, NY.
Shinedown’s Setlist:
Devil, Diamond Eyes, Enemies, Monsters, Black Soul, I’ll Follow You, Unity, 45, Bully, Amaryllis, Through the Ghost, I dare You, Second Chance, Simple Man, Cut the Cord, Get Up, Sound of Madness, Brilliant
On Friday, August 2, Train, The Goo Goo Dolls and Allen Stone entertained a sold out crowd on a perfect summer night at CMAC. All three bands brought an amazing vibe and positive energy to the evening while The Goo Goo Dolls and Train performed all their classic hits from their respective extensive catalogs spanning from the 1990’s to the present.
Allen Stone entertains the crowd
Kicking off the evening was Allen Stone, an amazing R&B and soulful artist from Chewelah, Washington. He and his band definitely had the sold out crowd primed and energized for the night. Stone, who has been on the scene since 2010, cites his influences as Stevie Wonder, Marvin Gaye, Aretha Franklin and other legends. Stone is a very dynamic exceptionally entertaining showman, not to mention a phenomenal singer. It is apparent in his music and performance from where his musical inspiration originates. His set included his songs “Brown Eyed Lover” and “Chippin’ Away.” Pat Monahan even joined them on stage for a number.
John Rzeznik and Robby Takac perform “Slide”
Making their way to the stage at 7:45 p.m. were co-headliners The Goo Goo Dolls. The enthusiastic crowd was already on its feet in anticipation as John and Robby made their way to the stage. The Goo Goo Dolls launched their hour-plus set with “Stay With You” and immediately followed with “Big Machine” before swapping out guitars. John greeted the crowd while making a reference about being close to his home town of Buffalo, NY before the band performed their third hit in a row, “Slide.” The Goo Goo Dolls continued playing their mainstream hits that span two decades, including “Black Balloon,” which, you guessed it, included what seemed like thousands of black balloons floating down into the crowd, “Name”and “So Alive,” before closing out the night with “Iris” and “Broadway.” They also played “Miracle Pill” in support of their upcoming album of the same name which is due out on September 13.
John Rzeznik performs “Stay With You” Robby Takac
Finally, taking the stage at 9:20, were co-headliner Train. Train seemed to pull out all the stops on this gorgeous summer night during their performance. Not only did they play an impressive hour and forty minute, 18-song setlist which included two encores, they also brought along confetti and streamer cannons as well as some pretty dazzling pyro effects. Despite the cool bells and whistles that helped make for a mesmerizing and stunning visual performance, there seemed to be something else, something uplifting and moving during Train’s performance.
Pat Monahan and Train sending love to the sold out crowd at CMAC
Train, formed in 1993 and hailing from San Francisco, CA , has been a hit-producing machine since the release of their self titled debut album Train in 1998 with “Meet Virginia.” The multi-platinum and Grammy award winning band kicked of their set with “Calling All Angels.” It was during this song when frontman Pat Monahan put his hands up towards the sky and asked the audience to follow him in sending love to all loved ones near and far as everyone sang along. Monahan’s energy seemed to flow through the audience and back, giving a sense of connection and tranquility that flowed throughout the venue. Train’s second song, “50 Ways to Say Goodbye,” incorporated blasts of colorful confetti into the audience which continued to enthrall the crowd along with their third song, “If It’s Love.”
Confetti shoots into the crowd at CMAC during Train’s set Pat Monahan of Train
Train continued throughout the night with hit after hit including “Meet Virginia,” which featured a blazing solo by guitarist Luis Maldonado, “Hey Soul Sister”, “Play That Song,” as well as a house-rocking rendition of Queen’s “Under Pressure” and Tom Petty’s “American Girl” where John Rzeznik joined them on stage. Allen Stone also made a guest appearance on “Bruises.” Train ended the night with two encores, including a Led Zeppelin cover with “Heartbreaker” and, finally, “Drops of Jupiter,” which also included visually stunning pyrotechnics. Train rocked into the night with the energy and power of a locomotive steaming full ahead, yet the atmosphere was fun, happy and positive. I mean with balloons, beach balls, streamers, confetti and sparklers, the show was definitely a fun experience for all that attended. Despite the fun and positive hoopla, let’s not forget about all the songs that these two bands with over 50 years of combined experience deliver flawlessly night after night, while still having a blast and keeping their crowds entertained and dancing ’til the last drop.
90’s nostalgia was in the air when Our Lady Peace, Live and Bush made their stop on the Altimate Tour at CMAC in June. This tour brings some of the best bands from the ’90s together and truly made it one of the ultimate tours to see this summer.
Kicking off the night was Our Lady Peace as they warmed the audience up with their intense yet centered energy. OLP is one of those bands that brings the audience’s energy up and got the nostalgia ball rolling for the evening. Their setlist was packed with so many hits from the ’90s/early 2000s such as “Superman’s Dead” and “Starseed.”
Next up was co-headliners LIVE. Lead vocalist Ed Kowalczyk started singing from the middle of the amphitheater and slowly descended through the audience until he reached his bandmates on stage. It threw the crowd for an exciting loop as everyone turned their heads to locate Kowalczyk. LIVE really cherry picked their setlist, giving the crowd a fabulous mixture of their hits and throwing in some musical nostalgia of their own with their covers of REM’s “Losing My Religion” and The Rolling Stone’s “Paint it Black.”
All three bands rocked CMAC, but there is no denying the energy Bush bought to the stage when they closed the night. Bush played a great set with a mixture of their hit songs, including their new single “Bullet Holes.” Lead vocalist Gavin Rossdale bounced around the stage just like he did in 1997. He and guitarist Chris Traynor have an undeniable vibe when they play their guitar chords together. Rossdale jumped off stage during “Everything Zen” and went through the audience, giving the fans in the back some love and appreciation.
The Altimate Tour is not one to miss. It is a 90’s cocktail of amazing musicians that sparked the youth back then and they continue to feed that fire to their fans 20 years later. Not many bands can bring a tour like this to life, but Bush, LIVE and Our Lady Peace can and did.
The Altimate Tour just kicked off their last leg of the tour and New Yorkers still have time to catch this amazing tour with stops scheduled for August 29 in Wantagh, NY and on August 30 in Bethel, NY.
Our Lady Peace Setlist: Drop Me in the Water, Innocent, Superman’s Dead, Somewhere Out There, Clumsy, Stop Making Stupid People Famous, Starseed
Live Setlist: Dam at Otter Creek, All Over You, Selling the Drama, Losing My Religion, Shit Towne, Iris, The Dolphin’s Cry, Paint it Black, Lakini’s Juice, I Alone, White Discussion, Heaven, Turn My Head, Lighting Crashes
Bush Setlist: Machinehead, Chemicals, This is War, Sound of Winter, Swallowed, Everything Zen, Disease, Bullet Holes, Little Things, Glycerine, Comedown
There was nothing but a good time at Orange County Chopper Cafe in Newburgh, NY on Saturday, July 13. The crowd was on their feet dancing and singing along as if it was 1990. Before Shot of Poison took the stage, The Beacon River Dogs warmed up the crowd with a mix of originals and covers.
The Beacon River Dogs have been howling their songs for the last five years in the Hudson Valley area of New York. The band consists of Robert Stell on vocals and lead rhythm guitar, Fred Czaszar on bass, and Vinnie Quattrocchi on drums. Rob plays many original songs. He is strongly influenced by KISS, but he remembers having a passion about music since he was a young child, stating he used to listen to AM radio and loved hearing Stevie Ray Vaughn, Aerosmith, Jimi Hendrix, Jimmy Paige, and Randy Rhodes. He started his first band when he was only 14 years old, playing the guitar his grandmother had given him.
Robert Stell – vocals and rhythm guitar
Grandma must have seen something in that kid. He has since opened for many artists, including Lou Reed, John Corobi, Government Mule with Warren Haynes, Rick Derringer, and tribute bands such as SATO Ozzy Band, the Alice Copper tribute band School’s Out, Rolling Stones tribute band Satisfaction, and on this night, for Shot of Poison, a Poison tribute band.
The setlist for The Beacon River Dogs was quite extensive as they were asked to play a little longer by the promoter, Rockin Rob Jagusch. Songs included were “Riding Home,” “Angel Christine,” “Give Me Back My Gun,” “Billy the Kid,” “Little Cryer”, and “Let it Bleed.” Check out their Facebook page for upcoming shows.
Bassist Fred “Z” also mentioned “Rock Out the Dope” The Opioid Prevention and Awareness Music Festival will be held on August 9-11 at the Blackthorne Resort located in East Durham, NY. This family friendly event will feature over 100 acts at 13 stages during the three-day event. Find out more here
The Beacon River Dogs
Fred Czaszar
Fred Czaszar
Rob Stell
Fred Czaszar
Rob Stell
Vinnie Quattrocchi
Vinnie Quattrocchi
Rob Stell
Rob Stell
Shot of Poison then came on stage to a roaring crowd and thrilled them with “Cry Tough”. It was a non-stop party after that. The band consists of Ken Gillman on drums, Adam Boc on Bass, Bruce Bennett on guitar, and vocals by Frank Pupillo.
I asked Ken Gilman, the drummer for the band that originally started ten years ago, “”How did this all start?” Although it was successful, it was short lived, only lasting about a year. But he didn’t give up. He envisioned something bigger, and better. It finally happened in November of 2017, with new band members and more lively artists. When you see how busy they are with the tour, you know how successful it is.
Bruce Bennet, Frank Pupillo and Adam Boc of Shot of Poison
When asked, “Why Poison?” each band member had their own input: KEN’s answer: To me, Poison is the epitome of ’80s glam metal and Bret Michaels is to glam metal what Elvis Presley was to adult rock in the ’60s and ’70s. ADAM’s answer: I learned a lot from starting another tribute band five years earlier. I studied statistics and the market landscape, and saw a market gap for a top-quality Poison tribute. Bruce similarly learned a lot from starting a tribute earlier. He always loved Poison, and he also saw the potential. Frank enjoys the glam style, in general, and saw an opportunity to express his love for entertaining people. And boy, did he entertain.
At first, you close your eyes and you hear Bret Michaels, but unlike some tribute bands, you open your eyes, and you also see “Bret Michaels.” Frank does an amazing job portraying the fun-loving Michaels, and he got the crowd involved throughout the night. From having the crowd sing along, to Bruce and Frank getting into the crowd and performing their rose ceremony, if you were there, you were a part of the show. They interacted with any willing fan. At one point, upon seeing the camera, they stopped what they were doing and posed. What a fun bunch.
The set-list was non-stop as well and featured songs like “Cry Tough,” “I Want Action,” “I Won’t Forget You,” “Talk Dirty to Me,” “Love on the Rocks,” “Nothin’ But a Good Time,” “Back to the Rocking Horse,” “Tearin’ Down the Walls,” “Look But You Can’t Touch,” “Fallen Angel,” “Every Rose Has Its Thorn,” “Unskinny Bop,” “Life Goes On,” “Ride the Wind,” “Something to Believe In,” “What I Like About You,” “Rock and Roll All Nite” and “We’re an American Band.”
Check out the list of upcoming locations and make a plan to experience Shot of Poison first hand, you will be amazed.
Upcoming dates/locations Fri, AUG 9 – Finnegan’s Irish Rock Club – Scranton, PA Sat, AUG 10 – Woodlawn Beach & Tiki Bar – Buffalo, NY Thu, AUG 15 – Maple Tree Place Summer Concert Series – Williston, VT Fri, AUG 16 – Sharkey’s Summer Stage – Liverpool, NY Sat, AUG 17 – New London Veterans Motorcycle Run – New London, OH Fri, AUG 23 – Mc Sober’s Saloon – Coldwater, OH Sat, AUG 24 – Goodstock Music Festival – Goodland, IN Sat, SEP 7 – Sterling Fair – Sterling, MA Fri, SEP 13 – Gusto’s – Barre, VT Sat, SEP 14 – Mixers Nightclub & Lounge – Sabattus, ME Sat, SEP 28 – Hairfest 2019 at Indian Ranch Amphitheater – Webster, MA Sat, OCT 12 – The Phoenix – Stonington, CT Thu, NOV 21 – Granite State Music Hall (with Mr. Speed) – Laconia, NH Fri, NOV 22 – Blue Ocean Music Hall (with Mr. Speed KISS tribute) – Salisbury, MA
Rob Thomas’ Chip Tooth Tour rolled into Saratoga Springs on Wednesday, July 24, complete with some great opening acts, messages of gratitude and music celebrating both past and present. Although there was a smaller crowd for the venue, fans filled in to hear singer/songwriter Chris Trapper and the thunderously joyful Abby Anderson before Thomas took the stage at 9pm.
Rob Thomas of Matchbox Twenty. Photo by Jim Gilbert.
Rob Thomas is the lead singer of Matchbox Twenty, and he brought the rock star spirit in his dramatic entrance on stage. With lights flashing in time with the drum set, punctuating his presence, Thomas strode on stage, ceasing movement with generous pauses in light, sound and movement. The fierce guitar lick danced with Thomas, who ran backward high kneeing across stage. And in a moment it was clear: he’s a rock star – with or without his famous band.
Thomas welcomed the crowd after his second song, saying hello to Saratoga with a large grin. He added, ‘Here’s the thing. We’ll do this show tomorrow night, and we played it last night. But nothing is more special than this show tonight.’ And so started the message of the evening to be present and enjoy the moment. Thomas would reiterate this both in lyrics and words, chatting with the crowd throughout the evening – celebrating life’s every day moments in song and story.
From “Her Diamonds,” which acknowledges with brutal honesty loving someone with chronic pain, to the more folksy “The Great Unknown,” a song about death, Thomas’ desire to communicate his message resounded with authenticity. He invited Chris Trapp back up to sing Trapp’s original song about death, which was mashed up with Thomas’ “happy little song about death” in a joyful and honest moment on stage.
During “Streetcar Symphony,” Thomas expressed gratitude to his opening acts and fellow musicians on stage with him. He was clear in using his talent and velvety voice to share his wisdom to celebrate life in all its moments. Thomas talked about a time with his dogs on tour when he wrote “Little Wonders” for a movie soundtrack that made him recognize the joy in life through his animals.
Thomas covered David Bowie’s “Let’s Dance,” getting the crowd dancing in their aisles. After a full set of 17 songs, his fans called him back for an encore performance of “…Something to Be,” followed by loved Matchbox Twenty song “Unwell” and Santana’s “Smooth.” He was visibly having a great time, dancing and moving like the rock star he has become, without the rock star attitude. Instead he demonstrated generous gratitude, sharing the applause and calling his opening acts back to perform with him.
Thomas lives his message. He was present in the moment, and loving every minute of it.
Setlist: I Love It, Real World ’09, Lonely No More, Her Diamonds, If You’re Gone (Matchbox Twenty song), Can’t Help Me Now, The Great Unknown, Streetcorner Symphony, One Less Day (Dying Young), Little Wonders, Fire On the Mountain, Let’s Dance (David Bowie cover), 3 A.M., Ever the Same, Someday, I am an Illusion.
Encore: …Something to Be, Unwell, Smooth (Santana Cover), This is How a Heart Breaks.
Every music loving Suffolk resident knows that the Great South Bay Music Festival is our time to shine each summer. We don’t get to host the Governors Ball, the closest Warped Tour ever got was Jones Beach and calling Nassau Coliseum convenient to get to, when you live in Wading River, is pretty much bologna. But if one thing is clear, it’s that our fine state of New York is a divinely fertile nesting ground for music and arts of all sorts. When you live in eastern Suffolk, traveling “up the island” is always a necessary headache in order to reach said fertile nesting ground.
2019 Music Festival Pamphlet
But then there was Jim Faith – who created the heart of the Great South Bay Music Festival nestled down on the bay in Patchogue, NY. And don’t be fooled superstitious concert goers, for this festival now in its 13th year, was absolutely the most dynamic yet – (however please note, there will be “No Frisbee throwing in front of the Main Stage area” says the festival’s website).
Each night hosted a specific genre that allowed the festival to uphold its tradition of eclectic sound. From our hometown heroes Taking Back Sunday, to rock/reggae sweethearts Slightly Stoopid, festival heavy hitters Lotus and certified musical legends America – it is safe to say this diverse festival had something for pretty much everyone.
For those looking to dive into our local music scene, this place was abuzz from the moment the music kicked off. On multiple smaller stages scattered throughout the grounds, all four days had some super compelling lesser known artists that deserve their slot on your Spotify playlist.
Festival goers enjoy the performances at Great South Bay 2019
As opening day got underway, Thursday saw a lazy stream of fest-goers making their way into the venue due to earlier wet conditions. Ultimately though to the joy of the attendees, the sky cleared up for the night other than a few stubborn clouds.
Whatever We Are made their Great South Bay debut performing many great originals and having tremendous chemistry the main stage, performing through strong winds and grey skies. Ex-My Chemical Romance backup guitarist, Frank Iero, performed a great setlist with his band, Future Violents. They set the energy level high and helped the crowd ignore the weather and wind that took out one of the ‘Great South Bay banners’ on the Coors Light Stage. Long time fans were ecstatic to see Glassjaw, local post-hardcore band from Hempstead. Their loyal following did them proud, showing allegiance to songs well over a decade old. Not performing often these days, The Great South Bay Music Festival couldn’t have been happier to host this performance for a crowd that welcomed them back to the stage. Lead singer Daryl Palumbo and crew rocked onlookers for an hour with a hard and heavy performance.
Gabrielle Ross – Whatever We Are
Frank Iero and the Future Violents
Daryl Palumbo of Glassjaw
When Long Island favorites Taking Back Sunday came out, they were greeted by a cheer that only your home state could conjure. Over the course of their hour and fifteen-minute slot singer, Adam Lazzara (ham that he is) swung his mic and inserted the band’s personal anecdotes between songs. Essentially their entire performance was a hybrid of mosh-pit and sing-along. It was clear that their fans hadn’t forgotten, even the most obscure lyrics from their beloved album, Tell All Your Friends, which celebrates its 20th anniversary this year. There’s something really special about local acts playing to the fans who lifted them up to the level of success they enjoy today, and Taking Back Sunday’s performance was no exception.
Taking Back Sunday performs a thunderous setlist and keeps the rain away!
FRIDAY:
As Friday commenced the crowd embraced the beginning of the weekend’s forecasted heat wave, which brought temperatures up into the 90’s. But to the surprise of many, at the gate of the festival each person was offered complementary water courtesy of Long Island Cares. This seemingly small gesture really highlighted the overall neighborhood feel the gathering aims for.
Although the weather was hot, with free water in hand, the crowd entered psyched and ready to celebrate a summer night with insane music. The mood of the crowd went perfectly with the day’s theme which is traditionally reggae/hip-hop fusion. Over at the main stage, local reggae darlings Oogee Wawa were busy captivating an audience that proved they were ready to party. With a tour schedule that boasts playing 200 gigs a year since 2013, these fellas know how to hype a crowd. Their infectious energy was the absolute perfect kickoff to the night.
Oogee Wawa delivers a joyful and amazing performance sharing love for their fans
Meanwhile over at the Clamshell Bandshell, standout independent act and hip-hop artist Dudley Music took the stage. Right away the lyricism was impressive – his thoughts were clear, meaningful and well delivered. Accompanied by a full band including guitar, drums and bass – Dudley’s musicianship blew onlookers away as he switched between multiple instruments, including keyboard and saxophone. His musical arrangements were creative, cohesive and well thought out. The deeper into his set, the larger the crowd got, until there were a couple hundred people grooving and hollering for more. Ending his set, he weaved “This is How We Do It” by Montell Jordan into his own original track and captured the audience by engaging them in a sing-along that left more than a few wanting more. Dudley, without question, won over some new fans and exposed the crowd to a style they may not have experienced before.
Dudley Music plays for their fans at Clamshell band
Once it was time for Sublime with Rome, the steadily increasing crowd began to squeeze up towards the stage. That night old school Sublime fans were out! As the words “she was living in a single room with three other individuals…” played (a classic Sublime soundbite taken from the film Beyond the Valley of the Dolls), the crowd suddenly erupted with cheers. This tune, considered a cornerstone Sublime song by fans, was played along with an impressive set of tracks from back when the band still had original lead singer Bradley Nowell. For the most part they played throwback Sublime songs, only peppering in their newer additions here and there. The crowd showed Eric Wilson, the only original Sublime member left, showed massive amount of love as he was exiting the stage.
By the time Slightly Stoopid’s set was up, a overwhelming crowd had amassed. Their passionate fans went out of their minds as the members wandered to their places, thick clouds of synthetic smoke drifted in the background. Opening with the dynamic instrumental, “Dabbington,” their horn section of trombone and saxophone immediately made waves. Per usual, throughout the performance lead vocals were shared by frontmen Miles Doughty and Kyle McDonald, who also crisscrossed back and forth between bass and guitar. While playing some of their super early surf-punk songs in order to let fans “get the wiggles out,” a proud mosh-pit formed in the center of the crowd to the mild chagrin of security. The band fed so well off of everyone’s energy during the entirety of the performance, Slightly Stoopid made it very clear that they appreciated the love New York had to show these Cali natives.
Sublime with Rome
Slightly Stoopid
SATURDAY:
As the years float by, Great South Bay Music Festival has grown and morphed into the success it is today. One of the evolutions being the additional stages that are scattered throughout the grounds. Having these outlets are fantastic as it allows the festival to veer off theme each night, giving even more artists the opportunity to showcase their talents.
This year’s newest addition was the Busker Stage, bringing the festival grand total of four. As fest-goers leisurely strolled the area leafing through the vendor’s offerings, Andrew Fortier and Tricycle began to croon. They had a pragmatic, salt of the earth feel accompanied by a rich three part harmony that was nothing short of angelic. They were the nights best kept secret.
Andrew Fortier and Tricycle
As the sun began to set, Spafford kicked off the jam band lineup over on the main stage. This group of musically talented men captivated the eager crowd and compelled their spirits to let loose, dance and enjoy. Even through the stifling heat – hands waved, feet were moving and by-george you better believe the hula hoops came out. The band’s sound had a lighthearted airiness about it that easily carried you right through their lengthy improvisations. It felt appropriate that a gorgeous breeze off the bay began sweeping over the crowd as their set concluded.
Next up was Dweezil Zappa, opening his set with a heavy and energetic tune. If the jam band night is nothing else, it is certainly relentlessly energetic. Zappa relinquished vocal responsibilities to multiple other band members as he jammed on lead guitar for the majority of the performance. Vocalist Cian Coey stood out as a powerhouse, ending their first number with a resounding high note, like it was straight off a Guns ‘N Roses track. The crowd went wild with appreciation. When Dweezil himself lent his vocal contributions, it was more like a spoken word piece being woven into music. His unique stylized delivery made the lyrics stand out, really giving the entire performance a commanding presence.
Darkness fell over the grounds as headliner, Lotus, made their way into the spotlight. As they began to play, glow sticks were abound with neon colors flying through the sky. The group’s offering were a bit hard to categorize. At first their dance friendly, funky 70’s vibe, created something that sounded like it should have been on the Superbad soundtrack. Blend that up with some kaleidoscopic synthesizer and then sprinkle in a diverse array of sound effects; that probably still wouldn’t fully describe the sound. At times it was difficult to even discern what instrument was creating each sound. It was truly a carnival for the ears – a colorful whirlwind of notes. Throughout this set of progressive jams the band had their dark and brooding moments; but each song ultimately concluded with a positive outburst of that dance friendly, funky sound.
Dweezil Zappa
Spafford
Lotus
SUNDAY:
As the music festival’s last day commenced it seemed somewhat appropriate that it also turned out to be the hottest day yet. As the flock of music fans sizzled on the grass everyone there brought their best spirits to finish out the weekend on a high note.
The Clamshell Bandshell got down to business right away with The End of America, a band from Philadelphia, PA, that brought some tight three-part-harmonies to the joys of a growing crowd. The outfit easily coaxed every passersby into listening, as it just felt natural to wander towards their sound. The vocalists (playing an acoustic and electric guitar and banjo respectively) gave a soulful, meaningful delivery of lyrics. They came across as a band that really had something to say, important messengers during times of trouble.
Over on the main stage Edgar Winter emerged as the sun still blazed in the sky. He began by playing “Free Ride,” which got people immediately invested in the classic tune. He also engaged the crowd by narrating small stories between each song that gave the entire performance a personal touch. One particular song, “Tobacco Road,” ended up turning into a 15-minute long anthem. Several minutes in he broke off into a call and response with his guitarist – Edgar creating the vocals followed by guitar mimicking his notes. This then flowed into an epic interlude of crazy improvised scatting which morphed into several instrumental covers of famous rock melodies such as Led Zeppelin’s “Kashmir.” Towards the end of the set Edgar took a moment to make a heartfelt shoutout to his brother Johnny Winter who passed away back in 2014. The crowd paid homage to his brother’s memory with a barrage of claps and screams.
The music group WAR notably featured sweet soulful harmonica licks from the very first song. Some rich vocal harmonies over a funky beat accompanied by of course (as this became the brass hero of the festival) the saxophone. WAR played the opening notes of popular track “Spill The Wine” to the crowd’s delight. Everyone really came together enjoying the music that was so happy and energetic, it was like a Sunday night family party. Then drummer, Salvador Rodriguez, sang a version of their ballad “So.” Belting notes with the vocal clarity found in pop stars, Rodriguez left the crowd seriously spellbound. Finishing off with the classic “Why Cant We Be Friends,” Lonnie Jordan and his crew delivered a super high energy finale – everyone in attendance could tell the band was having the time of their lives.
Lonnie Jordan, 71, has been last standing original member of WAR for over 20 year.
The very last of the entire four day bonanza was America. They have officially been performing together for 50 years and they certainly took the stage with the poise and showmanship of those who have been in the game. Throughout their performance there were multiple guitar rips that made them worthy of the label “classic rock.” Mid-set they put their own spin on Beatles song (which is always a crowd pleaser) Eleanor Rigby. As their set was winding down, America continued playing as a lightning storm rolled in over the bay. They continued on for as long as they possibly could, but were ultimately forced to cut their last songs short for everyone’s safety. They never got to play Horse With No Name, their extremely popular and arguably most well known song.
Edgar Winter
Lonnie Jordan
America
All in all the feel of this year’s gathering captured exactly what Jim Faith had initially set out to do, bring our local neighborhoods together in peace and music. It felt much like a big block party or backyard barbecue. It was commonplace as a passerby to see people running into friends and exchanging excited hugs. There were giggling kids running around and groups of people hanging back in lawn chairs enjoying cold beers and each other’s company. The festival can be pretty much exactly what you decide to make of it. So whether it’s a relaxed chill session or an energetic experience at the front of the stage, The Great South Bay Music Festival has got you completely covered!
Chrome Food and Spirits in Waterford, NY was the site of a recent anniversary party for the Capital Region’s newest online local radio station, RadioRadioX. Founded on July 10, 2018 by local musicians, Art Fredette and Ralph Renna, the fledgling station has marked its “X” on the spot in the Capital Region through its Waterford radio station headquarters along with its monthly magazine, The Xperience Monthly. Its mission since formation has been aimed towards playing great music and supporting the local scene through the arts and the ever-growing music scene that continues to serve the Capital Region.
July 10 was the official one-year anniversary of the station. In celebration of both that and the magazine, the RadioRadioX team held a rocking birthday party held Sunday, July 14 at Chrome Food and Spirits. The party was full of fun shenanigans and great live entertainment all afternoon. It was a fun event for the community to be a part of this summer to celebrate the birth of a local radio station, its local original artists and cover groups, and the local artisans and businesses who make up our great scene.
Art Fredette
Before it became RadioRadioX, the radio station was known as “The X.” Music fans would tune into the station on public radio at 106.1 FM where it would receive airplay for nine months until its untimely demise last year when the radio station that was playing local and regional music not normally heard on popular radio was suddenly taken off the airwaves. Local musicians and fans of the popular station were in an uproar that the station, which was playing their music and supporting the local scene, had disappeared without a trace. Eventually, 106.1 FM became a popular Top 40 radio station and, later, became one of two stations for WEXT.
Rising up from the ashes, members of “The X” jumped into action and decided that the only way to celebrate its demise was to have a funeral party for the station that was held on April 14, 2018 at The Hangar On the Hudson in Troy, properly called, “A Funeral For The X.” A who’s who of the Capital Region’s local scene, like The Ramblin’ Jug Stompers, Soul Sky, The Lawn Sausages, Buggy Jive, C.K. And The Rising Tide, to Acoustic Trauma, all came out to pay their respects to the radio station through live music. With death comes rebirth, and “The X” suddenly became RadioRadioX, much to the delight of the scene who was ready to see their radio station make a comeback with a splash.
Since its rebirth, RadioRadioX has built a name for itself. The radio station was created by local musicians and serves the local scene on a whole new level. Since March 2019, RadioRadioX has held their own monthly concert series at their studio where patrons could check out the studio in person while sitting back and enjoying some live music from local solo acts and bands at their event, “Xperience Live.” An open house was held at the studio featuring music from the ’60s lounge cover group Off The Record, and the “Second Chance Prom,” held at Il Faro Restaurant and Bar, that the band also took part in for this exclusive RadioRadioX feature event. Along with the online station came a monthly magazine, The Xperience Monthly. The magazine features exclusive music interviews, show reviews, short fiction stories, and arts features written exclusively by local musicians and artisans who are dedicated to keeping our local creative scene alive.
Live music for this event was held on two main stages. In between sets, as the larger acts set up their gear and did their sound checks, patrons went inside the bar to have a drink while watching great performances from solo performers like Brittany Robichaud and Will Foley, and a duo performance from Big Frank and The Bargain Bingers members Frank Novko and Johnny Hoffman. From Robichaud’s acoustic take of Alanis Morissette’s “Not the Doctor,” to The Bargain Binger’s unique take on a popular Rolling Stones cover, each act kept their audience entertained with their cover tunes.
The acts that were featured on the main stage included Albany’s Honey Slider, featuring Caity Gallagher (vocals/piano) and Alec Lewis (vocals/lead guitar), Acoustic Trauma, The Lawn Sausages (featuring Luke McNamee on saxophone), Soul Sky, The Chris Busone Band and headlining act, Murali Coryell’s Electric Band.Honey Slider’s originals were soft and sweet through their delicate piano melodies and swift guitar measures. Acoustic Trauma was blazing loud and energetic. Maceli’s swift violin play and the energy he has on stage along with his backline, was amazing. Soul Sky, featuring their three-guitar army of Mark Emanatian, Joe Mele, and Jeremy Walz, raised the roof to a whole new level through their guitar soloing as they fed off each other in their cover of Eric Clapton’s “Why Does Love Have to be So Sad?” Funny as always, The Lawn Sausages continue to entertain with their non-stop jokes in between songs and their funny song lyrics that they played from their new album, Appetite for Dysfunction, even at one point inviting two female dancing friends to join them on stage to be their backup dancers for a song.The blues remain alive and well as the final two bands, Chris Busone Band and Murali Coryell’s Electric Band, played some tasty tunes for the soul. Coryell’s set, although short, was amazing with the assistance of his bassist and drummer. He performed some tunes from his current album, Made in Texas, and left his audience wanting more. The blues is certainly in his blood and it is clear how much passion he has for it through his musical tribute to Muddy Waters and in his original tune, “Eyes Wide Open.” Lastly, the “Superstition” from the Chris Busone Band had the audience on their feet with their eyes agape in awe as they watched them perform solos with both passion and a slight angst.In addition to the music, a group of local businesses and artisans proudly displayed and sold their merchandise. RadioRadioX gave away some tickets to raffle winners who wished to attend the “Divine Vibes” event held at The Beer Diviner in Cherry Plain, NY. The businesses and artisans who took part at the event include Goldie’s Marketplace, ALM Fine Art And Photography (featuring music photography from Amy Modesti), Mary Kay consultant Angela “Diamond” Fowler, The American Red Cross, American Foundation for Suicide Prevention with music CDs for sale from Will Foley, Park Lane, and visual art, jewelry, and writings sold from Carol Bosselman. RadioRadioX not only supports the local music scene, but they support their community and the local businesses who come together to help bridge their creative community together in the Capital Region. This party helped build community among the local businesses, artisans, organizations, and the music scene in one fun afternoon.
Happy Anniversary, RadioRadioX! Congratulations to the entire team for hosting and putting on this fantastic event at Chrome Food and Spirits. And “Cheers” to many more years in local online radio, newsprint, and helping to bridge together local artisans, musicians, and businesses into one great melting pot of creativity and collaboration.
Bowlive VIII rolled on at the rustic Brooklyn Bowl with Soulive and legendary Meters funk bassist George Porter Jr. sitting in. The setlist had no shortage of covers, including songs from The Beatles, The Meters and The Grateful Dead. Soulive’s current line up includes Eric Krasno (guitar), Alan Evans (drums) and Neal Evans (organ, bass keys, clavinet).
Eric Krasno
Soulive began the first set as a trio, delivering the band’s signature jazz-funk. Originals “So Live” and “Steppin’” got the crowd ready to party with Krasno’s delicious guitar work. A rocking instrumental version of The Beatle’s “Eleanor Rigby” was up next, followed by a new Soulive original, “Waves”.
George Porter Jr.
Alan Evans addressed the crowd with ,”Is it time?” The crowd responded with a resounding approval and the King of Bowlive, George Porter Jr., joined the funky party. Drawing from his time with The Meters, Porter led covers of “Pungee” and “Africa” and took the lead on vocals. The set wrapped up with the tasty New Orleans classic “Iko Iko,” by The Dixie Cups.
Set two continued with more of The Meter’s catalog, starting with “Look-Ka Py Py” from the album of the same name. The funk classic “Keep On Marching” from the Fire on the Bayou album was up next. The funk single “I Need More Time” had the crowd dancing like no one was watching. Rejuvenation‘s “What’cha Say” then proceeded and “He Bite Me”, also from Fire on the Bayou, closed out this delightfully funky sequence.
This talented group of musicians then switched gears and doubled down on one of Porter’s favorite songs to cover, The Grateful Dead’s “Sugaree.” Porter’s soulful voice and eclectic bass skills brought new life to this beloved classic. The frequent Dead cover and Bobby Bland original “Turn On Your Love Light” lit up the room and was the jam of the night. The set wrapped up with another Meter’s classic, “It Ain’t No Use.” This electrifying group then closed out one hot night with another Rejuvination tune for an encore with “Just Kissed My Baby.”
Setlist
Set One: So Live, Steppin’, Eleanor Rigby, Waves, Pungee*, Africa*, Iko Iko*
Set Two: Look-Ka Py Py*, Keep On Marching*, I Need More Time*, What’cha Say*, He Bite Me (The Dragon)*, Sugaree*, Turn On Your Love Light, It Ain’t No Use*
Thursday night kicked off the second round of shows celebrating the ten-year anniversary of Bowlive, the unique relationship that brought together Brooklyn Bowl and Soulive has produced some of the most interesting and classic musical collaborations in the New York music scene.
For show number four of the anniversary run, Soulive welcomed the extremely talented Marcus King, the southern rock prodigy who has quickly rose in popularity for his immense musical talent and charm treated a sold out crowd to an amazing night of music with takes on a few Allman Brothers classics and the Soulive catalog.
Bowlive is all about collaboration, not only chemistry on stage but a connection between musicians. It’s amazing to see the friendship blossoming between Erick Krasno and Marcus King as it shines through the music and joy shared on stage.
The 2019 Pleasantville Music Festival is now in the books. This was my first time at the festival, held 30+ miles north of NYC, which was celebrating its 15th year. Before heading to the festival I found out a few things about Pleasantville, N.Y. It is a village in a town, it’s first train station was built circa 1846, and has roughly 7,000 people living there, per the 2010 census. I started to think, village, 1846, music festival? I was, well, concerned.
But I was schooled- schooled quickly. With past headliners including Gin Blossoms, Blues Traveler, The Smithereens, and Ian Hunter; the quality of music spoke for itself. The organizers maximized the large enclosed multi-use sports field enabling three musical stages, an abundance of food and drink vendors, large kids play section, tented shade areas and enough space for all to enjoy the day without being on top of one another.
Recycle station volunteers
As part of the festival and “to keep the Earth happy” they instituted a zero waste program including manned recycling stations and volunteers who continually roamed the site, picking up any trash that may have made it to terra firma. I was taken by how well they kept the festival site clean. Water stations offering free fill ups were available for all, whether you bought something to drink or brought a refillable bottle with you.
Then there was music. Three stages offered different musical grooves from local to national acts. The Chill Tent, a very large covered area with a multitude of large fans circulating air throughout, offered acoustic styled acts including Dean Freidman and Chill headliner Matthew Sweet, who filled the tent to capacity. The Party stage, a decibel or two louder than the Chill Tent, true to its name was a party for all. Bands playing this stage were definitely adding heat to an already hot day. Two acts on this stage that caught my attention were Micky James and the band The New Respects, both had everyone on their feet and wanting more.
Matthew Sweet in the Chill Tent
The main stage was just that with BAILEN, Aimee Mann, Soul Asylum, and headliners Everclear playing to a field full of fans, singing and dancing to their hits. The bands were interacting with the crowd making the main stage feel like the most intimate of places.
The day’s musical extravaganza started with the three winners of the Lagond MusicBattle of the Bands competition. The winners, Mosa, SpitPhyre, and Lillimure, set the tone for each stage they performed on. It was great seeing support for new and developing musical talent. Eighteen acts played this hot, blue sky day. The coordination of the two smaller stages with the main stage allowed you to experience all the acts and not feel you missed out on something going from one stage to the other.
With my knowledge of Pleasantville, N.Y. social studies enhanced and having had consumed a plethora of great music, all I have to do now is wait for year 16 to get on the calendar.
Soul AsylumThe New RespectsDean FriedmanSwahoogieReady for some rock ‘n rollMatthew SweetMosaAlex Cano Aimee MannBruce T CarrollBAILENE’lissa JonesField entertainmentColor Tongue LillimureMicky JamesTough competitionMeltSpitPhyre
