Category: Special

  • Guest Contributor Exclusive: Mike Powell and Chris Merkley Explore Abandon Brewing Co. in Penn Yan

    Editor’s Note: Mike Powell is a singer-songwriter from Central New York. In addition to his work as a solo artist, he also leads the soulful rock band The Black River. Powell and fellow CNY singer-songwriter Chris Merkley are embarking on a four-show mini-tour of microbreweries across the state searching for the connection between songwriting and brewing. This stop brings us to Abandon Brewing Co. in Penn Yan.

    This is the second of a four-part NYS Music series contributed by Powell. The first installment of Powell’s tour diary can be found here.


    “I am my own captain

    On this ship I sail to sea”

    I don’t have a manager. I don’t have a booking agent. I don’t have a publicist. I’m completely independent in every way but I’m certainly not alone. There are thousands of artist just like me that are making lives in music while handling their own booking, designing their own show posters, running their websites, printing their own shirts and funding their own records. There’s a real freedom that lives inside this type of self-reliant approach to making art. It’s certainly a major challenge and it definitely forces you to become a Swiss army knife in many ways. But I love everything about it…well, everything except the booking component.

    I hate booking myself. It’s the absolute worst.  It’s an incredibly time-consuming process that just really frustrates the hell out of me. But worst of all is I just can not stand “selling” myself to venues. It goes against everything that my parents taught me about being humble.  Telling someone that you’re good is just about the most uncomfortable thing I’ve ever experienced in my life. 

    I have a public confession to make. When I first started booking tours for myself back in 2008 I created a separate Gmail account to send my press kit from because the whole self-promotion thing weirds me out so much. I even used a fake name, Theo. It seemed to work out okay and made me feel a little less guilty about self-promotion until I would be loading in for a show and the talent buyer would ask if Theo was going to be around. 

    “Theo”

    Through my years of traveling and having countless green room conversations with fellow artists, I was happy to find out that I’m certainly not the first or the last to try the old fake name trick. In fact, I’ve laughed with dozens of songwriters about the fake name that they used and some even continue to use. 

    Theo was getting gigs for me but it just didn’t feel right so I made a conscious decision to stop forcing it and just try to focus on playing rooms that feel right and fit my music. It was this simple decision that freed me up to focus more on what I needed to, writing better songs and honing my performance. Soon I realized that the opportunities started to reveal themselves. I started to find fun in the word of mouth search for venues around my region that are true gems. I realized quickly that you can Google search all you want but you won’t organically find the right rooms that way. 

    I began asking questions. I started to talk to music lovers about their favorite places to see live music. I would ask touring songwriters that I opened for where their favorite places to play were. This approach has worked out for me and taken the pressure off of the awkward cold email approach. 

    Three years ago I started to notice a tall shadowy figure in a trench coat, cowboy boots and a ponytail was attending many of my shows. I like to personally thank everyone that comes out to see me play with a handshake. So after about the third time I saw this man at one of my shows I decided I needed to go introduce myself to him. His name is Patrick O’Malley and from that day forth we have maintained a wonderful relationship. He’s just a great dude that loves music, has experience booking acts at various venues around the state and has a great understanding of how to create a cool experience for the artist and the audience. 

    Three months ago I got a text from Patrick and he said, “You’ve gotta see this room.” He attached a picture of a big stage in an old barn surrounded by rustic beams and elegant string lighting. He knew it, it was my kind of place. I immediately fired back and said, “WHERE IS THIS?” and he replied “Abandon Brewing in Penn Yan.” 

    Yesterday was in my opinion, the perfect New York day. The leaves were turning, the sun was shining and the air was clean.  I hopped in my truck and headed west from my home in Cazenovia bound for stop number two on the Original Gravity MicroTour at Abandon Brewing. I love driving and there are few drives more magical than the one that threads through the Finger Lakes on a classic fall day. 

    I arrived at about four o’clock while the sun was high but dropping fast and my first glimpse from the parking lot revealed an incredible old barn that sat overlooking beautiful Keuka Lake. What an expansive and magical view. I passed through the giant doors and found a perfect sized bar and a solo performer on that familiar stage I recognized from Patrick’s photo. Patrick’s picture just did not do the place justice.  

    Chris arrived and we shared a tasty session Saison created by the talented and prolific brewmaster Jeff. Our eyes drifted all around this geothermal powered farmstead brewery and we talked about how amazing the acoustics were in this old barn. We met one of the owners, AJ, who happens to also be in a Rochester-based bluegrass band, thus reinforcing that connection we’ve set out to explore on this tour between beer and music. So needless to say we felt right at home. 

    The sun went down and they fired up the heaters inside the old barn and we played our sets for a playful and respectful crowd.  The beer options were plentiful and flat out fantastic and again, the sound was top notch. I can see this venue really becoming a place that traveling acts of various genres will seek out for years to come because of the vibe, location, sound, the aesthetic and overall experience at Abandon.

    Thank you to Patrick for sending that text message and everyone who came out to see Chris and me. Such a killer night. Its nights like last night that make me say to myself, “Man, I am so lucky to be doing this”. 

    Sincerely,

    Theo


    The video below gives a view of the second stop of the Original Gravity Tour at Abandon Brewing Company in Penn Yan with interview footage of tourmate Chris Merkley.

    Powell and Merkley continue their Original Gravity tour on Saturday, Oct. 12 at 3:00 p.m. at Heritage Hill Brewhouse in Pompey and Local 315 Brewing Company in Warners on Sunday, Oct. 13, also at 3:00 p.m.

  • Metallica Masters’ Festival Scene, Headlining Two Nights at Sonic Temple

    Danny Wimmer Presents announced that Metallica will be performing two headlining sets, with different set lists at next years’ Sonic Temple Festival in Columbus, Ohio. Sonic Temple will kick off May 15-17, 2020, with a full lineup to be released on December 2 at noon EST.

    metallica sonic temple

    Sonic Temple, previously known as Rock on the Range, will be entering its second year under this name. The festival which takes place at MAPFRE Stadium is considered one of the best and largest rock/metal festivals in the United States.

    “Metallica isn’t just another headliner. When Metallica takes the stage, it’s an event. It’s an experience. That’s the same standard we’ve set for every DWP festival – from the first band to the last band, and everything that happens in between. I can’t wait to bring the biggest band in the world to the biggest rock festivals in America.”

    Danny Wimmer
    Founder – Danny Wimmer Presents

    Danny Wimmer Presents is the largest independent festival producer in the U.S. “Metallica paved this road that we travel. How many artists on the bill at these five festivals first picked up an instrument, or first started a band, because of Metallica?”

    Tickets for all events went on sale October 10 at 12 PM PT/3 PM ET for Fan Club members and for past purchasers of Danny Wimmer Presents events. The general public sale begins Monday, October 14 at 9:00 AM PT / Noon ET. Find more info and buy tickets HERE.

  • Guest Contributor Exclusive: Mike Powell and Chris Merkley Kick-Off Original Gravity Tour at Copper City Brewing in Rome

    Editor’s Note: Mike Powell is a singer-songwriter from Central New York. In addition to his work as a solo artist, he also leads the soulful rock band The Black River. Powell and fellow CNY singer-songwriter Chris Merkley are embarking on a four-show Original Gravity mini-tour of microbreweries across the state searching for the connection between songwriting and brewing.

    This is the first of a four-part NYS Music series contributed by Powell. Additional photos contributed by NYS Music staff.


    There are few relationships more felicitous than the one that exists between beer and music. My love for songs and storytelling began in the late ’80s when I was just a kid laying on a shag carpet underneath our Formica kitchen table. My father would regularly invite his work buddies over to our house after the whistle blew at the paper mill and they would sit around banging away on old guitars, breathing into harmonicas and drinking cases of Genny Light. I would hide quietly, listen closely and watch as their oil-stained work boots tapped along to the beat of songs like “I’m So Lonesome I Could Cry”, “Desperados Waiting For A Train” and “On The Road Again”.  

    At the conclusion of just about every song, one of the men at the table would take the floor and share an often hilarious story with the others. These stories and these songs from hardworking men in greasy blue uniforms in many ways became the backbone of what I’ve spent the past ten years of my life doing. Above the sound of the human voice, the wailing tone of a harp and the thump of a dreadnought I so vividly remember the signature snap of that blue aluminum can popping open – beer was just part of the ceremony.  

    The genesis of the Original Gravity MicroTour was a simple phone conversation I had in August with my friend and fellow songwriter Chris Merkley. He and I became fast friends last year while doing a run that included stops at some of the best little theaters in Central New York like Nelson Odeon, Borodino Hall, Earlville Opera House and the Auburn Public Theater. His ability as a performer is undeniable but what I find most admirable is his strong sense of community and ability to inject creativity into all that he does. Take a trip out to Cortland for one of his Seedstock Music Festivals and you’ll see exactly what I am talking about. 

    This particular conversation centered around playing shows together again but we didn’t want it to be standard boilerplate. We both needed to do it differently and find a way to shine a light on other like-minded folks doing amazing things in their own arenas. Our talk quickly spun out of control, per usual, and our minds started collectively racing towards the topic of a small craft brewery tour. 

    We talked about how craft breweries have created a whole new stage for original musicians like us and how grateful we are that they exist. We started asking each other deep psychological questions like, “Do people that prefer a craft beer experience have something in their make-up that makes them more apt to digest original music?” “Are there similarities between songwriters and brewers?” “Why make your own beer when there’s plenty of great beer being made all around the world?” “Why write songs when there are millions of amazing songs already written?” The aim of the Original Gravity MicroTour is to take a four-night deep-dive exploration into the analogous union between original songwriters and craft brewers.  

    After I hung up with Chris I immediately put in an excited call to my dear friend Mike Kohli who happens to be one of the biggest music supporters I know, a lover of craft beer and the editor of this here media outlet. I told Mike our plans and I asked if he would perhaps allow me to be a guest content provider during the MicroTour and he graciously agreed. He told me that he has had a very similar idea kicking around in his brain for quite some time and has been waiting for the right moment to tell the story.  And since I had him on the phone already I decided to push the envelope and take it one step further. I said, “How about we kick the thing off on your home turf, Copper City Brewing Company?” And he said, “HELL YEAH…I mean, let me check with the owners Dan and Lori.” 

    For over 80 years, the city of Rome has lacked the presence of a local microbrewery. Prohibition effectively shut down the last of them in the 1930s and the void remained until the visionary couples Dan and Lori Colasanti Frieden and Eric and Erica Sheible Daniels spoke up in 2015 and announced their ambitious plans to bring brewing back to Rome. After looking all over town for the right property they landed on a renovation project at 1111 Oneida Street on Rome’s east side.

    When you push through the doors of CCBC you’ll most certainly be greeted with a big smile from behind the bar as your eyes scan around the modern industrial motif. The fresh grainy smell will hit your senses, your mouth will water and your palette will prepare. As a musician, the first thing I noticed walking in was an elegant nook off to the left with comfortable seating, board games and a guitar on a stand that is welcome to be played by any and all patrons. The room itself is an interesting juxtaposition because although it has several rigid metal touches it somehow gives off a thoughtful warmth. I’ve played shows at Copper City three or four times now and I’ve come to realize that the warmth comes from the people inside it. 

    Chris and I had an awesome time on night number one.  Perhaps my favorite part of the night was our attempt at doing on-demand poetry. During Chris’ set, he asked the crowd to throw out a couple of words and I would be tasked with writing a poem related to them in real-time and present it by the time I took the stage. Well, the audience gave me “Camel Unicorn” and I thought I wrote a pretty good poem under pressure. But after my reading, I asked for the audience to now give me a couple of words for Chris to work with and I selected “Asbestos Shed”. I thought he was going to struggle. But in true Merkley fashion, he won the night and got the biggest eruption from the crowd with his incredible tale of smashing his face after falling not so gracefully from a shed as a kid.  

    Big thanks to Copper City for the incredible hospitality, wonderful beer and all that came out to hear us. This train rolls on to Abandon Brewing tonight in Penn Yan where I plan to dethrone Merkley as the top on-demand poet on this tour. 

    Below is a video documenting the first night of the tour. Featured are Copper City Brewing Company co-owner Dan Frieden and the brewery’s talent buyer and NYS Music Editor-in-Chief Mike Kohli.


    Powell and Merkley continue their tour on Friday, Oct. 11 at Abandon Brewing Company overlooking Keuka Lake in Penn Yan. Tickets for the 8:00 p.m. show are available at the door. Additional dates on the tour include Heritage Hill Brewhouse in Pompey on Saturday, Oct. 12 and Local 315 Brewing Company in Warners on Sunday, Oct. 13.

  • Groovesafe Allstars to perform at Brooklyn Bowl benefit on October 14

    Groovesafe, a movement within the musical community to bring awareness about unwanted touching and sexual assault at concerts, has been making in roads through the music industry since the charity was formed in 2017 by Ashley Driscoll. On Monday, October 14, members of Turkuaz, Lespecial, Escaper, Goose and many more will join together as Groovesafe Allstars, for a benefit concert supporting Groovesafe at Brooklyn Bowl.

    groovesafe allstars brooklyn bowl

    Driscoll has been bringing together musicians from across the jam scene to spread the word about Groovesafe. A topic such as unwanted touching is one that is all too common but the issue had not been brought to light until the past few years, around the same time the #MeToo movement pushed back against sexual assault and sexual harassment in the workplace. Through music scenes that intertwine, the mission of Groovesafe can be spread and consent culture can become the norm.

    The October 11 Groovesafe Allstars benefit at Brooklyn Bowl has Driscoll’s mission front and center in the jam scene. Speaking to NYS Music about the event, Driscoll says, “I’m excited about this inaugural event because it allows us to showcase what our mission is all about. The thrilling thing about the “AllStar” aspect is we can unite different GrooveSafe Artist Ambassadors from bands of all genres. Bringing everyone together to highlight the importance of our work at GrooveSafe and our main goal to rebuild consent culture in the live music realm.”

    “All we want to do is spread awareness that these bad behaviors are happening and that we won’t stand for them anymore. Change in behaviors begins with this awareness. We will be out there at The Brooklyn Bowl on Monday night to remind people how important it is to respect each others dance space, and focus on why we see shows;  the music.

    Ashley Driscoll – founder of Groovesafe
    groovesafe allstars brooklyn bowl

    The show features The GrooveSafe AllStars – Sammi Garett (Vocals – Turkuaz), Josh Schwartz (Sax – Turkuaz), Greg Sanderson (Sax – Turkuaz), Chris Brouwers (Trumpet – Turkuaz), Luke Bemand (Bass – lespecial), Will Hanza (Lead Guitar – Escaper), Ben Atkind (Drums – Goose), Matt Dolliver (Keys, EWI – Swimmer), Sam Lisabeth (Guitar – Guerilla Toss), Melissa Goscinski (Vocals – Cousin Earth), and Tara Lawton (Vocals – Cousin Earth), with an appearance by Tom Salgo (Guitar-Of Clocks And Clouds). More info can be found here.

    This initial event will be the start of a series of benefit concerts, spreading the mission of Groovesafe.

    We hope to have a rotating act and continue to put on benefit concerts with talented musicians who support the movement to stop unwanted touching at shows in cities throughout the country. Our touring bands work so hard to bring you the music, let’s work together and make the show experience better. Let’s help people love the music again and give us a voice to create safer shows. Practice consent and take care of each other. 

    Ashley Driscoll – founder of Groovesafe

    Additionally, at the upcoming HarvestFest at Woods Valley, Groovesafe will receive a portion of ticket sales from the weekend event, which features Rob Compa of Dopapod and Hayley Jane, among others.

  • WinterWonderGrass Music and Brew Festival announce 2020 lineups

    With events in Colorado, California and Vermont, WinterWonderGrass Music and Brew Festival has announced the 2020 lineup across all three of their flagship events. Taking place in in Steamboat Springs, CO from February 21st – 23rd, Squaw Valley, CA from March 27th – 29th and Stratton, VT from April 10th – 11th, the traveling music festival will welcome performances from some of the hottest names currently thriving in today’s Bluegrass and Americana music scenes. 

    “It’s with a mountain of intention, huge hearts, humility and a commitment to delivering the hottest and sweetest artists that we present to you the 2020 WinterWonderGrass landscape,” expresses festival founder, Scotty Stoughton. “Each year, the hardest thing to do is not heed our desire to return to each and every band–and by virtue of that, friends to WWG–year in and year out. It is our sincere desire you’ll find new lifetime favorites on this lineup, have the chance to be reunited with old loves and step out of your comfort zone with open arms to new experiences.”

    WinterWonderGrass Music And Brew

    “WinterWonderGrass has become a home for artists, fans, staff, locals, businesses, skiers, riders, their families and all of the like,” adds festival Director of Marketing & Ticketing, Ariel Rosemberg. “We pride ourselves on creating a sustainable, safe and receptive environment, bound by the marriage of the best in bluegrass, folk and Americana, and the undefeated nature of American ski culture.”

    Returning to Colorado for its eighth consecutive year, and its fourth year located in the pristine ski town of Steamboat Springs, CO, WinterWonderGrass presents headlining performances from Greensky Bluegrass, Billy Strings and Margo Price over its three days this coming February. Additional artists on the bill include Keller & the Keels, Della Mae, Travelin’ McCourys, Nikki Lane, Molly Tuttle, Horseshoes & Hand Grenades, Bluegrass Generals (Chris Pandolfi & Andy Hall of The Infamous Stringdusters), ALO, Lindsay Lou, a collaborative set from the WinterWonderWomen, Pickin’ on the Dead, Che Apalache, Cris Jacobs, Twisted Pine, Jon Stickley Trio, Meadow Mountain, Jay Roemer Band, Buffalo Commons and Bowregard, as well as special guests Andy Thorn, Jennifer Hartswick, Bridget Law, Pappy Biondo and Will Mosheim. 

    Over March 27th – 29th, WinterWonderGrass makes its way to the Tahoe region of California for its sixth consecutive year presenting three days of music at the base of Squaw Valley Ski Resort. Headliners for this festival stop include The Devil Makes Three, The Infamous Stringdusters and Billy Strings (two sets). Peter Rowan, Fruition, Keller and the Keels, The War and Treaty, The Lil Smokies, Brothers Comatose, Della Mae, Larry Keel Experience, Kitchen Dwellers, Andy Falco & Travis Book (of The Infamous Stringdusters) Perform Jerry Garcia, Cris Jacobs, Trout Steak Revival, Midnight North, Town Mountain, Pickin’ on the Dead, Pixie and the Partygrass Boys, Old Salt Union, TK & the Holy Know-Nothings, Rapidgrass and Twisted Pine also join the bill, alongside special guests Lindsay Lou, Bridget Law, Will Mosheim and a collaborative WinterWonderWomen set.

    WinterWonderGrass Music And Brew

    The Vermont stop of the festival takes place over April 10th and 11th at Stratton Mountain Resort in Stratton, VT. Previously held in December, this year’s festival stop in Vermont was scheduled to coincide with the ski resort’s closing weekend. Headliners for this iteration of the festival, billed as WonderGrass Presents: Sugar & Strings, include The Infamous Stringdusters, Cabinet, Della Mae, and Molly Tuttle. Additional artists on the two-day lineup include Kitchen Dwellers, Andy Falco & Travis Book (of The Infamous Stringdusters) Perform Jerry Garcia, Twisted Pine, Che Apalache, a special WinterWonderWomen collaboration, Saints and Liars, Dead Winter Carpenters and Damn Tall Buildings, as well as special guests Jennifer Hartswick, Bridget Law, Pappy Biondo, Will Mosheim and more.

    Additionally, the Grass After Dark Series will return for post-festival programming with more details coming soon. Resort lift tickets, Mountaintop Dinner tickets (Colorado and California only) and Grass After Dark tickets are not included in regular festival admission and should be purchased separately.

    Tickets for all three festivals are on sale now:  |  |.

    WinterWonderGrass Music And Brew

    This month, Caravan to Wondergrass events are taking place in Denver, CO, Tahoe City, CA and Manchester, VT.

    The Denver event takes place on October 3rd at Cervantes Masterpiece Ballroom and Cervantes Otherside, with an October 11th Steamboat Springs presentation of The WinterWonderGrass All-Stars happening at The Depot Art Center.

    The California Caravan takes place in the coming weeks with a Tahoe Food Hub Event on October 17th, and performances by Midnight North at Moe’s BBQ in Tahoe City, CA on the 18th, and Alibi Brewing in Truckee, CA on the 19th.

    Vermont’s pop-up Caravan stop happens at the end of the month on October 26th at Earth Sky Time in Manchester, VT for a special Halloween-themed event, featuring music performances by Andy Falco (The Infamous Stringdusters), Saints and Liars and Terrible Mountain String Band.

    A limited quantity of fee-free tickets to WinterWonderGrass festival stops will be available for purchase during all Caravan to WonderGrass events. Click here for tickets and more information on specific Caravan events.

  • CNY Songwriters Mike Powell and Chris Merkley to Embark on Mini Brewery Tour

    Central New York songwriters Mike Powell and Chris Merkley will celebrate the connection between craft beer and music this October with their first mini-tour of local breweries, fittingly in their home region, which at one time produced 90% of the hops in the U.S.

    Since the passing of the Craft New York Act in 2014, more than 400 licensed breweries have opened across the state. Not only did this act create many new places to sample craft-brewed beers, but it also created almost as many new performance spaces for musicians. Powell and Merkley have chosen four of these breweries for their 4-pack micro tour, dubbed Original Gravity.

    Mike Powell and Chris Merkley

    In brewing terms, original gravity refers to the specific gravity of the wort prior to fermentation, which is the process that produces the beer. The name of this mini-tour fits perfectly within that theme. The two friends are embarking on the first of what they hope will be a continuing series of brewery stops. This tour will measure the original gravity of this type of endeavor.

    They’ll be exploring different perspectives on the idea of craftsmanship, taking a closer look at the similarities between songwriters and brewers while documenting their travels as part of a collaboration with NYSMusic. The folk, blues and Americana-inspired songwriters will make stops in Rome, Penn Yan, Warners, and Pompey between October 10 – 13.

    Mike Powell and Chris Merkley
    Mike Powell and John Hanus of the Black River provided by press contact person for Woods Fest Music Festival.

    Singer-songwriters spend countless years honing their craft and exploring the endless possibilities and nuances of pairing lyrics to music. When these songs finally make it to the microphone, they impact listeners with a wide range of thoughts, feelings, and emotions. In similar ways, a craft brewer can enter into the tradition of brewing beer and spend as many countless years refining their recipes and process to create just the right balance of flavors and notes for that first sip.

    The first stop of the tour takes Powell and Merkley to Copper City Brewing Company in Rome for a Thursday, Oct. 10 show. Established in 2016, Copper City is Rome’s first brewery since the 1940s. With 11 beers on tap and a selection of hard ciders and wines hand-selected from the region, Copper City has dedicated itself to bringing brewing back to the community and is proud to be the first local microbrewery in over seven decades. Music starts at 7 p.m. and admission is free.

    Mike Powell

    The second show of Original Gravity takes the songwriters west to Abandon Brewing in Penn Yan on Friday, Oct. 11. Perched atop the Finger Lakes, Abandon Brewing Company is a geothermal-powered craft brewery located in a reused farmhouse overlooking Keuka Lake. Visitors can enjoy tastings in the taproom, a pint in their beer hall or out on the deck overlooking the grapes, apples and hops of Abandon Acres. Music starts at 8 p.m. and tickets to the show are now available through the Facebook event and through Eventbrite.

    For the third show of the tour, Merkley and Powell travel to a brand new brewery in Pompey called Heritage Hill Brewhouse. With farm-to-table dining options and an expansive property that features multiple playgrounds and patios, a pumpkin patch, and numerous gardens, Heritage Hill offers views as far as the Carrier Dome and across nine counties on a clear day. Powell and Merkley are scheduled to perform on their outdoor stage at 3 p.m. on Saturday, Oct. 12. In the event of inclement weather, music will move indoors in Heritage Hill’s event barn.

    The fourth and final show of the micro tour brings the songwriting duo to Warners for a performance at Local 315 Brewing Company. Growing their own hops at Fawn Crossing Hops Farm, and supplementing other ingredients from as many New York State products as possible, Local 315 Brewing has made it a mission to keep it local in the 315. Music starts at 3 p.m. on the 12th and will take place on the outdoor stage weather permitting.

    With a vintage voice and a chest full of hauntingly heartfelt songs, prolific storyteller Mike Powell is the underground messenger of blue-collar soul.  Each night the lights go up, this pioneering poet lets his guard down and allows the fervently fearless stories to come to life. His comfort behind a microphone and unique brand of atomic folk creates a vibe that warms the room like a long-ago fire burning hot inside a cabin in the woods.

    Armed with a pair of homemade wooden boxes, resonator guitar, and a suitcase full of harmonicas, Chris Merkley has performed over a thousand shows from the streets of Paris to venues throughout Europe and across the United States. He has released nine albums with a variety of groups which include the songwriting duo Merkley & Morgan, his high-octane country/blues belting band of globetrotters called The Crooners, and the swampy blues rock trio Digger Jones. In addition to an extensive career of recording and touring, Merkley has composed and produced catalogs of original music for Cinemax and HBO and has had his songs featured in numerous independent films and television broadcasts. 

    Throughout the duration of Original Gravity, there will be regular updates at NYSMusic featuring blog-style entries to document tales of their tour. Accounts of the shows as well as perspectives on the unique characteristics of each brewery, and their approach to brewing will be covered along with stories from the road. More information on the music of Powell and Merkley can be found on Facebook or by visiting their websites at MikePowell.co and ChrisMerkley.com

    Follow Mike Powell on Facebook, Twitter and Instagram. Follow Chris Merkley on Facebook and Instagram.

  • How a Led Zeppelin guitar case was stashed on Long Island for 47 Years

    On June 15, 1972, Jeff Curtis went to see Led Zeppelin perform at the Nassau Coliseum on Long Island, and he would leave with a guitar case belonging to Jimmy Page and hold onto it for 47 years.

    led zeppelin guitar

    The case, an original Liften guitar case, famously came with 1958-1960 Gibson Les Paul guitars. While only about 1,500 Sunburst Les Paul guitars were made during this time period, they are regarded as the most prized and demanded guitars by rock musicians and known for their incredible tone. Such notables who played and recorded with 1958-1960 Les Pauls include Jimmy Page, Eric Clapton, Slash, Jeff Beck, Keith Richards, and many other guitar gods.

    led zeppelin guitar
    The case can be seen on the inside cover of Led Zeppelin IV

    Jimmy Page owns two of them, but his favorite is his 1959 Les Paul sold to him by Joe Walsh around 1969. Jimmy recorded pretty much all of his iconic Led Zeppelin songs with that guitar, starting with Zeppelin’s second album. Page used a telecaster on the first album before he acquired his ’59 Les Paul.

    led zeppelin guitar
    via LedZeppelin.com

    That summer, Led Zeppelin was in the middle of their eighth U.S. tour, and two heavy nights at Nassau Coliseum served as the final East Coast dates of the summer. After the show, Mick Hinton, John Bonham’s drum tech, who Jeff had met the year before at Madison Square Garden, invited Jeff to the stage after the show. Jeff was in the stands behind the stage and shouted to Mick, “How do I get down there?”

    Hinton picked up and tossed a guitar case belonging to the Led Zeppelin guitarist to Jeff, who then walked down, past two security checkpoints with the case in hand, up onto the stage, and handed it back to Mick. For years, the case was “hidden under a pile of junk deep in an attic” as Curtis shared with NYS Music. Living in Westbury, Curtis is a guitarist who can be found at open mic nights across Long Island and has performed in Hawaii, California and Sweden.

    led zeppelin guitar

    Curtis shared the full story on Facebook how he wound up with the original case, and was recently able to return it to Jimmy. Read below their photo for the full story.

    After the few minutes it took to pack up the drums, he says to me, “You can have that.” I was speechless, to say the least! “Where will the guitar go?” He took me over and showed me Jimmy Page’s number one Les Paul guitar in its brand new anvil road case. The case I was given was being discarded that night since its back was crushed and no longer afforded protection to the guitar. Talk about being in the right place at the right time!

    So began my decades-long possession of a genuine rock n’ roll artifact. But I also realized from that point onward that it was something I couldn’t talk about. While there have been a small handful of friends over the years who were aware that I had it, I had kept this a deep secret over the past 47 years in fear that someone might either burglarize my house or worse, threaten me in order to steal it. For this reason, I had decided a couple of years ago that I no longer wanted the guitar case.

    Despite its certain significant monetary value to a collector, I had also decided that I wouldn’t ever sell it since making money off someone else’s fame is simply against my principles. I decided that I would find a way to personally return it to Jimmy Page. But how to accomplish this? How would I get in touch with the right people to set up a meeting?

    Back in July, I went to see the Play It Loud exhibit at the Metropolitan Museum of Art in New York City. Jimmy Page’s number one Les Paul guitar was one of the instruments on display. I got the idea that maybe I could be put in touch with his people via the exhibit’s curator. A few days later, I called the museum and spoke with the curator’s assistant who asked me to send an e-mail with photos, which I did. About two weeks later, I got a call from a gentleman, Perry, who works with Jimmy. He asked to set up a meeting to personally examine the case and take several more detailed photos. About a month later, I received word that Jimmy wanted to meet me and have the case returned.

    So, on a beautiful Sunday afternoon in a hotel lounge in New York City, my two daughters, a close friend and I had the pleasure of a 1-hour sit-down and conversation with Jimmy, with him finally getting the guitar case back. When I opened it up, the look on his face was priceless: “What memories this brings back!” “Thank you so much!” In person, he is a genuinely warm and very welcoming gentleman. We talked about Led Zeppelin, he asked about my musical influences, asked my daughters what type of music they enjoyed and various other topics. I gave him copies of both my CDs, which he said he would listen to. He also had brought me a special limited box set edition of Led Zeppelin 2 and signed its book as well as another book I had brought with me. I can honestly say that after the first few minutes, my nervousness completely disappeared and it felt like I was talking with an old friend. Nevertheless, the experience of having had the opportunity to sit down with the very person whose music not only greatly influences my own but also inspired to me to initially pick up and learn to play the guitar almost 50 years ago is something that I will never forget!

    Thanks so much Jimmy and thank you Perry! Mission accomplished.

    After sitting with Page for an hour, Curtis said of the legendary guitarist, “It was like talking to an old friend.” He continued, “Jimmy was a real gentleman to sit and talk with, not a hint of ego. He asked my daughters about their musical interests, and asked about my influences as well. He made us all feel very comfortable. But it took a week to kind wrap my head around the experience of meeting him for that long.”

    This article was originally published by Under the Radar – Covering the Long Island Music Scene and appears as a special to NYS Music. Under the Radar and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene across Long Island. For more, visit BreslauBombers.com.

  • Break Science shares new single “Oshun” ahead of Fall Tour

    In advance of their upcoming fall tour, which starts in Washington D.C. on Wednesday, October 2, Break Science has shared the downtempo and lyrically esoteric single, “Oshun.”

    “This song is a dedication to Oshun, the Goddess who governs love and freshwaters,” shared Break Science keyboardist and producer Borham Lee. “She is the protector of the poor, healer of the sick, the bringer of music and dance, prosperity and fertility. With this song, we hope to invoke the divine feminine essence of nature to instill a higher thought and create spiritual balance.” 

    With over a decade of creation under their belts, and arguably among the artistic pioneers of the mid-2000s electronic music explosion, the duo –comprised of keyboardist, producer and jazz pianist, Borahm Lee (Pretty Lights Live Band) and funk, hip-hop drummer extraordinaire, Adam Deitch (Lettuce) – adds a layer of intrigue and depth to their music with the incorporation of Deitch’s live drumming and Lee’s real-time performance behind the synthesizer and keyboard.

    Break Science Fall Tour Dates

    10/2 – Washington, DC – Gypsy Sally’s
    10/3 – Brooklyn , NY – The Brooklyn Bowl
    10/4 – Richmond, VA – The Broadberry
    10/5 – Asheville, NC – Asheville Music Hall
    10/10 – Salt Lake City, UT – Soundwell
    10/11 – Seattle, WA – The Crocodile
    10/12 – Portland, OR – The Star Theater
    10/16 – Minneapolis, MN – The Varsity Theatre
    10/17 – Grand Rapids, MI – The Stache @ The Intersection
    10/18 – Chicago, IL – The Chop Shop
    10/19 – Indianapolis, IN – The Mouse Trap
    11/29 – Portland, ME – Port City Music Hall
    11/30 – Philadelphia, PA – Ardmore Music Hall

  • Resonance Festival finds its groove in a new home

    There are times when a festival lineup drops and you immediately thinking to yourself, “Damn, I really need to go to that!” The sixth annual Resonance Music and Arts Festival which took place September 19-22 in Slippery Rock, PA is a perfect example. 

    Presented by Papadosio, in partnership with Mammoth Music Group and Essential Productions, it’s clear that Resonance truly gets its audience. 

    Resonance Festival  new

    The festival features a diverse cross-section of music on five stages ranging from jam to jamtronica to electronic with a common thread being that it’s all music everyone in the Resonance community digs, including the arists themselves. 

    Along with Papadosio itself – who played four sets including a Gorillaz tribute, which was something special to behold – tons of artists played multiple sets on different stages at different times of day and night throughout the weekend, giving them a wide latitude for creativity and exploration and channeling the unique energy of each environment.

    To that end, this year’s music schedule was particularly stacked, featuring two headlining sets from Tipper along with multiple performances from each of Pigeons Playing Ping Pong, Umphrey’s McGee, Twiddle, Black Moth Super Rainbow, TAUK, Goose, Andy Frasco & The U.N., EOTO, SunSquabi, and Dizgo. 

    Resonance Festival  new

    But the incredibly chill vibe of Resonance is always about more than just the music and a literal change of scenery this year went along way towards making everyone feel welcome. Held for the first time at the bucolic Coopers Lake Campground in Western Pennsylvania, there was a ton to like about this new, smaller and cozier venue and site setup. 

    Want to car camp? It’s included, for free, for everyone in attendance. Prefer shady wooded spots or a lakeside view? Take your pick. No matter where you setup camp, all of the stages were close by and only a short stroll from each other. No lengthy hikes, arduous hills or tedious security checkpoints to be found anywhere. As an added bonus, Resonance is BYOB-only event and the ability to go back and forth between your campsite and the stages with a beverage of your choice is priceless. 

    Resonance Festival  new

    Attendees at Resonance this year were also treated to near-perfect late summer weather, featuring sunny but not scorching daytime sets and hoodie-friendly evening air. Twilight sets each night at all stages were accompanied by spectacular sunsets with surreal hues. Even a brief storm delay Saturday afternoon gave way to a delectable double rainbow. 

    Not to be outdone by nature, artisitic and technological visuals were equally as impressive at Resonance, with live art installations aplenty and projection mapping illuminating the dragon-adorned castle as well as an intricate web weaved into the ceiling of the barn.

    In its sixth year, Resonance has found its groove and an exceptionally fitting new home for its family. 

  • Gang Starr Releases First New Song in Sixteen Years Featuring J. Cole

    After a sixteen-year hiatus, legendary hip-hop duo, Gang Starr, is temporarily back on the scene with a new release, Family and Loyalty. The record, their first release since their 2003 LP The Ownerz features a posthumous verse from fabled Emcee Guru, along with current hip-hop juggernaut, J. Cole.

    Backed by DJ Premier’s renowned scratching and drums, Guru opens and closes the record with his acclaimed delivery, flow and rhymes. With his verses being interrupted by J. Cole, who delivers a devastating lyrical onslaught in his own right. It is the first single from what appears to be a new Gang Starr album.

    gang starrDJ Premier, one of the most revered producers in hip-hop and the duo’s other half, has been teasing fans about a new LP with cryptic social media messages, tweeting, “I WONDER WHAT PEOPLE WOULD SAY IF I RELEASED A NEW…,” alerting fans that new music may be on the way but left it unspecified.

    The mythical Premier seems to have confirmed the suspicions, after posting what appears to be a promotional video on his Instagram which features a voicemail from legendary rapper Nas. Saying, “Yo Premier, what up man it’s your man Nas. Is it true there’s a new Gang Starralbum? That’s crazy man let me know man. Alright chill.”

    Nas and DJ Premier have a history in their own right, with the producer handling a lot of the production on the rapper’s acclaimed debut project Illmatic.

    A new Gang Starr album would be much anticipated. The duo, known for classic hip-hip songs like “Work,” “Above the Clouds,” and “Mass Appeal,” would surely bring many fans memories of the genre’s golden age.

    It will also be refreshing to hear unreleased verses from Guru, nearly a decade after his death from cancer in April of 2010 at 43-years-old.

Built in Breakdance