Category: Finger Lakes

  • Rochester Music Hall of Fame: a Night To Remember

    The Board of Directors of the Rochester Music Hall of Fame pulled out all the stops this year. The seventh annual award ceremony was held on Sunday, April 22 at Rochester’s historic Kodak Hall at Eastman Theatre. The sold-out event celebrated the contributions of musicians with local ties, including Rochester native and legendary drummer Steve Gadd, Eastman School of Music graduate and iconic bassist Tony Levin, world-renown percussionist and Eastman School Professor Emeritus John Beck, and masters of sacred steel The Campbell Brothers. Congratulatory messages were sent by Peter Gabriel, who has worked with both Gadd and Levin. Special guest performers included pedal steel guitarist extraordinaire Robert Randolph, preteen powerhouse Angelica Hale from America’s Got Talent, and a surprise appearance by Paul Simon.

    Photos by Battista Photography

    Paul Simon

    At the ceremony’s commencement, a moment of silence was taken to honor the late Senator Louise Slaughter, a supporter of the arts. Board of Directors President Karl LaPorta announced that he and his wife would be stepping down from the board to spend some time traveling, although they will stay involved with the Hall of Fame. Vice President Jack Whittier will take the lead position on the Board moving forward. Whittier shared plans to branch into more community outreach and partnerships which foster the love of music. They’ve also acquired a location for the Hall of Fame at the corner of East Main and Gibbs Streets.

    The ceremony opened with a few quick tribute songs from local singers, backed by the Hall of Fame’s house band, Prime Time Funk: “Kodachrome” sung by Alyssa Coco and Ronnie Leigh, a soulful rendition of “Wildflower” sung by Bree Draper, and “Sledgehammer” featuring the powerful vocals of Danielle Ponder.

    The first inductee of the night was John Beck, a Pennsylvania native who started playing drums at a very young age, traveling by bus into Pittsburgh as a teenager to take lessons and later moving to Rochester to study at the Eastman School of Music. After ten years drumming in the military, Beck returned to Rochester to teach and to play in the Rochester Philharmonic Orchestra. He has played with orchestras around the world, and holds many accolades. He has also taught hundreds of students, including Steve Gadd.

    The first piece he played was something he wrote for Gadd’s senior performance, played on the timpani. He then played a couple on a drum kit and some hand drums. Between songs, he went to the podium to talk about the music, and asked for a moment to get to the drums. But once behind the percussive instruments, he began moving with a deft agility and grace. For his grand finale, he chose a big band song, backed by Prime Time Funk.

    Ferdinand Jay Smith

    The next inductee was Ferdinand Jay Smith III, who has created some of the most memorable and longest lasting music in entertainment, including theme songs for television programs, Olympic Games, and advertising. A reel of some of his work was played, highlighting the local, regional, and national clients for whom Smith has produced work. Some of the best selections were saved for live performance by the house band, with guest singers. America’s Got Talent finalist Angelina Hale took to the stage to perform the theme song for Bausch & Lomb. The Empire State Games theme song was sung by a group which included two of Smith’s children and one of his grandchildren.

    Ferdinand Jay Smith with Angelina Hale

    After a brief intermission, Gadd and Levin were introduced by their friend Peter Gabriel, via video recording. The British rocker talked about knowing Levin “since the dinosaurs roamed the earth” and shared the joke about how many drummers it takes to change a light bulb. “One to do it, and twelve to talk about how Steve Gadd would have done it.”

    Steve Gadd

    Gadd and Levin met as students at the Eastman School of Music, where they studied together during the day and gigged around town by night, learning the ropes from local legends like Chuck and Gap Mangione. After serving in Vietnam, Gadd settled in New York City with Levin, and Levin introduced him around. They formed a jazz band called L’Image with friends Mike Mainieri, David Spinozza and Warren Bernhardt. Since that time, they have also toured and recorded with some of the biggest names in the music industry, as well as their own individual bands.

    L’Image

    The members of L’Image united on stage tonight to play a few of their songs, which prominently featured the xylophone and the Chapman stick. Levin is adept at playing the stick, sometimes plucking and sometimes with a bow.

    Tony Levin

    Just when we thought they would wrap up their set, Paul Simon walked across the stage. Simon shared a couple of stories about working with Gadd and Levin, then launched into performances of “50 Ways to Leave Your Lover,” which features Gadd’s prominent drum line, and “Late In The Evening,” for which Levin wrote the driving bassline. Simon’s surprise appearance was one of the city’s best kept secrets (EVERYBODY knew when Bill Murray was in town a few weeks ago, but Simon’s arrival was kept tightly under wraps until the show). This comes on the wake of the news that Simon will retire from touring after this year. The ‘Homeward Bound’ farewell tour starts in mid-may and wraps up in the fall with a three-night run in New York City.

    Paul Simon with Steve Gadd

    Paul Simon is a hard act to follow, but the Campbell Brothers held their own. The Sacred Steel gospel group started at their local churches and have grown to fill some of the most venerable music halls, but the members maintain their sense of humility and gratitude despite their growing recognition.

    Campbell Brothers with Robert Randolph

    From the first notes of the steel pedal guitar, there was a sense that something phenomenal was in store. The other instruments joined it, the sound swelling to fill every nook and cranny of the auditorium. What ensued was a hand-clapping, foot-stomping celebration of joy. Gospel singer Denise Brown came out to sing “I’ve Got A Feeling.” And Charles Campbell got everyone doing a call and response on the next number, “Hell No! Heaven Yes!” Robert Randolph danced his way across the stage to join in on pedal steel.

    Campbell Brothers with Robert Randolph

    Randolph led the vocals on the last performance of the night, “Purple Haze,” a song Jimi Hendrix played when he performed in Rochester in 1968. Gadd settled himself behind his drum kit, Levin grabbed his bass and the house band took up their instruments, Beck took up a hand drum and Smith procured a tambourine. The all-star jam was a glorious sight to behold. Randolph jumped up on his chair while playing the steel pedal guitar. Charles Campbell was strutting the stage, pulling out some Chuck Berry style moves. The joyful outpouring of sights and sounds capped off what was truly a memorable night.

    Mark your calendar now: next year’s Rochester Music Hall of Fame ceremony takes place on April 28th. You won’t want to miss out on all the excitement in store!

  • Seth Faergolzia Multibird Appears on Rochester Indie Musician Spotlight

    Seth Faergolzia stopped by The Bop Shop for the 10th of fifteen episodes in this season’s Rochester Indie Musician Spotlight. The experimental folk rock artist spoke with the show’s producer/host Dan Gross about Multibird and his other bands, his recent European tour, and participating in the 100 Songs Project. Following the interview segment, Faergolzia and the members of Multibird performed a selection of songs, including “Garbage Night,” “High Diver,” and “Yup’s Birthday.”

    This episode of Rochester Indie Musician Spotlight is directed, edited, recorded and hosted by Dan Gross. Camera work and production by Gross and Jason Thibault. Josh Pettinger of Wicked Squid Studios mixed the audio. This season is made possible by Bop Shop RecordsRowe Photographic Video and AudioBernunzio Uptown MusicSound SourceJoe Bean Coffee RoastersThree Heads BrewingWicked Squid Studios, and patrons who contributed to the Season 5 indiegogo campaign.

    For more about the Rochester Indie Musician Spotlight, read the NYS Music feature. For the latest news and access to dozens of episodes, visit Dan Gross Music and Journalism.

  • Blues Music Awards Honor Chenango Blues Festival Performers

    The Blues Foundation held its 39th Blues Music Awards on Thursday, May 10, in Memphis, Tennessee. Several award winners have appeared recently in Central New York, most notably at the Chenango Blues Festival. Victor Wainwright took home the prestigious Pinetop Perkins Best Instrumentalist – Piano Award, and Jason Ricci was named Best Instrumentalist – Harmonica. Both Wainwright and Ricci delivered jaw-dropping, show-stopping performances at the 2017 Chenango Blues Festival, reviewed by NYS Music’s Mike Kohli here.

    Jason Ricci

    Other winners that have appeared at Chenango through the years include Curtis Salgado, Soul Blues Male Artist; Southern Avenue, Best Emerging Artist Album; Ronnie Earl, Best Instrumentalist – Guitar; Samantha Fish, Contemporary Blues Female Artist; Mike Ledbetter, who won with Mike Welch for Traditional Blues Album for Right Place, Right Time on Delta Groove Records; Mike Zito, Rock Blues Artist; Rick Estrin, who won Band of the Year, Traditional Blues Male Artist, and Song of the Year, for “The Blues Ain’t Going Nowhere;” and the late, great Luther Allison, Best Historical Album for Luther Allison – A Legend Never Dies, Essential Recordings 1976-1997 (Ruf Records).

    Other BMA nominees that have appeared at Chenango include Paul deLay, Guy Davis, Shemekia Copeland, Janiva Magness, Mitch Woods, Chris Cain, John Nemeth, Upstate New York’s own Tas Cru,  (whose latest release, Memphis Song, was recorded at SubCat Studios in Syracuse), Anson Funderburgh, Savoy Brown, Vanessa Collier, Sugaray Rayford, Anthony Geraci, and the North Mississippi All Stars. 2018 Festival performers Toronzo Cannon, The Cash Box Kings, and Elvin Bishop were also nominated.

    Emerging Artist nominees Larkin Poe, quickly gaining followers and national attention, will headline opening night of the NYS Blues Festival in Syracuse on June 28.

    Some of this year’s Blues Music Award winners can be seen throughout New York State this summer. Here is a partial list:

    Mike Zito is at The Tralf in Buffalo on May 17.

    Keb Mo plays at the Tarrytown Theater on May 25.

    Jason Ricci can be seen in Ellicottville on June 2, and in Lima, NY on June 3.

    Samantha Fish can be seen June 2 in Rochester at Flour City Station, June 7 at Daryl’s House in Pawling (already sold out), June 12 at Funk ‘n Waffles, Syracuse, and will return to Chenango on August 18. A NYS Music review of her appearance at the Westcott Theater on February 9, 2018, can be viewed here.

    Robert Cray stops in Vestal on June 13, and in Geneva on June 15.

    Victor Wainwright will perform at Funk ‘n Waffles Syracuse with an early 6:00 p.m. show on July 6.

    Beth Hart is on the bill with Kenny Wayne Shepherd at Albany’s Palace Theater, July 27.

    Trombone Shorty visits Bethel, NY on August 11, and Lewiston, NY on August 14.

    Rick Estrin & the Nightcats are scheduled to appear at Wakely’s on Varick, in Utica, NY on August 11.

  • Grateful Dead to be Celebrated by The Cornell Chimes May 8

    May 8, 1977 is a date most Deadheads are familiar with and many adore for the Grateful Dead show performed that day at Barton Hall at Cornell University. Last year marked the 40th anniversary of that show with an official mastered release of the Betty Board tapes from the show (and a few others from the Dead’s early May ’77 run). Numerous venues also hosted listening parties and other events, the most unique being a live performance by the Cornell Chimes atop the McGraw Tower.

    Photo: Cornell University Press

    For a second year in a row, the Chimes will be ringing out the tunes of the Grateful Dead in a concert that can be enjoyed on campus (with a promise of fair weather this year) or streamed online. It is set for Tuesday, May 8 at 6 p.m.

    Last year’s event, which at first was simply a request for the Chimes to arrange one Grateful Dead tune, turned into something much greater – a full half hour concert and a proclamation making May 8, 2017 Grateful Dead Day in the City of Ithaca. “[The Chimes] were surprised by how many people tuned in to the live stream and gathered on campus even though it was only 35 degrees out,” said Liz Field in an interview for WVBR and NYS Music, who works for Cornell and had the idea for last year’s event. Riding on the success of the 2017 celebration, Field said that the Chimesmasters were excited about the idea of doing it again this year.

    The Chimes

    The Chimes concert will feature the same arrangements as last year’s performance with three new arrangements which will be kept a secret until shortly before the concert.

    It isn’t certain if the Cornell Chimes will turn this into an annual event; however they now have several Grateful Dead arrangements in their library which could be heard into the future. The Chimes, which has a long history at Cornell dating back to the university’s 1868 opening ceremonies, performs three fifteen-minute concerts each day during the academic year and takes song requests from visitors to the tower.

    The event can be streamed live online, starting around 5:45pm with the concert starting at 6pm. A link to the stream will be posted on the event’s Facebook page and on Twitter the day of and video recordings will be posted on YouTube after the event. The McGraw Tower will be closed to visitors for this special concert, however there is plenty of space on the lawn for people to gather and enjoy the show.

    Check out a video of The Chimes performing “Playing in the Band” May 8, 2017:

  • Finger Style Guitarist Mark Grover Shines On Rochester Indie Musician Spotlight

    The ninth episode of this season’s Rochester Indie Musician Spotlight series features guitarist Mark Grover. In this session, Grover talks with producer and host Dan Gross about what drew him to playing this style of guitar and his process for writing and transcribing the works of others for playing finger style. After the interview, he plays a selection of songs, including renditions of “Isn’t She Lovely” and “Higher Ground,” arranged by Grover and Eric Roche.

    This episode of Rochester Indie Musician Spotlight is directed, edited and hosted by Dan Gross. Sound, camera and production were also done by Gross. Josh Pettinger of Wicked Squid Studios mixed the audio. This season is made possible by Bop Shop RecordsRowe Photographic Video and AudioBernunzio Uptown MusicSound SourceJoe Bean Coffee RoastersThree Heads BrewingWicked Squid Studios, and patrons who contributed to the Season 5 indiegogo campaign.

    For more about the Rochester Indie Musician Spotlight, read the NYS Music feature. For the latest news and access to dozens of episodes, visit Dan Gross Music and Journalism.

  • Aqueous Brings the Jams to Ithaca

    Aqueous concluded a brief headlining run with a stop at The Haunt in Ithaca on Saturday, April 21. With nary a repeat for these four shows, the jams were plentiful and on this springlike evening (finally) the improv took a darker, more sinister vibe for much of the show which enthralled the enthusiastic crowd.

  • ‘Genny Fest’ to Feature Music By Jackknife Stiletto and Allison Leah

    To celebrate five and a half decades on the air, SUNY Geneseo’s WGSU will host a music festival and food truck rodeo on Friday, April 27 from 4-7 pm. Genny Fest” takes place on the college campus and is free and open to students and the general public.

    Festival-goers can catch music from up-and-coming New York City musicians, all-girl rock band Jackknife Stiletto and singer-songwriter Allison Leah. Seven food trucks will be on site, so there’s sure to be something for everyone. Proceeds from t-shirt sales and donations of cash or nonperishable food will benefit Foodlink.

    Following the festival, The Geneseo A Cappella concert takes place at the College Union Ballroom (tickets are $5, and will be available at the door).

  • Watkins Glen President puts a Spin on Phish’s Curveball

    One of the most integral people in planning this summer’s Curveball festival featuring Phish is the president of Watkins Glen International, Michael Printup, who took the time out of his busy schedule to give an interview to NYSMusic.

    watkins glen president

    This will be the third festival the band has held at the track most famous for NASCAR racing. In 2011, there was Superball, followed by Magnaball in 2015. Like those two, Curveball is a three-day event taking place August 17 to 19 this year.

    Printup shared some interesting tidbits about Curveball and about his history with the rock band born out of the mountains of Vermont. His first interaction was back in 1998 when he was the general manager of the Providence Civic Center while Phish was on, what has now become, the legendary Island Tour. It was the first time he saw the band live, but his biggest takeaway wasn’t the music.

    “I mean, it was a small arena,” Printup said. “What I remember most was the fans. They’re just — they’re just so awesome. I noticed the respect and dedication of the fans, and I saw that the band respected the fans in a great way. It shows in what they do, all the planning they put into putting on these large-scale festivals. I’ve been in sports for my entire life — the NFL, Southern California, Miami, Boston — and you don’t see that kind of thing between the fans and what they’re coming to see like you do with Phish.”

    That observation has directly led to the relationship that the Phish organization has with Watkins Glen. It was back in 2016 when the planning for Curveball began. Printup said that Richard Glasgow, a member of Phish’s management team, visited the site and began the discussion of a festival in 2018.

    “Richard and I talk at least once a month,” Printup said. “I was in Las Vegas the same time Phish was there in 2016. They realized I was in town and they invited me to attend a soundcheck. So there I was, with like six other people in the empty arena, and they’re just up there jamming.”

    That type of relationship bonding has made doing business with Phish a breeze, Printup said. At Magnaball, he recalled, when the band was walking off stage just before the weekend’s final encore, the band stopped by for a “quick hello” and then invited him stage side for the encore.

    Printup, who is very professional and has a knack for teasing things without giving them away, touched on a variety of topics. For starters, he did confirm that the fan favorite event — in the past titled the Runaway Jim 5K road race — will happen again this year. He mentioned that the band had inquired about a parade, but would not give any more info on the subject.

    One of the things fans have wondered about since Magnaball was the capacity of the venue and the ticketing situation. It was announced prior to the festival that all tickets had been sold and none would be sold at the gate. However, many ticketless fans who showed up were able to buy tickets from the venue at the gate. Printup explained that when the sellout announcement was made, the racetrack was only allowed by officials to cap the capacity at 50,000 people. A late inspection of the venue took into consideration the bathrooms and showers that are at the track year round, thus allowing an extra 10,000 to be added to the max capacity. Printup did not have the information as to whether or not all extra tickets were sold.

    For Curveball, though, he insisted that fans don’t wait much longer to buy their tickets. While for a NASCAR event they’re prepared to handle 160,000 people, it’s not the same for a music festival.

    “I have spoken to Red Light Management and Phish, and they highly recommend buying soon,” he said. “The max we can have is 60,000 per day, and Richard (Glasgow) has said sales are going very well.”

    The discussion then flowed into how Phish puts on their well documented secret sets. At each festival since The Clifford Ball in 1996, the band has done an unannounced or special set. At Superball, they performed the Storage Jam at about 2 a.m. on Sunday morning in a storage shed they had on grounds. Magnaball featured the fan-favorite Drive-In Jam, which was a merging of visual art projected onto a large screen draped from the bleachers, while the band performed an all-improvised set behind the curtain.

    When asked if he could give the fans a hint, or even speak off the record about what Phish has in store for this year, Printup was emphatic and filled with laughter. “No way!” he said.

    Printup gave loads of credit to the local community for the help and support for the weekend.

    “There is a big trust value between everyone,” he said. “There’s so much that comes along with something like this. Our local sheriff knows how to handle it all, the traffic and stuff like that. Our goal is not to inundate the community, but involve them.”

    He said he’s only heard positive things from the locals, who genuinely enjoy when the Phish crowd comes to town. Printup said that he will sometimes check some of the band’s message boards in the week leading up to the festivals and everything has been positive.

    It’s no secret that Phish fans like to party when they experience the band. Printup said that the crowd isn’t that different from other music crowds, but did warn that people trying to be nefarious might want to reconsider.

    “Country fans, EDM fans, they like to have fun as well,” he noted. “But I know how many undercovers there will be out there. I wouldn’t take that kind of risk and possibly be arrested. Obviously booze isn’t going to get you arrested, so I just hope everyone is smart about having fun that weekend.”

    But overall, Printup said that we are all in for a very special time, with a lot of new features to keep fans engaged.

    “I’m most looking forward to the show, of course,” he said. “And I want to give the band a huge thank you, because they’ve just been awesome.”

  • Hearing Aide: Soviet Dolls ‘Hunters’

    Masters of dark synth pop Soviet Dolls strike again with their new EP Hunters. In a mere four tracks, the Rochester band flaunts their prowess at delivering decadently dark and sensual lyrics shrouded in seductive glittery electronica.

    soviet dolls huntersSoviet Dolls make no bones about their intentions to seduce the listener, starting from the first lines in the title track. “We are the hunters, we make sacrifices. We leave our mothers, cause we have appetites,” croons singer Alexandra Wendt in her deliciously sultry voice. Pulsating beats pound out beside undulating rhythms which swirl together to entice the listener into a mesmerizing hypnotic state.

    In subsequent tracks, Soviet Dolls continue to marry supernatural reveries and pop electronica in a way that will delight fans of new wave acts like Echo and the Bunnymen, The The, and The Cure who are looking for something fresh and new. The gothic storylines also hearken back to classic themes of glorification of eternal life, the thrill of the hunt, and falling in love with a phantom. Hunters is the perfect pick to listen to on a night prowling the town, or indulging in the guilty pleasure of reading goth novels.

    Follow Soviet Dolls on Facebook, and find Hunters on Bandcamp.

    Key Tracks: Hunters, Ghostlover

  • A Behind the Scenes Look at WITR Rochester Sessions

    The Pulse of Music lies deep in the heart of Rochester Institute of Technology. The 89.7FM WITR DJ booth is visible from the campus’s centrally located student union. But below the hustle and bustle of the popular student hangout lies the original radio studio, complete with recording booths, stacks of physical copies of music, and a recording studio large enough to comfortably fit a full band. It was here on an unassuming Sunday afternoon that, unbeknownst to most students, Rochester alternative rock band Total Yuppies were unloading their gear and setting up to record some songs for Rochester Sessions.

    WITR
    Foreground: Ben Burdett Background: Jacob Walsh and JT Fitzgerald

    The show’s producer and host Bailey Gribben and audio engineer Austin Frey helped the band members to connect cables and set up the studio. Bandmates chatted lightly, joking about consuming Smart brand water at RIT as they set up for the recording. There was no need to bring a lot of equipment to the studio. WITR has microphones, cables, speakers and a drum kit (if a band wants to use it instead of bringing their own). A full list of amenities is on the WITR website, and it concludes with “…. and 1 red couch.” Bands who have been featured on Rochester Sessions have signed the black walls in white ink. Names include Mikaela Davis, Maybird, Nerds In Denial, Tart Vandelay, and Talking Under Water.

    WITR

    The story behind Rochester Sessions is documented by these signatures, and oral history and social media posts. There’s no formal history. People who originally started the series have long since graduated. Turnover happens frequently as students come and go from the college. And those who get involved have an opportunity to move up the ranks fairly quickly.

    WITR
    Bailey Gribben and Austin Frey

    Gribben became involved with the program just last year. “I started booking last fall semester,” Gribben told me as we walked through the studio, “I started off working with a group called Love Hope Strength. They do bone marrow drives at concerts. They wanted to do a drive at Springfest when we had Walk the Moon. So I started working with them. They got me an interview with Andrew McMahon. That was my first interview and booking. From there, I went with it. I interviewed Kevin Devine. I primarily only do local bands now.”

    When the former producer of Rochester Sessions graduated last June, Gribben took the reins. He’s incorporated some innovations into the sessions, hosting a station takeover where the session was spent with Tart Vandelay, choosing the songs from amongst their influences. As a third year Motion Picture Science student, he also incorporated his videography skills to direct and edit the first video session, featuring Zuli from Long Island performing their song “Kubadiver.”

    WITR
    Jacob Walsh and JT Fitzgerald

    During this session, Gribben asked Total Yuppies to introduce each song by saying a little something about it. With Frey at the helm of the soundboard, the band recorded two songs from their recent EP Care, as well as two new songs they have been working on, “Holy Place,” and “Numb.” Jacob Walsh (guitar and vocals), JT Fitzgerald (bass guitar), Ben Burdett (guitar) and Dylan Vaisey (drums)  play with an intense focus and passion, but also convey the confidence and ease that comes from doing this together for years. Their music is distinctive for its pop melodies and extensive use of fuzzy effects, which balance out the somber nature of the lyrics.

    Jacob Walsh

    Members of the band knew their way around the studio. This was their second time appearing on Rochester Sessions, Fitzgerald and Walsh used to be involved in WITR while students at RIT. “It’s really cool to see the next generation of people doing what we used to do,” Walsh told me after the recording session as the band packed up their gear.

    Dylan Vaisey

    Gribben showed me around the rest of the studio, where RIT students interested in radio broadcasting have access to a vast array of tools and resources. While the upstairs booth is sleek and streamlined, with wall murals depicting WITR alum, the basement has an old-school station feel that hearkens back to the heyday of FM radio. Movable library shelves hold what the school boasts as the second largest privately owned vinyl collection in New York State. In addition to updated technology, they’ve retained some of the traditional tools such as reel to reel machines. There are tapes of interviews with The Ramones and The Pixies from ’88 lying atop a shelf of vinyl, crammed amongst other memorabilia.

    Rochester Sessions airs Mondays from 4-5pm. Local listeners can tune in to 89.7 FM, and it can also be streamed online. The Total Yuppies session airs on Monday, March 26. It can also be found on Bandcamp. Previous sessions appear on Rochester Sessions’ Soundcloud. Follow WITR and Rochester Sessions on Facebook for program schedules and news. For more details about the station, check the RITpedia article.

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