Louis Cole created a jazz-trance dance celebration in the Ballroom, while Tia Fuller brought a more traditional jazz approach with horns to the Stoop. These are just two of the artists from the third night of the 2019 BRIC JazzFest Marathon. This year’s festival led up to a three-day music marathon, with simultaneous performances over three stages, held at the BRIC House in downtown Brooklyn.
Antonio Sanchez and his band
Night three featured many jazz musicians from around the globe: Kassa Overall, Louis Cole, Antonio Sanchez, Myra Melford’s Snowy Egret, Claudia Acuña, Tia Fuller, and Boyfriends, featuring Joe Russo, Ben Perowsky, Josh Kaufman and Stuart Bogie.
Tia Fuller
Louis Cole was a one man jazz band, playing drums and synthesizer while looping his drum and bass heavy trance beats with pedals and a laptop. He also provided outstanding vocals and had a guest saxophone sit in during the encore.
Louis Cole
Boyfriends is an ambient rhythm exploration with Joe Russo (Joe Russo’s Almost Dead) and Ben Perowsky (John Scofield, John Medeski) on drums and percussion, multi-instrumentalist and producer Josh Kaufman (The National, Bob Weir), and Stuart Bogie (Arcade Fire, Iron and Wine, Antibalas) on woodwinds/keyboards. Both Russo and Perowsky showed off their subtle yet incredible drum and percussion skills.
Joe Russo
This year’s JazzFest might be over, but BRIC puts on awesome jazz programming throughout the year at this delightful venue. Head on over to their website for details about future events.
Star Kitchen, the recent side project from Marc Brownstein, has announced a late-night show at New York City’s Sony Hall on Sunday, December 29 during The Disco Biscuits‘ New Years Eve run.
The band, which also features Danny Mayer (Alan Evans Trio, Eric Krasno Band), Marlon Lewis (Lauryn Hill, John Legend), and Rob Marscher (Matisyahu, Addison Groove Project), will bring their unique brand of funk and improvisation to Sony Hall on Sunday, December 29. The show will take place on place on the Biscuits’ day off in between the second and third nights of their four-night run, while also conveniently falling on night two of Phish‘s new years run, which takes place just a few blocks South at Madison Square Garden.
Following appearances at Electric Forest, High Sierra, Jam Cruise, and The Peach Music Festival, among others, Star Kitchen has been touring hard behind the project, winning fans over at each stop with fun covers, deep improv, and undeniable collaborative energy between all four players. Star Kitchen tends to bring special guests along for the ride when they play, and this show will definitely feature some ace musicians to help add to the mix. The horn section from Trey Anastasio Band—Jennifer Hartswick, Natalie Cressman, and James Casey—will be on hand to add some brass and vocals. In addition, decorated guitarist Eric Krasno will add some six-string firepower to this already stacked performance.
There are surely a few other surprises in store, as you never know who’s going to show up at a Star Kitchen show. Tickets to Star Kitchen at Sony Hall are on-sale now via Ticketmaster. Use the Presale Code “STAR” to grab yours, and make sure to RSVP via the Facebook Event Page for updates.
World music and electronic act Thievery Corporation closed out the Summer Concert Series at the Pier 17 Rooftop on Friday night to a sold out crowd, despite temperatures in the 50’s and high winds. The show featured a number of talented musicians who rotated in and out during the set, as well as two acoustic songs. They were joined by Brooklyn-based nu-disco band Escourt.
Nikki B and Escourt
Escourt opened the evening and got the crowd’s blood flowing with their signature disco dance-hall style beats plus synthesizer-driven harmonies. The band was led by singer Nikki B, sporting a long white tiered train, as well as founders Eugene Cho (synthesizer) and JKriv (guitar). The lineup also included Jim Orso on drums and singers Daniela Bauer and Layla Dionne. Their set had plenty of banter from Nikki B, and closed up with “Cocaine Blues” from their 2011 album Funkytown.
Thievery Corporation co-founder Rob Garza
Led by co-founder Rob Garza, Thievery Corporation was up next. They cycled through a number of musicians throughout the night, and delivered their eclectic mix of electronica, dub, hip-hop, Indian, Brazillian and other genres. The core band included Garza (synthesizer, producer), Jeff Franca (drums), Rob Myers (sitar, guitar), Frank Orrall (percussion, drums, vocals), Ashish “Hash” Vyas (bass) and two unknown trumpeters. Additionally, the following musicians were on stage providing vocals for various songs: Racquel Jones, Puma Ptah, Natalia Clavier, Mr. Lif, and Loulou Ghelichkhani.
Racquel Jones on stage with Thievery Corporation
The set began at 8:20 p.m. with “Marching the Hate Machines (Into the Sun)” from the 2005 release, Cosmic Games and featured Orrall wearing a contraption of lights radiating from his back and hand. Racquel Jones joined the party for “Letter to the Editor” from the 2017 release The Temple of I & I. Puma Ptah stepped in for the next tune, also from The Temple of I & I, “Babylon Falling.” Natalia Clavier then lended her vocals for the classic downtempo tune “All That We Perceive” from The Richest Man in Babylon. Orrall stepped away from the percussion kit to sing “The Heart’s A Lonely Hunter,” also from Cosmic Games. At one point, Orrall was standing above a speaker, swinging an illuminated poy above his head. Next, Mr. Lif made an appearance in the hip-hop meets downtempo “History,” from their most recent release, Treasures from the Temple.
Natalia Clavier
“The Forgotten People” from Radio Retaliation preceded a delightful acoustic sequence with two songs from Saudade. Loulou Ghelichkhani contributed vocals for “Le Coeur” and Clavier rejoined the band for “Claridad.”
Loulou Ghelichkhani
Thievery Corporation returned to their electronic instruments for “Sweet Tides,” also from Radio Retaliation. Puma Ptah was back in the mix, providing vocals for the Cosmic Games classic reggae tune, “Amerimaka.” Ghelichkhani took over vocals for the next song, “Voyage Libre” from Treasures from the Temple. The band next played their classic downtempo tune from The Richest Man in Babylon, “Omid (Hope),” followed by another Cosmic Games tune, “Warning Shots.” Mr. Lif then rejoined the band and announced that the next song is for those in dark places, which caused the crowd to erupt with emotion. He then provided vocals for hip hop based “Fight to Survive” from The Temple of I & I. The show closed out with the Indian music-inspired and rarely played original “Lebanese Blonde” from 2000’s Mirror Conspiracy.
Rob Garza and Rob Myers
Thievery Corporation’s tasty electronic and world mix of original tunes kept the crowd warm on a chilly night in New York City’s Financial District, atop the Rooftop at Pier 17, closing out the Summer Concert Series at the venue. NYC eagerly awaits the return of this talented electronica outfit.
Pier 17 lights always delight
Setlist: Marching the Hate Machines (Into the Sun), Letter to the Editor*, Babylon Falling**, All That We Perceive***, The Heart’s A Lonely Hunter, History%, The Forgotten People, Le Coeur****^, Claridad***^, Sweet Tides, Amerimacka**, Voyage Libre****, Omid (Hope), Warning Shots, Fight to Survive%, Lebanese Blonde
BHuman has crafted the soundtrack to your next intergalactic dance party. BMovie is a theatrical concept album of interstellar proportions, springing from a love of sci-fi and 1950’s horror flicks enjoyed by Londoner Billie Lloyd and New Yorker Harrison Scott, the members of this queer pop duo.
In dramatic fashion, BMovie offers an overture, intermission, and interlude-providing segues. These futuristic instrumental tracks use clips of dialog, including lines from old movies, serving as a fun way to weave their work with the existing framework of sci-fi pop culture. They also help to lend context to the songs and move the story line forward.
The first song on the album is a cover of Cher’s mega-hit “Believe.” BHuman has stripped back the song to emphasize the bittersweet sentiment of the lyrics, then contrasted it with light and airy percussion and synth. The song debuted earlier this year, just in time for NYC Pride.
As delightful as this opening is, it’s only the beginning. BHuman’s original songs interlace captivating synth pop melodies and fantastical vocal hooks to create soundscapes that are out of this world. The music maintains an ethereal levity as BHuman explores interpersonal relationships and learning how to be comfortable in one’s own body.
The album builds to an incredibly vulnerable and touching climax with “Teachmehowtobeyourgirl.” We’ve moved past believing in life after love, past using people in “Distraction,” through the web of lies that people weave in “Fiction.” Here we enter a space where it is safe accept one’s self, to love another person, and to discover what it really means to be human.
Key Tracks: Distraction, Fiction, The Other Way, Teachmehowtobeyourgirl
On her latest single, “Greytopia,” Karolina Rose is a bright and rhythmic indie-pop track, full of energy and passion. Serving as step one to Karolina’s upcoming visual EP project, “Greytopia” is the start of a tale of love, loss and healing through four video experiences.
Combining an upbeat pop rhythm with shimmering guitar strums, the Elliot Jacobson (VÉRITÉ, Allie X, Elle King) produced track imagines an idealistic world where its inhabitants can reach their highest self and live out their dreams, despite life not being perfect.
Speaking about “Greytopia,” Karolina explains:
“This song refers to taking in all the nuances of life on the spectrum of white to grey to black and accepting it, meanwhile enjoying life in your most productive, idealistic manner. It’s in another world where things aren’t jaded and morals and ethics are high. We have all the amenities of Earth but use them in a positive, productive way. Just do your best with what you have and create your own perfection within something that isn’t. You can lounge; you can work; feel happy; feel sad. It’s all okay. It’s a fairytale land. We’re in another world – another planet.”
The new music comes after Karolina’s Polish primetime television debut and an exclusive deal with Universal Music Poland. A Polish-American singer based in Brooklyn, Karolina was born and raised in Philadelphia to Polish parents and graduated from the Wharton School. She worked on Wall Street, before making the decision to quit her career in the investment industry in order to commit to making music her full-time profession. Karolina released her first single “Move With Me” in February 2017 and her debut EP INVICTAon February 1, 2019.
In advance of their upcoming fall tour, which starts in Washington D.C. on Wednesday, October 2, Break Science has shared the downtempo and lyrically esoteric single, “Oshun.”
“This song is a dedication to Oshun, the Goddess who governs love and freshwaters,” shared Break Science keyboardist and producer Borham Lee. “She is the protector of the poor, healer of the sick, the bringer of music and dance, prosperity and fertility. With this song, we hope to invoke the divine feminine essence of nature to instill a higher thought and create spiritual balance.”
With over a decade of creation under their belts, and arguably among the artistic pioneers of the mid-2000s electronic music explosion, the duo –comprised of keyboardist, producer and jazz pianist, Borahm Lee (Pretty Lights Live Band) and funk, hip-hop drummer extraordinaire, Adam Deitch (Lettuce) – adds a layer of intrigue and depth to their music with the incorporation of Deitch’s live drumming and Lee’s real-time performance behind the synthesizer and keyboard.
Break Science Fall Tour Dates
10/2 – Washington, DC – Gypsy Sally’s 10/3 – Brooklyn , NY – The Brooklyn Bowl 10/4 – Richmond, VA – The Broadberry 10/5 – Asheville, NC – Asheville Music Hall 10/10 – Salt Lake City, UT – Soundwell 10/11 – Seattle, WA – The Crocodile 10/12 – Portland, OR – The Star Theater 10/16 – Minneapolis, MN – The Varsity Theatre 10/17 – Grand Rapids, MI – The Stache @ The Intersection 10/18 – Chicago, IL – The Chop Shop 10/19 – Indianapolis, IN – The Mouse Trap 11/29 – Portland, ME – Port City Music Hall 11/30 – Philadelphia, PA – Ardmore Music Hall
There are times when a festival lineup drops and you immediately thinking to yourself, “Damn, I really need to go to that!” The sixth annual Resonance Music and Arts Festival which took place September 19-22 in Slippery Rock, PA is a perfect example.
Presented by Papadosio, in partnership with Mammoth Music Group and Essential Productions, itâs clear that Resonance truly gets its audience.
The festival features a diverse cross-section of music on five stages ranging from jam to jamtronica to electronic with a common thread being that it’s all music everyone in the Resonance community digs, including the arists themselves.
Along with Papadosio itself – who played four sets including a Gorillaz tribute, which was something special to behold – tons of artists played multiple sets on different stages at different times of day and night throughout the weekend, giving them a wide latitude for creativity and exploration and channeling the unique energy of each environment.
To that end, this year’s music schedule was particularly stacked, featuring two headlining sets from Tipper along with multiple performances from each of Pigeons Playing Ping Pong, Umphrey’s McGee, Twiddle, Black Moth Super Rainbow, TAUK, Goose, Andy Frasco & The U.N., EOTO, SunSquabi, and Dizgo.Â
But the incredibly chill vibe of Resonance is always about more than just the music and a literal change of scenery this year went along way towards making everyone feel welcome. Held for the first time at the bucolic Coopers Lake Campground in Western Pennsylvania, there was a ton to like about this new, smaller and cozier venue and site setup.
Want to car camp? It’s included, for free, for everyone in attendance. Prefer shady wooded spots or a lakeside view? Take your pick. No matter where you setup camp, all of the stages were close by and only a short stroll from each other. No lengthy hikes, arduous hills or tedious security checkpoints to be found anywhere. As an added bonus, Resonance is BYOB-only event and the ability to go back and forth between your campsite and the stages with a beverage of your choice is priceless.
Attendees at Resonance this year were also treated to near-perfect late summer weather, featuring sunny but not scorching daytime sets and hoodie-friendly evening air. Twilight sets each night at all stages were accompanied by spectacular sunsets with surreal hues. Even a brief storm delay Saturday afternoon gave way to a delectable double rainbow.
Not to be outdone by nature, artisitic and technological visuals were equally as impressive at Resonance, with live art installations aplenty and projection mapping illuminating the dragon-adorned castle as well as an intricate web weaved into the ceiling of the barn.
In its sixth year, Resonance has found its groove and an exceptionally fitting new home for its family.
Santa Cruz, California’s Sound Tribe Sector 9 (STS9) touched down on September 20 at the Brooklyn Mirage for their Apo11o tour, commemorating the 50th anniversary of the Apollo 11 mission. STS9 celebrated a theme of space exploration in their setlist and gave New York City a much anticipated dose of their celebrated livetronica. They were joined by some of their favorite musical friends: Orchard Lounge, Cut Chemist and Mark Farina.
Hunter Brown of STS9
Orchard Lounge kicked off the festivities with a delicious set of eclectic dance mixes, downtempo and “bass-dropping efunk.” Hailing from Chicago, the band members include Spencer Lokken, Bethany Lokken and Ben Silver. Their melodic interwoven beats had the crowd moving and grooving immediately.
Orchard Lounge
Next up was Cut Chemist, also known as Lucas McFadden, a DJ from California who utilizes original 45 records along with his digital production. He specializes in hip-hop, funk and scratching, an art form that is dying in the current digital revolution. Drawing from artists like the Beastie Boys to Chali 2na, Cut Chemist delivered adventurous breakdance-worthy urban beats.
Cut Chemist
STS9 took the stage to a packed house and did not stop playing their space exploration-themed jams until the first set ended. The first set began with a new urban tune “Strange Games” that later turned into “When the Dust Settles Reprise,” a morphing of “When the Dust Settles” from the album of the same name. The jam sandwich continued with “Tooth” transitioning into “Golden Gate,” also from When the Dust Settles, as well as old school favorites “Golgi” > “Grow” > “Kamuy.” The band closed out the set with new song “Push The Sky” and then took a well deserved setbreak.
STS9
The second set continued to go where “no sectornaut has gone before,” as the band had landed on the Moon, metaphorically speaking of course. “Looking Back On Earth” opened the set, and transitioned into “Rabble” and “Open E,” transporting the crowd into the ethos. “Scheme” was up next, another tune from When the Dust Settles, followed by “Hubble”, the STS9 classic named after the famous satellite telescope. The crowd could not contain their excitement during this rarely played tune from Interplanetary Escape Vehicle. A transition from “Seed” into “Click Lang Echo” followed with more tasty intergalactic jams. The set wrapped up with “World Go Round” from The Universe Inside. STS9 finished the evening on a high note with the perennial favorite “Inspire Strikes Back”, named after the famous Star Wars sequel.
STS9’s Zach Velmer addresses the audience
DJ Mark Farina kept the festivities going with his signature blend of house, jazz and downtempo. Known for his “Mushroom Jazz,” Farina wove well-known and obscure tracks into a dance tapestry that delighted the late night crowd well into the early morning hours.
DJ Mark Farina
The Brooklyn Mirage was successfully launched into outer-space by post-rock dance musicians Sound Tribe Sector 9, supported by their savvy DJ friends. NYC Fans were delighted by the space exploration theme well into the night, and excitedly await their next trip into the cosmos with this talented band.
The crowd loving STS9
Set One: Strange Games >> When the Dust Settles Reprise >> Tooth >> Golden Gate > Golgi > Grow >> Kamuy >> Push The Sky
Set Two: Looking Back On Earth >> Rabble >> Open E, Scheme, Hubble, Seed >> Click Lang Echo, World Go Round
Hailing from Jamestown, NY, Cold Lazarus is a fusion four-piece that melds funk, psychedelic rock, reggae and soul with indie-style vocals and introspective lyrics. With three releases now in their discography, the band is established in their sound and aesthetic. Their albums all have a great flow, and in the past offered consistency with each song. While this is the case as a whole with the new release, Colors and Lights, there are a lot of new ideas presented that break the band away from their regular brand of psychedelic jam-rock. This new release brings a lot of composition and arrangement without compromising on the live feeling Cold Lazarus emulates so well. Cold Lazarus is unconventional in their songwriting, and unrelenting in their audacity to make something distinct.
The opening track on the album, “A Dream Serene” sends the listener straight into space with a multi-dimensional ambient piece with a heavy emphasis on vocals. The harmonies are tight and varied, and offer a real pallet cleaner to usher in the titular track “Colors and Lights.” The low-fi funk opening leaves room for the song to build, as the band expands the production and enters the realm of hi-fi. The composition is very unique to Cold Lazarus- as opposed to each member holding big chords, the group has each person playing one or two notes that create a moving chord progression more similar to classical funk, and even classical music at that. The drums are agile with fills, fresh and diversified between phrases. The keys and guitar find themselves in conversations atop a steady and arresting bass line.
There are some really fun tunes on this album. “Don’t Hide” is a great illustration of how the band can combine extended jams with compact choruses. While the song can meander into new spaces and ideas, there is always a return to home base. Something the band has that sets them in a league of their own are their longer jams that incorporate motifs and themes. The meat of the song is the organic performances in these live-feeling jams, but the potatoes are certainly the choruses. The characteristic harmonies that play off each other give these choruses more muscle and tension.
Between songs you will find interesting electronic-inspired breaks. “Trepidation” and “Dimension Ascension” highlight an entirely new aspect of the band’s abilities. Making use of 606’s and glitchy drum beats, these sketches add more variety to the album than past projects.
Cold Lazarus has certainly accomplished their goal in creating an adventurous psychedelic rock album that doesn’t place itself solely in the realm of one genre. The talent of the band absolutely shines through in different ways in each of the songs. While some of these songs last upwards of 10 minutes, they never become tedious. Interesting composition and tight production work together to construct something that keeps the listener engaged and excited to see what the next turn brings.
Key Tracks: Don’t Hide, Spiral Sea Unending, Colors and Lights
STS9 kicked off their Apo11o Tour with a stop at Buffalo RiverWorks on Thursday, September 19. Starting off the evening was a brief dj set from Mark Farina which set the mood for sonic exploration to come. STS9 came out with with an intensity that was well received by the crowd who were eager to dance the night away. Over the course of two jam filled sets the energy never let up as high fives, hugs and dance moves filled the floor.
