Category: Albany

  • Candy Ambulance released music video for “Spray”

    Grunge-punk trio Candy Ambulance dropped a new and intense music video for their “Spray,” the title track off the band’s EP Spray released earlier this year. The fast-paced and delightfully quirky tune explores the fixation of mania and anxiety, in a frenzied and wild ride with raw, energetic and wildly unabashed visual cut.

    Vocalist Caitlin Barker shared, “Choosing “Spray” for the first video off our latest EP was a no-brainer. I was very agitated when I wrote the song. I started to see the narrative play out in my mind every time we rehearsed it; a sweaty drink glass, rubber dish gloves, smoking at the record player. It felt like a song I could see.” The band said their aim is to “make the viewer itch a little,” with a montage of scenarios throughout.

    Formed in the summer of 2014, Albany-based and grunge-influenced Candy Ambulance is Caitlin Barker, Jesse Bolduc & Jon Cantiello. Lifelong friends and musical mates Bolduc & Cantiello rescued Barker from a wealthy engagement prospect and whisked her away to the land of DIY punk. Poppy melodies, dynamic vocal changes and half naked live shows have solidified this rock trio as always entertaining, unabashed fun.

    With a delicious blend of gritty grunge and punk-rock hooks, Candy Ambulance continue to hone their sound into an irresistible mix, and building their name with intense, antic-filled live shows. They opened for PVRIS in May, and have performed alongside acts such as Screaming Females, Speedy Ortiz, Daddy Issues, and Dorothy.

    Spray is available on BandcampSpotifyiTunes and all major digital retailers. Candy Ambulance continue to tour with upcoming eastern and midwest U.S. shows, and are in the process of writing and recording new material this winter.

    Catch Candy Ambulance on Saturday, October 13 at The Low Beat in Albany, NY.

  • Formula 5, Swimmer Team Up for Birthday Bash at The Hollow

    Downtown Albany celebrated in style on Saturday, September 29, with two birthdays and a first-time performance at The Hollow Bar + Kitchen. Formula 5 hosted the night, as the Upstate NY group helped close out one member’s birthday while ringing in another during an appropriate hometown throwdown. Warming things up for the night ahead was a new-to-Albany band, Swimmer.

    Founded in the depths of rickety Plymouth State University basements in 2013, the funky, improvisational quartet has grown with the seasons and emerged on the scene as quite a contender in their genre. The Burlington, VT musicians have been able to corral flocks of fans from their shared bills with top tier performers like Dopapod and Pigeons Playing Ping Pong. Adding Formula 5 to the mix, it only made sense that Albany and it’s strapping live music scene was their next destination to become acquainted with.

    Formula 5 SwimmerAiming to set themselves apart from every other jam-band to emerge from the hippy depths of Vermont, Cotter Ellis (drums), Matt Dolliver (keys/sax), Joe Agnello (guitar) and Jack Vignone (bass) tapped into their truly zany nature, showing off their musical chops and refreshing individuality. It was their tasty covers of Frank Zappa’s “Son of Orange County” >”Trouble Every Day” that found all patrons swiveled in their barstools and cheering on foot, asking their neighbors what band was playing.

    Ready to bring the high-energy festivities to the stage, birthday boy Matt Richards (keys) along with Joe David (guitar) and James Woods (bass) brought their “Widespread’s Dead” covers to their NY fans. Their latest tour boasts an assortment of tracks from the well-loved artists Widespread Panic and Grateful Dead, with Formula 5 originals interwoven throughout the set.

    Richards kicked off the night manning the mic for F5’s own “Bird Song” before tossing in an array of anticipated covers. Although Grateful Dead cover bands certainly aren’t lacking, you can’t help but smile and sing along whenever a Dead tune begins. Once Davis sang the opening notes of the Dead’s “Tennessee Jed,” there was nothing left for anyone to do but smile, smile, smile. Widespread Panic’s “Coconuts” acted as the fan-favorite pinnacle of the night as it was sandwiched between “Tennessee Jed” and a soothing take on “Terrapin Station.”

    Normally celebrating the day after Thanksgiving at The Hollow, Formula 5 took the time to address the crowd for an announcement that their Black Friday gig would make the jump over to The Palace Theatre. On Friday, November 23 the quarter will support the Disco Biscuits during their two-night Albany run.

    Swimmer Setlist: Murphy’s Law, Do it Myself > Son of Orange County* > Trouble Every Day*Jig -> Hyperbole, Curious Spaniard, Cornwallis *zappa cover

    Formula 5 Setlist: Bird Song^-> Blue-> Bird Song^, Greta~-> Booher’s Pass, Tennessee Jed^ Coconuts~ Terrapin Station^ Nu-Gen*-> In The Sand-> Gettin’ Tough Again, Hot Box, Love Tractor~

    ^ Grateful Dead
    ~ Widespread Panic
    * Unfinished

  • Celebrate National Gumbo Day with Baked Shrimp at Parish Public House

    Long Island’s Baked Shrimp will be in Albany on Friday, October 12 to celebrate National Gumbo Day at the Parish Public House. Joining them are local Albany bands Hasty Page and Hilltop.

    Baked Shrimp has been tearing up Long Island and NYC spots on their Summer Tour and embark on a Fall Tour with their first ever show in Albany. Check out our review of their album Feast of Delight. Tickets are $10 and more info can be found here.

    Pete Mason: Fans in Upstate are getting their first taste of Baked Shrimp – what can they expect to get down to?

    Baked Shrimp: We’re so excited to finally make it to Albany! The band has played in Upstate before, multiple times in New Paltz, and now we’re heading back to Oneonta, but getting to play New York’s capital will be a real treat. Expect the unexpected! We’re going into Fall with over 40 songs that can come out at anytime, and with Albany being the first show of the tour everything is on the table. Over the Summer, on top of teaching Jager all of the already written Baked Shrimp songs, we were also all learning together new originals, Beatles tunes, meme songs, and other cool covers for our Five Night Special that took place in Woodmere. Check out the recap from that and the rest of the Summer to see what’s on the table!

    PM: Was playing on National Gumbo Day at a New Orleans themed venue/restaurant planned or just a delicious coincidence?

    BS: Both! We knew Albany was planned for mid-October, and Dan from Parish Public House mentioned that it would be National Gumbo Day on the 12th. So we had to do it!

    PM: What’s the best part of the Long Island scene?

    BS: The best part is how close the folks in the jam/funk scene community on Long Island are to one another. Everyone knows each other, and the shows become a big gathering for everyone to meet in one spot to support the bands and the scene around them. It’s a goal of ours in the next couple of summers to do an outdoor camping festival on the island that we would host. It’s still a ways away since we’re still trying to find a proper location where we can do such an event, especially on Long Island, but we’ll make it happen! 2020!

  • Hearing Aide: Mirk ‘Sense’

    Mirk has been a part of the local scene since it first formed in 2009. Each of the band’s previous six releases has its own vibe, which makes it difficult for anyone to pigeonhole the band into a specific genre. The band’s sound is best described as “dance clap,” incorporating elements of pop music from different eras to get audiences onto the dance floor, and clapping.

    In the past, Mirk has played with the harmonizing doo-wop of the ’50s, the horn arrangements common in soul music from the ’60s followed by the predominant guitar and drums of the ’70s. Mirk’s sound, however, never strays from its roots of hip-hop, R&B and soul.

    Mirk’s seventh and latest album Sense is inspired by the music frontman Joshua Mirsky hears from his clients at his Foster House Studios in Albany. Mirsky said it delves more into the pop, which is evident from the electronic beats on some of the tracks. But, overall, the album is steeped in rich and soulful R&B.

    The baseline on “Priceless,” the album’s opening track, sets the tone for the entire listening experience. It introduces the listener to a smoldering atmosphere with a danceable beat with electric accents. It aptly holds your hand into the next track, “Cleopatra,” an equally hot song featuring Stellar Young frontman John Glenn.

    Glenn is one of four local musicians brought along for the ride on this 12-track album. Another, Nick Horace of The 7th Squeeze, lends a powerful performance on the ambient track “First of Her Name.” Tara Merritt lends her vocals on two tracks. The Albany singer has been associated with members of Groovstick and The Chronicles. She really shines through on the final track, “Rapture.”

    Your up-close and personal dance tracks move aside after “Pretty Brown Eyes.” featuring Troy R&B artist James Rock providing the hook with his silky smooth voice. From there, the pace picks up a notch with “Options” and “Living It Up,” only to ease back subtle like.

    By the time you get to “So Bad,” you will understand that this is not a disco dance compilation. Sense is light the candles, turn the lights down low, sexy. This is the soundtrack to your Friday night; whether you have plans with someone, or you plan to cruise the scene downtown. Audiophiles with their headphones should also check this out. Whatever your intent may be, this is good music.

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSmusic. TheSpot518 and NYSmusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Mark Anthony Manning: The story of a rising 20-year-old Albany singer

    The 20-year-old man’s voice soared as he played the piano in a minuscule practice room, eyes shut as he swayed to the music and several veins appeared across his face and neck. The dim lighting and tight space made the experience feel more intimate and hearing his voice echo sonically through the surrounding walls projected the impression of a cathartic release of pent-up energy and passion.

    Mark Anthony Manning had invited me to meet him there at the Massry Center for the Arts in the College of Saint Rose in Albany. He is currently a junior student there and studying towards a bachelor’s degree in Music Industry. Performing a few original songs on the black Steinway & Sons piano which he’d penned, he said that he mainly plays pop and R&B music, is a songwriter, and he has two music-related jobs.

    First, he has been working as a wedding singer for Silver Arrow Band, a company which performs at festivals, corporate events, private functions, and weddings, since early summer. In Manning’s case specifically, he travels with them across the state to perform a collection of requested songs for people’s weddings. Silver Arrow Band has won numerous accolades, including WeddingWire Couples’ Choice Awards every year since 2016.

    “It’s by far the best job I’ve ever had. There’s just so many musicians and you just get offered gigs. I’ve never been to a wedding with like the same exact band, it always like switches out because it’s a company,” Manning said.

    According to him, he usually gets paid at least $500 or $600 per wedding, although it depends on what musical instruments and how many fellow Silver Arrow Band members are brought for the wedding performance. “It helps me pay the bills and I like getting to travel with them,” he said.

    His second stint is being the frontman and lead singer of his own live student band, called Mark Manning and the Sexy Bitches.

    His fellow bandmates are Joseph Taurone on the drums; Gabriel Klinger-Horn playing the guitar; Sam Walczyk on the bass; Dan Carr who is in charge of synth, auxiliary percussion, and can substitute for drums guitar and bass; and finally, Kyle Robinson and Amy Branham who both serve vocals and play the piano too. All are St. Rose students, whom Manning met when he was still a sophomore, and they collectively rehearse together every Monday night.

    Manning first met Klinger-Horn during a college party early last fall where after some small talk, Manning expressed his desire to start a band. He was surprised when Klinger-Horn revealed he plays the guitar and knows of two peers, Taurone and Walczyk, who play the drums and bass. Over time, the remaining members joined but ironically, the band did not have an official name yet.

    It was not until the day of their very first performance together, which occurred at the Rice House — a venue that showcases local collegiate and young adult music talents — in Albany back in October 2017. He noted that that was the night the band made a name for itself in the Saint Rose community and the overall local music scene.

    “That day, I was like, ‘I don’t even know what to call us, guys.’ But there was this other band called Hasty Page and one of its members, Josh Morris [who serves vocals and plays the drums] said ‘Mark Manning and the Sexy Bitches’ as a joke,” he admitted. “I then slipped and said it accidentally onstage. But the performance was so much fun and looking back now, we weren’t really friends back then and we’ve since improved so much. It was the first night we really clicked and bonded. The name just stuck since then.”

    In fact, he recalled that eventually, people from Silver Arrow Band once saw him perform with his own band, and they asked him if he was interested in working for them too as a wedding singer.

    Having started to write songs upon entering college, Manning said “right now, all our songs are about relationships, unreciprocated love and how they don’t work out.”

    “I have not one happy song,” he joked.

    Regarding his songwriting process, it “usually starts with me getting my feelings hurt in some shape or form, and I’ll come to practice and I tend to have the chords first, before getting the melody and tempo. I mean, every song is different though. Some songs, the melody will come to me first in my head before I work on it with the piano.”

    Originally from Long Island, he identifies himself as “maybe a baritone but I’m definitely not a tenor. But I wouldn’t just say I’m a bass either.” Among his sources of inspiration are Beyonce, John Legend, Daniel Caesar and Kirk Franklin. He personally enjoys gospel, jazz and soul music.

    “My three siblings, cousins and I were all like a gospel and sang a lot of gospel, and it was cute that we were all family and being in church,” he recalled his childhood days. “We were called like The Manning 6, but eventually, they all grew out of music and I just didn’t.”

    After Manning began trying to take piano lessons in second grade, then fourth grade, and again in tenth grade, it was not until attending St. Rose where he had to take four semesters of piano to genuinely improve his piano proficiency.

    He was also highly active in musical theater growing up, particularly when he attended Patchogue-Medford High School in Suffolk County, Long Island.

    In terms of high school musicals, he played Gary Coleman in “Avenue Q,” Mr. Black in “Wild Party,” The Wiz in “The Wiz: The Super Soul Musical” and Donkey in “Shrek the Musical.” In college, his credits include playing Seaweed J. Stubbs in “Hairspray” and Mitch Mahoney in “The 25th Annual Putnam County Spelling Bee.”

    “It just feels like this was something I was born to do, I don’t want to do anything else,” he concluded. He hopes to eventually move to California sometime after graduation to grow as an artist. He even wants to become head of A&R — standing for artists and repertoire, they choose certain artists to get signed and develop their brand — of a music label someday.

    “In California, there’s so many record labels and young people out there chasing their dreams,” he said. “I just feel like the resources are more open there. If you want to be noticed by someone important, that’s the place to go. But I really believe in myself and have so much faith. You have to, no one else is going to if you don’t.”

    For now, Manning maintains a website at iammarkmanning.weebly.com and has an upcoming extended play coming out in either October or November.

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Hearing Aide: Groovestick ‘Mosaic’

    Mosaic carves out a unique jazz-funk sound in the vein of Head Hunters while injecting subtle pop melodies, making the album as accessible as it is complex. Original member Dan Gerken (guitar/bass/vocals) has assembled a power house of a group with Chris Carballeira on keyboard/vocals and Dave Berger on drums. A fun mixture of richly dynamic songs gives Groovestick a few staple releases, as well as 10 tracks of dance-able tunes drawing influences from funk pioneers all over the board.

    Right from the start, any funky human can tell that the album is going to be a pleasure to listen to. “Balloons” sets the scene with a laid back groove with a great hook and a theme of soulful guitar solos and organ majesty is conveyed immediately. Groovestick takes a handful of sticky riffs a step further than offering a single hook and elaborates on that by casting out a collection of ear worms within each song. They tastefully add in elements of prog rock by developing and layering on new ideas and hooks for the listener to latch on to. It is vital to be able to keep the song interesting to the audience in this style and genre, and Groovestick shows they definitely learned how to engage people with a song by playing live and getting that feedback. The key here for the band is that they were able to transfer the atmosphere of a live show onto an album. They do really well to keep the songs fun, and are able to showcase their jam-ability; no doubt a product of their intensive work on stage and in numerous musical projects.

    The second and sixth tracks (“Mischief”, “Nola”) show the band foremost instrumentally, as they’re able to keep the vibe of the opening track going without needing any words. Groovestick takes a wordless tune and still emotes the feeling of each piece through their skillful improvising. There are a few instrumental tracks on the album overall, with one standout being “Crablegs.” Gerken’s bass lines match seamlessly with Carballeria’s left-hand work on the organ to great effect. One major point on the album that stands out is the way these two are able to sync so well together to hold a groove. Berger is able to lay out quick yet spacious drum beats to hold the groove down, giving each song a flash of jazzed taste. There is a lot of play with dynamic range as well, namely in “Scrumptious” where the band seamlessly breaks the song down to almost nothing before coming back into set the mood for the next song, “Inkblot.”

    A highlight track on Mosaic is definitely “Inkblot.” It’s possible to write an entire review on this one song with how many dimensions the band is able to mesh together. From jazz, to funk, to even ska (!), this song covers so many bases while still being….a song! The band is able to navigate the line between these genres and fuse them together. As a whole, the album has a similar feeling to this song in that the transitions between each song gives the album a nice instrumental and dynamic arc. Switching between vocalized and instrumental pieces while maintaining a consistent theme and feel added a lot to the listening experience and gave a nod to the deep knowledge the band possesses in their musical experience.

    All of the performances are very tight, with everything from rumbling and climbing bass solos, to ripping guitar leads and magnificently executed key-lines, with the drums never faltering in the groove foundation. This was a very fun listen! Definitely check out Groovestick’s release and go out to see them live if they come to town. It’s going to be interesting to hear some of these songs live with how much they make me want to dance in my seat.

    Album release party is 9/29 at Parish Public House!

    Key Tracks: Inkblot, Crablegs, Mischief

  • Photo Gallery: Lark Fest

    Albany’s Lark Fest 2018 featured beautiful late summer weather and local acts including opener The Ryan Leddick Trio, Bendt, and Mirk who released their fourth album Sense the night before. Kimono Dragons and Victory Soul Orchestra w/ J.B., aka Dirty Moses, kept the crowd pumped for headliner The Age.

  • Lark Fest to Pack a Punch this Weekend in Albany

    When Adrian Lewis takes the stage at Lark Fest this Saturday, Sept. 22, he will complete an unofficial Triple Crown here in the Capital District.

    Better known as The Age, Lewis played Rockin’ on the River and Alive at Five this year. He and his band will headline upstate New York’s largest one-day street festival this Saturday.

    “I’m super excited about Lark Fest,” said Lewis. “I’ve wanted to be a part of it for a few years now and it’s kind of mind blowing that we are going to be a headlining act this year.”

    To place his excitement into perspective, he opened for the B.B. King Blues Band featuring Tito Jackson at Alive at Five this June.

    The Age is one of two headlining acts which also includes Stellar Young. Saturday’s performance will be Stellar Young’s third at Lark Fest.

    “We’re so humbled to be a part of such an awesome event,” said lead vocalist John Glenn. He added that the band will be selling sunglasses to fund its third release “And Turned to Ash.”

    The lineup to this year’s festival, the 37th for Lark Street, is worth taking note.

    The music starts with Becoming a Ghost at 11 a.m. Becoming a Ghost most recently played at WEQX’s Battle of the Bands at Jupiter Hall. It put on a high energy, interactive performance that moved the crowd. The band could have just as easily won the competition to open last week’s Pearlpalooza.

    The lineup continues with the Ryan Leddick Trio, Onlyness, Bendt, Greens, Mirk, Apostrophe S, Kimono Dragons, Useless Cans, and JB & Victory Soul Orchestra. Stellar Young takes the stage at 3:45 and The Age follows at 4:20 p.m.

    The all-day event expects to attract 50,000 people with live music, local vendors, food trucks and more. Start walking at 10:30 a.m. and finish the day at 5:30 p.m.

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Holly Bowling Lets It Grow in Cohoes

    Holly Bowling stopped in for a show at Cohoes Music Hall this Sunday, September 16. Bowling, hailing from San Francisco, is well known for her solo piano transcription of the infamous 36 minute version of “Tweezer” that Phish played in Tahoe, NV in 2013. She started touring as a solo act soon after, captivating unsuspecting audiences with her soulful renditions of Phish classics. She soon expanded her act to include a vast number of Grateful Dead tunes, which can be heard on her studio release Better Left Unsung.

    Holly Bowling Cohoes

    Bowling opened up the Sunday show with “It’s Ice,” an incredibly intricate Phish composition which she plays with ease. This segued into “McGrupp and the Watchful Hosemasters,” which featured a “China Cat Sunflower” tease in the section that is typically reserved for McConnell’s solo. Bowling was able to open up this piece as well as any multi-instrumental band could, showing her ingenuity in experimentation, even as a solo artist. She delighted the crowd when the end of “It’s Ice” emerged from deep within the depths of “McGrupp.” After this, she paused to acknowledge her gratitude for her presence here, and explained her love for the building, which was the sight where the name of her band, Ghost Light, was conjured.

    The first set continued with the Grateful Dead’s “Lost Sailor” which transitioned into Phish’s “Roggae,” which was played and finished in its entirety. This was followed by a beautiful version of the Dead’s “Mountains of the Moon,” which drifted effortlessly into “Saint of Circumstance,” completing the “Lost Sailor” for any familiar Dead fans.

    Holly Bowling Cohoes

    After a short break, Bowling came back for a nearly continuous second set. A soaring version of “Bird Song” opened the set, which flew beautifully into the first complete part of “Weather Report Suite,” including the prelude. This naturally blossomed into an uplifting rendition of “Let It Grow,” really bringing the energy up in the room.

    Bowling seamlessly transitioned from this Dead heavy set into Phish’s “A Song I Heard the Ocean Sing,” which then flowed into a fun version of “Sand.” This was followed by Led Zeppelin’s “No Quarter,” which proved to be just as powerful of a song when played by one woman on a grand piano, as it is with four of the greatest rock and roll musicians of all time. Bowling then brought back the Dead by gliding into an impassioned version of “Morning Dew.” After a brief pause, Bowling closed out the set with “Swept Away,” a Phish rarity that is welcome to any diehard fan, and which fits perfectly with Bowling’s style as it reflects her ability to maintain the emotional integrity of the songs that she transcribes. To top it all off, this shifted seamlessly back into the end of “Let it Grow,” which truly completed the second set.

    Holly Bowling Cohoes

    Upon leaving the stage, Bowling came back for an encore. “Slave to the Traffic Light” proved to be a perfect fit, with a warm, uplifting jam that would have left Page himself smiling from ear to ear. Not only was this classic composition executed with perfection, but it also included a “Let it Grow” tease, making it a unique reflection of the performance from that night.

    Following this performance in Cohoes, Holly Bowling will be returning to Albany on November 14 at Jupiter Hall with her band Ghost Light.

    Set 1: It’s Ice > McGrupp and the Watchful Hosemasters > It’s Ice*, Lost Sailor > Roggae, Mountains of the Moon > Saint of Circumstance
    Set 2: Bird Song > Weather Report Suite Prelude, Weather Report Suite Part 1 > Let It Grow > A Song I Heard the Ocean Sing > Sand > No Quarter > Morning Dew, Swept Away > Let It Grow
    Encore: Slave**

    *w/ China Cat tease
    **w/ Let It Grow tease

  • West End Blend announces expansive fall 2018 tour plus ‘Live at the Waterhole’ Album Release

    The soulful funk group, West End Blend, shared this week that their impressive Fall 2018 tour will be expanding across cities in the Northeast, Southeast, and Midwest. In what Sam Horan, the band’s drummer, has described as “one of our most exciting tours to date,” eager fans can expect performances including surprises such as a Secret Location TBA for Halloweekend.

    This tour will mark the band’s next step to spread their unique sound as they claimed: “We’re visiting some brand new cities and we look forward to expanding that WEB family!” Tickets are on sale now and can be purchased via the band’s website.

    This announcement is only the first of many plans for this upcoming fall. West End Blend prides themselves on their own vibe and flair and what better way to do that than with a live album release. Horan mentioned that they have been getting so many requests for this project because “Everyone can agree that while our studio albums sound great, they just don’t quite capture the raw energy and vibe that you see from us live.” It’s the ultimate way to provide the most authentic content possible and Live at the Waterhole will be released Oct. 5.

    Recorded during a two-night long session at the Waterhole in Saranac Lake, the album sees technical contributions from GRAMMY Award-winning engineer Brendan Morawski. By building a studio-style soundboard side stage, Morawski was able to capture studio quality recordings of both evenings. This was also taken into consideration for which songs would be included on the album since the objective was to pick those which have taken on new arrangements and morphed significantly from the studio album versions. This direction the band is taking will demonstrate how they want the utmost interactive experience for the fans and how they are constantly rearranging their songs during live performances to showcase their progression as a group.

    See Tour Dates and Tracklist below:

    Live at the Waterhole Tracklist:

    1. Attitude
    2. Say Hey
    3. Get By
    4. I’m Time
    5. Too Heavy
    6. Day Dreamer
    7. Is that All you got
    8. The Scene

    West End Blend Tour Dates:

    Sept. 18 – Brooklyn Bowl – Brooklyn, NY *
    Sept. 19 – Buffalo Iron Works – Buffalo, NY *
    Sept. 20 – Funk n Waffles – Syracuse, NY *
    Sept. 29 – Brighton Music Hall – Boston, MA ^
    Oct. 5 – Toad’s Place – New Haven, CT #
    Oct. 6 – H.O.M.E. – Portland, ME
    Oct. 12 – The Hollow – Albany, NY
    Oct. 18 – Woodlands Tavern – Columbus, OH
    Oct. 19 – Emporium – Chicago, IL
    Oct. 20 – Founder’s Brewery – Grand Rapids, MI
    Oct. 27 – Halloween Horror Camp – Secret Location TBA
    Nov. 7 – Hofgarden – Richmond, VA
    Nov. 8 – The One Stop – Asheville, NC
    Nov. 16 – Pour House Music Hall – Raleigh, NC
    Nov. 17 – Heist Brewing – Charlotte, NC
    Nov. 24 – Riverwalk – Nashua, NH
    Nov. 30 – Tropicalia – Washington DC
    Dec. 7 – King’s Rook Club – Erie, PA
    Dec. 22 – The Haunt – Ithaca, NY @

    * w/ Five Alarm Funk
    ^ w/ Strange Machines
    # w/ Bella’s Bartok
    @ w/ Root Shock