Category: Electronic

  • James Murphy and Friends to perform at The Kitchen’s new benefit concert series on September 25

    The Kitchen, one of New York City’s most forward-looking nonprofit spaces, will kick off a new benefit concert series on September 25 with DJ sets from James Murphy (LCD Soundsystem/DFA) and friends. The first floor theater will host Murphy, with doors opening at 8:30pm and the DJ sets running from 9pm-12am. More information on the upcoming concerts for the 2019-20 season will be announced soon.

    The Kitchen shows innovative work by emerging and established artists across disciplines, with programs ranging from dance, music, performance, and theater to video, film, and art, in addition to literary events, artists’ talks, and lecture series. Since its inception in 1971, The Kitchen has been a powerful force in shaping the cultural landscape of this country, and has helped launch the careers of many artists who have gone on to worldwide prominence.

  • Hot Chip Hits the Dance Floor at Brooklyn Steel

    Hot Chip brought their electronic-infused indie rock to Brooklyn Steel on September 4 in support of their new album, A Bath Full of Ecstasy. This was the middle of a three-night sold out run. Holy Fuck opened the night which featured a guest vocal/sample appearance from Alexis Taylor. [Update: Holy Fuck have released this single featuring Alexis Taylor, “Luxe.” Listen here]. 

    Hot Chip at Brooklyn Steel – Photo: Joseph Buscarello

    The night began with the opening track from their last full length album Why Make Sense? “Huarache Lights,” followed by the title track from 2010’s One Life Stand. The band then played two sequential tracks from In Our Heads, “Night & Day” and “Flutes.” It was not until the halfway point of the set where we heard the first new song, “Hungry Child.”

    Hot Chip – Photo: Joseph Buscarello

    The stage was built to resemble classic bandshell stages, with projection towers in a crescent shape behind the band projecting various color palettes throughout the show. A dramatic laser show came and went throughout the night, an effect well received by the fans in the room.

    The second half of the set saw a very frenetic rendition of the Beastie Boys’ classic “Sabotage” before two more tracks from A Bath Full of Ecstasy, “Melody of Love” and “Positive.”

    The tour is just getting underway. The band tours North America throughout the fall, followed by shows in Japan, Europe and South America into December.

  • Electro Dance Rock Powerhouse Tweed Announce Fall Dates and New Member

    Philadelphia’s electro-rock powerhouse Tweed has announced a run of dates for fall 2019. This weekend, Tweed will be at Blue Point Brewery in Patchogue for a free show, and on October 4 they’ll be aboard The Lucille for an NYC Rocks Off boat cruise with New Jersey’s Waiting On Mongo. The band brings their electrifying “Tweed Goes Disco” tunes to the boat cruise and will be welcoming horn-section sit-ins throughout the night. Additionally, Tweed has also added a new member in multi-instrumentalist, Charles Field, to their permanent lineup.

    This announcement comes after Tweed’s recent Camp Bisco debut and August co-headline with El Ten Eleven and TOBACCO at Philly’s SENSORiUM Festival. If you missed the recent release of their single, Moves, which included a homemade music video, go and check out the band’s new sound. The official music video will be released in October and their sonically-charged full-length album, Moves, is due to release in November.

    Drummer, Joe Vela explains, “We couldn’t be more excited to add Charlie to the band. Chaz is an incredibly talented musician and has been sitting in as a special guest with us for years. It’s been long overdue to get him on tour with us. Charlie will be leveling-up these songs with his violin, guitar, percussion, and vocals and has already contributed to our soon-to-be-released album.”

    Sep 14 Blue Point Brewery – Patchogue, NY

    Oct 4 Rocks Off Boat Cruise – New York, NY

    Oct 5 Beauty in the Backyard – Darlington, MD

    Oct 18 Electric Halloween Festival – Millville, NJ

    Oct 31 Deer Park Tavern – Newark, DE

    November 2 TBA – Philadelphia, PA

    November 27 Sprout Music Collective West Chester, PA

  • Hearing Aide: Of Clocks and Clouds ‘Live at Brooklyn Bowl’

    Brooklyn-based quintet Of Clocks and Clouds is a psychedelic rock powerhouse whose sound has been turning heads all over NYS and beyond. Their inclusion on numerous lists of bands to keep an eye on isn’t uncanny, it’s deserved. Through hard work and perseverance, the band has created a sonic experience that sets them apart from the litany of jam bands that have been popping up all over the northeast. Composed of Joe Salgo, Nick Salgo, Tom Salg, Yuri Soussov and Zander Ryzinski, the band offers fans of live music a look at their progressive psychedelic rock with this release of their set Live at Brooklyn Bowl from February 3, 2019.

    Fusing elements of electronic music with their deft ability to improvise, based on style adherent chord progressions, is what gives OCAC such a characteristic sound. The first track of the live release, “Cold Hearted Woman” drives this point home, with each member adding in subtle elements to a core blues tune. The keyboard breaks open chords and sets a basis for a hard-hitting blues guitar solo. The drums do an excellent job of knowing when to break out of the pocket – the fills will range anywhere from lightning-fast to minimalist, with the overall mood of the song being reflected in the fills.

    The live recording captures the band’s aesthetic really well. It’s evident that they are able to feed off of the audience and drag out jams without losing their interest. This translates really well on record too, with the 11+ minute “Worst Look” being a testament to that. OCAC starts their songs off similarly, with a slow build transitioning into an intro jam. Yet each time they do that, the outcome is sonically different. The band members find their own place within the song to either stand out or step back. The bass barrels forward without hesitation, accenting the grooves underneath the lush orchestration that the keys and guitars create.

    While instrumental skill surely defines the band, something must be said about their vocals. The 90’s alternative rock style vocals fit well with the sound. It takes the listener out of the busy composition and bring focus to the anthemic nature of the lyrics. There’s also a lot of versatility in the singing – their cover of Rage Against the Machine’s “Bullet in the Head” is well worth checking out.

    It’s impossible to listen through this live album and not notice how well the flow of the set moves. There are dynamic shifts, exciting developments, and headbanging instrumental breaks. With so much to love, it’s no wonder Of Clocks and Clouds is gaining so much steam nationally. Check out this NYS gem’s release, and be sure to catch them live if they come to your town!

    Key Tracks: Worst Look, Cold-Hearted Woman, Hole in My Head (Pts. 1 & 2)

  • Big Gigantic’s Rowdytown 3D Lights up the Brooklyn Mirage

    NYC has waited for a Rowdytown. We finally got one last Friday as Big Gigantic’s Rowdytown New York 3D descended into the Brooklyn Mirage to a sold out crowd. Hippie Sabotage, Shallou, Louis Futon and ilo ilo were the supporting artists at this high-energy EDM event. The industrial views of Manhattan from the venue combined with the onstage sensory odyssey made for a crazy night of music. 

    Ashe sings with Big Gigantic

    Ilo ilo started off the evening. Little is known about this enigmatic duo, though recently they took Louis the Child on a scavenger hunt through New York City to release the track “come thru.” Their eclectic mix of electro-pop and bass distortion really got the crowd going.

    ilo ilo

    Los Angeles-based Louis Futon brought his exciting mix of electronic hip hop, r&b and soul to the stage next. He was joined by Hailey Niswanger (flute, saxophone), Jawann Blanchey (drums) and Ariel Shrumpet (trumpet), with Blanchey on stage the entire time. His blend of fresh beats, organic instruments and clever visual displays was particularly tasty.

    Louis Futon

    Shallou, also from Los Angeles, kept the party going with delicious ambient and house melodies. The venue was almost full to capacity at this point, and the crowd was really digging Shallou’s visual production.

    Shallou

    Big Gigantic took the stage to a roaring crowd wearing 3D glasses. The band members include Dominic Lalli (saxophone/producer) and Jeremy Salken (drums). Behind the band sat a huge LED screen with vibrant 3D imagery that coordinated with the lights on stage and at high points in the venue. Big Gigantic played new hits and old favorites, starting with songs like “Touch the Sky” and “C’mon.” Halfway through the set, singer Ashe joined the band on stage for their recent collaboration, “Friends.”

    Big Gigantic’s Dominic Lalli and Jeremy Salken

    Sacramento, California’s Hippie Sabotage provided even more high energy as the late night entertainment after Big Gigantic’s monster set. This indie electro duo isn’t afraid of late nights, as they started at 2:20 a.m. and blazed into the night.

    NYC is still reeling from our first Rowdytown 3D party. The outdoor festival feel was well executed, bands were on point, and the venue was perfect for the occasion. NYC looks forward to the next one. 


  • All in the Jamily: Mazzstock Music Festival 2019

    There is a festival where volunteer staff wear t-shirts that read “La Famiglia” and what better way to encapsulate a feeling of family. Many festivals claim to provide a feeling of family, but none better provides a sense of true community than the intimate Mazzstock Music Festival, where founder Lee Mazzola has graciously opened his back yard for music lovers like himself.

    On August 8-11, 2019 the uber-affordable Mazzstock Music Festival took place at Mazzstock Field in Marlboro, NY, within the picturesque and bucolic Hudson Valley Region. Conveniently located 1.5 hours from New York City, 2 hours from Hartford, 3 hours from Philadelphia and 4 hours from Boston, Mazzstock celebrated its 12th year (5th year as a 3-day fest) and drew soaring crowds with another very strong lineup.  

    Mazzstock Music Festival
    Photo by Mickey Deneher

    With the motto “3 days, 2 stages, 1 love, no worries,” Mazzstock Music Festival is something special. It is so intimate and friendly, one feels that they will meet and get along with any one of the smiling faces on the dance floor, in tent city or at concessions. This year included a variety of strong ascending artists. Festival favorite and Mazzstock veteran Zach Deputy returned as a headliner; while Flux Capacitor, Dark Side of the Hudson, Gratefully Yours, Escaper, Cousin Earth and Hayley Jane are just a few offerings from the festival’s varied lineup – which also featured a number of stylized and talented DJs for a very popular late-night silent disco.An impressive set from Kingston DJ, Joey Hernandez, who brought up-tempo house musings. 

    The weather was perfect throughout and there was no cell service so patrons were connected without any distractions. Another bonus was that one could clearly hear each set clearly from their campsite! Lee, Vinny and the rest of the organizing team provided a seamless experience with impeccable amenities including clean porto-potties with stocked toilet paper, always – all weekend.

    Dave Reiss and I Anbassa proved they are a fun band to watch; Flux Capacitor showed why they are invited to play so many festivals, Tom Clancy and Dave Heinzinger led a feisty Sky Daddy set that ignited a tight “Fire on the Mountain.” Will Hanza guided his ascending band, Escaper, to some monster jams while festival mainstay, Alpha Male Gorillas, brought a heavier but contagious groove.

    Mazzstock Music Festival
    Photo By Mickey Deneher

    Tigerman brought the funky rhythms, and stellar guitar work was showcased by ShwizZ Himsef while he adorned a tiger onesie. Dark Side of the Hudson demonstrated they are a premiere Pink Floyd experience with a professional cover rendition of the album Dark Side of the Moon and an exquisite vocal solo on “Great Gig in the Sky.” There were six artists at large, but those from Nyack (ShwizZ Himsef, Natasha May DiMarco, Dan Rappaport, Danielle Sheri Wasserman) shined brightest throughout their plethora of appearances; the bonfire jams were comforting with many bringing voices and instruments of choice for the familiar festivities.

    Highlights of the festival included Cousin Earth, Cosmal and Zach Deputy!


    Cousin Earth  :: East Stage  :: Friday 6:35-7:35pm

    Mazzstock Music Festival
    Photo By Mickey Deneher

    Cousin Earth were a pleasant welcoming committee to the many fans that arrived late Friday evening during the set. Formerly Ukelelian, the quintet has been touring hard over the past year, even doing a vast Southern run, spreading their energetic and innovative sound.  The NY based band, (a member of the Jam Band Syndicate), consists of Terry Brennan (vocals/keys/percussion), Melissa Raye (vocals/percussion), Corey J. Feldman (bass/vocals), Joey Calfa (ukulele/vocals) and Nate Searing (drums). The band was a breath of fresh air with their eclectic songwriting and hard to predict delivery. They are a band to watch as they ascend the ranks of our scene with more visibility.

    The Mazzstock set was electric – fuelled by soaring harmonies and moments of beautiful jam improvisation. “Can You Get to That” was buoyed by the virtuoso guitar work provided by guest ShwizZ Himsef (Ryan Liatis) and his presence on stage with Calfa, who possesses monster chops, was a music lovers delight. “Super Laser Beams” remains a show staple and for good reason– it really showcases the band at its full power with intricate time signatures, blended melodies and trippy surreal solos as part of a musical package that lures attendees in like a laser beam. A recent release, “Don’t Kill Us” is the song that could be a hit as a released and promoted single. Raye’s vocals lead a pleasurable auditory attack with a seriously addictive chorus on a fantastical lyrical romp.    

    Set List:  Pancakes, Burning Up, Window Video Game, Super Fun Laser Beams, Can You Get to That, Please Don’t Kill Us, Fleshy Car/Spain, Capricorn on the Cob

    Cosmal  :: West Stage  :: Friday 12:45-1:45am

    Hailing from New Paltz with over a decade of experience, Cosmal is well known to music aficionados in the Hudson Valley and beyond. Ryan Coyle (guitar/vocals) and his wife, Ali Laz (vocals/live painter), have partnered to unleash a musical experience like no other. A surreal and trippy exploration to the unknown, the dynamic duo has truly mastered the sharing of downtempo moods. Laz is relatively new to sharing her vocals on stage, but performs like a seasoned pro. She has become the consummate frontwomen – sexy, prolific and with a smooth vocal delivery.

    Laz is also an accomplished live painter who creates one of a kind masterpieces on canvas that fans share much adulation for.  The Wizard of Cosmal though is Coyle, who harnesses his brilliance to compose a myriad of uniquely contagious and infectious original sounds. The new song, “Snake Charmer” is meticulously crafted with solid guitar fills. However, it is “Caliente” that takes down the house as the highlight of the gig. Laz sultry sings, “I love the way you touch me” with relentless beats supporting the groove and it really delivers a euphoric vibe ala Gilberto in “Girl From Ipanema.” The song isn’t about sexual lust, but rather the yearning to feel someone’s entire soul. Cosmal are a quickly ascending band that I expect many more pleasant surprises from in the immediate future.

    Set List: Sumatra, Caliente, Ancient Future, Drishti, Realize, Snake Charmer, Final Gear, Way Down, Encore:  Blossom, Moment

    Zach Deputy  :: West Stage  :: Saturday 11:10pm-12:40am

    Zach Deputy returned to Mazzstock Music Festival as the headliner and had the prime Saturday night slot at the Main Stage. There is only one thing you need to learn about ‘Zachy Dee’ – he is a Master Looper. If you didn’t know that, his fiery and upbeat set soon would convince you. Hailing from Savannah, GA Deputy honed his chops at Riders Lounge on Hilton Head Island, South Carolina. His unique approach delivered a bevy of bombastic acoustic numbers that inspired the crowd to shake their booty in delight. He shared crowd favorites like the party anthem “Put it in the Boogie,” the infectious “Twisty Twisty” and the rhythmic “Home.” He had the longest set of the weekend and patrons still were boogying at the end and salivating for more. A down to earth, generous, jovial giant of a man gifted fans with an assortment of benevolent ditties and in doing so proved that Santa Claus still delivers.

  • In Focus: Biscuits, Bassnectar, Tipper and more bring the heat (and then some) at Camp Bisco

    The heat this summer came to a peak over the weekend of July 18-20 at Montage Mountain with Camp Bisco, the annual electronic and jam festival which held its 17th installment featuring hosts The Disco Biscuits, Tipper, Bassnectar, Odesza, Rusko, Umphrey’s McGee, Twiddle, Tauk, Spafford and Sunsquabi, among many more.

    Hosts The Disco Biscuits played six hot sets over the weekend, including a set with original drummer Sammy Altman and current drummer Allen Aucoin, which was highlighted by “M.E.M.P.H.I.S.” -> “Rapture,” the latter an instrumental version of the 1980 Blondie hit. Later that night, they would pay tribute to the 50th anniversary of the moon landing with a series of songs, as well as pre and post-set music, that referenced the moon and space. Even with the intense weather conditions, Camp Bisco was a successful weekend of electronic and dance music, warming the mountain up for Peach Fest the following weekend.

  • Farewell Formula 5: Rock Foursome Plays Final Show at Rock the Dock

    On Friday, July 12, Upstate NY celebrated a final farewell performance from one of the area’s most beloved jam acts, Formula 5. The groove-rock foursome, for their final show, were headlining the third annual Rock The Dock Music Festival in Lake George, NY. Formula 5 had announced their intention to go on an indefinite hiatus earlier this year with plans to to finish out a select handful of live performances, the last of which was their main stage set at Rock The Dock, the one-day music event which they have hosted for the past two years.

    On this third time around, Rock The Dock saw a beautiful day of weather and an impressive turnout of festival patrons who flocked to a corner of Lake George to see an intimate list of popular music acts. Other acts on the festival main stage for the day were the funk dance band West End Blend, singer-songwriter Mike Powell, Saratoga Springs’ JT Maple, along with Americana rock outfit Eastbound Jesus and the Colorado-based jam quartet Magic Beans. And, of course, after all of these acts, Formula 5 closed the stage out, performing a highly lauded, headlining set of music.

    Adding to its serene views and amiable atmosphere, Rock The Dock equipped itself with an impressively nice sound. Patrons could sit atop the second or third deck of the massive steamboats —three of them boxed in the concert area in grand fashion—and enjoy the music as if they were riding the front row. In between sets, patrons could meander to close by vendors and be serenaded by the music of both JT Maple and Mike Powell.

    Magic Beans, one of Colorado’s most promising jamband acts in recent times, were on deck taking the stage just before Formula 5’s send off. And they played a short but strong hour-long set that really managed to warm up the energy of Rock The Dock properly. Towards the end of their set, Beans’ steady, focused approach to uplifting trance funk had hit the crowd right way and had the concert area flush with dancers and smilers. At the apex of this great set, Magic Beans delivered a uniquely slow version of Talking Heads’ “Life During Wartime.”

    Formula 5 then took their time that evening to put on a proper close to a more than respectable seven year career of touring and recording. Those seven years saw a few different iterations of the band (every member of which was present this evening) craft and refine a highly popular, unique improvisational sound and live experience.

    That live experience came out in full force for one last time at Rock The Dock, with the band—in it’s most recent lineup of keyboardist Matt Richards, bassist James Woods, drummer Greg Marek, and guitarist Joe Davis—sounding off to hundreds of their most dedicated fans and family in true, larger-than-life style. The way they performed for this ending display, the band might as well as have been in front of thousands of people, let alone several hundred. It came with perhaps a bit of irony that this last set from Formula 5 was as musically thrilling as some of the best they had ever done. By the last of the exasperated yet tenaciously sung notes from lead Joe Davis on the night’s encore “Breaking Glass,” it didn’t seem right that such a great display was the end instead of being the beginning of a new chapter.

    But here at Rock The Dock there was no crazy setlist, no stage antics or tricks. Formula 5 simply offered an extremely well-executed, instrumentally colorful and comfortable display of original jams. A mighty “In The Sand” strapped Formula fans into a familiar rocket, and catapulted them towards the psychedelic reaches of high-energy space funk that this band had always demonstrated they could navigate better than most others playing today.



    By the time the band transitioned energetically into “Come Along,” the dock was rife with glee. Whether people were realizing or not that this was in fact Formula 5’s final show, for a moment, that didn’t seem to be clear. People were just happy, and they moved in colorful motion to the quartet’s shifting tempos and amazing collection of weird, wild rock sounds. 

    One of those sounds was the familiar and super heady keyboard intro from Matt Richards to the band’s “Sad Bed.” If anyone thought “In The Sand” would be the highlight point, they might have been subverted by this tune which was played even more ambitiously than the mega jam before it. Across the last couple of years, since the career-making release of their record All Points North, “Sad Bed” has been one of Formula 5’s most creative and transcendent vehicles for improvisation, stretching out on many live occasions past twenty-five or even thirty minutes in length. This farewell show at Rock The Dock boasted a “Sad Bed” to end all “Sad Beds,” a masterfully groovy, last improvisational exercise for the band. In this inspired performance, Formula 5 sounded like a synthesis between all of their influences, fusing together the cosmic ’70s feel of Parliament Funkadelic, the raunchy grit of Widespread Panic, and the artistic unexpectedness of The Grateful Dead.

    Even “Trout Waters Pt. 1 & 2,” which the band often in past shows would split up as segue points between other songs, was kept together in one long delivery and went near ballistic. Drummer Greg Marek, who was completely in the zone in this moment, deserves credit for helping to launch this one into a fantastic, power-rocking jam.

    Through the entirety of this fully loaded yet all-too-quick two hours, the band was all smiles, with all four members beaming at one another at every musical change or, at times it seemed, just because they were so into it. Here, in the last show, they were having fun, and perhaps that’s what counts most. The crowd was certainly more than appreciative, matching the band’s amazing gusto step for step through to the end. When the band had returned to a deafening encore chant, Marek took to the microphone and said a few words that must have eased at least a few minds. “I don’t see why there’s any reason we can’t do this again next year.”

    Swimmer continued the party for Rock The Dock at Lake George’s King Neptune’s Pub and the beach bar’s crowd eventually swelled to a cool gathering of festival attendees and turned the local hub into a sizzling last bit of dancing fun. Formula 5’s members, when they weren’t on stage making their last sentimental statements of the evening, were among the late night crowd, having a much deserved beer and mingling with fans and friendsSwimmer, this instrumentally intense yet often very melodically pleasing quartet, ripped up the last few hours of the festival between confident guitar shreds, jamtronic-tinged bass and drum lines, and even some moments of soulful saxaphone work thrown in. At the very least, this band that hails from the still musically fecund hotspot of Burlington, VT showed that while some of our favorites now and then have to call it quits, the music is always being carried on strongly by still younger and continually impressive artists.

    Formula 5 Setlist: Friday July 12, Rock The Dock Music Festival

    Set 1: Earthbound Tim > Booher’s Pass, Pedro -> In the Sand > Come Along, Trout Waters Pt 1 & 2, Sad Bed > Gettin Tough Again

    Encore: Breaking Glass

  • In Focus: Khruangbin makes Capitol Theatre Debut

    Thai-Funk trio, Khruangbin, made their debut at the historic Capitol Theatre on Wednesday June 19, where curious music fans were treated to something special. For the first time the Texas trio played their 2018 album, Con Todo El Mundo, in its entirety, followed with a complete performance of their 2015 debut album, The Universe Smiles Upon You.

    Bassist Lara Lee, guitarist Mark Speer, and drummer Donald “Dj” Johnson have come up with this amazing sound that blends many global musical influences working towards never being pigeonholed into one label. As the band played the final note of “Zionsville” to close out the show, an extremely diverse group of music fans erupted in ovation, showing why this is one of the must see acts in music right now, and hopfully cementing many returns to the The Cap.

    Khruangbin Capitol Theatre

    Setlist – Khruangbin at The Capitol Theatre, Port Chester, NY

    Set 1: Como Me Quieres, Lady and Man, Maria Tambien, Aug 10, Comom Te Quiero, Shades of Men, Evan, A Hyman, Rules, Friday.

    Set 2: Mr. White, Two Fish, Dern Kala, Little Joe & Mary, White Gloves, People, The Man Who Took My Sunglasses, August 12, Ball and Pins, Zionsville.

  • Woodstock 50 to Land at Vernon Downs in Central NY?

    Woodstock may be returning to Central New York at Vernon Downs for the 50 year anniversary of the iconic music and arts festival. Scheduled to be held Aug. 16-18, some of the previously announced headliners for the event include Jay-Z, The Raconteurs, The Killers, Miley Cyrus, John Fogerty and Dead & Company.

    The festival would still be held on the originally planned weekend of Aug. 16-18, only now possibly at Vernon Downs Casino Hotel in Vernon, a small town located along the New York State Thruway between Syracuse and Rome. There would most likely be no camping and the performances would run from until 11:00 p.m. each day.

    After Watkins Glen International Speedway pulled out as host of Woodstock 50 on June 10, organizer Michael Lang vowed the festival would still be happening and that they were in discussions with other venues. It now appears that Vernon Downs was one of those venues.

    Michael Lang is no stranger to the Central New York area. Woodstock ’99 was held at the decommissioned Griffiss Air Force Base in Rome. The festival drew upwards of 200,000 people that year and was marred by riots and sexual assaults that brought the festival to a fiery conclusion.

    woodstock 50 vernon downs

    The harness racing track located on site has a past of hosting larger concert events, the latest being Aug. 29, 2012 when Bruce Springsteen and the E Street Band visited during the Wrecking Ball Tour. Track owners at the time suggested that they could comfortably host 30,000 people for the Boss’s show at their venue, a sharp decline from the 100,000 attendees Lang had originally anticipated for his event at Watkins Glen this year.

    The track has also hosted Phish, the HORDE tour, the Other Ones (one of many Grateful Dead offshoots) and several versions of the regional radio festival, K-Rockathon.

    Even with a lack of on-site camping, attendees would still have several lodging options in the area. The nearby Turning Stone Resort Casino in Verona has several hotels and an RV park. Other local options for lodging include two state parks at Verona Beach and Delta Lake, along with several private campgrounds and hotels in nearby Utica, Rome and Syracuse.

    Ticketing information was unavailable at press time but would be contingent upon organizers acquiring final permits from the town. The lack of camping would preclude the need for a mass gathering permit from New York State.

    NYS Music will have more information as it becomes available.

    Editor’s note: This article has been edited to reflect a different number of attendees at Woodstock ’99.

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