The seventh annual Rochester Music Hall of Fame Induction Ceremony takes place at Rochester’s Eastman Theatre at 7 pm on April 22, 2018. Among those being honored this year are percussionist and composer John Beck, Sacred Steel band The Campbell Brothers, drummer Steve Gadd, bassist Tony Levin, and Emmy-nominated composer Ferdinand Jay Smith. Guest performers include members of the band L’Image and Grammy-winner Robert Randolph. More musical guests will be announced. Prime Time Funk will perform as the official Hall of Fame house band. Tickets are on sale now.
Steve Gadd is hailed as one of the most accomplished and skilled drummers of his generation. Born in the suburbs of Rochester, Gadd took up drums when he was seven years old. When he was 11, he sat in with Dizzy Gillespie, launching a lifetime of work with some of the greatest artists of our era. He has performed in studio and on tour with iconic artists such as Paul Simon, James Taylor, and Eric Clapton. He continues to make music in conjunction with other artists and with the Steve Gadd Band. His work in the field of percussion has inspired generations to follow. Chick Corea once commented, “Every drummer wants to play like Gadd because he plays perfect…He has brought orchestral and compositional thinking to the drum kit while at the same time having a great imagination and a great ability to swing.”
Bassist Tony Levin was born in Boston, but moved to Rochester to study at Eastman School of Music, where he studied under the great Igor Stravinsky. After meeting fellow student Steve Gadd, he traded upright bass for electric bass. After playing in several New York bands, he was offered the opportunity to tour with Peter Gabriel in 1977. He still plays in the Peter Gabriel Band, and along the way has become a member of such acts as King Crimson, Stick Men, and Levin Brothers. He has authored books containing photographs he has taken throughout his career, and a book of poetry and lyrics.
Percussionist and composer John Beck has been teaching at Eastman School of Music for six decades, and currently serves as Professor Emeritus of Percussion. His work has led him to perform around the world, and has earned him numerous accolades, including Lifetime Achievement Awards from prestigious organizations here and abroad. At the induction ceremony, Beck will perform solo as well as with a percussion ensemble and the Hall of Fame house band Prime Time Funk.
Sacred steel band The Campbell Brothers features Chuck Campbell on pedal steel guitar, Phillip Campbell on electric guitar and bass, Darick Campbell on lap steel, and Carlton Campbell on drums. From their humble beginnings as the house band for a House of God Church, they have been invited to bring their gospel music to such venerable music halls Hollywood Bowl, The Kennedy Center, and Brooklyn Academy of Music. Their work is now being featured in the Sacred Steel exhibit at the Smithsonian National Museum of African American Heritage and Culture.
Ferdinand Jay Smith’s impressive resume includes his work at Jay Advertising, his early career as a radio DJ and manager of musicians, and a list of credits in the music industry for movies and television. The Emmy-nominated composer is best known for his theme songs for the HBO feature presentation, the CBS movie of the week, NHL Tonight, and the musical themes for the 1980 and 1988 Olympics. A musical medley and video presentation will celebrate Smith’s contribution to music in the entertainment industry.
The latest episode of Rochester Indie Musician Spotlight features Tough Old Bird. On the show, brothers Matthew and Nathan Corrigan talk about their songwriting process and performing together with the host Dan Gross. They also discuss the renaissance of folk music in the region, and the consistent presence of the genre despite going in and out of popularity with audiences. Tough Old Bird is on tour this month, with shows spanning from Buffalo to Boston. Following the interview, they perform a selection of songs from their catalog, including “Built It Again” and “No One Knows Your Mind.”
The live events are free and open to the public, and are recorded at Bop Shop Records at 1460 Monroe Avenue in Rochester from 7-9pm. Upcoming Spotlight sessions include Vanishing Sun on March 9, Grand Canyon Rescue Episode on March 10, Seth Faergolzia’s Multibird on March 16, and Jimmy Highsmith Jr. on March 31. The remaining four guests for Season 5 will be announced soon.
John Fogerty and ZZ Top join forces for a ‘Blues and Bayous Tour’ this year. These Rock & Roll Hall of Fame legends set off on their epic musical journey in New Jersey in May, with stops in New York at Jones Beach Theater in Wantagh on June 20 and Marvin Sands Theater in Canandaigua on June 23. Tickets go on sale to the general public on March 2 at 10am local time. Presale ticket information can be found on the websites for John Fogerty and ZZ Top.
John Fogerty and ZZ Top Blues and Bayous Tour
May 25 – Atlantic City, NJ – Borgata Spa & Resort – Event Center
May 26 – Holmdel, NJ – P.N.C. Bank Arts Center
May 27 – Uncasville, CT – Mohegan Sun Arena
May 29 – Vienna, VA – Wolf Trap
May 30 – Vienna, VA – Wolf Trap
June 1 – Pensacola, FL – Pensacola Bay Center
June 2 – Clearwater, FL – Coachman Park
June 3 – West Palm Beach,FL – Coral Sky Amphitheater
June 5 – St. Augustine, FL – St. Augustine Amphitheater
June 6 – Atlanta, GA – TBA
June 10 – Oklahoma City, OK – Zoo Amphitheater
June 12 – Chicago, IL – TBA
June 13 – Noblesville, IN – Ruoff Home Mortgage Music Center
June 14 – Cincinnati, OH – Riverbend Music Center
June 16 – Southaven, MS – BankPlus Amphitheater at Snowden Grove
June 17 – Maryland Heights, MO – Hollywood Casino Amphitheater
June 19 – Youngstown, OH – Covelli Centre June 20 – Wantagh, NY – Northwell Heath at Jones Beach Theater
June 22 – Gilford, NH – Bank of NH Pavillion June 23 – Canandaigua, NY – Marvin Sands Performing Arts Center
June 24 – Camden, NJ – BB&T Pavilion
June 26 – Mt. Pleasant, MI – Soaring Eagle Casino & Resort *with Willie Nelson
June 27 – Detroit, MI – DTE Energy Music Theatre
June 29 – Welch, MN – Treasure Island Resort & Casino
Speculation has become fact. Phish is returning to Watkins Glen International for its 11th festival Aug. 17-19. Ticket sale begins March 2 at noon.
Phish last performed at “The Glen” for Magnaball in 2015. You can read NYS Music’s coverage of that sold-out festival here, here and here. Pete Mason re-lived the legendary Drive-In set from Magnaball here.
Ticketing packages include a general admission weekend pass for $250 plus fees. These tickets allow weekend access to the festival grounds and GA campground. Those bringing a vehicle must also purchase a vehicle camping pass.
There is also a Glen Close package, which includes one Glen Close vehicle camping pass (choose car or RV) and two Glen Close weekend passes with the option to purchase an additional Glen Close weekend pass during the purchase process. Pricing for this option begins at $910 plus fees. For more information, visit the festival page.
Phish’s first festival was the groundbreaking Clifford Ball in 1996. Curveball marks the third festival the band has held at Watkins Glen International, following Magnaball and 2011’s Super Ball IX. The rolling hills and central location of this Finger Lakes venue allows for easy travel from many major cities in the northeast.
Tickets are available beginning at noon on Friday, March 2.
Juicy Connotation is the latest band to be featured on the interview/concert series Rochester Indie Musician Spotlight. The five piece group blends funk, jazz, Latin and rock to create what they identify as “juice funk.” In this episode, they speak with the show’s host Dan Gross about their origin, the magic behind the making of their material, and their upcoming self-titled album.
Upcoming Rochester Indie Musician Spotlight featured artists for Season 5 include Tough Old Bird, Hannah PK, Vanishing Sun, Grand Canyon Rescue Episode, Seth Faergolzia, and Jimmy Highsmith Jr.
For more about Juicy Connotation and Rochester Indie Musician Spotlight, read the NYS Music feature. For the latest news and access to dozens of episodes, visit Dan Gross Music and Journalism.
Vibrant pop punk outfit Young Culture made their way from their hometown of Albany to Rochester on February 17 for the first night of their coast to coast tour. They’re on the road promoting their sophomore EP, Blue, which was released in the fall. NYS Music met up with founding members Alex Magnan and Gabe Pietrafesa just before their show at Vineyard Community Space to talk about the release, tour, the importance of support from friends and family, and the game called Odds.
Photo by Danny DeRusso Photography
Paula Cummings: You’re on tour for your new EP. Tell me about Blue.
Gabe Pietrafesa: We recorded last January, about a year ago. We went out to Always Be Genius Studios in Indiana and recorded it with Seth Henderson and Derek Discanio from State Champs. We were there for eight days, did five songs. We had a blast. Now it’s out and it’s going good. The shows have been really great, and the songs are where we want them to be.
Alex Magnan: It definitely felt like a good follow-up to our first EP You because that one we recorded when we were pretty young. We were 17/18 when we recorded Blue, so it’s just more mature than the last one. It felt like the next step.
PC: You recorded with Derek from State Champs. They’re from your hometown of Albany, right?
GP: We’re homies with the State Champs guys. Derek actually worked with us on our first record, too. He’s a friend now and he’ll come to us with ideas or we’ll come to him with ideas. He just wants to be part of what we’re creating because he’s been with Young Culture from day one. State Champs has been a big thing in the Albany scene.
PC: Also important are supportive parents, and I’ve heard that you guys have an awesome band mom.
AM: Both my parents, Mike and Gina, are the greatest souls ever. They just love everybody and they really are into what we’re doing. So they’re very supportive of it. Every time before we leave for tour they always make us mad food, a big breakfast and food to take.
GP: And any time we have friends’ bands, like if Rarity was in town, they’ll have them over, let them stay and do their laundry, cook them food. They go out of their way. They’re great people.
AM: I feel like they were never doubtful about it. When I was like “Mom, Dad, I want to do music,” they were like, “This is the right move, but if you want to do it, you better haul ass and be 100% about it.” They pushed us to keep doing what we’re doing, which is pretty unorthodox. A lot of parents don’t do that.
Photo by Danny DeRusso Photography
PC: You spend a lot of time on the road. I hear you like to play a game called Odds.
GP: So the rule for Odds is… I’ll use (friend and cameraman) Danny as an example. I’ll think of a crazy task. I’ll be like, Danny, what are the odds that every photo you take tonight you have to close your eyes. Danny will be like one out of ten. And Alex will count us in like 3, 2, 1. And then we both say a number between one and ten, and if we both say the same number, then he has to do it. If I said four and Danny said six and it adds up to ten, then the odds are reversed, and I have to do it, and he won’t have to. We’ve done some pretty stupid odds.
AM: It’s like you’re on the road in a van a long time with a bunch of dudes and you’ve got to keep things interesting sometimes. So we’ve gone to some extremes.
GP: We make an agreement that we don’t do odds for the show. We don’t do anything that’s going to mess with it. That’s a big thing. One time we were doing the drive from here to Texas, and it was insane and we were really bored, and there was a cup of Alex’s pee and someone odds me to drink a sip of it. I didn’t think it would happen.
AM: Needless to say, we’re more than friends now. We’ve done some outlandish stuff.
GP: One time we had our manager Joe go up to someone after their set and say, “Good set. Not great, though.”
Photo by Danny DeRusso Photography
PC: You’re ending this tour with a hometown show. How psyched are you for that?
GP: So stoked.
AM: We’re going to try to sell that one out. It’s going to be at a venue called Lucky Strike Social. All the openers for it are friends of ours. The Maloy Brothers, who have never done a full show are going to be the openers. And then we have Perfect Scores. And a band called Viewpoints – they’ve been doing this as long as we have.
GP: It’s going to be two weeks of us playing shows, and then we get to come home to a big hometown show. We haven’t done a hometown show in like six months.
AM: That’s the best way to do it. You come home and end tour with a bang.
GP: We’re playing so many places we’ve never even been to.
AM: I was excited to come back to Rochester.
GP: It’s cool because not only do we get to play music, we get to travel the world.
AM: What better platform to travel than music.
GP: It’s a lot of fun.
Catch Young Culture on their remaining tour dates:
Feb. 23 – Los Angeles, CA – The Vibe
Feb. 24 – Lake Forrest, CA – Rushbar
Feb. 25 – Santa Anna, CA – 4th Street Market
Feb. 26 – Phoenix, AZ – The Rebel Lounge
Feb. 27 – Albuquerque, NM – The Jam Spot
March 1 – Indianapolis, IN – Hoosier Dome
March 2 – Cleveland, OH – Euclid Tavern
March 3 – Erie, PA – Basement Transmissions March 4 – Albany, NY – Lucky Strike Social
Find Blue, and their 2016 debut EP You on iTunes. Follow on Facebook, Twitter and Instagram to stay up to date on their adventures on (and off) the road.
I Set My Friends On Fire has come a long way in the past decade. The post-hardcore band that started with two teens and a laptop and has evolved into a full band with members from across the U.S. NYS Music caught up with guitarist Nate Blasdell and bassist Connor Mitchener as they were readying to take off for the tour to celebrate the 10th anniversary of ISMFOF’s debut album You Can’t Spell Slaughter Without Laughter.
photo: Daniel Finkelstein
Paula Cummings: How did you get your start in I Set My Friends On Fire?
Nate Blasdell: I played in a band called The Bunny The Bear. I was pretty young, 18 years old, just out of high school. I learned a lot from that band. It was everything I thought I wanted. We were signed to a label, doing well on tours. We had a booking agent. On the outside, that looks awesome. But there’s a lot of awful stuff that happened. We burned bridges, we made mistakes. We were kids. I was considering what I wanted to do with my life and how I wasn’t a free-spirited 18 year-old looking to run away anymore. I just wanted to play music with people I cared about. Matt Mehana and I started talking and one day I asked if he wanted to get ISMFOF rolling again. We went back and forth for eight months. One day, I was like, “Let’s make a deal, if I can book us a tour in Russia, you’ll start ISMFOF up again and we’ll start touring.” Twelve hours later we had a contract and the plane tickets were fully paid… You have to be crazy to be a musician.
Connor Mitchener: You have to be a masochist.
NB: You have to make a lot of sacrifices. It’s hard to maintain relationships. We sleep in a van, from sleeping in hotels. We went from having plane tickets paid for you to having to front for plane tickets. So we started to lose money and we went through member changes before things fell into place. We had this strand of two months of touring that were horrendous. Not just financially but emotionally. We were in Russia and we all got sick.
CM: I missed a show.
NB: Our drummer got robbed of his camera. My Uber driver ran someone over.
CM: I almost got detained.
NB: He almost got kicked out of the country because his visa expired. We saw money lost from our hotel room.
CM: Literally all the money gone.
NB: All the money we made from tour we lost on our last day in Russia.
CM: That was the kick in the gut.
NB: The biggest thing about that is we flew from Russia to New York and had to play a show in New Jersey that night. We ended that tour with a smile on our faces. Everyone was still laughing, still making the best of it. That’s when we knew we had the right lineup. I think we’ve finally got it right. We’ve all been through the struggle. Instead of being jaded, it makes us that much more hungry and more appreciative of whatever comes our way.
PC: How many countries and continents have you played?
NB: It was thirty last year. Then we did Estonia, Latvia and Sweden. So thirty three. We did Asia, Europe, North America and Australia. Russia was awesome. We didn’t expect to be treated so well there. People were waiting at the train station. We couldn’t walk outside the show. They were really appreciative. We can have that experience, then we can come home and be completely normal people. I think it’s cool because you can experience it, but it’s not your full life.
PC: What was the feedback from your teachers and school counselors when you wanted to pursue a career in music?
NB: I grew up in a suburban area. I came from a good family too. There were expectations. I went through a lot in high school. I used to be all about sports. As I fell out of love with sports, I fell in love with music. Teachers and counselors I had thought I was crazy. Not only teachers and counselors, but some friends of parents and some extended family. I got lucky that I have the most supportive family every. My father has a good job. He saw that money doesn’t buy happiness, and he wanted me to be happy. I went to college when I turned 21. I’m glad I went back. I think that anyone who had a tough time in high school shouldn’t rule out college. It’s crazy. I work as a substitute teacher now alongside of some of the teachers who told me to give up. I had an orchestra teacher tell me I was a failure at music when I was in 6th grade and that I should give up violin. When you tell a kid something like that…
CM: At the most vulnerable age.
NB: It’s funny how that stuff comes around. I had some caring teachers who wanted what was best for me, but I had some who were like, “You have no idea what you’re doing.” We went out and found ourselves.
CM: We learned a lot more than we ever would in school.
NB: It took a couple years to find ourselves. We learned a lot from touring. Every kid has a different plan. I highly advise finishing high school. I know it’s a battle for some people, but once you get that piece of paper, it’s like your life is about to get a thousand times better.
CM: Like Dobby getting a sock.
NB: It will make your life that much better. You can hang it on the wall and no one can take that away. I went on tour thinking I was going to tour for the rest of my life, and I came back as a teacher. That’s one of the reasons I became a teacher is to push kids in the direction of their own greatness instead of society’s standards of greatness, and find themselves. College is always there. It isn’t for everyone, but I encourage people to try it. But there’s no time frame on it.
PC: Connor, did you have similar experiences with teachers and counselors in high school?
CM: Oh, yeah. I come from a way smaller place than Nate did. It’s pretty country. I remember getting called to the counselor’s office to do financial aid. I’m like, “I’m not going to school right away, so I don’t need to do this.” They were like, “Yes you do, because you’re dumb not to.” It sucked. High school sucked. That place just didn’t get it. People in my town never leave. There were teachers who were like “I had your parents when they were in school.”
PC: How supportive was your family?
CM: So my mom was stoked. When Nate called me, he was like, “Buy a bass, learn to play bass and come join me.” We were homies. I was like, “cool.” I go home and tell my mom and she was ok. I was a cross country and track runner. I had scholarships. I go to my dad and say, “I’m going to play music,” and he told me I was pissing away my future. They saw where this led and my dad comes to out of state shows now. They were concerned. It was random. It wasn’t a plan I ever had because I never thought I could do it. Honestly, at face value, our story is kind-of ridiculous.
NB: We both grew up in good families where there was a lot of trust. It’s cool because they’ve been supportive. There was a point where they were worried, but now there are instances like my dad will be at work and say, “My son is in a band.” They’ll ask what band, and he’ll say I Set My Friends On Fire, and they’ll be like, “No way!” Our dads brag about us.
CM: It started like, “My kid plays in a band. He doesn’t really do anything,” and now it’s prideful to say.
PC: What advice would you give to 18 year-old you?
NB: Look at the bigger picture. Don’t be blindsided by the initial look of something. And don’t let hate affect you so much. People are going to hate. I don’t let it affect me at a personal level. Don’t get caught up in what everyone else is doing. Everyone has a different plan. You can’t compare your success to others. Try not to get attached to your idols on an emotional level.
CM: Heroes become human.
NB: Who they portray themselves as and who they are is way different.
Photo: Andrew Parker-West
PC: What is your favorite lyric on You Can’t Spell Slaughter Without Laughter?
NB: Matt’s lyrics are insane. “Don’t drink and park, accidents in cars cause population” from Beauty Is In The Eyes Of The Beerholder.
CB: The end of WTFWJD, “Let me get a sip of what you want me to say, I am so thirsty.” I love the end of that.
NB: IMFOF lyrics are more meaningful than they appear. You can’t deny that we’re a sexual and violent band with content.
CB: It’s more wacky than violent.
NB: The thing that Matt does that’s really cool is that he has lyrics that appear sexual or violent but they are part of a way bigger meaning. It’s not like he’s writing it to be edgy.
As I was thanking them for the interview, they mentioned that they will be doing an interview called ‘How Well Do You Know Your Bandmate?’ while on tour. I threw a few practice questions at them. Having known each other for seven years and spent so much time together, they nailed the answers. In case you were wondering… their favorite restaurants on tour are In-N-Out Burger, Chipotle, Cook Out and Chic-Fil-A. Connor’s favorite beverages are Code Red Mountain Dew and Dr. Pepper. And Nate doesn’t eat candy often, but when he does, his favorite is Lemonheads.
Tickets are on sale now for the I Set My Friends On Fire on their 10 Years of Slaughter Tour. They still maintain their MySpace page, as well as Facebook, Twitter, and Instagram. Find music by I Set My Friends on Fire, from their debut You Can’t Spell Slaughter Without Laughter to their latest single “My Uzi Holds A Hundred Round Conscience” on iTunes and Spotify.
Music fans are in for a treat this weekend if they are heading out to see the Kyle Hollingsworth Band.
“As of right now, I’m excited about this little run in the Northeast,” said Kyle Hollingsworth. “I’m excited about hitting the road a little bit and playing some of these tunes I’ve been working on the last year or so — testing out live performance of the songs. And raging the best we can.”
“We have a new lineup of musicians and it’s more jam-oriented than I’ve ever made it,” he said.
Hollingsworth’s tour coincides with the release of his new solo album 50 — coming out March 2.
NEW SONGS
Fans attending the shows on this tour will be the first ones to hear the new songs played live from the album.
“There will be some debuts,” he said.
While he has played about half of the album live already, he said it’s fun playing songs for the first time because people don’t know them and he does more experimentation and jamming.
“If we screw up the song, people won’t know because they haven’t heard it before,” he said.
NEW ALBUM, BIRTHDAY
The album 50 comes out a day before Hollingsworth’s birthday, when he turns 50. Reflecting on that milestone, Hollingsworth is not slowing down at all.
“I still feel super creative and very active,” he said. “I feel very young still.”
Regarding the title he laughed and said: “What the hell was I thinking? Why’d I call it 50. I’m gonna call it 25 Again.”
Hollingsworth describes the album as exploratory and epic. “The album starts out as if you walked into the club and the band is already raging,” he said.
He said it starts that way in the beginning with the song “Onset” and keeps the theme throughout while the last song is titled “Offset.”
BREWING BEER
If it doesn’t seem like Hollingsworth has enough on his plate, he also has a new brew to wash things down. Ground Score IPA came from a collaboration between Hollingsworth, Relix magazine and Sweetwater Brewing Company. The launch party for the 7.1 percent ABV brew coincides with the first date of the tour on and will be served at the first venue they play at, Brooklyn Bowl in New York City.
“I’ve made about 30 beers with people all around the country,” he said. “And this is one of my more favorite ones,” he said. “It is more unique in their (Sweetwater) style of beer.”
Hollingsworth picked up homebrewing as a hobby from his brother.
“I always did anything my brother did,” he said. “He started watching the Grateful Dead, so I started. He started smoking pot, I started smoking pot, and he started brewing beer, so I started.”
Hollingsworth compares brewing to making music because it gives him the same creative outlet.
“Once you get it on your fingers, whether it is playing piano or brewing beer, it is fun to improvise and drift from the process, and some of that is where the magic happens,” he said.
He appreciates the experimentation aspect of both hobbies.
“It could be a great beer, or it could be a terrible solo,” he said. “Sometimes you win sometimes you lose. Sometimes you have a great beer; sometimes you have a terrible solo.”
VISIT TO NEW YORK
Hollingsworth said the beer he made with Relix and Sweetwater was inspired by some of the great Northeastern breweries. He can’t wait to try more local New York brews.
“I’m excited. I don’t know much about the area,” he said.
He also invites people to share their creations or favorite local beers with him.
“People are always welcome to bring me tasty beers,” he said. “Either their home brews or local microbrews — I’ll try them.”
He also plans to ski in some of his free time on tour. He said he has never heard of a garbage plate, but he would definitely try one.
“When I’m not running around making beer or touring, I’m in the studio full time with String Cheese,” he said.
He cannot wait to let loose and get creative in their studio known as SCI Lab.
Since he keeps himself busy with many projects, he doesn’t get much time to see many shows, but he said at festivals he enjoys drifting to the smaller stages and finding inspiration in what he hears. He mentioned he enjoyed seeing a DJ by the name of Elohim and My Morning Jacket, and he is always finding something new.
“When I see music, for me, it is just wandering Electric Forest or Hulaween to smaller stages,” he said. “I try to find what inspires me. When I hear something magical, it draws me to the stage.”
For Honest Folk’s first show of 2018, and their 10th show ever, they brought David Wax Museum, who themselves are celebrating their 10th year as a band. As they’ve made their way around the country, carting along their two kids, eating their kale and kimchi salads in parks or Wendy’s/Gas Station hybrids, they’ve made friendships at show stops along the way, with years separating meaningful contacts. On their drive to Rochester, with the cold and snow blustering in, they wondered if it was such a good idea to visit in January. But they remembered, people need the sense of community and warmth an intimate concert would bring, now more than ever. Right they were.
On a different stage. in a different place, the President was celebrating his first year in office with his State of the Union. David Wax and his wife Suz Slezak, traveling as just a duo for this tour, presented their audience with a different vision of reality. While one was promising walls and deportations, this couple were breaking down barriers and blending cultures. Inspired by an early introduction to Buena Vista Social Club and collaborations with a musically-gifted Paraguayan exchange student, Wax travelled to Mexico where he learned their music and absorbed their culture. He developed a unique sound blending traditional Mexican and American folk music.
Wax and Slezak blended the sounds of guitar, ukulele, fiddle, accordion with traditional Mexican percussion by way of a donkey’s jawbone and a tarima, a small wooden stage to stomp on. The diversity of the instrumentation provided plenty of different flavors throughout the show. On the gentle and moving “Wondrous Love,” Slezak plucked out an echoey melody on her fiddle reminiscent of Andrew Bird. They sang into a single mic on “Turn This Love Around,” which built up, finishing with a gorgeous mesh of guitar, fiddle, vocals and stomping.
In the studio, the band would warm up by playing traditional Mexican folk songs. They shared a couple of them during the evening, including “El Toro Zacamandu,” a song Wax first heard in an ice cream parlor in Missouri of all places. They plan to record another album this year, and also introduced a pair of the new songs that will probably make it, “Line of Light” and “Be Patient.” With those as a sampling, it appears the future of their union continues to be bright.
In a Democracy, citizens are offered the opportunity to participate in the process. The same was true during this concert. During “Yes, Maria, Yes,” the audience was split into two sides down the middle. One side stood and sang, “Yes, Maria, Yes,” while the other stood and sang, “No, Maria, No” in quick succession, up and down and back and forth like a good congressional debate. In a more immersive bit of participation, the crowd was asked to close their eyes during “Every Time Katie” to experience a ‘concert in the blind’. Wax and Slezak walked through the room, playing guitar and bells, providing an intimate surround-sound moment of calm and beauty. A rare feat in this day and age.
Why did the band drive to Rochester in the dead of winter? Because they trusted in the integrity and vitality of the Honest Folk music series, of which they were happy to be a part. A full house of attentive music lovers certainly made it worth their while. And they promised to be back, hoping to bring their full band back to Monty’s Krown, the first place they ever played in town way back when.
As with all Honest Folk shows, there were also tangible answers to the state of our union. On the environmental front, Impact Earth was on hand to help make it a zero-waste event. And 10% of the concert’s proceeds were donated to The Center for Youth, whose Executive Director, Elaine Spaull, spoke about the center’s mission to provide a safe space for LGBTQ youth.
Setlist:
Set 1: Singing to Me, Don’t Lose Heart, El Ahualulco, Line of Light, Wondrous Love, Harder Before It Get’s Easier, At Least I Tried, Yes Maria Yes
Set 2: The Least I Can Do, ?, Turn This Love Around, Be Patient, El Toro Zacamandu, Every Time Katie, Unfruitful, Guesthouse
The Wood Brothers brought their tour to The Egg Performing Arts Center in Albany, NY. The sold-out crowd dealt with the return of winter to hear some of the newest songs on their latest album, One Drop of Truth. The album was available at the merchandise table before its official release date of Friday, February 2. The brothers, Chris and Oliver Wood, and Jano Rix mixed new tunes with a healthy selection of Wood Brothers standards. Although, the crowd seemed more than happy to explore the new songs.
Before the evening was over The Wood Brothers brought out special guest Aaron Lipp from Rochester, NY and the opening band, The Stray Birds, to help out with the one-microphone part of the evening. The voices of The Wood Brothers and their guests blended in the solo microphone to create an “old timey” feel inside The Egg. The night also featured a Wood Brothers cover of the late Tom Petty’s hit “You Wreck Me.”
For more about the Rochester Indie Musician Spotlight, read the 
Phish last performed at “The Glen” for Magnaball in 2015. You can read NYS Music’s coverage of that sold-out festival 
