Category: Media

  • Shinedown Stops in Syracuse

    There is a saying that it takes 15 years to become an overnight success and, with a lot of hustle and hard work, that statement rings true for the band Shinedown.

    Back in February of 2004, Shinedown headlined at a small club in Syracuse with maybe 50 people in attendance. Flash forward to July 6, 2019 and they practically sold out the Syracuse Lakeview Amphitheatre. It was truly a sight to see all of their hard work back then paying off with a fan-filled amphitheatre.

    Shinedown’s band members, lead vocalist Brent Smith, drummer Barry Kerch, guitarist Zach Myers and bassist Eric Bass, pour their energy out into the crowd as soon as they hit the stage. They keep a curtain up to build up anticipation but once that curtain drops, Shinedown hit the ground running.

    Brent Smith took the time to shake hands with photographers in the photo pit.

    Lead vocalist Brent Smith is a tremendous performer and front man because of his magnetic engagement with the audience, his band members and even the photographers down in the pit. Smith loves his band and his fans, which shows in how he interacts with everyone he comes in contact with at Shinedown’s shows. Smith is always very humble and thankful for Shinedown’s fans. No matter how much a fan loves a band and their music, it is always heartfelt and touching to know the band appreciates the fan in return. All relationships are a two-way street and Shinedown helps to pave both sides.

    Halfway through Shinedown’s set the entire band disbursed throughout the huge audience at the amphitheatre, playing stripped down versions of “Amaryllis,” “I Dare You,” “Through The Ghost,” and “Second Chance.” It is a challenging feat to play together so well being so far apart, but they pulled it off and it was a unique way to give audience members stripped down versions of the songs.

    One of the highlights of the night was when they performed one of their latest singles, “Get Up.”  Smith had the crowd light up the amphitheatre with their cell phones. It was a chilling site to see and the song portrays such a positive message that it almost served as a pep talk from the band to keep going no matter what life throws at you.

    Shinedown is one of those bands that simply puts on an amazing show every single time and the Syracuse, NY show was no different. When a band truly loves and appreciates their fans and truly love what they are doing it shines through in their music and performance. It may have taken the music world a little longer than Shinedown’s earlier fans from that night back in 2004 to see their amazing talent, but now the music world is aware and it’s truly apparent with the filled Lakeview Amphitheatre a few weeks ago that Shinedown has touched so many fans  throughout their still growing career!

    Be sure to check out one of Shinedown’s shows when they come back to NY in September. You can see Smith & Myers acoustic on September 12 and the full band with Papa Roach, Asking Alexandria, and Savage After Midnight on September 20 in Albany, NY and September 27 in Buffalo, NY.

    Shinedown’s Setlist:

    Devil, Diamond Eyes, Enemies, Monsters, Black Soul, I’ll Follow You, Unity, 45, Bully, Amaryllis, Through the Ghost, I dare You, Second Chance, Simple Man, Cut the Cord, Get Up, Sound of Madness, Brilliant

  • Train and Goo Goo Dolls Bring Summer Fun and Positive Energy to CMAC

    On Friday, August 2, Train, The Goo Goo Dolls and Allen Stone entertained a sold out crowd on a perfect summer night at CMAC. All three bands brought an amazing vibe and positive energy to the evening while The Goo Goo Dolls and Train performed all their classic hits from their respective extensive catalogs spanning from the 1990’s to the present.

    train CMAC
    Allen Stone entertains the crowd

    Kicking off the evening was Allen Stone, an amazing R&B and soulful artist from Chewelah, Washington. He and his band definitely had the sold out crowd primed and energized for the night. Stone, who has been on the scene since 2010, cites his influences as Stevie Wonder, Marvin Gaye, Aretha Franklin and other legends. Stone is a very dynamic exceptionally entertaining showman, not to mention a phenomenal singer. It is apparent in his music and performance from where his musical inspiration originates. His set included his songs “Brown Eyed Lover” and “Chippin’ Away.” Pat Monahan even joined them on stage for a number.

    train CMAC
    John Rzeznik and Robby Takac perform “Slide”

    Making their way to the stage at 7:45 p.m. were co-headliners The Goo Goo Dolls. The enthusiastic crowd was already on its feet in anticipation as John and Robby made their way to the stage. The Goo Goo Dolls launched their hour-plus set with “Stay With You” and immediately followed with “Big Machine” before swapping out guitars. John greeted the crowd while making a reference about being close to his home town of Buffalo, NY before the band performed their third hit in a row, “Slide.” The Goo Goo Dolls continued playing their mainstream hits that span two decades, including “Black Balloon,” which, you guessed it, included what seemed like thousands of black balloons floating down into the crowd, “Name”and “So Alive,” before closing out the night with “Iris” and “Broadway.” They also played “Miracle Pill” in support of their upcoming album of the same name which is due out on September 13.

    train CMAC
    John Rzeznik performs “Stay With You”
    train CMAC
    Robby Takac

    Finally, taking the stage at 9:20, were co-headliner Train. Train seemed to pull out all the stops on this gorgeous summer night during their performance. Not only did they play an impressive hour and forty minute, 18-song setlist which included two encores, they also brought along confetti and streamer cannons as well as some pretty dazzling pyro effects. Despite the cool bells and whistles that helped make for a mesmerizing and stunning visual performance, there seemed to be something else, something uplifting and moving during Train’s performance.

    train CMAC
    Pat Monahan and Train sending love to the sold out crowd at CMAC

    Train, formed in 1993 and hailing from San Francisco, CA , has been a hit-producing machine since the release of their self titled debut album Train in 1998 with “Meet Virginia.” The multi-platinum and Grammy award winning band kicked of their set with “Calling All Angels.” It was during this song when frontman Pat Monahan put his hands up towards the sky and asked the audience to follow him in sending love to all loved ones near and far as everyone sang along. Monahan’s energy seemed to flow through the audience and back, giving a sense of connection and tranquility that flowed throughout the venue. Train’s second song, “50 Ways to Say Goodbye,” incorporated blasts of colorful confetti into the audience which continued to enthrall the crowd along with their third song, “If It’s Love.”

    train CMAC
    Confetti shoots into the crowd at CMAC during Train’s set
    train CMAC
    Pat Monahan of Train

    Train continued throughout the night with hit after hit including “Meet Virginia,” which featured a blazing solo by guitarist Luis Maldonado, “Hey Soul Sister”, “Play That Song,” as well as a house-rocking rendition of Queen’s “Under Pressure” and Tom Petty’s “American Girl” where John Rzeznik joined them on stage. Allen Stone also made a guest appearance on “Bruises.” Train ended the night with two encores, including a Led Zeppelin cover with “Heartbreaker” and, finally, “Drops of Jupiter,” which also included visually stunning pyrotechnics. Train rocked into the night with the energy and power of a locomotive steaming full ahead, yet the atmosphere was fun, happy and positive. I mean with balloons, beach balls, streamers, confetti and sparklers, the show was definitely a fun experience for all that attended. Despite the fun and positive hoopla, let’s not forget about all the songs that these two bands with over 50 years of combined experience deliver flawlessly night after night, while still having a blast and keeping their crowds entertained and dancing ’til the last drop.

  • Herbie Hancock and His All-Star Squad Shine at the Beacon

    The legendary Herbie Hancock brought his current gang of talented musicians to New York City’s Beacon Theatre last week and delivered a great mix of old and new by the jazz great. Thundercat opened the evening with his unique R&B, jazz-funk flavor and vibrant energy. Hancock then put on an incredible performance to a full house and showed NYC that he has still got it.

    Thundercat and Dennis Hamm

    Thundercat, aka bassist Stephen Brunner, started the evening off with his band that included Dennis Hamm (keyboards) and Justin Brown (drums). His eclectic songs and talented synergy with the band was evident from the beginning. Thundercat made several dedications, including to the departed Mac Miller and Ras G, as well as to Nintendo Switch lovers (video gamers).

    Thundercat and Justin Brown

    NEA Jazz Master and 14-time Grammy winner Herbie Hancock’s line up included Vinnie Colaiuta (drums), James Genus (bass), Lionel Loueke (guitar), and Terrace Martin (sax/synthesizer). Hancock showed his deep appreciation for his band by introducing each member individually. Bass player James Genus was announced as the current house bass player for SNL. Drummer Vinnie Colaiuta and jazz guitarist Lionel Loueke were up next for the all-star introductions. Multi-genre instrumentalist and producer Terrace Martin, who according to Hancock has known and worked with Thundercat for years, rounded out this impressive team.

    Herbie Hancock

    The band began with a feeling of old by starting with a jazz improvisation, followed by the classic “Cantaloupe Island.” The band introductions were up next, followed by the Headhunter’s “Actual Proof.” Flautist and vocalist Elena Ayodele lent her services on the next two songs. Hancock went into new territory with his skills, instruments and musical style, and gave the crowd a healthy serving of his new material. He is no stranger to new directions and this material had a fresh blend of hip-hop, R&B, jazz and funk. It will be exciting to see where Hancock goes with his new vision.

    James Genus on the bass.

    The band returned for an encore of the fan favorite “Chameleon,” which was teased earlier in the evening. Thundercat joined the party on stage to make this a memorable rendition. All musicians came together at the end for a final bow, which had the audience on their feet cheering. NYC certainly enjoyed the opportunity to catch up with this legendary musician.

  • Hearing Aide: Shiragirl ‘Andi Underground’

    The latest from Shiragirl, Andi Underground, was released on July 26, is a unique blend of old school punk rock and modern pop. If Madonna and The Ramones were to have a musical child, Shiragirl would be the product of this affair. This album described as a dystopian punk rock musical was co-written with Tim Armstrong of Rancid, and mixed by Cameron Webb (Motorhead and Kelly Clarkson).  

    The title and concept of the album are inspired by the infamous tale of Alice in Wonderland, where a girl is wanting to escape a society headed for digital chaos to an underground free world. Andi decides to break away from the dystopia and runs away, and this is the soundtrack to her journey. 

    The album begins with the track “Controlled” where Andi is describing the controlling lifestyle she’s experiencing. It’s a single file march to brainwashing, where if you step out of line, you might end up dead. This track is the start of Andi going against the grain with the aggressive lyrics “We don’t wanna be controlled” and breaking away from the conformity.  This tune sets the reckless attitude for the rest of the album.     

    Shiragirl Andi Underground
    Photo by Max Aria.

    Another track that stands out is the third track of the album and hit single “Nothin To Lose.” The song premiered on July 2, with deep roots and influence of old school punk rock, the hard-hitting track is the anthem of this rebellious story. The lyrics represent Andi running away and falling down a hole into an underground co-existing world, and feeling like she has “Nothin to Lose,” by following her intuition and venturing into this new unfamiliar world. The electrifying guitar solo in the middle of the song gives the imagery of breaking through metaphorical barriers, and a sense of rebellion from the world she escaped. The EP tells a story that’s well thought out by Shiragirl and her manager, with the tracks cohesively placed to give the story order.     

    Shiragirl has made a name for herself in the music industry and proved to be more than a Warped Tour icon with this album. The group sky-rocketed their career when Shira and her band crashed Warped tour in her iconic pink RV and set up a stage on top the RV.  The unknown band at the time rocked out and after receiving a rousing crowd response, Warped Tour founder Kevin Lyman invited Shira to return the following summer to host the official Shiragirl Stage. The stage was shared by female artists from all over the nation and ultimately helped accomplish Shira’s mission to empower women by providing a platform for creative expression. The stage went on to host over 200 female-fronted bands, some of them making their Warped debuts including Paramore’s first-ever tour, and the legendary Joan Jett.  

    Not only is Shiragirl a staple of the East Coast punk rock scene, but she’s also a symbol of female empowerment in the music industry. It’s no question why Shiragirl is considered a Warped Tour veteran. This album successfully serves as a rebellious anthem to break away from the norms in society and create your path. Expect to see Shiragirl grabbing the punk rock scene by the horns and headlining large scale festivals very soon, especially after the release of Andi Underground.

    Key Tracks: Controlled, Nothin to Lose, We Are the Underground 

    Follow Shiragirl on Facebook, Instagram, Twitter and YouTube.

  • Twiddle Delights With Surprises at 4th Annual Tumble Down

    Twiddle held its 4th annual Tumble Down Festival in Burlington, VT at Waterfront Park this past weekend. The beautiful park, right on Lake Champlain, hosted Twiddle for five sets along with: The Kitchen Dwellers, Stephen Marley, Turkuaz, Ghost Light, Jaden Carlson Band, Owl and Crow, The Big Sip, Nina’s Brew and The Jauntee. The festival, a family reunion for Twiddle fans, brought all ages together to celebrate music. The festival also brought fans and partners together to raise money for the White Light Foundation, a non-profit that raises money to help spread love, healing and kindness. 

    Twiddle kicked off the festival with a special acoustic set with fan favorites including “Hatties Jam” and “When it Rains It Pours,” and a special sit in by David Grippo. Their second and third sets closed out the first night and included a prerecorded message from “Colonel Norco,” which helped set the tone for two packed sets, and a special sit in by Todd Stoops. The second set included a new verse to “Jamflowman” that brought his tale home and an additional sit in by David Grippo on the beautiful, “Lost in the Cold.” 

    4th Annual Tumble Down

    Acoustic Set: Glycerine Medley, Earth Mama, Five, Wildfire, Fat Country Baby, Hattiebagan Mcrat, Hattie’s Jam-> When it Rains it Pours
    Set 2: Enter, Orlando’s, Amydst the Myst, Doinkinbonk, Grandpa Fox -> Apples -> Mamunes the Faun -> Every Soul
    Set 3: Jamflowman -> Subconscious Prelude -> Nicodemus Portulay -> Milk, Lost in the Cold

    Encore: River Drift

    4th Annual Tumble Down

    The second day started with a bit of deja vu as The Big Sip had their set shortened by a weather evacuation, that thankfully didn’t last too long, or turn into anything more than threatening clouds and some high winds. The Kitchen Dwellers began their set as masses of fans were still in line to re-enter the festival, music to the ears of those eager to get back to the party. They also welcomed members of Cabinet to sit in for a few songs, much to the audience’s enjoyment.

    Nina’s Brew, a trio from Burlington, played with a sound influenced by blues, soul, rock and R&B. They’re currently working on their first studio album and are anticipating a fall release. 

    Turkuaz, the nine piece funk juggernaut from Brooklyn, NY, played as the sun was setting over the water. Their brightly colored outfits seemed to glow in the “golden hour” of light, and highlighted their energy. 

    Twiddle’s final two sets to close out the fantastic weekend contained many treats for fans. The origin of “Ricky Snickle” and an additional verse,  another message from “Colonel Norco,” and a new verse to “Frankenfoote.” There were also many sit-ins over the final two sets. Jayden Carlson, The Kitchen Dwellers, Zach Nugent and Todd Stoops all helped Twiddle close out the festival. 

    4th Annual Tumble Down

    Set 4: Ricky Snickle Origin, Ricky Snickle, Syncopated Healing, Machine, Visions of Mohr, Latin Tang, Beethoven and Green
    Set 5: Polluted Beauty, Gatsby the Great -> Pond -> Zazu’s Flight -> Pond -> Grandpa Fox, Be There
    Encore: Frankenfoote Origin -> Frankenfoote

  • Brooklyn Rapper BURG Releases Music Video for ‘Willis’

    Brooklyn rapper BURG has released his highly anticipated single and official video for his song “Willis.” Produced by Penacho, “Willis” comes after Penacho’s critically acclaimed work with artists including Tyga, Lil Skies, and Bow Wow.

    BURG is an up and coming rapper hailing from Williamsburg Brooklyn’s south side, which unlike the stereotypical hipster clad north side, the south side is a long standing, generally working class, Dominican area.

    His brother Tone, who is featured through out the video, has his hand on the business end of things, releasing the single via their label Stosic Co. The video was directed by award winning film producer, Jason Ludman under his newly formed collective FMH.

    As a producer, Ludman has had films play around the world at festivals such as TIFF, Edinburgh and Cannes. His last film #Horror (Chloe Sevingy, Timothy Hutton) was released in 2015 by IFC and by Paramount in the UK in 2016.

    The video was shot by cinematographer Fanny Texier whose “color obsessed women” videos for the NY Post, about women whose whole lives (clothes, furniture, hair, etc…) revolve around one single color.

    BURG is currently posted up in Williamsburg’s Key + Needle Studios, working on new music to be released this fall.

  • The Claypool Lennon Delirium Party Take-over at The Cap

    The Flaming Lips along with The Claypool Lennon Delirium upset The Capitol Theatre in Port Chester, NY with an absolute party of stage props, light shows and massive balloons towering the crowd. Riding a unicorn in through the crowd, Wayne Coyne set the bar high for an amazing set to come. The fact that it was a hometown show for Sean Lennon made it an even more special event.

    Claypool Lennon Delirium

    Claypool Setlist: There’s No Underwear in Space (Intro Tape), Astronomy Domine (Pink Floyd), South of Reality, Blood and Rockets: Movement 1 > Saga of Jack Parsons -Movement II Too the Moon, Little Fishes, The Court of the Crimson King (King Crimson), Breath of a Salesman, Boriska, Easily Charmed by Fools, Like Fleas, Tomorrow Never Knows (The Beatles). Cricket and the Genie (Movement II, Oratorio Di Cricket), Cricket and the Genie (Movement I, The Delirium).

    Check out the live stream of the show here!

    The Flaming Lips Setlist: Also sprach Zarathustra, OP. 30 (Richard Strauss), Race for the Prize, Yoshimi Battles the Pink Robots (Pt. 1), There Should Be Unicorns, She Don’t Use Jelly, True Love Will Find You in the End (Daniel Johnston), Feedaloodum Beedle Dot, The Star-Spangled Banner (John Stafford Smith & Francis Scott Key) [Two Takes], The Yeah Yeah Yeah Song (With All Your Power), Are You a Hypnotist??, All We Have Is Now.

    The Flaming Lips Encore: Do You Realise??

    Photos By Chad Anderson


  • In Focus: Biscuits, Bassnectar, Tipper and more bring the heat (and then some) at Camp Bisco

    The heat this summer came to a peak over the weekend of July 18-20 at Montage Mountain with Camp Bisco, the annual electronic and jam festival which held its 17th installment featuring hosts The Disco Biscuits, Tipper, Bassnectar, Odesza, Rusko, Umphrey’s McGee, Twiddle, Tauk, Spafford and Sunsquabi, among many more.

    Hosts The Disco Biscuits played six hot sets over the weekend, including a set with original drummer Sammy Altman and current drummer Allen Aucoin, which was highlighted by “M.E.M.P.H.I.S.” -> “Rapture,” the latter an instrumental version of the 1980 Blondie hit. Later that night, they would pay tribute to the 50th anniversary of the moon landing with a series of songs, as well as pre and post-set music, that referenced the moon and space. Even with the intense weather conditions, Camp Bisco was a successful weekend of electronic and dance music, warming the mountain up for Peach Fest the following weekend.

  • Bush, Live and Our Lady Peace Leave CMAC Crowd Higher Than Ever

    90’s nostalgia was in the air when Our Lady Peace, Live and Bush made their stop on the Altimate Tour at CMAC in June. This tour brings some of the best bands from the ’90s together and truly made it one of the ultimate tours to see this summer.

    Kicking off the night was Our Lady Peace as they warmed the audience up with their intense yet centered energy. OLP is one of those bands that brings the audience’s energy up and got the nostalgia ball rolling for the evening. Their setlist was packed with so many hits from the ’90s/early 2000s such as “Superman’s Dead” and “Starseed.”

    Next up was co-headliners LIVE. Lead vocalist Ed Kowalczyk started singing from the middle of the amphitheater and slowly descended through the audience until he reached his bandmates on stage. It threw the crowd for an exciting loop as everyone turned their heads to locate Kowalczyk. LIVE really cherry picked their setlist, giving the crowd a fabulous mixture of their hits and throwing in some musical nostalgia of their own with their covers of REM’s “Losing My Religion” and The Rolling Stone’s “Paint it Black.”

    All three bands rocked CMAC, but there is no denying the energy Bush bought to the stage when they closed the night. Bush played a great set with a mixture of their hit songs, including their new single “Bullet Holes.” Lead vocalist Gavin Rossdale bounced around the stage just like he did in 1997. He and guitarist Chris Traynor have an undeniable vibe when they play their guitar chords together. Rossdale jumped off stage during “Everything Zen” and went through the audience, giving the fans in the back some love and appreciation.

    The Altimate Tour is not one to miss. It is a 90’s cocktail of amazing musicians that sparked the youth back then and they continue to feed that fire to their fans 20 years later. Not many bands can bring a tour like this to life, but Bush, LIVE and Our Lady Peace can and did.

    The Altimate Tour just kicked off their last leg of the tour and New Yorkers still have time to catch this amazing tour with stops scheduled for August 29 in Wantagh, NY and on August 30 in Bethel, NY.

    Our Lady Peace Setlist: Drop Me in the Water, Innocent, Superman’s Dead, Somewhere Out There, Clumsy, Stop Making Stupid People Famous, Starseed

    Live Setlist: Dam at Otter Creek, All Over You, Selling the Drama, Losing My Religion, Shit Towne, Iris, The Dolphin’s Cry, Paint it Black, Lakini’s Juice, I Alone, White Discussion, Heaven, Turn My Head, Lighting Crashes

    Bush Setlist: Machinehead, Chemicals, This is War, Sound of Winter, Swallowed, Everything Zen, Disease, Bullet Holes, Little Things, Glycerine, Comedown

  • Exclusive: The Upstart Crows debut music video for “Melancholy Haze”

    Brooklyn-based The Upstart Crows today debut their first ever music video for “Melancholy Haze” off their self-titled record. The video was inspired by the movie Eternal Sunshine on the Spotless Mind and the memory-wiping machine Joel (Jim Carrey) uses to forget about Clementine (Kate Winslet). The video was filmed in less then 24 hours and offers a dreamy glimpse into love lost and how we all try to move past it.

    The Upstart Crows self-titled album was released on August 24th of last year and earned them the best alt-rock band of 2018 award by LA Music Critics Award. Listen to Upstart Crows “Melancholy Haze” below.

    The Upstart Crows formed in the basements of Keene, NH during Jon Adams’ (lead singer/guitarist) and Forest DeCoste’s (drummer) college years. After cutting their teeth in the area’s party scene, the two made their way to Brooklyn, NY and deliver a varied mix of folk, punk, and Americana to their audiences. Always backed up by manic energy, their songs give a nod to the two’s theatrical background and wax poetic over catchy guitar riffs and booming drums. Their tongue and cheek demeanor and danceable riffs create a fun, high-energy experience for everyone.

    upstart crows melancholy haze

    The Upstart Crows perform on August 2 at Red Hook Roxx in Brooklyn with Flyin’ J & the Ghostrobber and La Coy. More details can be found here.

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