Amy Helm will celebrate the holiday season with two picturesque train journeys through New York’s Catskill Mountains on Dec. 15. Fans are encouraged to ‘Take in the beauty and majesty of winter in the Catskills aboard Delaware & Ulster Railroad’s Rip Van Winkle Flyer featuring a special intimate holiday performance from Amy Helm.’
Located in the Middletown hamlet of Arkville, NY, Amy Helm’s holiday express will have two trips, one early, boarding at 1pm, and a late trip boarding at 4 pm. More information can be found here.
This September, Andrew VanNorstrand released his debut solo LP That We Could Find A Way To Be and this month premieres the video for “Boy with Gray Eyes” off the album. Americana Highways premiered the audio for “Boy With The Gray Eyes” and said of the track, “In a song about hope and hesitation, VanNorstrand constructs comforting, introspective guitar sounds, and the low vocals, clarinet and fiddle are the icing on the cake.”
Andrew VanNorstrand, a musician, singer, songwriter and producer living in Upstate New York, has performed on festival stages, concert halls, dance floors and living rooms all over North America and beyond. For eighteen years, he toured and recorded with the popular dance band Great Bear which also featured his brother Noah VanNorstrand and mom Kim “Mama Bear” Yerton. Andrew and Noah continue to perform together in the bi-coastal folk quartet Wake Up Robin and acoustic power trio The Faux Paws.
His debut solo album, That We Could Find A Way To Be, focuses on the complicated intersections of love, faith, loss and uncertainty, queerness and the search and struggle for understanding from the rust belt to the Blue Ridge, from a cold spring in New England to a summer’s night in Charlottesville. Andrew blends traditional folk, old-time and country music with indie-roots-Americana and a passion for shared connection and a song well sung.
On November 13, Andrew will make his solo, live television debut on Central New York’s ABC affiliate, WSYR Channel 9’s Bridge Street. He also performs a few shows around CNY over the next two months. Click for details below, or visit Andrew’s website for more details.
The Syracuse based duo, Jess Novak & Ben Wayne, are dropping their four track EP Rise today, November 10, across all streaming platforms. This alternative Indie-folk rock-duo fused their previous individual works with their environmental inspiration while recording in Nashville, Tennessee to breed Rise. The EP builds on both their individual strengths from Wayne’s Southern California rock and reggae roots, and Novak’s distinct violin, songwriting and vocal skills, which are well recognized with her winning Best Female Vocalist by the Syracuse New Times back in 2018.
Ben Wayne (left) and Jess Novak (right) promotional picture for Rise.
The EP opens with the song, “After All” which has a distinctly doo-wop rhythm to it. In conjunction with Novak’s vocals it differs from every other song coming up on your favorite streaming service. It’s a refreshingly unique combination of doo-wop and alt-rock that we don’t hear nearly enough. With the rhythm section being layered with lead guitar, carrying an almost country feel, the song is hard to categorize into one singular genre. A trend of Rise in general. It’s not one singular sound. It’s not one singular genre. It is a little bit of its own thing – which is one reason it’s so enjoyable and a well rounded.
The second track “Carousel” is a known Ben Wayne song. While Jess Novak writes and takes the lead vocals on the other three tracks, Wayne leads on this hauntingly beautiful and painful song. It starts with a little walking bass line on the acoustic guitar played by Wayne and a violin smoothly dropping in, with Wayne’s drawl starting shortly after. The song revolves around accepting that things are coming to an end and letting the other person go even though you could still be happy with them. It’s the kind of song you listen to on repeat with your headphones stuck in your ears, escaping the world, or maybe more correctly escaping your own carousel that you are stuck on.
Ben Wayne (front) and Jess Novak (back) promotional picture for Rise.
“Here to Stay,” an abrupt change from “Carousel,” fits Rise‘s diverse musical and artistic showcase of both Novak and Wayne’s talents. They don’t have to stick to one particular sound or genre or tempo. The song is heavy on Novak’s vocals without Wayne backing on it much if at all. This track really stars Novak’s accompanying band which is made up of Jeff King on guitar, Steve Brewster on drums, Mark Hill on bass, Tim McDonald on keyboards, and of course Jess Novak on Violin. Between the tempo changes, build ups and guitar riffs it’s definitely a track that is beyond vocally focussed and gives credit to all the great musicians involved.
“Ripper” swings. It has and upbeat, dance-tempo, making it hard for you to sit still. You will find yourself bobbing your head without meaning to. The song has a similar sound as “Here to Stay,” with more punch to it. With the topic of having your heart ripped out and being excited about it, it’s not the most common motif.
The EP had help from producer Bill Warner and songwriter Kirsti Manna, who is best known for her work with Blake Shelton. Rise is a powerful piece of work made by Jess Novak & Ben Wayne. It’s something worth listening to if you’re looking for new music to add to your arsenal. The EP release party is at The Ridge located at 1281 Salt Springs Rd, Chittenango, NY 13037 on November 10th at 3PM. For more information check out Jess Novak’s website and Ben Wayne’s website.
The Marshall Tucker Band was ‘born’ in Spartanburg, S.C. when Doug Gray teamed up with Tommy and Toy Caldwell, Paul T. Riddle, George McCorkle, and Jerry Eubanks. The name “Marshall Tucker” came from a piano tuner whose name was found on a key ring in their old rehearsal space. In 1973 Marshall Tucker Band opened for The Allman Brothers Band, and the following year, they began to headline their own shows.
Marcus James Henderson – Multi-instrumentalist
The SkyLoft in Albany, NY Crossgates Mall, was almost at full capacity on Saturday night, November 2, 2019. The crowd cheered as Doug Gray, the only original member of The Marshall Tucker Band, took center stage. At 71, and fronting the band since 1972, he still held his own.
Gray almost took on the part of an orchestra conductor, when he wasn’t belting out a crowd favorite. He would share the moments with the highly talented band members, who proved their musical chops, which included a 13-minute version of the bands’ well-received hit, “Can’t You See.”
“This is one song that’s played eight million times on the radio,” Gray told the crowd. “I want you to sing it with us.” And they did. Gray handed the microphone to two fans in the front row, and they sang a few bars. He then tossed his tambourine into the audience, and the crowd cheered again. You can see the appreciation in Gray’s eyes. The moment, it seemed, to say thank you for all the support over so many years. Truly, this must be what it is all about.
With many southern rock bands, such as The Allman Brothers not performing any longer, and Lynyrd Skynyrd on their last tour, The Marshall Tucker Band kept the genre going. Today, the band members have all changed, with the exception of Gray. B.B. Borden is on drums, Tony Black, bass and vocals, Marcus James Henderson, commands keyboard, saxophone, flute, and vocals. Chris Hicks and Rick Willis shred the guitar and vocals.
Fans become part of the show as Gray hands over the mic
Similar to many of the crooners still touring of his generation, Gray did not sing on every song, he stuck to the classics and let the younger crew take charge, and take charge they did. Each band member had at least one showcase of their talent, with Henderson and his multi-instrumentals taking much of the spotlight. Chris Hicks wailed on guitar and vocals, sounding strong. After “Take The Highway,” Borden did an amazingly-energetic drum solo, which caused standing fans to inch closer into the magic. Recent American Idol finalist, Madison VanDenburg, made a brief visit to take the stage, and tambourine. The generation gap was evident, as she didn’t know the song as Gray tried to prompt her.
If you are able to see this show, you owe it to yourself to do so. One can only hope the hard work and extended tour will help keep this genre alive for many more generations.
Chris Hicks
One of the few bands of this generation still doing an extended tour. You can find many upcoming shows on the band’s website
Setlist: “Running like the Wind”, This Old Cowboy”, “Hillbilly Band”, “Take the Highway”, “Blue Ridge”, “Fire on the Mountain”, “24 Hours”, “Midnight Promises”, ” I’ll Be Loving You”, “Can’t you See”.
A Saturday night crowd, on a Monday, settled in for a wonderful night of folk songs in the cozy and warm exposed-brick confines of Restaurant Good Luck. Honest Folk Presents brought in two great artists representing both coasts. The crowd was familiar with Portland Oregon’s Jeffrey Martin, making his third stop at the venue. The Sea The Sea, from the much closer Troy, however, were making their first appearance in Rochester and would open the night.
A male/female duo, featuring Mira and Chuck Costa, The Sea The Sea moved effortlessly between electric and acoustic guitars, a small percussion setup and an even smaller keyboard, mixing different combinations of sounds. Regardless of the instrumentation, their beautiful two-part harmonies were the true highlight throughout the night. It was remarkable how perfect their voices blended together, making a signature sound. They featured them so regularly that it started to become two parts of a single voice. On the rare occasions when only one voice rang out, it was almost as if one of the channels on the stereo was faulty.
The pair has spent a good deal of the past year on the road, and also recently relocated to Troy, both of which have been providing inspiration for a bevy of fresh new tunes, some of which they shared, like “Foreign Country” and “Stumbling Home.” Most of the set was filled with their more well-worn material, like the palindromic “Love We Are We Love” and the familial “Good For Something.” They rounded those out with two choice covers, the Bob Dylan deep cut “I’ll Keep It With Mine,” and “No Love Today” from the under-appreciated songwriter Chris Smither.
Jeffrey Martin was last on the Good Luck stage almost exactly two years to the day from this night. It was in fact the Monday after the end of daylight savings, just as it was on his previous visit. Martin’s music doesn’t really evoke blue skies and sunshine, so the fact that it was middle-of-the-night dark throughout the show, which ended at the Monday-friendly hour of 9:45, was very welcome. Perhaps it was both genius and coincidence.
For an hour Martin held court on the Good Luck stage, telling stories both in song and out. Though sometimes it was hard to tell the difference, as he noodled on his guitar during his between-song bantering and there was just something lyrical about the way he spoke. Some of the stories spanned the songs that interjected, and the songs always related somehow with the stories. Some of the stories inspired the songs, sometimes real life followed the songs, and other times the story and the song were one and the same. Stories, songs, acoustic guitar and a rich singular voice made for about as pure a folk show as you can achieve. Seems so simple, and yet it’s so hard to achieve, but Jeffrey Martin pulled it off with a natural and unfettered brilliance. It’s no wonder Honest Folk has booked him again and again.
As for the next Honest Folk show, they’ve just announced twin-brother outfit, appropriately named The Brother Brothers, who will be at The Arbor Loft on Wednesday December 11. Tickets are on sale now at early bird pricing for a limited time.
NYC based singer songwriter Anthony D’Amato released the first single, “Wrong Shade of Blue,” from his upcoming EP, Five Songs From New Orleans, out on Velvet Elk Records.
Captured almost entirely in the living room of an historic 1860’s Garden District home, Five Songs From New Orleans feeds off the Crescent City’s irrepressible creative energy and draws inspiration both from its stately beauty and its haunted decay.
D’Amato engineered, produced, and mixed the whole EP himself, treating the songs as raw, unfiltered snapshots of his time in town, and the performances documented here are loose and improvisatory to match. The end result is a spare and organic collection, one that’s comprised exclusively of acoustic instruments and draws on an eclectic array of New Orleans sounds, from Cajun fiddle to blues guitar, from Dixieland clarinet to washboard shuffle, from classic country to fingerpicked folk.
“This whole experience really caught me by surprise,” said D’Amato, a New Jersey native who now calls New York City home. “I came to New Orleans for a housesitting gig in between tours, and I ended up writing and recording a whole new collection with a whole new band and a whole new sound.”
While each of the songs on the EP grew out of D’Amato’s
experiences in New Orleans, some tracks are more explicit in their lyrical
portraits than others. D’Amato spins an Ash Wednesday hangover into a metaphor
for post-honeymoon love on the playful “Party’s Over,” imagines life after
death in one of the city’s largest cemeteries on the bluesy “Metairie,” and
uses New Orleans as a lens through which to examine the widening economic,
racial, and political divides that have come to define modern America on the
twangy “Some Folks.”
I came to New Orleans for a housesitting gig in between tours, and I ended up writing and recording a whole new collection with a whole new band and a whole new sound.
Anthony D’Amato
Those who pre-order the EP ahead of its November 15th release on D’Amato’s web site, will get access to bonus materials (signed CDs, vintage New Orleans postcards, handwritten lyrics, t-shirts, fine art prints).
Anthony will be celebrating the EP’s release at Rockwood Music Hall in New York City on November 13th. He will be joined that night by very special guest John Gallagher Jr. (TONY Award winner ‘Spring Awakening’, HBO’s ‘The Newsroom’), Tickets can be purchased in advance of the show.
Celebrating their 45th anniversary in 2019, Sweet Honey In The Rock remains among the most vibrant, versatile and ever relevant musical collectives around today. Together, they perform an inspiring signature mix of soul, gospel, folk and world music, with elements of hip-hop and jazz.
While founding member Bernice Johnson Reagon has since retired, the torch continues to be carried by longtime members Carol Maillard, Louise Robinson, Nitanju Bolade Casel, Aisha Kahlil, and featured musician Romeir Mendez. This powerful and unique female a cappella vocal quartet is best known for their uplifting concerts.
Sweet Honey in the Rock will “Celebrate the Holydays” with a selection of traditional American holiday spirituals and hymns, as well as songs from other cultures.
Mike Powell and the Black River are set to release their second full-length studio album, Gypsy Winnebago. The album was recorded in the band’s loft, The Family Room, overlooking Armory Square in Syracuse over the course of the summer and features contributions from two new band members.
Joining Mike Powell (guitar/vocals), John Hanus (guitar), Joe Bell (bass) and Dom Scicchitano (drums) on this outing are Brian Lauri (keyboards) and Jason “Jocko” Randall (percussion).
The ten-song album reveals a band coming into its own following its 2018 release Classic Universe. A few years under their belt and a series of weekly residencies at Downtown Syracuse’s King of Clubs has helped this band to really grow as a unit. Powell’s songwriting on this album is some of his best.
The most apparent difference between this record and their first is the vocal harmonies. “I had a long conversation with the band and emphasized how much I felt these songs needed more voices,” says Powell. “There’s something really powerful about human voices singing one message together. The guys obviously have great ears so they grabbed ahold of the harmonies right away and it really brought these songs to life.”
Fans who have attended the “Thursday Night Rock Show” residencies at King of Clubs have witnessed the band’s progression from a blue-eyed soul band, as exhibited on the debut Classic Universe to a well-rounded rock band with jamband tendencies. This transition can largely be attributed to the addition of Lauri and Randall.
Many of the songs included in this collection are not new to the die-hard Black River fan. Bandleader and lead songwriter Mike Powell and his partner John Hanus have been performing songs such as “Gone Too Far” and “Moonlight, Sunshine, and Rain” in front of audiences for several years. These songs have also been incorporated into the full band sets as well yet they still reveal a freshness on this recording.
John Hanus & Mike Powell
The production of Gypsy Winnebago showcases the individual members of the band, particularly drummer Dom Scicchitano and relative newcomer (to The Black River at least) Brian Lauri on keyboards. Lauri is also a member of the Syracuse-based roots-reggae band Root Shock.
Lauri uses his synthesizer to transport the listener back to the ’80s at times, especially in “When I Was a Fire.” The Cars’ Greg Hawkes and Genesis’ Tony Banks would approve.
“CAW” is a recent composition that can’t help but be influenced by the band’s frequent opening slots for the Canadian surf/spaghetti western/psychedelic rockers The Sadies. John Hanus’s guitar, paired with Scicchitano’s galloping drums and Powell’s haunting whistling transports the listener to the old west, one of Powell’s frequent lyrical destinations.
In short, Gypsy Winnebago is an album that exhibits a maturing band that should garner some attention for The Black River from critics and fans alike. The album will be released on Friday through all the major streaming platforms. It can be preordered here.
Midtown Manhattan’s Irish Arts Center has curated some music shows this season. On November 7, they host a performance by pianist Isabelle O’Connell. Mid-month, they will hold the 7th annual New York Trad Fest. And from December 11-15, they celebrate the holidays with their 13th annual Winter Solstice. Tickets are on sale now.
Isabelle O’Connell: November 7
Dublin-born contemporary pianist Isabelle O’Connell, who has performed engagements at Carnegie Hall, Lincoln Center, and Ireland’s National Concert Hall, takes Irish Arts Center audiences on an intimate journey into her exciting repertoire of 20th and 21st century music, featuring work by eminent Irish composers including Mícheál Ó Súilleabháin, Bill Whelan, Seóirse Bodley, Jane O’Leary, and Siobhán Cleary.
7th Annual New York Trad Fest: November 16
Tony DeMarco brings together masters of Irish, Americana, bluegrass, and Cajun traditions at the annual Trad Fest. Kick off this citywide music festival at Irish Arts Center with Mickey Kelly, Cajun greats Kelli Jones and Joel Savoy, and Irish fiddle legend Eileen Ivers with her musical partner Matty Mancuso.
Winter Solstice: December 11-15
Irish Arts Center’s 13th annual holiday gathering returns to its heart and hearth. Mick Moloney, Athena Tergis, and The Green Fields of America gather a host of special guests in Irish Arts Center’s intimate 51st Street home for six spirited performances of reels, jigs, songs and stories in a musical celebration of Christmas and midwinter traditions from Ireland and around the world.
Grammy-nominated band, The Wood Brothers, have a new full-length on the way. Honey Jar/Thirty Tigers is putting out the studio album, Kingdom In My Mind, on January 24, 2020. They’ve just debuted the first song, “Alabaster.”
Kingdom In My Mind is a follow-up to 2018’s One Drop of Truth, which hit #1 on the Billboard Heatseekers Chart and garnered the band their first GRAMMY Award-nomination for “Best Americana Album.” The material for the forthcoming album started as they were breaking in their new Nashville studio, as they were tracking instrumental jam sessions to get a feel for the facility.
“If we had known we were making a record, we probably would have been too self-conscious to play what we played,” reflects Chris. “At the time, we just thought we were jamming to break in our new studio, so we felt free to explore all these different ways of playing together without worrying about form or structure. It was liberating.” Preorders the album here.
The Wood Brothers are currently finishing out an extensive US tour. They’ll be in NYC on January 30 and 31, Rochester on February 5, and Albany on February 8. Some of the proceeds from ticket sales go to support Thistle Farms, a Nashville-based non-profit organization which helps women to rebuild their lives.
The Wood BrothersTour Dates
11/15 – Madison, WI – Barrymore Theatre ^ (Sold Out) 11/16 – Indianapolis, IN – The Vogue ^ (Sold Out) 11/18 – Old Saybrook, CT – Katharine Hepburn Cultural Arts Center 12/3 – Baton Rouge, LA – Manship Theatre ^^ (Sold Out) 12/4 – Houston, TX – The Heights Theater ^^ 12/5 – Austin, TX – Paramount Theatre ^^ 12/6 – Dallas, TX – The Kessler Theater ^^ (Sold Out) 12/7 – Tulsa, OK – Cain’s Ballroom ^^ 12/9 – Omaha, NE – Slowdown ^^ 12/11 – Aspen, CO – Belly Up Aspen ^^ (Sold Out) 12/12 – Steamboat Springs, CO – Strings Music Festival 12/13 – Boulder, CO – Boulder Theater ^^ 12/14 – Boulder, CO – Boulder Theater ^^ 12/15 – Breckenridge, CO – Riverwalk Center ^^ 1/29 – Baltimore, MD – Ram’s Head Live 1/30 – New York, NY – Webster Hall 1/31 – New York, NY – Webster Hall 2/1 – Philadelphia, PA – The Fillmore 2/3 – Toronto, Canada – Mod Club Theatre 2/5 – Rochester, NY – Kodak Center 2/6 – Burlington, VT – Flynn Center for the Performing Arts 2/7 – New Haven, CT – College Street Music Hall 2/8 – Albany, NY – Palace Theatre 2/9 – State College, PA – The State Theatre 2/11 – McKees Rocks, PA – Roxian Theatre 2/12 – Richmond, VA – The National 2/13 – Chattanooga, TN – Walker Theatre 2/14 – Nashville, TN – The Ryman 2/27 – 3/1 – Punta Cana, DR – Avett Brothers at the Beach (Sold Out) 3/4 – Phoenix, AZ – The Crescent Ballroom 3/5 – Los Angeles, CA – The Regent 3/6 – Santa Barbara, CA – Campbell Hall 3/7 – Oakland, CA – Fox Theater 3/8 – Eureka, CA – Arkley Center for the Performing Arts 3/10 – Eugene, OR – McDonald Theater 3/11 – Kirkland, WA – Kirkland Performance Center 3/12 – Portland, OR – Crystal Ballroom 3/13 – Vancouver, BC – Imperial 4/2 – Knoxville, TN – Bijou Theatre 4/3 – Knoxville, TN – Bijou Theatre 4/4 – Chicago, IL – Riviera Theatre 4/5 – Milwaukee, WI – Pabst Theatre 4/7 – Detroit, MI – Majestic Theatre 4/8 – Columbus, OH – Southern Theatre 4/9 – Asheville, NC – The Orange Peel 4/10 – Asheville, NC – The Orange Peel 4/11 – Asheville, NC – The Orange Peel
