Gordon Lightfoot has postponed the October and November dates of his “80 Years Strong” due to a leg injury the Canadian balladeer sustained while working out earlier this year.
The 80 year-old Lightfoot was scheduled to perform dates at Binghamton’s Broome County Forum on Oct. 25, Buffalo’s Kleinhans Music Hall on Oct. 28, Rochester’s Kodak Center on Oct. 29 and Utica’s Stanley Theater on Nov. 3.
A statement from Lightfoot’s representatives stated, “Doctors orders have mandated that Gordon will not be sufficiently recovered, due to complications from an injury sustained while working out at his gym, and will be unable to travel in time for his upcoming tour.”
Tickets already purchased may be refunded at the point of sale and all tickets will be honored at the rescheduled dates, which are expected to be some time in June.
The historic Cohoes Music Hall just north of Albany is hosting an incredible slate of music this fall. Built in 1874, the venue has been the hub for entertainment and culture in the Spindle City, with an ornate style, brilliant acoustics and intimate setting for shows of all genres, as well as musicals and more. All shows are all ages, with doors opening at 7pm and music starting at 8pm. Click here for more info on the shows.
Thursday, October 10 – Melvin Seals & JGB
Melvin spun his B-3 magic with the Jerry Garcia Band for 18 years and in doing so helped pioneer and define what has now become “Jam Band Music”. From blues to funk to rock to jazz, Melvin Seals serves up a tasty mix with a little R&B and gospel thrown in to spice things up. John Kadlecik will be joining the band on lead guitar.
Saturday, October 12 – Marco Benevento with special guest Mikaela Davis
Touring in support of his new record ‘Let It Slide’. Dubbed “one of the most talented keys players of our time” by CBS Radio, Benevento’s released six critically acclaimed solo albums over the last decade, performed everywhere from Carnegie Hall and Newport Jazz to Lollapalooza and Bonnaroo. “It’s safe to say that no one sees the keyboard quite like Marco Benevento’s genre-blind mashup of indie rock, jazz and skewed improvisation,” the LA Times raved, while NPR said he combines “the thrust of rock, the questing of jazz and the experimental ecstasy of jam.”
Friday, November 8th – Marc Cohn
After winning a Grammy for his soulful ballad “Walking in Memphis,” Marc Cohn solidified his place as one of this generation’s most compelling singer-songwriters, combining the precision of a brilliant tunesmith with the passion of a great soul man. Rooted in the rich ground of American rhythm and blues, soul and gospel and possessed of a deft storyteller’s pen, he weaves vivid, detailed, often drawn-from-life tales that evoke some of our most universal human feelings: love, hope, faith, joy, heartbreak.
Saturday, November 16th – North Mississippi Allstars
Founded in 1996 by brothers Luther (guitar and vocals) and Cody Dickinson (drums, piano, synth bass, programming and vocals), the now venerable blues rock band are entering their third decade. “This is a very exciting time for North Mississippi Allstars,” Cody says. “There’s been this explosion of creativity lately and it’s encouraging that for a band who has been around for twenty years now, our music is as vital and fresh as ever. It’s like the opposite of burnout — I can’t explain why but it feels totally brand new again.”
Wednesday, November 20th – Tommy Castro & Tinsley Ellis
Tinsley Ellis wears his Southern roots proudly. Born in Atlanta in 1957, he grew up in southern Florida and first played guitar at age eight. Averaging over 150 live shows a year, Ellis has played in all 50 states, as well as Canada, Europe, Australia and South America. Whether he’s out with his own band or sharing stages with major artists like Buddy Guy, The Allman Brothers, Gov’t Mule or Widespread Panic, he always digs deep and plays, as Guitar Player says, “…as if his life depended on it.”
Whether Tommy Castro is squeezing out the deepest blues or playing the funkiest soul grooves, legendary blues and soul giant Tommy Castro knows how to ignite a crowd. Over the course of his still-unfolding career, the guitarist, vocalist and songwriter has released 15 albums ranging from horn-fueled soul and R&B to piping hot blues to fiery rock ‘n’ roll.
Thursday, November 21st – Lotus with special guest Wax Future
Lotus has always been difficult to define musically; an instrumental jamband that has favored groove-based improvisation instead of gaudy solos and noodling. Influences of classic electronic dance music, funk, post-rock and dance-rock have all made their way into the Lotus sound. Approaching two decades together, Lotus has toured actively throughout the US working their way up from dingy basement clubs to world-class venues such as Red Rocks.
Central New York songwriters Mike Powell and Chris Merkley will celebrate the connection between craft beer and music this October with their first mini-tour of local breweries, fittingly in their home region, which at one time produced 90% of the hops in the U.S.
Since the passing of the Craft New York Act in 2014, more than 400 licensed breweries have opened across the state. Not only did this act create many new places to sample craft-brewed beers, but it also created almost as many new performance spaces for musicians. Powell and Merkley have chosen four of these breweries for their 4-pack micro tour, dubbed Original Gravity.
In brewing terms, original gravity refers to the specific gravity of the wort prior to fermentation, which is the process that produces the beer. The name of this mini-tour fits perfectly within that theme. The two friends are embarking on the first of what they hope will be a continuing series of brewery stops. This tour will measure the original gravity of this type of endeavor.
They’ll be exploring different perspectives on the idea of craftsmanship, taking a closer look at the similarities between songwriters and brewers while documenting their travels as part of a collaboration with NYSMusic. The folk, blues and Americana-inspired songwriters will make stops in Rome, Penn Yan, Warners, and Pompey between October 10 – 13.
Mike Powell and John Hanus of the Black River provided by press contact person for Woods Fest Music Festival.
Singer-songwriters spend countless years honing their craft and exploring the endless possibilities and nuances of pairing lyrics to music. When these songs finally make it to the microphone, they impact listeners with a wide range of thoughts, feelings, and emotions. In similar ways, a craft brewer can enter into the tradition of brewing beer and spend as many countless years refining their recipes and process to create just the right balance of flavors and notes for that first sip.
The first stop of the tour takes Powell and Merkley to Copper City Brewing Company in Rome for a Thursday, Oct. 10 show. Established in 2016, Copper City is Rome’s first brewery since the 1940s. With 11 beers on tap and a selection of hard ciders and wines hand-selected from the region, Copper City has dedicated itself to bringing brewing back to the community and is proud to be the first local microbrewery in over seven decades. Music starts at 7 p.m. and admission is free.
Mike Powell
The second show of Original Gravity takes the songwriters west to Abandon Brewing in Penn Yan on Friday, Oct. 11. Perched atop the Finger Lakes, Abandon Brewing Company is a geothermal-powered craft brewery located in a reused farmhouse overlooking Keuka Lake. Visitors can enjoy tastings in the taproom, a pint in their beer hall or out on the deck overlooking the grapes, apples and hops of Abandon Acres. Music starts at 8 p.m. and tickets to the show are now available through the Facebook event and through Eventbrite.
For the third show of the tour, Merkley and Powell travel to a brand new brewery in Pompey called Heritage Hill Brewhouse. With farm-to-table dining options and an expansive property that features multiple playgrounds and patios, a pumpkin patch, and numerous gardens, Heritage Hill offers views as far as the Carrier Dome and across nine counties on a clear day. Powell and Merkley are scheduled to perform on their outdoor stage at 3 p.m. on Saturday, Oct. 12. In the event of inclement weather, music will move indoors in Heritage Hill’s event barn.
The fourth and final show of the micro tour brings the songwriting duo to Warners for a performance at Local 315 Brewing Company. Growing their own hops at Fawn Crossing Hops Farm, and supplementing other ingredients from as many New York State products as possible, Local 315 Brewing has made it a mission to keep it local in the 315. Music starts at 3 p.m. on the 12th and will take place on the outdoor stage weather permitting.
With a vintage voice and a chest full of hauntingly heartfelt songs, prolific storyteller Mike Powell is the underground messenger of blue-collar soul. Each night the lights go up, this pioneering poet lets his guard down and allows the fervently fearless stories to come to life. His comfort behind a microphone and unique brand of atomic folk creates a vibe that warms the room like a long-ago fire burning hot inside a cabin in the woods.
Armed with a pair of homemade wooden boxes, resonator guitar, and a suitcase full of harmonicas, Chris Merkley has performed over a thousand shows from the streets of Paris to venues throughout Europe and across the United States. He has released nine albums with a variety of groups which include the songwriting duo Merkley & Morgan, his high-octane country/blues belting band of globetrotters called The Crooners, and the swampy blues rock trio Digger Jones. In addition to an extensive career of recording and touring, Merkley has composed and produced catalogs of original music for Cinemax and HBO and has had his songs featured in numerous independent films and television broadcasts.
Throughout the duration of Original Gravity, there will be regular updates at NYSMusic featuring blog-style entries to document tales of their tour. Accounts of the shows as well as perspectives on the unique characteristics of each brewery, and their approach to brewing will be covered along with stories from the road. More information on the music of Powell and Merkley can be found on Facebook or by visiting their websites at MikePowell.co and ChrisMerkley.com.
Borderland Music + Arts Festival 2019 showcased some of the best roots and rock music of today on the beautiful grounds of Knox Farm State Park. In addition to the music spread out over three stages, there were art vendors, installations, ample food and beverage options, even alpacas and axe throwing. Headlining Saturday night was Warren Haynes’ Gov’t Mule. Sunday saw Greensky Bluegrass close out the festival.
Carving a wide path through the musical spectrum, Ezra Bell brings thrir folk/soul/rock sound to New York City on Friday, September 27 and Syracuse on Sunday, September 29. Featuring the irreverent and introspective songwriting of Benjamin Wuamett, Ezra Bell has been a staple of the Portland, OR scene since 2013, with three well-received EPs under their belt.
Ezra Bell features Maurice Spencer (bass), Tom Trotter (drums), Aaron Mattison (horns and arrangements), Honora Hildreth (backing vocals and percussion), and Jeremy Asay (keys and guitar) more-than-ably backing up Wuamett’s story-songs and satirical jigs with organic precision.
Ezra Bell has released three EP’s: Don’t All Look Up at Once, 2013; We Came by Canoe, 2014; and Farewell Griffin, 2016. Their first full length eponymous album dropped in May 2018 and is streaming now. They are currently recording regularly and releasing singles almost as quickly as the months fly by.
Bob Dylan returns to Beacon Theatre in New York City from Nov. 23 to Dec. 6, with a 10-night run. The historic venue has a longstanding tradition of multi-night runs with acts like the Allman Brothers Band, Steely Dan and, most recently, Tedeschi Trucks Band.
The shows will come at the end of the famed songwriter’s mostly college/university fall tour. Dylan first played at Beacon Theatre back in 1989 and continues to establish a tradition of end-of-the-year performances at the Upper West Side venue. He previously played the Beacon 33 times including a seven-concert residency in 2018.
A stop in Central New York will also be on the schedule. Bob Dylan & His Band will
perform at the Ithaca College Athletic and Events Center on Sunday, Nov. 17 as
part of his upcoming tour dates.
The fall tour kicks off Oct.11 in Irvine, CA. Tickets are currently available for purchase through Ticketmaster.
Bob Dylan Tour Dates: Oct. 11 – UC Irvine – Irvine, CA Oct. 12 – Santa Barbara Bowl – Santa Barbara, CA Oct. 14 – Stanford University – Palo Alto, CA Oct. 17 – The Mission Ballroom – Denver, CO Oct. 19 – Pinnacle Bank Arena – Lincoln, NB
Oct. 20 – Arvest Bank Theatre at the Midland – Kansas City, MO Oct. 22 – Stifel Theatre – St. Louis, MO Oct. 23 – Iowa State University – Ames, IA Oct. 24 – Mankato Civic Center – Mankato, MN Oct. 26 – Eagles Ballroom – Milwaukee, WI
Oct. 27 – Indiana University – Bloomington, IN Oct. 29 – Illinois State University – Normal, IL Oct. 30 – Credit Union 1 Arena at UIC – Chicago, IL Nov. 1 – Morris Performing Arts Center – South Bend, IN Nov. 2 – Ball State University – Muncie, IN Nov. 4 – Ohio State University – Columbus, OH Nov. 5 – Michigan State University – East Lansing, MI Nov. 6 – University of Michigan – Ann Arbor, MI Nov. 8 – Northern Kentucky University – Highland Heights, KY Nov. 9 – University of Akron – Akron, OH Nov. 10 – Robert Morris University – Moon Township, PA Nov. 12 – University of Maryland Baltimore County – Baltimore, MD Nov. 13 – Virginia State University – Petersburg, VA Nov.15 – Penn State University – University Park, PA
Nov. 17 – Ithaca College – Ithaca, NY Nov. 19 – University of Massachusetts – Lowell, MA Nov. 20 – Providence Performing Arts Center – Providence, RI Nov. 23 – Beacon Theatre – NYC Nov. 24 – Beacon Theatre – NYC Nov. 26 – Beacon Theatre – NYC Nov. 27 – Beacon Theatre – NYC Nov. 29 – Beacon Theatre – NYC Nov. 30 – Beacon Theatre – NYC
The 19th Annual Native American Music Awards will take place at Seneca Niagara Hotel and Casino in Niagara Falls on Nov. 2. Among this year’s nominees are four New York-based acts. Public voting is now open through the NAMA website.
Syracuse’s Irv Lyons, Jr., Joanne Shenandoah, and the Ripcords were each nominated as well as Buffalo’s Nick Lone. Lyons earned two nominations, one for Best Rock Recording for his Sisters and Brothers album and one for Song of the Year, “Looking for the Light” from that album.
Lyons recorded his latest album at SubCat Studios in Syracuse with an all-star cast of area musicians that included Joe Driscoll, Billy Harrison, Melissa Gardiner, Edgar Pagan, Melanie Krahmer, Richie Melito, and others. Lyons is a Oneida Nation native and also a member of the Ripcords, who have also been nominated this year. His band’s sounds are rooted in blues, Latin jazz and country. The lineup he put together for his latest album brings hip-hop, jazz, rock, Latin jazz performers, producing a truly eclectic album.
Irv Lyons, Jr.
Shenandoah is up for Best Indie Single of the Year for her song “We Will Rise Up.” She is a Grammy-winning and 14-time Nammy winning Oneida Nation Native that not only writes and performs but is also an internationally recognized humanitarian and peace advocate. She is a founding member of the Hiawatha Insitute for Indigenous Knowledge and has performed for the Dalai Lama and Nelson Mandela. The Associated Press has described her as “America’s most celebrated and critically acclaimed Native American musicians of her time.”
Joanne Shenandoah
Buffalo’s Nick Lone is nominated in the Best Rap/Hip Hop/R&B category for his song “Native Pride.”
The Ripcords are a Syracuse-based band influenced by the blues, roots rock, rock-a-billy, and the music of New Orleans. They’ve been on the Syracuse music scene since 2003 and have performed throughout the Northeast. The band has been nominated in the Best Blues and Best Live Video categories for this year’s Nammys for their album Live at SubCat Studios.
The full list of this year’s nominees is below.
19th Annual Native American Music Awards Nominees:
Artist of the Year
Bear Fox (Mohawk) – Life Blanket
Murphy Platero (Navajo) – Butterflies, Horses and Guitars
Shelley Morningsong (Northern Cheyenne) – Simple Truth
Tonemah (Lumbee) – Red Dirt Remark
Vince Redhouse (Navajo) – A Distant Star
Wade Fernandez (Menominee) – Journey of the Heart
Group or Duo of the Year
Crazy Flute (Cherokee) – We Belong To The Music
Cree Confederation (Cree/Various) – Medicine Horse
Larry Redhouse Quartet (Navajo) – Naomi’s Dance
Sihasin (Navajo) – Fight Like A Woman
The Cody Blackbird Band and Connor Chee (Dakota, Cherokee, Navajo) – Live From White Horse Black Mountain
Young Spirit (Plains Cree/Various) – Red Dress Special/Love, Life, Round Dance
New Artist or Debut Artist of the Year
Alex FireThunder (Lakota) – Makȟóčhe Kiŋ Theȟíla (Love For The Land)
D Johnson (Navajo) – K Town
David Lopez (Comanche/Tarahumara) – If I Won The Lottery
Rooted Entertainment and Woods Valley Ski Area are joining forces to celebrate Mother Earth with the inaugural Harvestfest at the ski area located just north of Rome on Oct. 19.
The day-long, first-year festival is headlined by Hayley Jane with special guest Rob Compa of Dopapod and Syracuse’s Root Shock.
The festival kicks off at 2:00 p.m. and is designed as a celebration of Mother Earth and female musicians. Joining the headliners are Connecticut r&b/soul act Erica T. Bryan from West End Blend with her latest project the New Mosaic, Ithaca ska band ¡Viva Mayhem!, and Syracuse alt-blues punks Late Earth.
A portion of the proceeds from the festival will be donated to Groovesafe, a non-profit movement organized to stop unwanted touching and sexual assault at live music events.
Tickets for the family-friendly festival are $20 and available through the Woods Valley website here. For more information, visit the Facebook event page here.
Brooklyn-based, folk-Americana group The Morning Sea recently released their new single and video, “Mad in Berlin” via Americana-UK. Recorded in band member Sonny Ratcliff’s Brooklyn apartment, “Mad in Berlin” is the second single from their upcoming album Half Keys and features footage from the band’s travels to Berlin.
“Mad in Berlin” portrays an air of excitement and freedom, and a sense of optimism slightly obscured by a wary sense of struggle on the horizon. The song’s video, directed and edited by Ratcliff, captures these emotions beautifully by combining a blend of joyful and melancholy images.
Songwriter / frontman, Adam Cohen, started The Morning Sea as a solo project in 2013, but the project quickly flourished into a full-fledged band with the help of a talented crew of New York City musicians, notably including Cohen’s long-time collaborator Ratcliff, a multi-instrumentalist and producer. The band has since gone on to create three previous albums, multiple singles and videos, and have played countless shows at New York City’s most prominent venues.
Andrew Bird has spent much of the year supporting his newest album, My Finest Work Yet, and Tuesday night at Kings Theatre was no different. The band played the entire new album nearly straight through in the first leg of the show. At one point, Andrew even confessed to the audience how much he loved playing this particular set of songs together live.
Opening the night was Chicano Batman, behind their excellent EP Black Lipstick, from earlier this summer. Their blend of of psychedelic, Latin funk was a wonderful complement to Andrew Bird. The lively grooves and melodies bounced around the cavernous Kings Theatre with ease.
Kings Theatre is a unique piece of Brooklyn history. First opening in 1929 the theater hosted movies, shows and vaudeville. After sitting closed for decades and a five year renovation, the theater reopened in 2015 as a modern concert venue. Once past security, the space transports you back in time with gorgeous velvet decor and intricate carvings throughout.
The band sounded particularly sharp inside Kings Theatre. Andrew’s whistling echoed around the room, mixing seamlessly in and out of the lush strings and vocals from the rest of the band. A tall, projected backdrop framed the band and made them seem as large as the theater itself.