Aqueous just announced their most extensive headlining tour to date. The tour starts this September, ends in December, and will hit 27 cities.
Photo courtesy of Aqueous’s press release.
Aqueous is a Buffalo-based groove-rock quartet and has three studio albums under their belt. They have a reputation for their improvisational skills and are considered one of the most promising improvisational rock acts in the country.
During their tour Aqueous will be receiving support from the likes of Mungion, ELM, The Heavy Pets, EGI and Goose. They will be stopping in five New York cities: Buffalo, Sherman, Utica, Albany, and Brooklyn. The Buffalo, Sherman, and Utica stops are technically before the tour starts but are part of Aqueous’ already existing shows.
The band is made up of guitarist Mike Gantzer, guitarist/keyboardist David Loss, bassist Evan McPhaden, and drummer Rob Houk. Tickets are on sale this coming Friday, July 20th at 10 AM ET.
To purchase tickets or for more information on specific dates, please head to the band’s website.
Tour date listed bellow:
July 21 – The Peach Music Festival – Scranton, PA July 27 & 28 – Cobblestone Live – Buffalo, NY Aug. 23 – Night Lights Music Festival – Sherman, NY Sept. 7 – Saranac Brewery – Utica, NY **
Sept. 20 – Resonance Music and Arts Festival – Thornville, OH
Sept. 21 – Rex Theater – Pittsburgh, PA *
Oct. 24 – Space Ballroom – Hamden, CT ^
Oct. 25 – Higher Ground Showcase Lounge – South Burlington, VT ^
Oct. 26 – The Sinclair – Cambridge, MA ^ Oct. 27 – The Hollow – Albany, NY ^ Oct. 31 – Knitting Factory – Brooklyn, NY ^
Nov. 1 – Wionder Bar – Asbury Park, NJ ^
Nov. 2 – Union Stage – Washington D.C.^
Nov. 3 – The Foundry at the Fillmore – Philadelphia, PA ^
Nov. 4 – The Broadberry – Richmond, VA #
Nov. 6 – The Pour House Music Hall – Raleigh, NC #
Nov. 7 – Charleston Pour House – Charleston, SC #
Nov. 8 – The Social – Orlando, FL #
Nov. 9 – Jack Rabbits – Jacksonville, FL #
Nov. 10 – The Crowbar – Tampa, FL #
Nov. 14 – Zydeco – Birmingham, AL #
Nov. 15 – Aisle 5 – Atlanta, GA #
Nov. 16 – Asheville Music Hall – Asheville, NC #
Nov. 17 – Exit In – Nashville, TN #
Nov. 28 – Blind Pig – Ann Arbor, MI +
Nov. 29 – Chop Shop – Chicago, IL
Nov. 30 – The Miramar Theatre – Milwaukee, WI +
Dec. 5 – Hodi’s Halfnote – Ft. Collins, CO ^
Dec. 7 – Old Town Pub – Steamboat Springs, CO ^
Dec. 8 – Fox Theatre – Boulder, CO ^
Dec. 11 – The Waiting Room – Omaha, NE $
Dec. 12 – The Bootleg at Atomic Cowboy – St. Louis, MO $
Dec. 13 – The Hi-Fi – Indianapolis, IN $
** w/ moe.
* w/ ELM
^ w/ Mungion
# w/ The Heavy Pets
+ w/ EGI
$ w/ Goose
For the third annual “IT Fest,” Intrepid Travelers treated their fans to a new location, a new vibe, and a new name: “Solstice.” At the gate, guests received bracelets that said “Start Your Orbit,” alluding to the astronomical significance of the summer solstice connected to the Earth’s orbit and our own personal orbit. The weekend featured 5 sets of Intrepid Travelers, each with a different flavor, yet connected together with the central theme of the solstice and the symbolism intertwined in the event: a central culminating point, a turning point, a point beyond which things will be different.
Friday featured two sets, with covers alluding to the solstice/astrological symbolism such as “Ain’t Wastin Time No More” by Allman Brothers Band and a pair of Pink Floyd tunes, “Astronomy Domine,” and “Set the Controls for the Heart of the Sun.” They also gave some nods to their Cinco En Mayo residency, with Donny playing a solo piano version of the “Jurassic Park Theme” by John Williams before launching into “Randoh’s Island.” Another choice cover was a 30+ minute bust out version of “Playing in the Band” that by the time they returned to, most audience members had forgotten was the original song being played.
Saturday featured a day set lasting about two and a half hours, as well as two lengthy sets at night. The day set continued with nods to the solstice symbolism, opening with a lengthy rendition of “Here Comes Sunshine” and also featuring “Here Comes the Sun” as well as originals that allude to the symbolism such as “Funnel” and “Stand the Heat.”
After a long break waiting for the sun to start setting, the band returned for the first of 2 sets at night Saturday. Keeping things fresh, the first set featured saxophonist/flutist Ellen Pieroni of Folkfaces for the entire set. The set featured original tunes owing themselves to horns such as “Party People,” “Trek It Out,” and “Get IT to You,” but also saw the band cover a wide array of influences, from Steely Dan’s “My Old School,” Snarky Puppy’s “Grown Folks,” Lettuce’s “Relax,” an upbeat bluegrass version The Beatles’ classic “When I’m 64,” the Derek Trucks Band arrangement of “Sahib Teri Bandi/Maki Madni” – a Middle Eastern folk song originally by legendary Pakstani vocalist Nusrat Fateh Ali Khan, and Herbie Hancock’s impressively difficult jazz funk fusion tune “Actual Proof.”
The last set showed no signs of fatigue from IT, as they treated fans with a set of some of their most lengthy and ambitious compositions as well as jam vehicles. Again nodding to the solstice symbolism of the festival and their Cinco en Mayo residency in one, the band opened with their own arrangement of a “Star Wars Medley” which follows as such: “Star Wars Main Theme > The Force Theme > The Emperor Theme > Imperial March > Imperial Jam > Imperial March > Rebel Strike > Rebel Jam > Cantina Band.” After a lengthy hip-hop fusion jam at the end of one of many new originals, “Shitpost,” IT played a heartfelt cover of “I Know You Rider.” Capping off the festival the only way they could, IT gave one final nod to the solstice theme with their ambitious composition “Final Voyage,” signifying the final voyage of the band and the audience before returning back to Earth.
One festival attendee, Leah Keller, summed it up best: “Solstice aka ‘IT Fest’ was an absolute blast last weekend. Best part of the summer so far. Thanks to the band for playing super tight, the covers were also on point and having Ellen Pieroni play with them for a whole set was a cherry on top of a perfect weekend. I highly recommend more homies to attend next year. It was a retreat away from the doldrums of real life at a beautiful new venue and full of super fam/purely amazing humans. I had a blast playing and boogieing down with everyone. Oh did I mention I paid $20 for 5 sets of music and camping in paradise? See you next year!!!”
Solstice setlists:
Solstice – The “G” Lodge – Hannibal, NY
Friday, June 22 Set 1: Woolify, Mind Wander, Ain’t Wastin Time No More(1) > On the Grass, Astronomy Domine(2), Lonely Skies, Captain Jon
Set 2: Photo Booth Youth > Set the Controls for the Heart of the Sun(2) > Photo Booth Youth, Jurassic Park Theme(3) > Randoh’s Island, Maddy & Anna, Playing in the Band(4), On Inside
(1) Allman Brothers Band
(2) Pink Floyd
(3) John Williams
(4) Grateful Dead
Saturday, June 23 Set 1: Here Comes Sunshine(1), Dark Disease, Funnel, Here Comes the Sun(2), Authority > Stand the Heat
Set 2: Party People, My Old School(3) > Grown Folks(4), Relax(5), When I’m 64(2), Sahib Teri Bandi/Maki Madni(6), Actual Proof(7), Trek It Out, Get It to You (entire set with Ellen Pieroni on alto sax/flute)
Set 3: Star Wars Medley, All About It > Boomerang, Shitpost > I Know You Rider(1), Final Voyage
(1) Grateful Dead
(2) The Beatles
(3) Steely Dan
(4) Snarky Puppy
(5) Lettuce
(6) Devon Case on Guitar,
Nusrat Fateh Ali Khan (Derek Trucks Band arrangement)
(7) Herbie Hancock
Shooter Jennings started his “Bound Ta Git Down Tour.” on July 4 but recently has added new dates which go all the way into November. The tour is partially in anticipation of his new album, SHOOTER, which arrives at all music retailers and streaming services via Low Country Sound and Elektra Records on Friday, August 10.
Shooter Jennings courtesy of Shooter Jennings’ social media.
“The Bound Ta Git Down Tour” includes not only headlining shows but also dates supporting Turnpike Troubadours. He’s also scheduled to do multiple festival performances, including Black Mountain, North Carolina’s Jam In The Trees, Tahlequah, Oklahoma’s Medicine Stone Festival, and Fort Worth, Texas’ KFWR Annual Ranch Bash.
There is also a very special SHOOTER release day celebration at the world famous Pappy & Harriet’s in Pioneertown, CA, set for Friday, August 10. For updates and ticket information, please visit Shooter Jennings’ official tour page.
For more information on Shooter Jennings visit his website.
New tour dates listed below:
July 4 – The Beaumont – Wayne, NE
July 5 – The Royal Grove – Lincoln, NE
July 6 – The Shrine – Tulsa, OK
July 7 – Will Rogers Riders Rodeo – Amarillo, TX
July 12 – Shank Hall – Milwaukee, WI
July 13 – Cavalier Theater – La Crosse, WI
July 14 – Vetter Stone Amphitheater – Mankato, MN*
July 27 – Lawn at White Oak Music Hall – Houston, TX*
July 28 – Whitewater Amphitheater – New Braunfels, TX*
Aug. 2 – Sofia Tsakopoulos Center – Sacramento, CA
Aug. 3 – Slim’s – San Francisco, CA
Aug. 4 – Moe’s Alley -Santa Cruz, CA
Aug. 5 – Rebel Lounge – Phoenix, AZ
Aug. 8 – Belly Up Tavern – Solana Beach, CA
Aug. 10 – Pappy & Harriet’s – Pioneertown, CA
Aug. 11 -Troubadour – Hollywood, CA
Aug. 22 – City Winery – Washington, DC
Aug. 23 – Milton Performing Arts Center – Milton, WV
Aug. 24 – The Ramkat – Winston-Salem, NC
Aug. 25 – Jam In The Trees – Black Mountain, NC
Aug. 31 – 9th Street Summerfest – Columbia, MO*
Sept. 2 – Beaver Dam Amphitheater – Beaver Dam, KY*
Sept. 6 – The Burl – Lexington, KY
Sept. 7 – Maddie’s Hall – Bristol, TN
Sept. 8 – Harley Davidson of ATL – Atlanta, GA
Sept. 9 – The Senate – Columbia, SC
Sept. 12 – George’s Majestic Lounge – Fayetteville, AL
Sept. 13 – The HiFi – Indianapolis, IN
Sept. 14 – The Riff – Springfield, MO
Sept. 15 – Legacy Park Amphitheater – Lee’s Summit, MO
Sept. 22 – Medicine Stone Festival – Tahlequah, OK*
Sept. 27 – Turf Club – St Paul, MN
Sept. 28 – Kilbourn City Live – Wisconsin Dells, WI
Sept. 29 – Magic Bag – Ferndale, MI
Sept. 30 – Pyramid Scheme – Grand Rapids, MI
Oct. 2 – The Aquarium – Fargo, ND
Oct. 4 – Broadway Theatre – Saskatoon, SK
Oct. 5 – Cadillac Hall – Cadillac, SK
Oct. 6 – River Cree Casino – Edmonton, AB**
Oct. 13 – Ashland River Front – Ashland, KY
Oct. 18 – Heights Theater – Houston, TX
Oct. 20 – KFWR Annual Ranch Bash – Fort Worth, TX
Nov. 6 – Shakas Live – Virginia Beach, VA Nov. 8 – Brooklyn, NY – Knitting Factory Brooklyn Nov. 9 – Rec Room – Buffalo, NY Nov. 10 – Lost Horizon – Syracuse, NY
Nov. 11 – Port City Music Hall – Portland, ME
Folkfaces started their Fried Chicken Dreams tour’s second leg on July 1. The tour will span over 14 states and two countries through July and August.
Photo courtesy of Press Release.
The Buffalo-based quartet specializes in “Rowdy Jazz & Bluesy Roots.” Folkfaces has an irresistibly danceable energy and a unique versatility, being able to engage a crowd. They are able to engage their audience no matter what from busking on the street, to playing in a small barroom, or putting on a full electric show at a large music venue. The band draws influence from a multitude of genres, including folk, jazz, blues, punk, Americana, jug band, and bluegrass.
Folkfaces Fried Chicken Dreams Tour includes 27 dates and will host series of special guests, including General B and the Whiz (Montreal, ON); Swimmer and Kendall Street Company (Burlington, VT); Jared Hamilton (Lexington, KY); The Ithaca Bottom Boys (Ithaca, NY).
For more information on Forkface visit their Website.
Join host Andy Hogan for Episode 7 of Empire State Music Podcast, with special guest Kat Horton of Night Lights Music Festival and 1039 Presents. Listen on Simplecast or Soundcloud below.
JAZZ IS PHSH is in the middle of their Northeast tour across New York, with stops in New Hampshire and Boston, bringing with them an incredible lineup of musicians who explore the music of Phish with a focus on improvisation of the group’s many compositions. Adam Chase, co-founder of the JAZZ IS PHSH ensemble, is introducing broader audiences to not only the music of Phish from musicians who did not come up in the jam world, but to also introduce Phish fans to musicians that may or may not have been on their radar.
The current tour includes familiar faces in the jam scene such as Rob Compa of Dopapod, a Berklee School of Music graduate who has been performing recently with Mike Gantzer of Aqueous, where you can hear Compa’s jazz influences come out from a smooth sounding acoustic duo. A trio of horns features trombonist Alicia Aubin of Big Mean Sound Machine and Ithaca College alumni who has performed across the country with the high-energy funk band, and as far away as China and Russia. Rounding out the horns section are Carl “Geerz” Gerhard and Dave “The Truth” Grippo of Phish’s Giant Country horns, the latter two of which performed with Phish numerous times in the early 90’s. Grippo continues to perform with Grippo Funk Band in the Burlington area and has toured with Trey Anastasio Band on numerous occasions.
Familiarity with these players will make jam fans feel at home, while Felix Pastorius and Domi Degalle will add in fresh jazz takes on the music of Phish. Son of Jaco, Felix Pastorius walks in his father’s footsteps as a bass guitarist, who at the age of 19 was recommended by Victor Wooten to fill the bass chair in Jeff Coffin’s Mu’tet. He won a Grammy with jazz mainstay The Yellowjackets, and now based in New York City, has started his own projects, including an incredible jazz fusion group The Hipster Assassins. Domi is a teenage musical prodigy and was brought up in a musical family in France and began playing music at age 2, entered Conservatory at age 5 to study classical and jazz. She is now studying on a full scholarship at Berklee College of Music and has performed with the likes of Thundercat, David Gilmour, Ghost-Note, MonoNeon,Louis Cole & More. Both musicians are well known in jazz circles and join the band for a different angle on the music of Phish, a twist on your everyday troupe.
The group will perform this month in Albany at The Egg on June 27, at Buffalo Iron Works on June 28, and ANTHOLOGY in Rochester on June 29. They recently stopped at Brooklyn Bowl to perform with Strange Machines on June 16. Check out a photo gallery over at Relix. Adam Chase, who also plays drums in JAZZ IS PHSH spoke to NYS Music about the upcoming shows and how their interpretations of Phish’s music stands apart from others.
Pete Mason: How did you assemble this tour’s lineup for Jazz is Phish?
Adam Chase: I really like combining musicians from a variety of backgrounds on each show, whether it’s older and younger musicians, male and female, black and white, etc. And for this project the musical backgrounds being diverse is very important, regardless of gender or ethnicity.
Having a combination of musicians that are familiar with the music and musicians that never listened to Phish before I introduced them to it is the best recipe for really doing justice to the compositions while pushing the boundaries of what the tunes can sound like.
For this run I am particularly excited about having the teenage piano prodigy, DOMi, on the road with us. Having grown up in France and having her exposure to music in America be through jazz and classical professors at Berklee School of Music and through her collaborations with Thunder Cat, Knower, and Ghost Note, her lack of knowledge of Phish has been really fun for me. She is so talented that she can take the sheet music I give her and not only play the complex compositions with ease, but is also able to expand the ideas and improvise in a way that I’ve never heard within the framework of a Phish song.
Being able to pair her talents with Felix Pastorius is very exciting for me as well. As many people know, Felix is the son of Jaco Pastorius, which carries a fair amount of weight for the level of talent one would expect, but what a lot of people don’t know is that Felix himself is one of the best bassists around and he has his own voice on his instrument. His knowledge of music and his approach to playing bass is mind bending and he is one of my favorite musicians to play with.
In addition we have Rob Compa of Dopapod who is great guitarist and amazing human being, Alicia Aubin from Big Mean Sound Machine who will be making her debut with us and Dave Grippo of The Giant Country Horns. It’s always fun for me to play music with guys like Carl Gerhard and Dave Grippo, because growing up in the 90s as a Phish head, I had a ton of cassette tapes of those guys playing with Phish. They are quintessential figures in the Phish experience.
PM: What makes the interpretations of Phish’s music done by JAZZ IS PHSH different from those of other Phish tributes?
AC: There are lots of Phish cover bands. I don’t consider this to be a Phish cover band, though it is absolutely a Phish tribute. I may be splitting hair with terminology, but when I think of a Phish cover band, I think of a band trying to play Phish songs like Phish did in attempt to recreate the experience of seeing Phish (or as close to that as they can get). With Jazz Is Phsh our goal is to create a unique experience, where the music is a vehicle for incredible musicians to put their own identity into the music. Not just from an improvisational perspective but also from a compositional perspective.
Every song that we have done arrangements for have happened in a group setting with musicians that range from Chris Bullock of Snarky Puppy and Kofi Burbridge of Tedeschi Trucks Band, but also Michael Ray of Sun Ra Arkestra and Anthony Wellington of Victor Wooten Band. With each arrangement, we have not only reharmonizes the vocal melodies to fit into a horn section but for many songs we have composed original parts, reworked existing parts and even mashed up Phish songs with jazz songs and in some cases even jazz influenced hip hop.
A recent mashup we did took the popular Phish cover “Yamar” (which is actually an old calypso song) and mashed it up with the Q Tip song “ManWomanBoogie”. What makes this mashup so cool is that the Q Tip song was a variation of a sample of a Wayne Shorter jazz piece. What makes this so relevant to me is that jazz is often trapped in a box and held to just being swing music or a sound associated with the legends of the origins of jazz. But jazz is much more than that. Just follow the career of Herbie Hancock and you will see how jazz has evolved into funk, hip hop and so much more. The idea of jam music to me is the intersection of jazz and rock and roll. So to be able to explore the brilliant music of Phish in this way is what jazz is all about.
PM: Is there an era of Phish that lines up with the sound of Jazz is Phish more than any other?
AC: I think what we are doing is very unique and different so it would be hard to say if it lines up with any particular era of Phish. I do however enjoy turning on musicians to some of the early compositions of Phish as the complexity of the arrangements are very “Zappa-esque” and provide a challenge and in some cases an explanation of what a musician would find so charming about Phish’s music. But really there are Phish songs throughout their career that lend themselves so well to a horn driven, instrumental, funky jazzy setting.
PM: This is your first time in Albany, and you’re playing in The Swyer Theater at The Egg – what can fans expect from a show in this intimate venue?
AC: We are particularly excited to play this beautiful room. It’s always special when playing this type of music, to be in a room with great sound and a great feel. It really opens up the dynamics of the music and the creativity the musicians feel. I find that shows in rooms like this, feel like they have room to breathe, which is very exciting. I am looking forward to really giving each musician an opportunity to showcase their talents while also exploring the music collectively in a way that will really connect everyone in the audience with everyone on stage. When everyone on stage and the audience are all listening wholeheartedly and in the moment, magic can be made.
Intrepid Travelers performed the fifth and final show of their Cinco En Mayo Residency at Nietzsche’s on Thursday, May 31. “Freedom” was the theme for the night and the band took that as an opportunity to be “free” of any theme, and to play all the original tunes that had yet to be played this month. “Stand The Heat” was aborted as an audience member shouting “Free Bird!” was challenged to come up and play the song.
“Free Bird” featured Sean MacNamara (aka Free Bird Guy) from Mosswalk on guitar and vocals. “Stand The Heat” featured MacNamara on guitar. “Get IT To You” was dedicated to former IT bassist David Neimanis and featured teases from each residency theme: “Get Up Offa That Thing” from the James Brown Birthday show (May 3), “When I’m Sixty-Four” from Over 65 Night (May 10), “End Credits Theme” from Spongebob Night (May 17), and “Hedwig’s Theme” from John Williams Night (May 24). Watch the entire show below:
Setlist: Dark Disease > On Inside, All About It ~> Authority > Stand The Heat > Free Bird(1)% > Stand The Heat% > Get IT To You%
(1) Lynyrd Skynard
% Sean McNamara from Mosswalk on electric guitar
On June 21, celebrate Solstice at the 3rd annual Intrepid Travelers festival. The festival returns this year with a new name, on a new weekend, in a new location, with a new vibe! Join IT at the beautiful “G” Lodge in Hannibal, NY for an unforgettable weekend of community, experience, and most of all, music. Enjoy 5 sets of Intrepid Travelers, special guest musicians, open jams for fellow musicians, vendors, and an intimate gathering like no other. Get tickets here.
Ponder, known for spelling their name with a lower-case “p” and as one of Buffalo’s up-and-coming alt-rock/jam groups, is hitting the road on June 23 in Rochester for their eight city tour across New York and for the first time ever, Vermont.
Courtesy of ponder’s website.
Ponder was formed in 2015 as a solo project of songwriter Gabriel Birkby, but quickly morphed into a band and has become a Buffalo fan favorite. This is their first time hitting the road since 2017 when they visited spots stretching from Buffalo, clear through New York City. They’ve undergone some major line-up changes within the last six months and the group is now somewhat of an amorphous funk/rock powerhouse and are known for constantly having their friends in music hop-up on stage.
The band’s lineup setting out for the summer tour consists of Gabe Birkby on vocals/lead guitar, Andy Hogan on bass, Paul Sottnik on keys, and Rochester’s Marcus Peters on drums.
Tour dates:
June 23 – Funk n’ Waffles – Rochester, NY (w/ Mother Funkin’ Planets & Freeway Revival)
June 27 – Radio Bean – Burlington, VT (w/ The Schroons)
June 29 – Parish Public House – Albany, NY (w/ Vicious Jimmy)
June 30 – Lot 10 – Ithaca, NY (w/ Amongst the Monks & Lucky Old Sun)
July 6 – Thin Man Brewery – Buffalo, NY (w/ Amateur Hockey Club)
July 13 – Mojo’s – Jamestown, NY (w/ Cold Lazarus)
July 21 – Funk n’ Waffles – Syracuse, NY (w/ Barroom Philosophers)
July 27 – Cobblestone Music Festival – Buffalo, NY
For more information visit their website or their Facebook or Instagram. Their music can be found on Spotify and iTunes.
Aqueous is on the road in force this summer, starting out their summer at Disc Jam Music Festival. Lead singer and guitarist (Uncle) Mike Gantzer joins host Andy Hogan for episode 5 of Empire State Music Podcast. Listen on “>iTunes, via Simplecast and below on Soundcloud.
Post Malone’s coast-to-coast, sold out tour made its only upstate NY appearance at Darien Lake on the last Saturday of May.
All the signs aligned for for an memorable night for fans of the Syracuse native: postcard perfect weather, free entry to the adjacent theme park, first show of the season at Darien and a bevy of up-and-coming hip-hop acts on the bill. Check, check, check and check. From the reaction of the throngs of teenagers and twenty somethings, Posty did not disappoint.
