Rubblebucket‘s sound may be hard to pin down with influences spanning the umbrella of pop but Talking Heads for the modern age gets you close.
Of course the best way to experience such a sonic celebration is in concert and a celebration is just what happened on a cold winter night on December 5 at Buffalo’s Babeville.
Horns blared, polyrhythms took hold, lines between stage and crowd blurred while dance parties sprang to life.
Tis the season to enjoy live music and support a great cause, across New York State! Annually, NYS Music works with bands and promoters across the state to help those in our local communities who are less fortunate and in need of a healthy dose of cheer this holiday season. Combining live music performances and the spirit of giving during the holiday season are a natural combination, and we present these 4 Jam for Tots 2018 shows where fans are able to enjoy the best music across the state, and help kids out at each show.
Or stop by Putnam Place in Saratoga Springs all month long and drop off a toy!
December 6 – Stewart House – Athens
In the Catskills, join John Pinder and the gang for Open Mic on the first Thursday of the month. The jam lends a hand to the Toys for Tots drive this month by asking musicians and patrons to bring along an unwrapped toy for a less fortunate child. Jam for Tots has become a cherished tradition at The Stewart House. The list opens up at 6:30pm, be sure to ask the bartender or the host John Pinder to get signed up! All are welcome. Be it a solo, duo, group, spoken word, or stand up session, head down to the Stewart House to share your talent.
December 13 – Parish Public House – Funk Night in Albany Ugly Christmas Sweater Party
It’s a Funk Night XMAS Ugly Sweater Party ft. Hayley Jane & Members of Kung Fu, West End Blend, Wurliday, & More! Come out and sing some funky XMAS classics with us at this special holiday rendition of NYS Music’s Albany Funk Night! 5$ off with a toy for our Jam n Tots drive.
On December 13, celebrate a Funk Night Christmas with an Ugly Sweater Party at Parish Public House in Albany! Join the band and sing some Christmas songs at this special holiday rendition of NYS Music’s Albany Funk Night! Take $5 off the cover charge when you bring a toy for our Jam for Tots drive.
The Funk Night Christmas lineup includes Hayley Jane, Beau Sasser (Kung Fu), Chris DeAngelis (Kung Fu), Justin Henricks (Wurliday), and Bryan Brundige and Phil Chow (The Chronicles). Tickets are $15, or $10 if you bring a toy.
December 15 – Nietzsche’s – Intrepid Travelers and Folkfaces
Join two of Buffalo’s best groups, Intrepid Travelers and Folkfaces, as they team up for an incredible night of jam, rock and much more. Bring an unwrapped gift for a 2-12 year old and the gifts will be gathered by USMC representatives. Give back to those most in need this holiday season and enjoy a great show at the same time! $5 , 21+ unless accompanied by a parent/guardian
December 21 – Caffe Lena – A Very Leonard Christmas
Let’s Be Leonard returns to Caffe Lena for their annual holiday show! Expect to hear your favorite Leonard boys performing the holiday classics sprinkled with their signature Leonard flavor!
Joe Hertler and the Rainbow Seekers are currently out on the road bringing their unique blend of funk, soul and pop to audiences far and wide. The party came to Buffalo Iron Works on Sunday, November 18. Check out the pictures below to see what went down.
Mike Gordon and his band released plans for Spring appearances around the east coast. The rapid-fire March tour will bring Phish bassist Mike Gordon and company to several venues in up and down the east coast, beginning in Atlanta and finishing up with a four night run in Cambridge, MA. General Admission tickets went on sale on Friday.
New York fans of the rock group will be excited to see that Mike Gordon will be performing in Buffalo at the Town Ballroom during the March Tour. For more info regarding the tour and ticket purchases visit Mike Gordon’s website. Current tour dates are below.
Mike Gordon Tour Dates:
March 8 – Variety Playhouse – Atlanta, GA
March 9 – The Orange Peel – Asheville, NC
March 10 – The Basement East – Nashville, TN
March 12 – Charleston Music Hall – Charleston, SC
March 13 – Harvester Performance Center – Rocky Mount, VA
March 15 – 9:30 Club – Washington, DC
March 16 – Asbury Lanes – Asbury Park, NJ
March 17 – White Eagle Hall – Jersey City, NJ
March 19 – Town Ballroom – Buffalo, NY
March 21-24 – The Sinclair – Cambridge, MA
John Medeski brought his latest project, a quartet with Will Bernard on guitar, Kirk Joseph on sousaphone and Terence Higgins on drums, to the Buffalo Iron Works on Sunday night. Collectively known as Mad Skillet, the seasoned veterans brought fresh sounds from a wide expanse of influences, mixing in styles from the South, East and West.
Touring behind their just-released album, they stretched those tracks and some additional material into two super-grooving hour-plus long sets. Joseph held down the low end with honking sousaphone blasts that twisted and exploded with electronic distortions. Bernard shredded a hollow body guitar with jazzy chops, funky cuts and bluesy slide-laden swirls. Medeski threw in everything but the kitchen sink: massive swells and chunks of B3 organ, heady splashes of Mellotron and a bit of spice from the Wurlitzer. Higgins beat it all together to a perfect blend.
They weren’t shy in slathering on some jam either. They moved in, out and through grooves with ease. Each player headed up the kitchen while the others played the sous chef. The baton was passed around the room until the dish was ready and all the flavors came together for a glorious four-pronged meal of sound. Regardless of the on-stage dynamic, playing as one, two, three or the full band, each individual flavor came through loud and clear; nothing was lost in the mix. Each individual musician sounded exactly like themselves, and the end result was no more surprising. As good as you would come to expect.
Mm mm good.
Iron Maiden makes its return to North America next summer with the Legacy of the Beast Tour. The band, known for elaborate stage shows, is calling this tour its biggest production yet.
The tour will kick off July 18 in Sunrise, FL and visit arenas and amphitheaters throughout the U.S. and Canada next summer. The itinerary includes a July 26 stop at the Barclays Center in Brooklyn and an Aug. 13 visit to Buffalo’s KeyBank Center.
Bassist Steve Harris said of the tour:
We gave a lot of thought to the set list for this Tour as the songs needed to follow the narrative of the changing worlds of the stage show. We feel we ended up with a very strong and well balanced set mixing songs we haven’t played in many years like ‘Flight of Icarus,’ ‘Sign of The Cross’ and ‘The Clansman’ with songs we know the fans want to hear like ‘The Trooper,’ ‘2 Minutes to Midnight,’ ‘The Number of The Beast,’ ‘Fear of The Dark,’ ‘Run to The Hills,’ ‘Hallowed Be Thy Name’ and others, reflecting the journey through the different themes of the show.
Tickets for most shows go on sale Nov. 16 at 10:00 a.m. local time. British band The Raven Age, which includes Harris’s son, George on guitar, will be the opener with Fozzy opening the Los Angeles show.
The North American leg is continuing the tour that sold out venues across Europe last year and included props such as a full-scale WWII-era Spitfire plane flying above the stage during the Powerslave track, “Aces High.”
The production is based around the Legacy of the Beast mobile game that takes the band’s mascot Eddie through various adventures though Iron Maiden’s history.
The band created a video to thank fans following the European tour. Check it out below.
Iron Maiden 2019 North American Tour Dates:
July 18 – BB&T Center – Sunrise, FL
July 20 – Cellairis Amphitheatre at Lakewood – Atlanta, GA
July 22 – PNC Music Pavilion – Charlotte, NC
July 24 – Jiffy Lube Live – Washington DC
July 26 – Barclays Center – Brooklyn, NY
July 30 – Wells Fargo Center – Philadelphia, PA
Aug. 1 – Xfinity Center – Boston, MA
Aug. 3 – Hartford, CT @ Xfinity Theatre
Aug. 5 – Bell Centre – Montreal, QC
Aug. 7 – Videotron Centre – Quebec, QC
Aug. 9 – Budweiser Stage – Toronto, ON
Aug. 10 – Budweiser Stage – Toronto, ON
Aug. 13 – KeyBank Center – Buffalo, NY
Aug. 15 – Riverbend Music Center – Cincinnati, OH
Aug. 17 – PPG Paints Arena – Pittsburgh, PA
Aug. 19 – Bridgestone Arena – Nashville, TN
Aug. 22 – Hollywood Casino Amphitheatre – Chicago, IL
Aug. 24 – Ruoff Home Mortgage Music Center – Indianapolis, IL
Aug. 26 – Xcel Energy Center – St Paul, MN
Aug. 28 – Bell MTS Place – Winnipeg, MB
Aug. 30 – Rogers Place – Edmonton, AB
Aug. 31 – Scotiabank Saddledome – Calgary, AB
Sept. 3 – Pepsi Live at Rogers Arena – Vancouver, BC
Sept. 5 – Tacoma Dome – Tacoma, WA
Sept. 6 – Moda Center – Portland, OR
Sept. 9 – Golden 1 Center – Sacramento, CA
Sept. 10 – Oracle Arena – Oakland, CA
Sept. 13 – MGM Grand Garden Arena – Las Vegas, NV
Sept. 14 – Banc of California Stadium – Los Angeles, CA
Sept. 17 – Talking Stick Resort Arena – Phoenix, AZ
Sept. 19 – Isleta Amphiteater – Albuquerque, NM
Sept. 21 – Dos Equis Pavilion – Dallas, TX
Sept. 22 – The Cynthia Woods Mitchell Pavilion – Houston, TX
Sept. 25 – AT&T Center – San Antonio, TX
Singer-songwriter Ariana Grande will return to the Capital Region for the first time since her Honeymoon Avenue World Tour in 2015, and kicks off her 4th World Tour, featuring her new album Sweetener, at the Times Union Center in Albany, NY on March 18, 2019. Ticket pre-sale for the Sweetener World Tour begins November 1st through November 3rd via American Express.
The pop princess revealed on Wednesday October 24 via Twitter that she would soon announce the world tour dates for her latest album, released in August earlier this year. Not one to disappoint, the next day Grande shared her initial U.S. performances on arianagrande.com as well as posting them on her Twitter. The singer has promised that fans abroad can expect international tour dates to be announced.
Former Victorious actress is also planning on making three other appearances in New York during the course of her tour, one in Western NY followed up by hitting two major performance venues in NYC. Falling soon after her Albany concert, Grande’s third Sweetener performance brings her to the KeyBank Center in Buffalo, NY on March 22, 2019. The last two dates announced for the U.S.-portion of the Sweetener tour are June 14 at the Barclays Center in Brooklyn and the famous Madison Square Garden on June 18, 2019.
All other U.S. tour dates are listed below
Having originally started as a funk-based instrumental group, Animal Sounds is debuting their record Ennui, that will soon define them as one of the indie powerhouse bands that call Western New York their home. The five-piece group released an all instrumental EP back in 2015 titled Fling Mingus which had well written guitar duos and harmonically vibrant compositions that didn’t get too complex, making for an easy and interesting listen. A couple years later, the band released a single titled “Ghost” which had lyrics- marking a change in the group’s direction. Composed of Erik Gordon (vocals), Shawn Brogan (guitar), Alex Brophy (guitar), Angel Figueroa (bass/keys), and Theo Schirmuhly (drums), Animal Sounds presents a versatile and eclectic sound that doesn’t veer far from their roots while also solidifying the band’s progression into a vocally driven sound with intriguing instrumentals. While this new release, Ennui, can take a very strong cue from the group’s main influences, there’s enough in this 8-track album to warrant a close look at how well the band is able to execute these sounds and create a product that oozes the stylings of some big-name alt rock/indie groups.
A major highlight of the album are the guitar performances. The clean lead duos are reminiscent of Minus the Bear, with both guitars playing melodic parts that mesh as one voice. This is apparent right from the get-go, with the second track “Hesitation” starting off with a conversation between the two guitars, one just slightly grittier than the other so as to differentiate the voices enough. Schirmuhly’s drums do a great job to accent both the bass and guitar lines. On the seventh song, “Wanderlust”, the hi-hat accentuates beats in a way that makes different parts of the guitar line pop out, while the bass drum syncs with the bass to achieve a really big lower end without the frequencies getting muddied in the mix. The bass overall keeps a steady groove in each song, never becoming too flashy but also not becoming redundant or droney. It leaves room for the guitars to shine and will even jump in on a well composed trio part like in “Antelope”.
The vocals are very strong from top to bottom. Gordon weaves his way through already melodically layered songs, finding open spots to color the music with his own melody. The lyrics seem to ride on one theme- a dissolution with the current state of one’s being and how growing into adulthood amplifies those feelings. It’s a darker lyrical focus, which matches the melancholy mood of the songs well. The harmonies are a big stand-out, with numerous vocal parts being layered to create atmospheric backdrops to mesh with the ethereal guitars. The group displays a lot of chemistry, and strong song structuring.
One thing that comes out a bit much are the sounds from the group’s influences. A few of the tracks instrumentally sound very similar to a Tame Impala song, sometimes Minus the Bear. Despite these parallels, the songs are well written and do a very good job of nailing down the timbres and subtleties those groups use in their music- an achievement regardless. Animal Sounds has a lot of chemistry, and it’d be interesting to hear a bit less of the influences and more of the unique sound the band can bring to the table. The group puts on a very strong live show too, covering tunes that are complete departures from their influences and making them their own. If you enjoy the album, get out to one of Animal Sound’s shows in the WNY area!
Key Tracks: Hesitation, Wanderlust, Kid Dankë Schon
Autumn has finally put summer to rest in Buffalo. The trees are a muted mixture of red, orange, and yellow and the air is crisp as you walk into Buffalo Iron Works. A crowd of excited attendees awaited Buffalo local indie-rock group Younger Then to take the stage in the wake of the release of their most recent album, Bad Life. Younger Then traveled out to Nashville to record at Blackbird Studio, a world-class establishment with a reputation for recording some of the world’s best rock groups. It had been a long time coming, and fans were prepped and ready to go, with about half the house already filled by 8pm to catch the opening acts.
Buffalo has such a deep collection of indie bands. Supporting the night were Cooler and Feverbox. Cooler has been making noise lately as they continue to play their monthly Wednesday night residency at Mr. Goodbar in Buffalo. Feverbox has been frequenting regional festivals and running the gamut of local venues. Both bands put on exciting sets, with music totally in line with what the crowd had come for. The bill was crafted to great effect, giving the entire flow of performances a nice consistency. Cooler’s emo stylings pull from the early pop-emo greats from the 2000’s, while also hearkening to the kind of alt-driven Midwestern emo that offers a bit more grit. Feverbox checked all the boxes for an on-the-rise indie rock group. The band had good stage presence and original tunes, putting on the kind of set one would expect to see at a SXSW showcase.
The support set the scene for veteran group Younger Then to take the stage. The venue was packed in, with people opting to stay indoors for the entire set as opposed to standing on the patio- an effect of the brisk fall temperatures. Iron Works was on-point with the light shows as always. The mix of subtle fog painted by combinations of colors set the scene for the band to walk onstage to a big welcome cheer from their supporters. While the cold was effective in forcing people inside, Younger Then’s performance was more than encapsulating to keep people inside. The group played selections from their older discography, and mixed them in with live versions of tunes from their new release, Bad Life.
The group had great stage presence, only amplified by the playfulness of the lights. Guitarist Austin Dorr was a ham on the stage, stepping up to meet fans near the stage barrier as he walked up in front of the stage monitors during his solo parts. Zack Dupuis voiced his and the band’s gratitude for the support, and eventually organized the crowd to sing the chorus of one of their new songs. The audience responded in kind, singing full voiced back to the band. Drums and bass were on point, with a tight sync between the two accentuated by the thick live mix at the venue. Michael Wirth held down rhythm guitar, playing around with timbre to liven or darken the mood of a given song.
‘Bad Life’ itself was a very pristine listen (review here), while the live performance was a lot grittier. As a result of the mix, Younger Then’s music had a slightly harder edge live than the recordings. The raw feel of the performance was a good contrast and comparison to their studio work. The group provides two different feeling experiences with the recorded album compared to their live set. The group also had a good feel for what the audience was hearing, each member laying back or coming forward appropriately for the best live-sound effect. No one overshadowed or stole the show. Younger Then had great chemistry between the members and the audience. In a successful night, Younger Then released their newest album, Bad Life and put on a great show for music fans in Buffalo.
For a band that doesn’t have unlimited funds, recording in a studio can be nerve wracking. Every minute that passes represents a dollar gone, and the expectation to nail down a cohesive album with tight performances is exponentially higher. Buffalo local indie rock band Younger Then knew the stakes were high when they walked into Nashville based Blackbird Studio- the same studio that recorded albums for the likes of Kings of Leon and Lynard Skynard. With a short time period, and uncertainty surrounding the loss of a bass player, Younger Then rolled up their sleeves and got to work. The product is an expertly produced, 11-track roller coaster of an album that dropped October 12 via Standby Records.
Their second release, Bad Life, is both a continuation and improvement from their first release. The growth of the band as a unit is evident. The songs are well written and, despite the high-pressure situation in the studio, Younger Then is able to capitalize on the world class studio production and deliver 11 catchy songs in an immersive, exploratory album. Michael Wirth (bass/guitar) provides a strong rhythmic foundation on both bass and guitar that Jeremy Shields (drums) builds upon in a big way. Austin Dorr (guitar) writes lead lines that interplay with Zack Dupuis’ soaring vocals. These elements together, plus the clean production, makes for a big sound with a lot of clarity.
It was an unexpected surprise to hear the amount of experimentation in each tune. The group is very good at expanding the role of the guitar, finding different tones and timbres to accentuate the mood of a song. The fourth track, “Sarah Told Them,” has a set of reverb-washed guitars and a spacious synth. These mesh to create a beautiful canvas for Dupuis to paint on with his musings on finding one’s way. The song has a steady build and emotes the lyrical content well. This track, while harmonically verdant, doesn’t lean as hard on raw energy as much as a few other tracks.
The first tune, “All in All”, kicks the album off with a high-energy wind sprint of a song. The sound is huge, and Shields sets the precedence early on that his drums will be a commanding presence throughout the album. The drums are a major highlight from beginning to end. Lightning fills and huge toms round out a massive sounding kit, while Shields is simultaneously able to gently work the hi-hat to give the rhythm a big dynamic range. The bass stays in the pocket for the most part, save for a feature on “Wishing Tree”, but this works with how high-octane the drums are. The interplay between the two services the song more than the individual parts.
A common theme throughout the whole work is how well each part plays to the larger picture. Analyzing the pieces is somewhat trivial- ‘Bad Life’ doesn’t take many theoretical risks and the instrumentals are simple for the most part. Typically this would be a knock, but with how the songs are written it works great to create a cohesive song, as opposed to a stand-out single instrument performance. The layering of uniquely effected guitars along with Dupuis’ consistently well-executed vocals fit like a glove along with the pocket-bass and the blistering drums. There are points where you’ll be listening in on a single instrument only to be pulled away by something just as interesting coming from your other earbud. Some of the spacious guitar lines sound like something from a deep-cut The 1975 song (like in track 9, “Luna”). These are contrasted at various points in the album by more clean guitars with tremolo and chorus to widen the sound. There’s so much to catch within the confines of each song, every one having replay value.
Lyrically, there is an arc that the narrator creates. It centers around feeling displaced and unwanted. Further listening will shed more light on the exact meaning of each word and phrase, but for the most part the arc is uplifting yet realistic. It’s not fairy-tale happy and not whiny. It sits in a firm position of realism, acting as another reflection of the maturation of the band’s writing style. On top of this, the melodies themselves outside of the lyrics are sticky. The verses ride easy, and the chorus parts yield ear-worm hooks that’ll get stuck in your head for days. The structures are simple, making the album very accessible and easy to learn as a listener who no doubt will want to sing along. This way, when you catch them live, you’ll be able to sing along with their new tunes! Add ‘Bad Life’ to your fall and winter playlists and be on the lookout for these guys as they begin to branch out of the area and into the larger industry!
Key Tracks: Sarah Told Them, Bad Life, All in All