Category: Albany

  • Behind the Gear: Joe Davis 12/30/17

    Behind the Gear, a new website from Jared Lindquist, covers the fine details of the gear that helps to create a musician’s sound. Each week, NYS Music will bring you Jared’s latest in depth coverage of various musician’s gear.

    Joe Davis is the guitarist of Albany-based band Formula 5. Joe is one of the most precise players on the scene, shredding with a tone so wonderful that you can’t help but smile. He brings the heat every time he takes a solo, and can settle into any groove the band throws at him. Check out his playing on Formula 5’s recent live release from November 24th.

    Guitar

    2012 Gibson SG ’61 Reissue

    Joe’s SG has some serious meaning to him, saying, “It was gifted to me by my Father and has accrued some serious road rashes, including having its headstock snapped off after a show in Canadaigua, NY. It was repaired by Dan Neafsey who built Mihali’s (Twiddle) guitars and speaker cabinets amongst other things in his rig and Zdenek’s (Twiddle).”

    Amp/Cabinet

    Amp: Traynor YBA-1 Bass Master (ca. ’72-75)
    Cab: Fuchs 2×12 w/ Jensen Jets (Debadged)

    Joe runs a pretty impressive head and cab, saying, “My amp setup hasn’t changed much over the last few years. I use a Traynor YBA-1 Bass Master head, which based on the serial number I can date to roughly 1972-75. It’s an old amp and it’s using the original tubes that were in it when it was gifted to James (bassist of Formula 5) from a friend’s dad. Not sure on the model but they are old and sound GOOOD! The head actually needed to have the original ungrounded power cable removed and replaced with a grounded one after it got wrapped around a tube during a show at Mojo’s in Jamestown, NY. Ryan Nogle, gear wizard and former drummer of AQ fixed it for us and we had a good time trying to get the head out of the enclosure chasis. Let’s just say the things a tank and they don’t make em like they use to. My Cabinet ironically is also owned by James Woods and was formerly owned by Andrew Chamberlaine the original guitarist of Mister F and Timbre Coup. Andrew hooked it up with the road case too. That cabinet is a huge part of my tone, loaded up with two Jensen Jet speakers rated for 100 watts each. The thing can SCREAM whilst being buttery smooth.”

    Pedalboard

    Quick note from Joe, “Missing from my chain currently is my Fulltone Deja Vibe, which is on the mend, and my Electro Harmonix Switchblade + A/B Switch that switched between just my amp and the Motion Sound Pro 3 Rotary Speaker.”

    Signal Chain

    Dunlop 535Q Wah > Digitech Whammy II > Ibanez CP-835 Compressor II > Ibanez TS-9 (no mod) > J Rocket Audio Archer Ikon > Xotic Effects EP Booster > Pigtronix Echolution 2 Deluxe (with Preset Controllor) > Mad Professor Silver Spring Reverb
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    He says that a huge part of his tone is the vintage gear he uses, especially his Ibanez CP-835, “The Ibanez Compressor I received as a gift from my sister, Shannon, for Christmas the year I joined Formula 5. Being a huge Trey fan my entire life, I was searching for a set and forget, always on, comp that would smooth out my clean tone and give a lil more transparency to my fully saturated TS-9 tone whilst adding sustain. Another thing I was looking for was a comp that was very quiet during operation. Most comps I tried had a lot of noise and hiss when engaged. A lot of that is to do with requiring 9V power; this old beast, which dates to roughly 1981 and is an original model, runs on an 18 V 1/8 inch power supply and is eerily quiet, even with the sustain rolled to 5. I don’t use it to squash as my sustain knob rests at 9 o’clock, but I use it to boost the signal from my guitar to my amp just a tad to really brighten the attack. That pedal is never off and is a huge staple of my tone.”

  • Hearing Aide: Ignis “The Face of Mars”

    Albany two-piece Ignis released their first full-length album The Face of Mars on January 9, premiering their blend of folk, rock, and Americana. The album evokes a feeling of timelessness, seeming to borrow from many iterations and generations of rock music, from a Bowie-esque 70’s quality to a post-punk 90’s Seattle sound. The singing is memorable, somewhat reminiscent of Mark Sandman of Morphine and Ian Curtis of Joy Division, with an impressive vocal range and a very moody quality. Ignis manages to shift deftly between slow build-ups and high-energy releases.

    The album opens with a slow ballad titled “AS,” that showcases the emotional side of their songwriting, and then follows it with the faster paced, grungy “Not Yet.” The third song out, “Don’t Go” starts with atmospheric guitar and then allows the drums to slowly build up to a satisfying crescendo.

    “Chloe Dancer” features singing that reminds the listener of singers like Morrissey, while allowing the pianist to show his talents. “Paper” presents a change of pace, with the guitarist adopting a different, sultry style as the song takes on a jazzy feel. Each song of this album is short and to the point, with a definitive style and tone that encompasses much of the record.

    “273” is a huge departure from the general tone of the album, beginning with a danceable funk riff then dropping back into a Smiths-inspired vocal melody and some sludgy guitar work. The following song, “Sink,” takes a mellower approach, while still boasting their signature guitar tone.

    “Tunnel Vision” features a memorable riff set to sad lyrics, while “Could it Be” ventures into power ballad territory. The album then closes out with “Follower,” which hearkens back to the 80’s. Ignis presents a promising first effort, successfully melding a variety of styles into an atmospheric, original record. Available on Bandcamp, Itunes and Spotify.

    Key Tracks: Tunnel Vision, Could It Be

  • Black Label Society and Corrosion of Conformity roll into Clifton Park

    Black Label Society along with Corrosion of Conformity and EyeHateGod performed at the Upstate Concert Hall Sunday, January 7. With the venue near full capacity, Zakk Wylde and his band of brothers played a high energy show pleasing fans old and new.

    Black Label SocietyBlack Label Society opened the show with the fast paced “Genocide Junkies,” following up with “Funeral Bell.” Zakk Wylde made no hesitation to melt the crowd’s faces off from the beginning all the way through the whole setlist including crowd favorites “Suicide Messiah” and “Fire it Up.” Later this month, Black Label Society’s new album “Grimmest Hits” debuts. Do not get confused. This is not a greatest hits album.

    Black Label SocietyBlack Label Society brought along Corrosion of Conformity for the tour. Fans in the area were happy to see Pepper Keenan and Corrosion of Conformity back in Clifton Park. From crowd favorites to new songs, Corrosion of Conformity had a song for everyone. They have a new album coming out January 12th called No Cross No Crown. Corrosion of Conformity got the crowd singing with “Albatross,” followed that with an introduction of the rest of the band, before ending the show with “Clean My Wounds.”

    Black Label Society

    Black Label Society Setlist: Genocide Junkies, Funeral Bell, Suffering Overdue, Bleed for Me, Heart of Darkness, Suicide Messiah, All That Once Shined,  Room of Nightmares, Low Down, Bridge to Cross, In This River, The Blessed Hellride, Fire it Up, Concrete Jungle, Stillborn

    Corrosion Of Conformity Setlist: Bottom Feeder (El que come abajo), The Luddite, Seven Days, Vote With a Bullet, Long Whip/Big America, Who’s Got the Fire, 13 Angels, Broken Man, Albatross, Clean My Wounds.

    Black Label Society

  • The Ominous Seapods Reunite to wish Tom Pirozzi a Happy 50th Birthday

     A Plattsburgh State undergrad once asked Max Verna to define an Ominous Seapod. “I don’t really know,” he said, providing no explanation behind the name of his band for the young reporter working on a feature for his student newspaper. “I do like the sound of it, though.”

    The Ominous Seapods, one of the most popular jam bands here in upstate New York in the 1990s, is coming back out for a two-night engagement at the Cohoes Music Hall on Friday and Saturday, Jan. 12 and 13.

    “They were a name I would always see on old show flyers amongst other names that are still big in the scene today,” said Kim Neaton, WEQX-FM radio personality. “I wasn’t familiar with them when they were active, but their name often pops up in conversation and I always would think, ‘Damn. I wish I got to catch a Seapods show!’”

    While Phish and Dave Matthews Band led the charge in a jam band culture described in 2001 as a phenomenon by the New York Times, moe., the Disco Biscuits and the Ominous Seapods pulled up the rear. At the time, both the Seapods and Disco Biscuits were signed under Hydrophonics Records, a subsidiary of Megaforce Records which itself earned success years earlier by introducing Ministry and Metallica.

    “These guys can rip,” wrote Dean Budnick, of the Seapods. The Relix Magazine editor named the group in a well-crafted Who’s Who directory of upcoming bands in his 1998 book “Jam Bands: North America’s Hottest Live Groups.” “The humor of the players often celebrates the absurd, resulting in some memorable, spontaneous interactions between each other and between band and audience. … Such as the time it hosted an eight-track release party.”

    Verna, Dana Monteith, Tom Pirozzi, Brian Mangini and Ted Marotta toured the nation, playing 200-plus gigs a year, a reputation recognized by SPIN Magazine, and appreciated by an online fanbase supported by a website at Dartmouth University affectionately called the Podnet. “We have some really loyal fans on the Podnet who have taken it upon themselves to get the word out and to spread tapes,” Tom Pirozzi told Budnick. “So we’ve walked into a bar in Iowa City where the place is just packed full of people who have heard about us, know our music and are excited to have us there.”

    At one point, the website boasted of having more than 300 subscribers, known as mutants. It was maintained by David Merrill, a Dartmouth technician nicknamed The Bourbon Cowboy. It was a place to find setlists, lyrics and pictures. In its heyday, fans could swap tapes from live shows. The internet was still in its infancy in the late ’90s. Social media and smartphones, absolute requirements for networking and navigating new landscapes, did not exist. So, most fans found out about shows by signing up to the band’s mailing list — postal, not email. (At the

    band’s height, that list contained more than 10,000 names.) Fans could also call the band’s dedicated phone line connected to an answering machine that listed upcoming show dates. The Podnet is still online, but the ’90s design suggests it hasn’t been maintained for years. Some of the mutants, including Merrill, have since moved on to Facebook.

    Pirozzi recently shared his amazement over the power of social media. He said he posted word of the Seapods upcoming Cohoes show on Facebook twice. Once on his page, and another on the Mutants’ page. A short time later, he said, the Saturday evening show was sold out.

    “It sold out in five days,” said Pirozzi. “I was surprised, actually. I knew we’d do well, and thought maybe by the day of the show we’d sell out, or be close to sold out. I didn’t expect to sell out in advance. We were all shocked by that.”

    The band opted to offer a second show on the preceding Friday, Pirozzi’s 50th birthday. (It, too, is close to selling out.) Pirozzi said he’s humbled by the response from fans, and looks forward to seeing faces he hasn’t seen in 20 years.

    “I could see on Facebook, people coming in from Colorado, from North Carolina, California,” asid Pirozzi. “I think it’s just going to be a great reunion for people I haven’t seen in years. Obviously, people I haven’t seen in 20 years. I’m looking forward to that.”

    The definition of an Ominous Seapod, initially sought by a Plattsburgh State undergrad, is less elusive today than it was nearly 30 years ago.

    “By all accounts the band and their fans know how to have a real great time,” said Neaton, who now associates herself with Guthrie Bell Productions. “And, if Greg Bell says a band knows how to party, I think the Cohoes Music Hall is perhaps in for a party unlike anything it’s seen before. It’s really cool to be part of a reunion that’s bringing so many people in from out of town to celebrate a band that meant a lot to the jam scene for so long, especially in a room as special as this.”

    This article was originally published by The Spot 518 and is the property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Hearing Aide: Cosby Gibson ‘Into Mid-Air’

    Albany local Cosby Gibson has released her new album Into Mid-Air on November 17, 2017. Gibson’s previous album, Talking to Echos is an award winner for Best Folk Album in 2017 and was also accepted to the first ballot for Grammy consideration. Gibson performs in solo and duo acts, and leads a non-profit music performance troupe.

    Cosby GibsonWith a positive reputation, Gibson’s music is an experience to be had. Into Mid-Air contains thirteen tracks, one of which holds the title of the album. “Whispers on the Water,” the third track on the album, starts with the happy, twinkling sound of guitar, only to then blend with Gibson’s voice. Her voice is soulful and holds a carefree quality to it, making her songs that much more down to Earth. All of her music is “low-fi,” meaning that the sound is more organic. In this case, that sound adds to the “self-made” feeling Gibson’s music gives off. “Into Mid-Air,” the title track of the album, is a shorter tune with a deeper sound quality, adding some contrast to the album. There is a recurring theme in her lyrics, showing off the fact that her musical inspiration oftentimes comes from nature itself. Gibson’s style could be considered “earthy” as a whole, making each of these musical elements blend together quite nicely.

    Gibson herself seems to be a free spirit. It is notable in her songs, in her style, and in her live performance. If carefree, folky tunes are a sound you would enjoy exploring, Gibson might just be a listen for you.

    Key Tracks: Whispers on the Water, Never Did Let Go, Into Mid-Air

  • Young Culture Announces National Tour in Support of New Release ‘Blue’

    Albany’s Young Culture is hitting the road following the release of their latest EP, Blue. The five-piece pop punk outfit will complete a northeast run before heading across the country and back. The fun begins with a release show on Thursday, Jan. 4 in New Hampshire, followed by a show in Beacon, NY the following night. The trek across the country begins and ends in New York, with a return to Rochester on the first night of tour on February 17. They wrap up their tour with a hometown show in Albany on March 4.

    Young Culture Photo: Danny DeRusso

    Young Culture combines vibrant punk pop melodies with catchy lyrics, creating a sound that gets crowds bopping to the beat. They’ve opened for national acts such as Knuckle Puck and Real Friends. The upcoming Northeast run concludes with a show where they will support Belmont (Jan. 9 in Attleboro, MA). Young Culture is Nick Cavin (drums), Gabe Pietrafesa (lead guitar), Alex Magnan (lead vocals), Chris Arnold (guitar), Myron Vititow (bass, backing vocals). Blue is their second EP, a follow-up to 2016’s You. Both are available to stream on Spotify or purchase through iTunes.

    https://youtu.be/DAbuOt3zfBg

    Northeast Run Dates:
    Jan. 4 – Manchester, NH – Bungalow
    Jan. 5 – Beacon, NY – The Platform
    Jan. 6 – Woodbridge, CT – The ATC
    Jan. 7 – Providence, RI – Dusk
    Jan. 9 – Attleboro, MA – Paterson Creations

    National Tour Dates:
    Feb. 17 – Rochester, NY – Vineyard Community Space
    Feb. 18 – Louisville, KY – The Cure Lounge
    Feb. 19 – St. Louis, MO – The Firebird
    Feb. 20 – Omaha, NE – Dr. Jacks
    Feb. 21 – Denver, CO – The Marquis Theatre
    Feb. 23 – Los Angeles, CA – The Vibe
    Feb. 24 – Lake Forrest, CA – Rushbar
    Feb. 25 – Santa Anna, CA – 4th Street Market
    Feb. 26 – TBA
    Feb. 27 – Albuquerque, NM – The Jam Spot
    Feb. 28 – TBA
    March 1 – Indianapolis, IN – Hoosier Dome
    March 2 – Cleveland, OH – Euclid Tavern
    March 3 – Erie, PA – Basement Transmissions
    March 4 – Albany, NY – The Hollow