It really takes a special talent to bring a performance to life, like the way Lindsey Stirling does. Her show at the great New York State Fair on Friday, August 23 was inspiring. Lindsey can play the violin flawlessly while dancing choreographed parts of her songs with dancers, and alone. It was a beautiful mix of dance, ballet and music. Lindsey performed many of her hits including “The Upside,” “Crystallize” and “Shatter Me.”
20,000 fans showed up to party with Ice Cube to see the legendary rap icon, movie star and Rock n’ Roll Hall of Famer packed Chevy Court at theNew York State Fair. Decked out in his trademark black bandana, tucked under a ball cap and dark sunglasses, Ice Cube got the party kicked off with the body moving track, “The New Funkadelic.”
Ice Cube and hype man Dub C “WC” delivered a slew of bass heavy, pumping dance songs spanning Ice Cube’s 30-year career from his beginnings in NWA to his most current release Everythang’s Corrupt.
Ice Cube paused and addressed the crowd shouting, “There ain’t nothing like rockin’ a house on Friday night.” He was quickly corrected by Dub C who pointed out that it was still only the middle of the week. “Whenever you see Ice Cube, it’s a goddamn Friday,” the rapper said as he gave Dub C the stare down.
Ice Cube kept the crowd bumping with notables such as “Check Yo Self,” “Straight Outta Compton” (tease) bridging into “Gansta Gansta,” followed by “No Vaseline.” The set felt short, 60-minutes, but no one in the crowd could complain about the closing number, “It was a Good Day,” one of his greatest tracks ever. So, for all of you who had their doubts, who didn’t think Cube could get on stage and still rock the mic, I say, “You better check yo’ Self before you wreck yo’ self.”
Setlist: That New Funkadelic, Now I Gotta Wet’cha, You Know How We Do It, Bop Gun (One Nation), Check Yo’ Self, Friday, Roll All Day, We Be Clubbin’, Straight Outta Compton (N.W.A.), No Vaseline, Natural Born Killaz, $100 Dollar Bill Y’all, I Ain’t Got No Haters, You Can Do It, Go to Church, It Was a Good Day.
Can’t Always Listen was performed for the first time since December 30, 2015 (142 shows) and included a Long Tall Glasses tease from Page. Free’s lyrics were changed to “flea” as a reference to an outbreak of plague transferred by fleas to prairie dogs in the Commerce City area. Trey teased NMINML in Back on the Train. Trey teased Tired of Waiting for You In Everything’s Right. As a further nod to the outbreak, Amie by Pure Prairie League was the postshow music.
As the skies opened up on day eight of the Great New York State Fair, it didn’t deter anyone from taking a seat at Chevy Court awaiting the two-o’clock show that would feature one of the areas favorite bands, The Mavericks. People put on their ponchos, opened their umbrellas and patiently awaited the sunshine they knew was on its way from Miami. It had been three years since they last played the Syracuse Jazz Festival, and the impression it had left on the crowd was evident; they could care less that it was pouring rain. In fact, nor did I. With an umbrella in one hand, and my camera tucked neatly underneath protected from the elements, I too awaited this charismatic band to take the stage.
Celebrating 30 years together, the two original members Raul Malo and Paul Deakin, and long time members Jerry Dale McFadden and Eddie Perez were joined on stage by a full ensemble immediately kicking it into gear with favorite, “Back In Your Arms Again.” From the moment they took the stage, their eclectic mix of country, latin and rock and roll produced a signature sound that stops you in your tracks and demands your attention.
You’re locked in a trance. Your feet begin to move, your shoulders sway and your head begins to bob along with the beat Paul is laying down. Before you know it, Raul Malo’s sultry sound has you in his spell and you can’t help but dance along with Jerry as he plays his keyboards, or Eddie as he sways with his guitar. It’s inevitable. You can’t fight it.
Playing favorites such as “All Night Long” and “All You Ever Do Is Bring Me Down,” The Mavericks mixed up the set with covers of Bruce Springsteen’s “Hungry Heart” and their newest release of John Anderson’s “Swingin.” Before you knew it, the set was over and all the rain had been chased away by these southern gentlemen. Perhaps it was the mash-up of “All Night Long” and “Let the Sun Shine In” that chased away the clouds. Or perhaps it’s just the sunshine they bring to Syracuse each time they play. Whatever their magic is, Syracuse couldn’t get enough and they once again brightened our day.
Setlist: Back In Your Arms Again, All Night Long / Let the Sun Shine In, Summertime (When I’m With You), Pretend, Easy As It Seems, Dance In The Moonlight, Loving You, Hungry Heart (Bruce Springsteen), As Long As There’s Loving Tonight.
Encore: Swingin’ (John Anderson), Come Unto Me, All You Ever Do Is Bring Me Down.
In This Moment brought their unique stage set and put on such an amazing performance. ITM puts on more than a show, it is truly a mesmerizing performance that leaves you wanting to see more. They ended their set strong with “Whore.” Their dancers came out dressed in Handmades Tale costumes, which was such a great nod to the series and leaves you wondering why thier song hasn’t been used in the series.
Headlining the show was Five Finger Death Punch. The tour was a mini break from their new album recording. It is amazing seeing how far this band has come. The band has had its ups and downs, but this show they gave everything they had to make it a great experience for Binghamton fans. You can tell singer Ivan Moody has found his happiness again on stage and that he loves connecting with their fans.
Five Finger Death Punch will be going out on another Headlining tour this Fall starting in November and this was a great warm up mini tour.
For the past seven years, LOCKN’ has been a true musical haven for improvisation, acting as a base for some of the most famous and remarkable collaborations. This year was no exception as some of this music scene’s most influential artists came together to share moments with festival patrons that won’t be forgotten any time soon.
The atmosphere at LOCKN’ this year was unique in that the festival felt smaller in scale compared to some of the past years when the grounds were overflowing with festivalgoers by virtue of acts like Phish, Disco Biscuits, The String Cheese Incident and Widespread Panic. In a way, the experience was more intimate and special as a result, with the performing artists’ music sweeping out into the crowd to bring their audience on a journey that was curated for their experience and their memories only.
It is always interesting to see the year-to-year tweaks that the festival implements to change the mood or improve the experience for patrons. This year, the thing that stood out was the late night shows in Garcia’s Forest, which included Circles Around the Sun, Soulive and Galactic.
Never miss a LOCKN’ sunset. Oteil & Friends
For those of us that have been six-to-seven year patrons of the festival, it is nostalgic to remember back to a widely favored and heralded set at LOCKN’ by the Tedeschi Trucks Band in 2014 in the Garcia Forest. What a trip, so many years later, to experience the powerhouse group headlining the festival, joined by superstar Trey Anastasio as the key acts of the weekend.
R.I.P Neal Casal, pictured at his last performance with Oteil & Friends.
Festivalgoers of this year’s LOCKN’ will forever evoke the memories of Neal Casal’s final performances, before our music community tragically lost him the Monday following the festival. This past weekend, Neal Casal performed late night on Thursday night with his outfit, Circles Around the Sun, which was orginially formed back in 2015 to record the interlude music for The Grateful Dead’s 50th Anniversary Fare Thee Well shows. Joe Russo performed a surprise sit-in with the group Thursday evening, in light of a collaborative EP that is due to release later this fall. Neal was seen again on stage with powerhouse group Oteil Burbridge & Friends, which also included Bob Weir and Duane Betts. Here is a clip of his solo on Thursday night with Circles Around the Sun:
“Interlocking” sets was the theme of the weekend, as always, at LOCKN’. Bob Weir graced a number of sets as a guest, as usual, including Oteil & Friends’ set where he sat in for “Cassidy” and a “Happy Birthday” song to Oteil; he joined Twiddle with Eric Krasno and John Popper for “Eyes of the World;” Old Crow Medicine; and Edie Brickell and the New Bohemians for “Deep Elem Blues.” Bob Weir was also “sitting in” during Joe Russo’s Almost Dead set when the camera spanned to him sitting side stage on a couch listening to JRAD’s set that included cuts like “Ruben and Cherise,” “Peggy-O,” “The Other One,” “Casey Jones” and “Uncle John’s Band,” to name a few.
Other notable moments of the weekend include one of the early sets of the weekend, when Trey played with the Thai-funk improv outfit Khruangbin, adding his legendary guitar licks to songs like, “Lady & Man” and “People Everywhere (Still Alive).” Moon Alice performed with the T Sisters and Lester Chambers and his son Dylan Chambers on Friday on classics such as “Uncle Johns Band” and “Attics Of My Life,” in addition to a few Moon Alice classics. Melvin Seals & JGB played a set together with John Kadlecik and the Pigeons Playing Ping Pong set had a sit-in from the Revivalist horns, to name a few more “Lockn’ Moments.” Honorable mentions should go to Fruition, who brought a sizable crowd to an 11 a.m. Garcia’s Forest set, finishing their performance with a crowd-requested “The Meaning.” Free Union started off the main stage performances on Saturday by inviting members of the Audacity Brass Band to play with them after their set was cancelled due to the storm on Friday.
Bob Weir and John Popper of Blues Traveler sit in with Twiddle.
But the weekend recap wouldn’t be complete without mentioning the extraordinary delicacy of seeing Trey and Derek performing together. Trey and Derek, certainly not strangers to each other’s guitar licks as the first time they played together was 20 years ago, had no trouble showing their respect for each other’s craft by adding the perfect additions to their respective sets. Starting with Friday night, Derek sat in for the entire second set with Trey Anastasio Band for songs like “Set Your Soul Free,” “Ghost,” and “Blaze On” with an additional sit-in from Susan on “A Life Beyond a Dream” and “Rise/Come Together.” On Saturday, Trey sat in with TTB for covers from the Derek and the Dominos’ classic album Layla And Other Assorted Love Songs while TTB proper followed with “Keep On Growing,” “Nobody Knows You When You’re Down and Out” and “I Am Yours.”
https://www.youtube.com/watch?v=PaJ4auxoI0E
Derek Derek Derek Trey Trey Trey
Once again, the spirit at LOCKN’ was alive and well this year, and is rooted deeply now for the tradition to continue next year all over again.
Night Lights Music Festival 2019 once again warmed the souls of music lovers with a diverse lineup on the Heron Farm and Event Center in Sherman, NY. Patrons from Western New York and far beyond descended upon the beautiful grounds for three nights of revelry and artistic expression. Topping the bill this year was Night Lights staples Aqueous along with !!!, Big Something, and mash-up DJ extraordinaire Girl Talk. Check out some of the action at the gallery bellow by strawberry island dweller.
Summer is slowly coming to a close, and the Capital Region of Albany has had a trove of music this summer. Starting with Tulip Fest in May, to the Music Haven series in Schenectady, an incredible summer calendar at SPAC, to local weekly series that bring communities together and, of course, Albany’s Alive at Five, the quad-cities of New York have some of the most eclectic music offerings around the state. Check out the final performer at Alive at Five, Marco Benevento Trio and get ready for his set at Adirondack Independence Music Festival this weekend in Lake George!
Young Cobain shares his latest single, “I Got It,” a unique blend of emo rap and alternative rock that draws influence from artists of multiple, diverse genres. The effort to combine digital instruments with live instruments bonds the mix together to create a melodic tune that flows effortlessly. It’s difficult as an artist to find the right balance. Young Cobain is able to execute this task smoothly in a way that blurs the thick lines between genres.
Finding himself immersed in a story of heartbreak and betrayal, his unforgiving lyrics are directed towards an old lover, that decides an attempt to reconcile with the artist only after he rose to fame. The story begins with Young Cobain flipping burgers and bumming cigarettes, wondering where his partner is while he’s in a low point. His fame suddenly sky rockets, and his life is coincidently filled with friends and girls all of the sudden. These fearless lyrics express his frustration about people trying to ride his wave of success, and gain everything they can while it lasts. The story ends in a refreshing tone as Cobain belts out that she had her chance to reach out to him, but now he’s too occupied with his Benz. Ouch!
Young Cobain is able to easily convey his emotions and channel them into his music. Combining influences from different genres in his own creative way proves that this mixed style is Young Cobain’s forte. Throughout his heartfelt story of his struggles with love and fame, Young Cobain proves himself a resilient icon that is thriving through his lyrics and music. Expect to see Young Cobain on festival lineups and consistently producing music.
KISS brought their End Of The Road Tour to Syracuse, NY at the St. Joseph’s Health Amphitheater last night. Fans of the iconic rock stars were treated to loud heavy guitars, theatrics, explosions, silly gimmicks, lots of fire, fast paced music, and even more explosions. Even if you’re not a big fan of their music, it’s hard to not have a great time at a KISS concert. With all the production, rivaled by very few others in the music industry, KISS is just a great time.
As the name suggests, this claims to be their last and final tour ever. With Gene Simmons and Paul Stanley both near 70 years old, it would be good timing to retire the band that has been performing since 1973. If this truly is the final KISS tour, it is going out with a bang with one of the most pyrotechnic, flame-throwing concert sets you’ll ever experience .