New York is a vast state with pockets of local scenes throughout. While a “scene” these days isn’t what it was in the ’80s or ’90s where bands of similar genres created scenes out of necessity, the music scenes of the 21st century are, more or less, regions where live music is simply a way of life. Some regions are even cross-pollinating. So while we aren’t seeing strictly area scenes, live music is no less prevalent around the state.
We polled our staff looking for the best music towns across the state and this year, our state’s capital came out on top. The Albany area’s diverse scene includes small venues such as Parish Public House, The Hollow Bar + Kitchen and The Low Beat, mid-size venues that include The Egg, Cohoes Music Hall and the Palace Theatre along with the storied Times Union Center.
The Times Union Center, then known as Knickerbocker Arena, was christened on January 30, 1990, by none other than Old Blue Eyes himself, Frank Sinatra. Other big-name acts that have performed at Kickerbocker/Pepsi Arena/Times Union Center over the years include the Grateful Dead, the Rolling Stones, Billy Joel, U2, Bruce Springsteen, Celine Dion and Phish.
The Palace Theatre opened in 1931 as a movie and vaudeville house and was placed on the National Register of Historic Places in 1979. This not-for-profit building has also hosted the Stones and Springsteen and has been the New Year’s Eve home for moe. and Twiddle.
When it comes to smaller venues, Albany has plenty to choose from, attracting national and international acts that are on the rise. The Hollow Bar + Kitchen has served as host for numerous Capital District acts as well as up-and-coming national acts such as White Denim and Barns Courtney.
Add all these venues to the varied acts in the local scene and you have a diverse music community that draws from influences from all over.
Glass Pony, Wild Adriatic, Hartley’s Encore and Annie in the Water are spearheading the next wave of jambands not just in the Albany area but across the state and beyond. And while the term “jamband” may bring a certain style to mind, these bands are all unique in sound, all based in rock, but drawing from disparate influences.
Eddie Hotaling of Glass Pony
When you look at Albany’s music history, venues such as Valentine’s come to mind. moe., the Ominous Seapods, God Street Wine and others of the third wave of jambands got their feet wet in and around the Albany scene.
In the late ’70s, the comedic rock band Blotto burst onto the Albany scene. Comprised of members with names like Sergeant Blotto, Broadway Blotto, Lee Harvey Blotto, Bowtie Blotto and Cheese Blotto, the band received significant play on MTV’s airwaves with the UAlbany student-shot video for “I Wanna Be a Lifeguard.”
In later years Sarge Blotto (real name Greg Haymes) became a writer for the Albany Times Union and later went on to found the Capital District website Nippertown, which champions the Albany area music and arts scene. Haymes died on April 10 of this year, leaving a large hole in the Albany music scene.
Our annual recap of the Best of 2019 has arrived at music festivals. Just like when fans arrive at these ever-popular weekend extravaganzas, we’re bright-eyed and bushy-tailed looking forward to what surprises lay around the corner. Our staff has been to dozens of festivals around the country, and of course, across New York State, where we have the most music festivals of any state! Whether it’s the original Woodstock, Summer Jam at Watkins, The Clifford Ball, Mountain Jam or Jazz Fests, New York is home to some of the most historic music festivals in American music history.
If you missed our earlier selections for 2019’s best “under the radar” bands, and our albums of the year, go here and catch up. What festivals had the kids dancing and shaking their bones? Let’s take a look at the best festivals in New York State.
Best New York State Festivals
Adirondack Music Festival
In only it’s fifth year, Adirondack (aka, ADK Fest) Music Festival has established itself as the Labor Day weekend event in Lake George, with fans pouring in from across the Northeast to see Twiddle, Pigeons Playing Ping Pong, Pink Talking Fish, Everyone Orchestra, G. Love and Special Sauce, and many more. For two days and two crazy late nights, Charles R. Wood Park, just a stones throw from the shores of Lake George attracted thousands of live music fans in one of the most intimate settings you’ll find for a music festival. Miles Hurley said of the festival:
All of this top-notch live music was met resolutely throughout the weekend with a positive and welcoming vibe, upheld via a sense of strong community and creativity. For mid-size festivals Adirondack Music Festival is one of the best you can experience in the ever-musically-fertile land of upstate NY—yet here’s to a steady growth from mid-size to who knows how big.
Here’s to another fantastic year of ADK Fest in 2020!
Governors Ball
Despite most of Sunday’s performances being cancelled due to intense storms in the area, Governors Ball was a rousing success, with performances by Tyler the Creator, Florence and The Machine, Nas, Lily Allen, Lil Wayne, and The 1975 among others. The 2020 edition will return to Randall’s Island June 5-7, although the festival has been looking into relocating to the Bronx for future installments.
CGI Rochester International Jazz Fest
Now in it’s 18th year, one of the most well known annual festivals in New York, CGI Rochester International Jazz Fest, brings together musicians and jazz luminaries from across the country and the world. The eight day-long festival will introduce you to new artists, hard to catch acts and significant musicians who should be on your radar.
Eli Stein profiled 10 artists that caught his eye (and ear) at the 2019 installment, including Girls in Airports, Enemy, Paris Monster and Spaga, to name a few. Read more about these acts and get ready for the 2020 edition, to be held July 19-27.
Night Lights Music Festival
A staple of Western New York, Night Lights Music Festival once again brought a diverse lineup to the Heron Farm and Event Center in Sherman, NY. Staples such as Aqueous, !!!, Big Something, and Girl Talk headlined the affair, but the visual thrill is a major draw year after year.
Kat Horton, Night Lights Marketing and Artist Relations specialist said to NYS Music, “While creating the lineup for the festival each year it is always a priority to make sure to share new music. We want to be your gateway festival, we want you to trust us and trust that we will blow your mind.” She also explained that while curating the lineup, the focus is to tell a story. “We try to create an ebb and flow to the layout of each daily schedule, we want the weekend to create a story.”
Check out some of the action from this year’s installment from Strawberry Island Dweller here.
Best Out of State Festival
Peach Fest was the runaway winner this year, and for good reason. The lineup for this year was stacked top to bottom with a who’s who of jambands, classic rock acts and up and coming groups, including Goose, who put on a memorable set that burst them out into as of the strongest and most exciting new acts. Writer Jared Lindquist said of the festival, “This weekend was full of great music and rarely ever had a lull in things to do. Spirits were high and the weather was great until the yearly rain on Sunday night. Peach is an event not to miss.” His detailed take on the festival, covering sets from Pigeons Playing Ping Pong, Trey Anastasio Band, Mungion and more can be found here.
The 2020 edition of Peach already is a contender for lineup of the year, with Oysterhead, Joe Russo’s Almost Dead, String Cheese Incident, moe., Umphrey’s McGee, Twiddle, Turkuaz, and dozens more. Find out more info on Peach Fest 2020 here.
Welcome to New York State Music’s Best Of 2019, with a twist. Whether you are racing down the interstate, or planing your holiday travels, radar detectors can be extremely useful. For those of you who don’t know me, my name is Chuck DeFilippo, Features Editor of NYS – and I am about to acid-bath you from the glam of national touring acts and replant you in the roots of NYS Music: Underground Bands.
We have been blessed with so much great music throughout the Best Of 2019. My edge stems from discovery. If a spark fires, it not only excites, but is guaranteed to captivate readers.
Combing through over 40 votes, only two-and-a-half bands had coupled votes. The Best Of 2019 podium is shared with Consider The Source, Hartley’s Encore, and Mike Powell (with his second vote for Mike Powell & The Black River).
Consider The Source, a fairly (too) well know group to be considered Under The Radar, breeds music where galaxies collide. The NYC Sci-fi trio combines the energy of progressive rock, Middle Eastern, Jazz-Improv. and psychedelic math topped with Indian spices. Good luck getting through their flavourful artist bio, let alone the first set. Hang on! The Best of 2019 is just getting off.
Albany’s apocalyptic dance party, Hartley’s Encore, is just one of those bands that cumulates the epitome of NYS Music. Under their own label, Hartley’s Encore, LLC, the band draws influence from a precise blend of new jam band’s and classics: Lettuce, The Rolling Stones, The Meters, Marvin Gaye, B.B. King and Stevie Wonder.
The weekend warriors mission: making music equal parts soundtrack to your Saturday night & bacon for your Sunday brunch, since their inception in 2016.
Hartley’s Encore Live – 12/13/19 in Albany.
Mike Powell snagged the last spot for top-three with votes for his solo act and with The Black River. NYS Music has dubbed him as “One of the premier singer/songwriters in music today,” and we continue to follow him, as he is no stranger to the big stage. From sharing bills with Martin Sexton, to crafting his own art studio, Rising Feather in Cazenovia, NY, Powell is a musician’s musician.
The most apparent difference between this record (Gypsy Winnebago, 2019) and their first is the vocal harmonies. “I had a long conversation with the band and emphasized how much I felt these songs needed more voices,” says Powell. “There’s something really powerful about human voices singing one message together. The guys obviously have great ears so they grabbed ahold of the harmonies right away and it really brought these songs to life.”
Stay tuned as Mike Powell has a slew of shows, exclusive to New York State booked out through May of 2020. See details HERE.
Connecticut Is Close Enough, Right?
New York State Music’s Connecticut duo, myself and photographer Chris Sidoruk, are proud to see bands blooming outside of NY State into the shoreline. From New York City down through Connecticut cities Bridgeport and New Haven, the underground music scene is running rapid. Connecticut’s capital, Hartford, is also a hot bed for Albany and Upstate natives. It’s beautiful how these neighbouring bands and scenes are truly one in the same.
One Time Weekend @ The Acoustic – Brigeport, CT – Photo By: Chris Sidoruk
One Time Weekend‘s self titled track (video below), is offsetting from the first full band entrance. You don’t expect it. And it’s so good – so rock, only to be backdropped by a mellow reggae grove – sending you into an internet-search-furry for what else these cats have to offer. Go ahead, explore.
Stay tuned throughout the next few days as we delve into some of the best music, entered around New York State – and beyond. These picks have been curated from our staff and contributing writers to expose you the vast talent of musicians that pass you on the streets and dwell in your neighbouring towns. Each day will introduce new music for you to listen to, but for now – The Best Under The Radar Bands, you’ve never heard of. And that’s a beautiful thing.
Bushicks are a REAL Rock and Roll band. There are many imitators out there, but these guys don’t need to fake it. Drawing upon inspiration from our heroes of yesterday, I had the pleasure of recording a band that is building for the future and continuing the spirit of great Rock and Roll music. For a young band, I am excited to hear them grow and I hope you do too.
Bushicks Engineer, Phil Duke at Continental Recording Studios, Long Island. Read more at NYS Music…
NYS Music’s own, Gabe Birkby, is not only a talented writer and contributor to the site, but his talents shine all alone, onstage, or in his bedroom. NYS writers and contributors wear many hats, to which many of us are musicians, like Gabe. This Best Of 2019 features a beam of light, to shine, and thank all of our staff who continue to follow their passion, while working so hard to bring our readers quality content. With Gabe, he’s totally stripped down as a solo artist with nothing but a microphone, his guitar and loop pedal. Enjoy.
Folk, Singer-Songwriter, looping guitar, with a captivating voice.
NYC’s freshest Afrobeat-Jazz-Funk Dance Party; The Brighton Beat is a positive musical force for all ages, aimed at getting the crowd dancing. This diverse group combines elements of classic Afrobeat, Modern Jazz, New Orleans Funk, and World Music into their own sound that gets booty’s shaking and the bar flowing, according to the band’s bio.
Yonder Mountain String Band announced a lineup change this week. Mandolinist Jacob Jolliff will be leaving the band at the end of this year. His final show will be Yonder Mountain’s New Year’s Eve show at the Wheeler Opera House in Aspen, CO. Nick Piccininni
In a statement, the band wrote, “As of January 1, 2020, we will be saying farewell to our brother and fellow musician, Jacob Jolliff. This comes to you as a deeply considered decision. We are grateful for the music, the memories and friendship we forged with Jake and are in full support of his future endeavors with The Jacob Jolliff Band. We hope to join forces with them down the road.“
Joining the fold is multi-instrumentalist Nick Piccininni, who will be joining the band as its new mandolinist. Piccininni, a Central New York native, has been a part of several projects, one of them is Floodwood, which includes mandolinist Jason Barady, who also performed with Piccininni in Woodenspoon, moe. drummer Vinnie Amico and guitarist Chris Eves. Al Schnier of moe. is a former member of Floodwood. Piccininni also performs as a duo with Barady and in a recent project, Follow the Muse.
Piccininni sat in with Yonder Mountain at a few shows this past year, paving the way for his joining the veteran string band. When reached for comment, he told NYS Music that the foundation of this new opportunity has its roots in the Summer Camp Festival, an annual event jointly hosted by moe. and Umphrey’s McGee in Chillicothe, IL each May.
We used to run into the fiddle player, Allie Kral, at Summer Camp in Illinois when we would go out there with Floodwood. She made the suggestion to try me for the few shows I filled in this summer. I guess it went well enough that they felt comfortable with asking me along with this change! I felt really comfortable with everyone in the band and crew. My first show is in Park City, UT on Jan. 6. I’ve never been to Utah so that’s cool.
Piccininni has every intention of making this a permanent gig while still hoping to maintain time for his other projects.
“I will say that on both sides, I think the idea is to get into this winter tour to make sure the fit is right. But they have expressed that their first choice would be to just move forward with me as their new mandolinist. Piccininni continues, “Barring any personality conflicts, which I don’t think any of us really see being an issue if this becomes my main gig it will be tough to maintain everything I already had going. But I do intend to do my best to keep up with it all. Yonder doesn’t play a super intense schedule, so that does leave room for other projects, which is awesome.”
Piccininni’s next performance is with the Amico-Barady Quintet, moe. drummer Vinnie Amico’s annual jazz show at Tiny’s Grill in Utica on Dec. 29.
For someone shuffling between cities like Brooklyn and Toronto, the term ‘intercity’ is best to define their mild case of vagabondary. For solo rock n roller Justin “Diamond” Jones, who has been on the inside of the scene for the past 18 years, it aptly describes his constant travel between London, Los Angeles, Toronto and Brooklyn.
Having just released his debut single, “Ashes and Diamonds,” Jones also is releasing a short film based around the track, as well as a music video. Having played on stage with John “Twink” Alder from Santa Barbara Machine Head, in groups such as Tomorrow, The Pretty Things and The Pink Fairies, and recorded in The Clash’s studio, Jones is a rare remnant of artistic integrity with a story to be told.
“Ashes and Diamonds” is Diamond Jones’ return to the rock n’ roll and film scene after a period of solitude and devise. Jones solely shines this feat himself: all instruments are played, recorded and produced on his own. Likewise, the film is written, directed, and stars Jones.
Born in Toronto, Ontario, Justin “Diamond” Jones as a young adult was involved with a group of semi-professional skateboarders during a time that rock n’ roll was seeing a revival, stemming from the skateboarding community. At that time he stumbled upon Bob Dylan’s Bringing It All Back Home and shortly after disappeared off the grid to develop his craft as an artist.
Years later, Jones found himself in London, and quickly began performing around the city on guitar and piano. Jones has spent the past three years in Canada, isolating himself to refine his skills and prepare for his prolific return to the music & film scene.
New York City’s Fever Dolls, a pioneered quintet hinged on being “brash and over-the-top,” are hot off the release of their new music video for “The Distance.” Released this past Wednesday, November 27, the video evokes the limitless nature of modern music with a vintage film.
With an endless supply of irresistible hooks and lyrics about sex addicts, according to the band’s website, “The Distance” follows suit. The band’s leading duo, Evan Allis and Renn Mulloy, fuse musical queues that are equally as provocative as the video’s visuals. With each step, or foot traveled, the viewer picks up on a new detail once overlooked – meanwhile, the stereo proves to be growing in complexity.
“The Distance” is one of the first songs Renn and I sang when we started playing together. It has always been a favorite of ours to perform live and a favorite of our audiences to sing along with. It’s the kind of song that makes people lose their minds and jump for joy.
Evan Allis
While we’ve played “The Distance” in different bands and different forms for a few years now (even releasing a version in 2016 with our previous band Iron Eyes Cody) we never felt like we captured the live energy and spirit of the song in a recording until now. We feel like we caught something special with this cut of “The Distance,” and are excited for people to hear it.
Evan Allis
The Fever Dolls are no strangers to NYS Music after Sammy Steiner dubbed them as musical populists, transcending as visual storytellers for their release of “Mr. Carver.” They are on the rise with a constantly sharpened sword, ready to disrupt the music scene with a vengeance. Check out “The Distance” on all social media platforms, such as Spotify, where the band draws over 9,000 monthly in.
Fever Dolls are playing Mercury Lounge on January 12 with West End Blend and Travers Brothership. The show is 21+ with an 8 pm start time. Tickets can be purchased HERE.
Over November 27 and 28 2009, Phish performed two nights at Albany’s Times Union Center, the latter of which produced one of the band’s ultimate jams from their ‘3.0’ era. Opening set two with “Seven Below” and segueing seamlessly into “Ghost,” the band put forth 45+ minutes of Type II jamming (improvising beyond the song’s composition and structure) that still serve as one of their best from the last 10 years.
Listen via LivePhish.com, Phishtracks.com, stream the full show, or just the 45 minutes of “Seven Below” -> “Ghost” below.
Set 1: Party Time, Stealing Time From the Faulty Plan, Uncle Pen, Sanity, Foam, Walk Away > NICU, Alaska, Split Open and Melt, Joy, Vultures, Backwards Down the Number Line
Set 2: Seven Below > Ghost, Cool It Down > Gotta Jibboo, Let Me Lie, Wolfman’s Brother > Julius
Encore: You Enjoy Myself
This show featured the first Uncle Pen since July 11, 2000 (129 shows). Ghost contained a tease of Seven Below.
Philadelphia indie-rock trio, Moonroof, will officially release their new music video for “Trojans,” tomorrow – Friday, November 22. The band has set their sights on conquering the music scene, recently winning Radio 104.5‘s 12th Birthday Show, sharing the stage with The Lumineers, Death Cab For Cutie and Grouplove. The 2016 Bloomsburg University inception wrote “Trojans” this past spring and debuted the single in August.
Unlike the Greek folklore, Moonroof’s release is more synonymous to a lego-horse, or one dressed in vibrant-drag. “Trojans” music video flips the famous tale inside-out, as if the trio is mocking themselves, unconcerned with its reception; they’re focused on their target.
As lead vocalist Dave Kim walks his band into a movie theater, prior to “Trojans” taking the screen, there is a clear smirk and airiness of joy across his face. After prompting the audience, it is comical that the band does not care if their video is well-received.
Guitarist, Danny Walsh, and Drummer, Dan Rendine, carry the airy-spring groove the against a white-windowed, underwhelming backdrop. How long did it take you to figure out the trio is missing a bassist? The track release, onset of winter, is ironic but refreshing. As the movie-theatre crowd moves out one by one, the band continues to groove on the pop-electronic narrative, increasing with feeling.
According to the press release, “‘Trojans’ entails a story of betrayal and heartbreak through a personal experience…the anthem that gets you hyped to finally break off that toxic relationship that’s holding you down.” However, Moonroof is onto something bigger here; Make fun of yourself when nobody else will (deliberately) – have fun – be happy – live. And most importantly – follow your dreams.
New York reggae-pop band The Big Takeover have released ‘Where Did I go Wrong?,” off the band’s upcoming fifth album Spilling Water. The track was self-produced by The Big Takeover and mixed by Pete Hanlon, and is due out on Friday, November 15.
Fronted by the charismatic Jamaican-born singer/songwriter Nee Nee Rushie, The Big Takeover blend Jamaican pop traditions with the spirit of Motown and uptown sophistication of the 21st-century retro soul and R&B revival scene. Rushie says of the song:
“‘Where Did I Go Wrong?’ is a personal experience about being rejected by someone that you know wants to be with you. It explores the complication of feeling someone pushing you away, but reaching out to you at the same time.”
The Big Takeover’s sound channels melodic, big band arrangements of 60s and 70s soul music, with high-energy grooves of popular Jamaican music. This rich sound and rigorous touring schedule has led the band to share the stage with The Wailers, Sister Sparrow, Jefferson Starship, Pete Seeger, The Slackers, Toots & The Maytals, and many more. The group’s first single off Spilling Water, “Shy,” was released earlier this summer. An album is expected in 2020.
In 2018, the band shared a cover of Sophia George’s 1985 dancehall hit, “Girlie Girlie,” which was recorded as part of a UK compilation album featuring 40 covers of classic Trojan Records hits from artists around the world.
On the heels of the Jeff Austin tribute show ‘What the Night Brings,’ Backline has announced the release of two singles by Pigeons Playing Ping Pong and Leftover Salmon, both of whom have joined Backline as partners.
Pigeons Playing Ping Pong released “Dawn a New Day,” a psychedelia-inspired lyric video via Billboard in announcing their partnership with Backline, in an effort to help those struggling with mental health “dawn a new day.” Contributions to Backline’s “Dawn A New Day” fundraiser can be made .
Pigeons Playing Ping Pong singer and guitarist Greg Ormont said in a statement:
“Our new single ‘Dawn A New Day’ is all about looking on the sunny side of life. We’ve been fortunate to be able to spread that message of positivity to The Flock for years now, and we’re always looking for even more ways to give back. While we always encourage people to ‘dawn a new day’ when they’re experiencing a difficult chapter in their lives, we also recognize that it’s easier said than done. It made perfect sense to partner with Backline around this single to help raise awareness about mental health and offer a direct line to mental health resources for those who need it. We’re honored to give back to the music community in this way and we’re determined to find even more ways to help people ‘dawn a new day’ moving forward.”
Likewise, Leftover Salmon, a band with a close connection to the late Jeff Austin, released “Songs You’ve Left Unsung” as a tribute their dear friend. The song was penned by Leftover Salmon bassist Greg Garrison and is available via Backline.Care in a ‘pay what you want’ format.
Greg Garrison shared the following about “Songs You’ve Left Unsung” and his memories of his friend:
“I first met Jeff Austin when we were in 7th grade. Through the 80’s and 90’s, we somehow always wound up in the same places at the same times…Rolling Meadows, IL as kids, Decatur and Urbana, IL during our college years, and eventually Colorado as adults. And then, maybe predictably, as members of touring bands in the same scene. “Songs You’ve Left Unsung” is a reflection on some of these times…the verses move chronologically, starting in Illinois and winding up in Colorado. The chorus is meant to be bittersweet but also hopeful for those of us that are still here writing songs, experiencing music, raising families and living life with all of its turbulent ups and downs.”
Garrison spoke of his connection to Backline, noting:
“I think their mission is exceptionally important; providing mental health and wellness support to people in the music industry while also providing an opportunity for those of us who deal with issues like depression, anxiety, and substance abuse to share our stories. Hopefully, these stories will provide comfort, clarity, support, inspiration and a helping hand to anyone who is in need.”
Backline is a hub for music industry professionals and their families to quickly and easily access mental health and wellness resources. Backline has partnered with leading support organizations and care providers to streamline access to a wealth of services and educational resources specifically geared towards this work and lifestyle. A hub to discover existing organizations, unique content, peer networks, and case managers who can help create a plan that addresses your unique mental health and wellness challenges–on and off the road, the website was created by music industry professionals for music industry professionals. More information is available at Backline.care.
PPPP will perform in Buffalo December 13-14 at Town Ballroom, with Lespecial supporting them on December 13. For a full list of upcoming tour dates visit Pigeons’ website.
Leftover Salmon are currently on tour, with Drew Emmitt and Vince Herman embarking on an acoustic tour in December with New York dates in February.
