In episode 4 of Empire State Music Podcast, host Andy Hogan sits down with The Blind Spots, a female-fronted, indie-pop power house out of Ithaca, NY who have toured throughout the United States. From playing with bands & artists like Lake Street Dive, Amy Helm, and Sharon Jones, The Blind Spots are guaranteed to make you shake your bones. Tune in on iTunes and Simplecast or listen below!
https://soundcloud.com/empirestatepod/the-blind-spots
On Saturday, May 19, Queensryche, with special guests Great White and Autograph, took the Budweiser Summer Stage at Tag’s in Big Flats, NY despite intermittent rainy showers and brisk temperatures.
Slated to kick off this headlining show at 10 pm, Queensryche, a powerhouse staple in rock and roll history since 1982, hit the stage early, just before 9:30, following solid performances by both Autograph and Great White. Although many thought this show might actually run behind, fearing rain delays, Queensryche busted out with their first song “Best I Can,” from their fourth studio album Empire, released in August 1990.
Led by original members Michael Wilton on guitar and Eddie Jackson on bass, Queensryche formed in 1982 in Bellevue, Washington. The band has gone through only a few notable lineup changes in 36 years, including Todd La Torre on vocals who replaced lead singer Geoff Tate in 2012, Parker Lundgren who, since 2009, has filled original guitarist Chris DeGarmo’s duties masterfully, and Casey Grillo, who is currently filling in the drumming department while original Queensryche drummer Scott Rockenfield is out on hiatus for paternity leave.
Despite recovering from a broken right hand, La Torre’s vocals were amazingly powerful and strong as he belted out most of the progressive metal band’s catalog of hits including “The Lady Wore Black” and “Queen of the Reich” from Queensryche’s 1983 self titled EP, as well as the powerhouse hits from 1988’s Operation Mindcrime, “I Don’t Believe in Love” and “Eyes of a Stranger”. La Torre’s vocals only seemed to get stronger as the night progressed as he closed out with “Jet City Woman” and “Take Hold of the Flame.”
Although fans were thoroughly impressed with both Autograph and Great White, who were definitely in the pocket and put on great shows, they were most certainly left mesmerized by Queensryche’s powerful performance and 16-song set list that seemed to only get better after each song, leaving the crowd of thousands at Tag’s Summer Stage screaming for more. Queensryche closed this almost 90-minute set with the encores “Screaming in Digital” and “Eyes of a Stranger.”
Setlist: Best I Can, Damaged, The Whisper, The Mission, Breaking the Silence, I Don’t Believe in Love, Silent Lucidity, Guardian, The Lady Wore Black, Empire, Queen of the Reich, Jet City Woman, Take Hold of the Flame, Walk in the Shadows, Screaming in Digital, Eyes of a Stranger
Premier northeast music festival The Governors Ball returns to Randall’s Island in New York City in just a few weeks, taking place from Friday, June 1 through Sunday, June 3, 2018. GA weekend and single day tickets for each day are still available, but maybe not for long as various ticket packages, such as Sunday and Saturday GA tickets, are very close to being sold out. In just seven years running, Governors Ball has made a fast ascension to becoming one of New York City’s most anticipated annual music events, featuring a more savory lineup of artists with each passing summer. NYS Music will be there to bring you coverage of the 2018 festival.
The biggest news surrounds the festival’s heavy headliners. Rock virtuoso Jack White will be making a return to the event, having not played there since 2014. Last time White graced the Gov Ball stage, they matched his set with a same time performance from Skrillex. This year the tossup is with James Blake, the pianist, producer and soul singer who’s won the hearts of everybody, from Beyonce to Rick Rubin. If you haven’t heard, Blake just released a collaboration with Andre3000. Get on it.
Saturday night, in turn, will be capped off by a real rock gem. As a celebration of the ten-year anniversary of their second studio release, The 59 Sound, The Gaslight Anthem will be performing the record in its entirety. Full performances of albums are a live music treat that fans should experience if the opportunity presents itself.
Then there’s the act we’re all probably buzzing about, Silk City. Diplo, reigning favorite of the electronic dance music world, and Mark Ronson, the producer that can do no wrong, have teamed up to make a new collaborative disco album. Governors Ball is your chance to see the duo make their first ever live performance. Travis Scott, who has collaborated with Diplo’s project Major Lazer and also shared the stage with Ronson at last year’s Gov Ball, will be dropping his set immediately after Silk City—so this is keying up to be a weekend for Governor’s fans to remember.
But if there’s anyone that’s truly taking over the festival spotlight, it’s Eminem. Boston Calling, Bonnaroo, Firefly, and of course Gov Ball — the famed rapper is headlining them all. The last occurring slot time on Sunday night is reserved solely for him, so you can bet pretty much all eyes at the Ball will be on Slim.
As in past years, Gov Ball will be showcasing some of the most buzz-worthy, up-and-coming bands currently making noise across the indie, pop, rock and hip hop circuits. Across each of these mainstream genres, artists can go from fresh on the scene to topping the charts in no time. And on the way there, many of them seem to pass through Randall’s Island with dynamite festival sets. At this year’s Gov Ball, artists rocking this category are the likes of alt rockers Wolf Alice, country sensation Margo Price, breakout singer Billie Ellish and more. Special mention here: Belly. If you want to talk about a comeback, the Rhode Island-based alt punk band reunited in 2016 and, this month, just released their first album in twenty years, Dove, and it rocks.
That doesn’t even cover all of the musical goodness flooding Randall’s Island in three weeks. Hip hop supergroup N.E.R.D and NYC’s own Yeah Yeah Yeah’s are two other highly anticipated sets, given that they both have made huge reunions in the past year, while most others might be excited for the recently announced special set by Shawn Mendes.
The party will keep going for some after-hours concerts as part of The Governors Ball After Dark. Comprised mostly of the acts performing at the festival, this series of shows kicks off Thursday, May 30 and goes through the weekend at venues throughout the boroughs. While a handful of the shows are sold out, some tickets are still available. Check out the full lineup for After Dark here.
Aside from the music, Gov Ball is once again featuring close to 60 NYC-area food vendors with plenty of delicious tastes for everybody, including gluten-free and vegan options. More “deats” on the eats can be found here.
Tickets are nearly sold out for Saturday and Sunday, with some available for Friday here (it will sell out). Plenty of info on how to get to the festival and FAQs on how to have the best Gov Ball experience can be found on their website.
This year’s Night Lights Music Festival will feature music on three stages on the weekend of August 23-26, 2018. For the eighth year in a row, The Heron in the town of Sherman will be transformed into a spectacle of lights and sounds. The lineup includes the music of Lotus, Motet, Aqueous and more. Several tribute sets are also scheduled: Wild Adriatic (Led Zeppelin), Space Junk (Disco Biscuits) and Psychedelic Jukebox (paying homage to the history of psychedelic rock).
Among the other acts are Wild Adriatic, Intrepid Travelers, Root Shock, lespecial, Folkfaces, and Danielle Ponder & the Tomorrow People. In addition to music, festival-goers will be able to enjoy camping, yoga, hiking, swimming and other outdoor activities. Local food and beverages and arts & crafts vendors will be on site. Early bird tickets are on sale now through the festival website.
The complete lineup includes: Lotus, The Motet, Aqueous, Octave Cat featuring Jesse Miller (Lotus), Eli Winderman (Dopapod), Charlie Patierno, Anomalie, Tropidelic, Bumpin Uglies, lespecial, Pappy (of Cabinet), Wild Adriatic (Led Zeppelin Tribute), Upstate Rubdown, Boss Tweed and the Carpetbaggers, Gatos Blancos, Funktional Flow, Danielle Ponder & the Tomorrow People, Dynohunter, Root Shock, Space Junk (Disco Biscuits Tribute), Holy Hand Grenade, Lazlo Hollyfeld, Intrepid Travelers, Folkfaces, Cold Lazarus, Psychedelic Jukebox, Cypher, Kaleidoscope Sky, The Good Neighbors, Able Footing, and Neon Veins.
AJ Lambert, granddaughter of Frank Sinatra and daughter of Nancy Sinatra, has released “I Summon You” from her forthcoming album, Careful You, out later this year. The record features unique interpretations of songs by artists including TV on the Radio, John Cale, Spoon (“I Summon You”) as well as deep cuts from her grandfather’s extensive catalog including “Sleep Warm” and “I’ll Be Seeing You.” She’ll perform selections from Careful You at an exclusive album preview show at Rough Trade NYC on May 25.
Britt Daniel of Spoon, regarding Lambert’s cover remarked, “If you’re gonna cover someone else’s song, you’d better be prepared to add something to it that wasn’t there before, and it’s equally important to find a way to bring your own personality to the performance. Otherwise what’s the point — in today’s world, the original version is always readily accessible via the chips embedded into the backs of our skulls. Fortunately, AJ’s managed to do both with her reworking of “I Summon You.” It’s a trip to hear my song done this way. Thanks, AJ.”
Careful You was recorded with a full band and produced by Daniel Schlett (The War on Drugs, Amen Dunes) and Boshra AlSaadi (TEEN, Janka Nabay) and is due out later this year and will be followed by a tour in support of the album.
AJ is currently performing complete Sinatra albums live, such as In The Wee Small Hours, with John Boswell on piano. AJ also hosts “Third Generation” on Sirius XM’s “Siriusly Sinatra” channel.
While most people typically have fond memories of their college years, there are always incidents you look back on that left a bad taste in your mouth. Maybe it was that horrible breakup with your first “true” love, the time you had to repeat a class because a professor wouldn’t give you that .05 bump in your GPA, or the night you got arrested for what you thought was legally swimming in the pool of your friend’s apartment complex at 5 a.m. For Steely Dan founding members Walter Becker and Donald Fagen, the black stain left on their memories of Bard College occurred on a night in May when a swarm of sheriff’s deputies swept through the campus and arrested the two, as well as 50 other students, for marijuana possession. The incident was immortalized in the 1973 single “My Old School.”
Becker and Fagen met at Bard College in the Hudson Valley hamlet of Annandale, NY in 1967, and bonded over their shared love of jazz, dark comedy, science fiction, and Kurt Vonnegut. Their songwriting collaborations began as somewhat of a gag; writing silly little tunes on an upright piano in a small room of the lobby of Ward Manor, an old mansion on the Hudson River that the college converted to a dorm. As they played together more, they became more serious about their craft and eventually evolved into the perfectionist jazz rock powerhouse they have since been known for.
In the late 1960’s and early 1970’s Bard College was a very hip place to be with stars like the Rolling Stones, Bob Dylan, and Bobby Neuwirth showing up at random. If you were lucky enough to be around the area during the late 1960’s you might have even caught Becker and Fagen playing with drummer and fellow Bard Student Chevy Chase at a local house party. Although the college was known for its free spirited student body, the police in the area did not see eye to eye on many of their habits. On a Thursday at 5 a.m. they devised a raid of one of the dorms in an attempt to catch the students off guard, and went on a drug bust spree.
“These were the days when there was a ‘war on longhairs,’ as they used to call it,” Fagen said, “and Bard’s in this kind of rural district. They picked up about 50 kids just at random. There were a few warrants, and one was for me, which was based totally on false testimony. They handcuffed our hands behind our backs and put us in a paddy wagon and took us off to the Dutchess County Jail. They took all of the boys, about 35 of us, most with really long hair, and shaved our heads. I remember some of them were crying. I don’t think any of them had seen their head for three or four years. It didn’t make that much difference to me. But it was scary, you know? To hear the cell-block door slam shut, the whole business with the handcuffs and the paddy wagon. I’d never been arrested or put in jail before.”
Becker and Fagen express their point of view of the incident and their reflection years later in the song “My Old School,” where they lash out at the school for the way they were treated. They say they’ll only return to the school if “California tumbles into the sea,” and end the song with a very direct “I’m never going back to my old school.” While that lasted a prolonged sixteen years, Fagen returned 16 years later in 1985 to accept an honorary doctorate from the school. Becker also stated that the song shouldn’t be taken literally and insisted that he never viewed it as an angry-sounding song, but rather a funny song. 
Today Bard College is still an incredibly liberal college, and it’s campus overlooking the Hudson River and Catskill Mountains makes it an ideal place to go to school. The college also hosts two acclaimed annual arts festivals, Bard SummerScape, and the Bard Music Festival, and you would not be remiss to, somewhat ironically, hear “My Old School” while taking a leisurely stroll across the campus.
https://www.youtube.com/watch?v=kgWWliZHjtI
‘My Old School’ Lyrics:
I remember the thirty-five sweet goodbyes
When you put me on the Wolverine up to Annandale
It was still September
When your daddy was quite surprised
To find you with the working girls in the county jail
I was smoking with the boys upstairs when I
Heard about the whole affair, I said oh no
William and Mary won’t do
Well, I did not think the girl
Could be so cruel
And I’m never going back
To my old school
Oleanders growing outside her door
Soon they’re gonna be in bloom up in Annandale
I can’t stand her
Doing what she did before
Living like a gypsy queen in a fairy tale
Well, I hear the whistle but I can’t go, I’m gonna
Take her down to Mexico, she said oh no
Guadalajara won’t do
Well, I did not think the girl
Could be so cruel
And I’m never going back
To my old school
California tumbles into the sea
That’ll be the day I go back to Annandale
Tried to warn you
About Chino and Daddy Gee
But I can’t seem to get to you through the U.S. Mail
Well I hear the whistle but I can’t go, I’m gonna
Take her down to Mexico, she said oh no
Guadalajara won’t do
Well, I did not think the girl
Could be so cruel
And I’m never going back
To my old school
There’s something magical about the Wanee Music Festival. It always feels like the start of festival season, the official kick off if you will.
Wanee began as a two-day festival with only 11 bands; it is now a three-day festival with as many as 44 performers. The lineup never disappoints, and you always end up with a few crossover sit-ins that are memorable and unique. The days are long; music typically begins around 11 a.m. and can go until close to 3 a.m. Then there’s the drum circle afterward. It’s only natural that the park’s motto is “Music Lives Here.”
Still, Wanee Music Festival couldn’t be what it is without the Spirit of the Suwannee Music Park. Maybe I am biased as a born-and-raised Floridian, but I believe this park encompasses the best Florida has to offer. It consists of over 800 acres of sprawling oak trees, natural springs, and a brackish river that probably terrifies visitors. In many ways the park still feels untouched, even as it fills with thousands of people for events. I have no doubt this is why The Allman Brothers began hosting the festival in 2005 and continued until 2014. The park even offers bands on Wednesdays now. It is a perfect marriage that brings out all of the beauty and wonder that Florida has to offer.
There are two primary stages in the music park—the Peach stage (main stage) and the Mushroom stage. The Peach stage is in a large open field, and there you will find the bigger names that typically rotate out yearly with a few regulars added into the mix. There is a large blowup mushroom with “The Allman Brothers” written on it as a way to pay homage to the festival’s roots; it sits near the large Ferris wheel that runs most of the day. The Mushroom stage is built strategically into the woods so as not to disturb Mother Nature but to embrace all that she has to offer. The amphitheater seating is made from old railroad ties that are carefully placed and stacked to not disrupt the large oaks that provide much needed shade from the Florida sun—as well as a place to hang your hammock. This is the stage on which the smaller bands play. Don’t let that description fool you, though; the bands that grace this stage are still top-notch and put on one hell of a show. I can’t count how many times I’ve watched a band play on the Mushroom stage only to find them again in a year or two on the Peach stage.
At the festival, you will also find beer guys with light-up hats dancing the night away while working, festival crews dressed in matching shirts, and children playing with new friends and loving every minute of it. Without question, someone will be wearing an animal onesie even though its 90 degrees out. You are also certain to see a few tutus, and people of all ages. Somehow it all works seamlessly for these few wonderful days, and everyone is just there to enjoy the music, take in the scenery, and have a great time.
This year’s festival headliners on the Peach stage were Dark Star Orchestra (Thursday), Widespread Panic (Friday and Saturday), and Phil Lesh & The Terrapin Family Band (Friday and Saturday). Other acts that performed on the Peach stage were Bobby Lee Rogers Trio, The Chris Robinson Brotherhood, Sonny Landreth, St. Paul & The Broken Bones, and As the Crow Flies. The Mushroom stage was packed with talent as well. Midnight North, Jaimoe’s Jasssz Band, The Marcus King Band, Walter Trout, The Main Squeeze, and North Mississippi Allstars all played on Friday. On Saturday, talent included The Yeti Trio, New Orleans Suspects, Pigeons Playing Ping Pong, George Porter Jr., Soul Rebels, and Karl Denson. Everything I saw was fantastic! Although Marcus King sitting in with Phil Lesh & The Terrapin Family Band was my highlight!
For an event of this size, festival organizers did a good job overall of not overlapping competing bands on the two stages. Any festival junkie knows that the worst part of the festival is trying to preplan each day at each stage so no bands are missed! It can be rather difficult. However, the close proximity of the stages to one another helps to keep festival goers on schedule.
I always say that the weeks following Wanee are the “Wanee Hangover;” it is so hard to get back to reality and the daily grind. There is just something very special about the festival, where you think, “Take me back!” The biggest comfort is that, since this is the “kickoff” of festival season, at least you know the summer tour is right around the corner. Until next year, “Merry Wanee!” I hope you enjoy going to the woods as much as I do.
This article originally appeared on Gratefulmommabear.com
Everyone loves rooting for the hometown star to catch a big break. Rochester’s very own Jon Lewis Band’s latest offering Get Wild Somewhere has the potential to expose them to their widest and most diverse audience yet. It has nothing to do with luck though. The eighth album they’ve recorded in four years stands solidly on the five member’s pure and unadulterated passion, dedication, friendship and, most importantly, talent.
The band’s namesake, Lewis is on lead vocals and rhythm guitar, accompanied by Dave Drago on bass, Jake Walsh on drums, Shawn Brogan on lead guitar and Alex Northrup on keys. With more time spent traveling to Los Angeles to record than actually spent in the studio, Get Wild Somewhere’s classic sound was accomplished through the use of vintage recording gear. All ten tracks were written with the intention of being played and recorded live.
“We didn’t want to do overdubs or try to manipulate our sound too much,” said Lewis. “That made it possible to record in a shorter period of time and also enabled us to make something that showcases all of our individual strengths.”
Fueled by adrenaline, backed by fans who crowdsourced over $2,000 to support the band’s trip to LA to record, and fed by the largest pizza they’ve ever seen (it had to be delivered through the loading dock door) Get Wild Somewhere has a polished, timeless sound that could only be done justice with vinyl.
Written by Lewis and produced, mixed and mastered by Drago in his 1809 Studios in Macedon, NY, Get Wild Somewhere tears onto the scene with the catchy opening track “Jerry My Berry.” Borrowing from the piano track that was used in famous recordings like “Werewolves in London” and “Summer Breeze,” combined with a catchy chorus, driving beat and melodious guitar licks, “Jerry My Berry” kicks the album off on an energetic note.
Track two, “Charity,” is a beautiful opus with rich vocal harmonies complimenting mournful wails from Northrup’s organ.
“You Don’t Wanna,” the third offering on the album, has a Beach Boys, surfer rock vibe to it. The clavinet introduces listeners to a an easy, breezy, likeable song that encapsulates the vintage vibe.
I just want to see your face
I just want to waste your time
I just want to talk to you
Cause you will see that I’m alright
The rough riding “Cinnamon Only,”carried by a driving lead guitar, is the first song on the album to have a full-length video to accompany it. Lewis created the video over one month’s time entirely with colored papers and sketches.
“I draw and cut out the characters, then photograph/animate them against a green screen, then I put all the layers together to create something I like to call ‘Paper World,’” he explains ,”The plot and story completely unfolded as I continued to work, just letting the song dictate the imagery.”
The album’s closer, “So Familiar,“ is a gorgeously dark and stormy, mostly instrumental, song that hits to the core.
Get Wild Somewhere is the sound of five friends pouring their hearts out and having the time of their lives producing fresh, original and crush-able jams, heartfelt ballads and indie rock. Each song come together effortlessly and stands on their own, as if they were just waiting to be born.
The energy and connection on the album translates easily to the stage. Check the Jon Lewis Band out for yourself Friday, May 18 at their Album Release Party at Three Heads Brewing. Here’s hoping that this is just the start of something even bigger for these five Rochester musical dynamos!
Key Tracks: Jerry My Berry, You Don’t Wanna, So Familiar
https://www.facebook.com/jon.lewis.1401/videos/1781207945233793/
On May 15 in Nashville, The Americana Music Association announced the nominees for its 17th annual Honors & Awards. The winners of each category will be announced during the Americana Honors & Awards show on September 12, 2018 at the historic Ryman Auditorium in Nashville, TN. The celebrated program is the hallmark event of AMERICANAFEST: The Americana Music Festival & Conference, which runs from September 11-16, 2018
The nominees are:
Album of the Year:
All American Made, Margo Price, Produced by Jeremy Ivey, Alex Munoz, Margo Price and Matt Ross-Spang
By The Way, I Forgive You, Brandi Carlile, Produced by Dave Cobb and Shooter Jennings
The Nashville Sound, Jason Isbell and the 400 Unit, Produced by Dave Cobb
Rifles & Rosary Beads, Mary Gauthier, Produced by Neilson Hubbard
Artist of the Year:
Brandi Carlile
Jason Isbell
Margo Price
John Prine
Duo/Group of the Year:
I’m With Her
Jason Isbell and the 400 Unit
Lukas Nelson & Promise of the Real
Nathaniel Rateliff & the Night Sweats
Emerging Act of the Year:
Courtney Marie Andrews
Tyler Childers
Anderson East
Lilly Hiatt
Song of the Year:
“A Little Pain,” Margo Price, Written by Margo Price
“All The Trouble,” Lee Ann Womack, Written by Waylon Payne, Lee Ann Womack and Adam
Wright
“If We Were Vampires,” Jason Isbell and the 400 Unit, Written by Jason Isbell
“The Joke,” Brandi Carlile, Written by Brandi Carlile, Dave Cobb, Phil Hanseroth and Tim Hanseroth
Instrumentalist of the Year:
Daniel Donato – Guitar
Brittany Haas – Fiddle
Jerry Pentecost – Drums
Molly Tuttle – Guitar
Additionally, the Americana Music Association annually honors distinguished members of the music community with six member-voted awards and with Lifetime Achievement Awards, which will be announced leading up to Americana music’s biggest night.
Now almost twenty years old, the prestigious ceremony has honored pioneers and emerging artists, while presenting many memorable moments, including Johnny Cash & June Carter Cash’s last live performance together, and performances and collaborations from such diverse artists as by Van Morrison, Bob Weir, George Strait, Don Henley, Bonnie Raitt, Gregg Allman, The Avett Brothers, Solomon Burke, Rosanne Cash, Civil Wars, Dr. John with Dan Auerbach, Patty Griffin, Levon Helm, Robert Plant and more.
More information can be found here.
Jason Isbell and Brandi Carlile reviews by NYS Music can be seen here and here.
Upcoming New York State appearances by AMA nominees include:
Margo Price, Brooklyn Bowl, Brooklyn, June 2, Governor’s Ball Music Fest, NYC, June 3, CMAC, Canandaigua, July 26
Brandi Carlile, CMAC, Canandaigua, July 20, BRIC Celebrate Brooklyn Festival, July 26
Jason Isbell & the 400 Unit, CMAC, Canandaigua, July 20, Forest Hills Stadium, Forest Hills, on September 29
Nathaniel Rateliff & the Night Sweats, Ommegang Brewery, Cooperstown, on June 5, ; Forest Hills Stadium, Forest Hills, on June 9, SPAC, Saratoga Springs, on September 23,
I’m With Her (Sara Watkins, Sarah Jarosz and Aoife O’Donovan) Caramoor, Katonah, NY July 7, SOLD OUT
Lukas Nelson & Promise of the Real, Stephen Talkhouse, Amagansett, July 21, SOLD OUT, and July 23, SPAC, September 23
Anderson East, Mountain Jam, Hunter, June 16
Molly Tuttle, Grey Fox Bluegrass Festival, Oak Hill, NY, July 20
American / German electronic duo Nite Haus have released “Calling You,” their first single and music video off their upcoming self-produced project, Saturation, due out in June. The album was recorded throughout 2015-2017 and was heavily influenced by Carrie Turner (vocals) and Nils Siegels’s (instrumentals, production) ever eventful lives in New York.
Nite Haus shares on the influence of New York City on their music: “The City is a place full of stimuli, where your mind is constantly stimulated, and in turn, saturated. Carrie’s songwriting across the album touches on the glamour, the sex, and the energy that comes from living in such a place as New York City, while also opening up about her own experiences with depression and loss.”
Nite Haus is an American / German electronic music duo who met through Craigslist, where Carrie had placed an ad saying: “Singer/fashion icon seeks weird amateur electronic musician.” Nils was her guy. Shortly after, the two began recording in Nils’s Williamsburg living room, and in 2014 self-released their debut album,Transform the Dark, which went to #11 on the CMJ RPM charts. Inspired by everyone from Kate Bush and Grimes to Daft Punk and New Order, their music mixes elements of house, electronic, and synthwave.