Category: Genres

  • Saranac Brewery Hosts Classic Tribute Bands

    Saranac Brewery, in Utica NY, has two shows coming up you don’t want to miss. Dark Star Orchestra and Get the Led Out are both making stops at the brewery on their separate tours this summer.

    Dark Star Orchestra

    Dark Star Orchestra is a Grateful Dead tribute band who’s known for recreating historic dead shows. Dark Star Orchestra formed over a decade ago and their determined commitment to ‘raising the Dead’ has drawn them nationwide attention from publications as big as Rolling Stone who say they are, “Quite possibly the most talented and accomplished tribute band out there… they’ve definitely mastered their inspiration’s vagabond nature.”

    Get The Led Out is a Led Zeppelin tribute band who, “have captured the essence of the recorded music of Led Zeppelin and brought it to the concert stage” according to their press release. Get The Led Out consists of six musicians and are based out of Philadelphia. They have been dubbed by the media as “The American Led Zeppelin.”

    Tickets went on sale Friday, May 25th at 10AM from Creative Concerts for both shows.

    Show information:

    Dark Star Orchestra
    July 31- Saranac Breweries – Utica, NY
    Doors: 7PM // Show: 8PM
    All ages.

    Get The Led Out
    Aug. 10 – Saranac Breweries – Utica, NY
    Doors: 7PM // Show: 8PM
    All ages.

    For more information on Dark Star Orchestra visit their website

    For more information on Get The Led Out visit their website

  • Chiggin is Starting to Sizzle

    Chiggin, a funk band hailing from Syracuse, has started booking tour stops through Buffalo, Rochester, Syracuse, Utica and NYC off of the buzz surrounding their recently released EP, “Original Recipe.”

    Max Rips frontman of Chiggin. Photo courtesy of Chiggin’s website.

    “Original Recipe” is a four-song EP containing the songs, “Funky Elbeaux,” “Stevie Wonder’s Morning Breath,” “Eggistential Barnyard,” and “Waiting for Marmalade (Between the Busses)” which keep to the bands funky nature known and loved by Syracuse locals at venues, like Funk ‘n Waffles, where they have become a fan favorite.

    The video for their debut single, “Stevie Wonder’s Morning Breath” (which was shot and directed by Kevin Brite) was released April 6th via YouTube. The video has a classic music video format jumping between a recording studio and a live performance, which accompanies the upbeat funk sound Chiggin’s carries, perfectly.

    Chiggin formed in July of 2016 in Syracuse and quickly built a name for themselves because of “their fun stage show and their untamed musicality,” according to their website. The band consists of Max Puglisi, Sam Roux, Gavin George, Nick Fields, Ethan Wojcik, Brian Caswell, and Jacob Penner and is currently pushing their plan forwards for an east coast tour in 2018 starting with some shows in Syracuse, NY.

    Upcoming shows:

    May 31 – Al’s Wine & Whiskey – Syracuse, NY
    Chiggin w/ Tiger Chung Lee (Buffalo) – 9:30pm, Free

    June 9 – Funk n’ Waffles – Syracuse, NY
    Ghost-Note (Members of Snarky Puppy) w/s/g Chiggin – 9:30, $10 Adv/$15 DOS

    For more information visit their website.

  • Listen: Karolina Rose “Goodnight, Mr. Moon,” an electro-pop gem

    Karolina Rose, a Polish-American singer-songwriter based in Brooklyn today released her second single “Goodnight, Mr. Moon.” The midtempo and dark electro-pop gem explores grief through dreams while pulling on the moon as a muse. Rose will release her debut EP, produced by Andros Rodriguez (Florence and The Machine, Madonna) on August 10, and is already hard at work on her second EP with producer Elliot Jacobson (vérité, KAYE).

    The lyrical spark for “Goodnight, Mr. Moon” came from a conversation with experimental artist Heide Hatry, about her work with human ashes, and asked Karolina if she could write a song about death and perform it in her end of year showcase.  “As soon as I left the concert in the LES where she and I had met up, I had the song coming to me in my head and was singing it as I was walking down the street. Initially, it was just “How do I get you back? All the pieces in one. How do I get you back? All the pieces came undone.” I kept thinking about the theme of putting the pieces together to bring one’s loved one back,” recalls Rose. Coupling this concept with Karolina’s frequent nightmares, the first verse takes inspiration from a nightmare she woke from to see the moon projecting a spotlight onto the wall. Combining these two concepts led to her writing a song about a woman who processes her grief in dreams. “She thinks it is totally real until the end of the song when she wakes up from the dream and knows that it’s really time to say goodbye, indicated by the last lyrics: “Goodnight, Mr. Moon, you gave a kiss of peace, sweet gentle release.”

    With this dark seed of inspiration planted, thoughts of grief and delirium began to dance in Karolina’s head. ‘Goodnight, Mr. Moon’ is a grieving lunar daydream. After meeting producer Andros Rodriguez (Madonna, Florence and the Machine) last year, the two began collaborating shortly after and the Polish-American artist swapped the mundane for the magical, rediscovering her romantic soul. Now, with quixotic passion, Karolina explores a celestial grief. Listen to “Goodnight, Mr. Moon” on Spotify.

  • Herbie Hancock Earns Honorary Doctorate from New England Conservatory

    Legendary jazz composer/performer and 14-time Grammy award-winner, Herbie Hancock, was celebrated on Sunday, May 20, 2018 and received an honorary doctorate as part of the 147th Commencement ceremony in NEC’s (New England Conservatory‘s) Jordan Hall.

    Herbie Hancock © Eric Antoniou courtesy of NEC.

    Hancock was one of four distinguished musicians to receive an honorary doctorate. Joseph L. Bower, Edgar Albert Meyer, Jr., and Peter Lyman Row were the other recipients of NEC’s honorary doctorates.

    According to NEC:

    “Born in Chicago, Hancock was a piano prodigy, performing with the Chicago Symphony at age 11. His career began after being discovered by Donald Byrd and, shortly thereafter, he joined the Miles Davis Quintet; he later made appearances on Davis’ groundbreaking In A Silent Way and Bitches Brew, which heralded the birth of jazz-fusion. After leaving Davis, Hancock put together a new band called The Headhunters and, in 1973, recorded Head Hunters, which became the first jazz album to go platinum. The winner of multiple Grammy Awards, he also won an Academy Award for his film score ‘Round Midnight. His 2007 tribute album River: The Joni Letters won the 2008 Grammy Award for Album of the Year, only the second jazz album ever to win the award, after Getz/Gilberto in 1965. Recently named by the Los Angeles Philharmonic as Creative Chair For Jazz, he also serves as Institute Chairman of the Thelonious Monk Institute of Jazz.”

    Approximately 265 students graduated from NEC’s degree, diploma, and certificate programs this year along side Hancock while he received his honorary doctorate. Students graduated in a range of studies including: Bachelor of Music, Master of Music, and Doctor of Musical Arts degrees, as well as Graduate Diploma and Artist Diploma.

  • The Nectars Release Video for “We Will Run” off Upcoming Debut Album

    Raging in New York’s underground music scene, New Jersey group The Nectars have released the video for “We Will Run,” the third single off their upcoming album Sci-Fi Television, due out June 1. The punk rock quartet have a sound of brash excitement reminiscent of the New York punk scene of the late 70s with an indie-pop twist. They previously released videos for “Heaven” and “I Want It.”

    “Our music video for ‘We Will Run’ is a love letter to simpler times. A tribute to the New Jersey of our youth. A wish for a better world” explains singer Jessica Kenny, “We wanted to capture the feeling of running away with your friends, escaping the monotony of daily life and believing in each other. With the long, balmy, summer days ahead we have our souls set on nostalgia. We Will Run, together. Here in The Nectars, we’re just 4 regular kids who want to make music, chill with our squad, be FREE and be in love. To us, this video was about sharing our story of following our dreams both on the stage and off.”

    Preorder Sci-Fi Television on iTunesThe Nectars

    UK Tour Dates:
    May 16th – London, House Of Vans
    May 17th – Brighton, The Great Escape
    May 18th – Pontypridd, Muni Arts Centre (Sold Out)
    May 19th – Birmingham, O2 Academy (Sold Out)
    May 21st – London, The Bedford (acoustic)
    May 23rd – London, The Monarch (headline show)
    May 25th – Nottingham, Dot To Dot Festival
    May 26th – Bristol, Dot To Dot Festival
    May 27th – Manchester, Dot To Dot Festival

  • Domefest 2018 Recap and Gallery

    A good music festival can be just as much about the patrons as it is the bands that are playing. Sometimes you’re lucky enough to find the perfect mix of the two. When that happens, it creates a truly harmonious feeling that every single attendee will take with them even after they leave the festival grounds. This pretty much sums up what Domefest is every year, especially in 2018.

    This would be the 9th version of Pigeons Playing Ping Pong’s annual event, and it would prove to be the biggest and best one so far. With a sellout crowd of 1500 smiling faces ready to dance and have a good time, this flock would provide more than enough sunshine despite the rainy conditions that would persist throughout the fest.

    Domefest 2018

    The opening Thursday night music got the weekend started off with a bang. The Magic Beans, Formula 5, and Strange Machines warmed up the hungry crowd on the main stage while Shwizz took the set break duties on the side stage. Of course, this is the Pigeons’ festival, and they let everyone know who the headliners were when they took the stage Thursday night.

    Playing to the theme of “Throwback Thursday,” the band’s only one-set show of the weekend would not disappoint. This was also lead guitarist Jeremy Schon’s actual birthday, so fittingly, the band started off the set with some birthday wishes. Most notable in this set was the bust out of two songs, “Candy” and “Dutchmaster,” both of which hadn’t been played since 2012 and 2011, respectively. Just to pull the curtain back on this moment for the readers a little, there’s a very good friend of mine (and the band’s) named Mike. He is, quite probably, Pigeons fan number 1 and “Dutchmaster” was his golden goose that he had basically resigned to the band never playing again. So when they called him out by name and dedicated the song to him, it was one of those special band/fan moments that you just can’t help but smile and feel good about. After the Pigeons set, The Mantras would take the crowd deep on the late night stage well into the night. Needless to say, despite the wetness and mud, day 1 was a great indicator of what the rest of the weekend would entail.

    Domefest 2018

    Friday would bring more rain and mud, but more importantly, more great music and good vibes. I’ve never seen a festival crowd happier to be out in the rain and sloshing around in the mud. It seemed like a literal afterthought on everyone’s mind and that feeling was infectious. It was rainy in the campgrounds, but sunny in our hearts.

    The music on Friday afternoon featured Flux Capacitor, Joe Hertler and the Rainbow Seekers, West End Blend, and Headless Robot. Mateo Monk and Cycles would take care of music during the setlist breaks, save for one set break featuring Schwa, which is the side project of Pigeons’ bassist Ben Carrey. Broccoli Samurai then set the stage for the first two-set P4 show of the weekend.

    As the first Pigeons set started, it started to become apparent that something wasn’t right with Greg’s voice. He basically let the crowd sing the whole first verse of “Poseidon” before it was clear that he wouldn’t be able to keep singing without completely losing his voice for the weekend. After pushing through the rest of the first set with superb versions of “Schwanthem” and “King Kong,” even a bust out of the Jefferson Airplane classic “White Rabbit” was sung by drummer Alex Petropulos, and impressively nailed at that.

    During setbreak we were all wondering how the second set would play out without a lead singer. Would they switch up vocals? Play a set of only instrumentals? Will Greg just keep trying to sing with a raspy voice? All those questions would be answered within about 10 minutes of the second set’s opening song “Whirled.” It became pretty clear once they started really getting deep in the jam what was going to happen, and it was pretty amazing to watch (and hear). They would take the song on a 60+ minute ride, making it the second time in their career that they’ve played a single song set. (The first was on 4-15-18) This is a must listen for any fan of improvisational music; there really aren’t many bands that can keep a jam interesting for an hour. This one felt like something they had been working on for a while, which is the true measure of a great jam in my opinion. They would encore with one of my favorites of their instrumental tunes, “Avalanche.”

    The Magic Beans lit up the late night stage on Friday, and they would not disappoint – definitely a highlight of the weekend for me. This was only the second time I had seen them and now I know why so many people talk about them. They are a very promising band that everyone should keep an eye on.

    After some much needed rest, the final day of the festival would begin bright and early with Baltimore’s own Squaring the Circle opening up the main stage. The funky dance party would continue all day with bands like Ernie Johnson from Detroit, Backup Planet, and the McLovins. Baltimore power trio Deaf Scene would take up most of the set break duties on Saturday, aside from a special setbreak set by Pigeons’ front man “Scrambled” Greg Ormont.

    All day, people were wondering if Greg would try to sing at any point. The answer, for this set at least, was that he would not. Using handwritten signs as props to speak to the crowd, he let them know that he had “lost his voice, so I’m just gonna jam.” And jam he did, complete with a pretty impressive tap dance for good measure.

    Mungion would set the stage for the final Pigeons show of the weekend. It was the first time I had seen these guys and I can’t wait to see them again. One of the great things about Domefest is how careful the band is about picking their support. Every time I’ve been to a Domefest, I’ve come away with at least one new band that makes me want to seek out their music and see them live when I can. Mungion was one of those from this weekend.

    As the crowd waited for the Pigeons’ weekend finale, there was much speculation about Greg’s voice and if he’d be able to handle two sets of vocal duties. Miraculously, after saying he drank an “entire honey bear” before the show, he was back to his old form. Belting out crowd favorites like “Melting Lights” and “Penguins,” the band definitely seemed to feed off the energy of their newly rejuvenated front man. The second set was maybe my favorite set of music from the weekend. The section of “Dome People” > “Su Casa” > “Horizon” felt particularly poetic. “Dome People” is, of course, about the festival itself and has been in the band’s rotation since Domefest’s inception, followed by “Su Casa” with its chorus of “This is your home now” and then “Horizon” with “Celebrate the people you love,” this seemed like a very intentional musical hug from the band to the crowd, thanking them for all of the love and support that made the event so special. Another great highlight from this set was the debut of a cover of Pink Floyd’s “Shine on You Crazy Diamond,” complete with a 4 to the floor funky jam for good measure. I love when a band takes a cover and makes it their own, and that is exactly what they did with this one. Ending with a raucous version of “The Liquid” and encoring with an incredibly fun “Julia” > “Super Mario” > “Julia” sandwich, they would put their triumphant stamp of success both on this set and the weekend as whole.

    The final night of the festival would see a double dose of late night sets coming from The Fritz and Vibe and Direct. Both bands were absolutely great, they took full advantage of being the last acts on the bill and seemed to give all of the weekend warriors a second wind all the way to sunrise.

    To wrap this up, Domefest is one of those very special small festivals. The hard work the band puts into this fest every year really shows in the product they put out. They are truly dedicated to making sure the Domefest experience is a great one for every single ticket holder. The band really cares about their fans and the fans, in turn, show all of that love right back. Just to let everyone know, the band members literally work at the festival despite headlining it. When I arrived to the main gate, one of the first people I saw was Greg with a walkie talkie making sure everyone was getting in o.k. and things were running smoothly. This is something that people notice, and it goes without saying that all of us genuinely appreciate the effort. The flock is a great group of people too. Everyone all weekend was helping each other if they needed it, pushing cars out of the mud, helping people back to their campsites if they were struggling, offering dry clothes, spreading hay around to make it less slippery. It’s always really amazing to see a large group of people that genuinely cares about each other’s well-being and happiness. As the band grows, inevitably so will the festival. Hopefully, all those same good loving vibes will continue to grow bigger every year too, and we can all continue to gather together each May to celebrate the people we love.

    Review by Matthew Bowers, photography by Matt Shotwell and Mikki McMahon

  • Brooklyn’s Castle Black Releases Music Video, New EP to Follow

    Brooklyn grunge, post-punk rockers Castle Black have released a music video for their song “Broken Bright Star,” which comes off the band’s 2017 EP, Trapped Under All You Know.

    Filmed in Brooklyn, the band once again turned to director Jeff Allyn Szwast for this project after directing the band’s video for “Dark Light.” The video shows their fondness for spells, dark magic and pagan-inspired rituals.

    Szwast talked about once again teaming up with Castle Black: “I love working with Castle Black, because I feel like we get to make these fun, narrative mini-films. Leigh and I have similar tastes in aesthetics and themes, and all of us enjoy infusing the work with a certain amount of ’90s head-nods, as we all draw a lot of our early influence from that era.”

    After recently hanging out in the studio, Castle Black is set to release their fourth EP this summer, titled The Gods That Adored You. The band tapped one of the industry’s best engineers/producers for the EP in Mark Plati, who has worked with artists like David Bowie, Prince, Spooky Ruben, The Cure and Duncan Sheik. The EP was recorded by Michael Abiuso, at Behind the Curtains Media studio, and mastered by Jamal Ruhe of West West Side Music.

    The female-fronted Castle Black will play two hometown shows in Brooklyn during their current tour on June 8 at TJO Presents Showcase (Northside Festival) and June 28, at The Well.

    Castle Black’s Remaining Tour Dates:

    June 8 – TJO Presents Showcase (Northside Festival), Brooklyn, NY
    June 28 – The Well, Brooklyn, NY
    July 6 – The Comet, Cincinnati, OH
    July 7 – TBA, Rock Island, IL
    July 8 – Bremen Cafe, Milwaukee, WI
    July 10 – FireHouse, Lancaster, OH
    July 11 – Melody Inn, Indianapolis, IN
    July 12 – The Cure Lounge, Louisville, KY
    July 14 – Camp Champe, West Branch, MI
    July 15 – Kelly’s Bar, Hamtramck, MI
    July 16 – Strum Around Productions, Sandusky, OH
    July 21 – The Uke, Manchester, NJ
    Aug. 3 – 9th Annual Elephant Talk Indie Music Fest, Mays Landing, NJ
    Aug. 4 – Kung Fu Necktie, Philadelphia, PA

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  • NYC Brazilian/American Alt-Rock Band, Added Color Release New EP ‘Mr. Industry’

    Brooklyn-based Brazilian/American rock band Added Color have released a their second EP Mr. Industry, featuring a unique blend of funk-infused alternative rock. The five-track release pulls on their Brazilian roots with pulsating energy and blend together a myriad of sounds, genres and inspiration into the album.

    Based in Brooklyn, Dan (drums/vocals) and Kiko Freiberg (guitar/vocals), are brothers hailing from São Paulo, Brazil, and joined forces with Tim Haggerty and Danny Dahan, for a fusion of backgrounds to form the band’s unique chemistry. Embracing and celebrating their widespread connections, the band has toured across the U.S. and toured internationally in Canada, Morocco and Brazil.

    Mr. Industry comes as a reflection and personification of the current state of the music and arts industry. “The character (Mr. Industry) represents the corporate mentality that has taken over the industry in a time where it is going through a crisis,” said Added Color. “Mr. Industry cares only about putting artists in a creative box and marketing them. Basically, if you sound like everyone else, it’s easier to associate you to other acts and sell you. The idea behind the EP connects with our overall message, which is about being yourself at all times no matter what. Mr. Industry is the force that we are fighting against as we live for honest and original music.”  Mr. Industry was recorded at state of the art Silver Cord Studios in Brooklyn, NY by Jamie Uertz (Blind Melon) and Grammy nominated Johann Meyer (Gojira/Roadrunner Records).

    The video for “‘Same Place’ documents their 2017 Spring Tour of Morocco, during which they played seven shows in seven different cities. The video’s trippy feel matches the theme of the song, which is about a dream in a dystopia where people conform to social norms and obligations as they get older.

    https://www.youtube.com/watch?v=a-FBYpuBV4Q

    Added Color will return to Morocco later this month, for a week-long string of dates, followed by a series of U.S. tour dates kicking off in late May. Stay tuned for the animated music video for “Panic Attack” coming soon.

    Added Color Morocco Tour Dates
    April 28 – Layounne, Morocco, Layounne Concert Hall, 8 PM
    May 1 – Safi, Morocco Safi Arts Center, 9 PM
    May 2 – Youssoufia, Morocco, OCP Place, 9 PM
    May 3 – Benguerir, Morocco, Benguerir Theater, 8 PM
    May 4 – Casablanca, Morocco, Megarama, 8 PM
    May 5 – Khouribga, Morocco, Mohammed VI Auditorium, 9 PM
    May 6 – El Jadida, Morocco, Performing Arts Center, 9 PM

    USA TOUR DATES
    June 1 – Northampton, MA, Fitzwilly’s, 9 PM
    June 15 – Portland, ME, House of Music, 9 PM
    June 16 – New London, CT, 33 Golden St, 10 PM
    July 12 – Manchester, NH, Shaskeen, 9 PM
    July 13 – Florence, MA, 13th Floor, 10 PM
    July 14 – New York, NY, Rockwood Music Hall, 11 PM
    July 20 – Fayetteville, NC, Drunk Horse Pub, 10 PM
    July 21 – Willmington, NC, Calico Room, 10 PM
    July 27 – Beckley, WV, Melody’s, 9 PM
    July 28 – Marietta, OH, Adelphia Theater, 9 PM
    Aug 2 – Chicago, IL, Tonic Room (Fuckapalooza), 8 PM
    Aug 4 – Pittsburgh, PA, Sound City Grille, 10 PM

  • Interview: Jon Lewis discusses his band’s latest album and making a living as a full-time artist

    Rochester’s Jon Lewis Band is experiencing its fair share of notoriety on the heels of releasing their eighth album in four years, Get Wild Somewhere. In the month of May, lead singer Jon Lewis made the media rounds, appearing on WXXI’s Connections with Evan Dawson to talk about how streaming is impacting musicians, as well as on college radio stations WRUR and WBER, and the band opened the Rochester Lilac Festival.

    Jon Lewis interviewJon Lewis recently spoke with NYSMusic about the process of making music with his best friends, eeking out a full-time career in music and art, and the largest pizza he’s ever seen.

    Amy Cavalier: What inspired this album? Why did you feel the need to fly out of Rochester to record this album?

    Jon Lewis: After we finished recording our previous EP “Baby Brother,” we were given an amazing opportunity to record in our friend’s newly built studio in Los Angeles. With that in mind, we began to write and practice songs that were all intentionally constructed to be played and recorded live. We didn’t want to do any overdubs or try to manipulate our sound too much. This made it possible to record in a shorter period of time and also enabled us to make something that showcases all of our individual strengths. All the songs were written for this album. A totally fresh brew of tunes.

    AC: Despite some major weather delays, you were able to record this in just a few days. What types of challenges arose and what did you learn from the process?

    JL: This experience was insane. We were supposed to have a solid three to four days in the studio, but because of nearly two full days of weather delays, we only had a day and a half to record the album. In the end, we had prepped for such a thing and ended up recording the entire band live in one day. We never wanted to take a long time, and it almost seemed like Mother Nature was challenging our convictions and everyone in Jon Lewis band rose to the challenge.

    We showed up ready to play, and everyone at the studio made it possible by prepping and being on-hand for the whole process. Plus, there was a brewery across the street, so we were well taken care of. We also ate the biggest pizza I had ever seen that had to be taken in through the loading dock door because it was too large to fit through the door.

    AC: What was the idea behind the creation of the video for “Cinnamon Only,” the sixth track on Get Wild Somewhere? How long did it take to create? Do you plan to make videos for more of your songs?

    JL: I animated the video entirely using colored paper and sketches I made. It took about a month from start to finish. I drew and cut out the characters, then photographed/animated them against a green screen. Then I put all the layers together to create something I like to call “Paper World.”

    I’ve done several of these projects and it’s truly a joy and passion of mine. This video was created as I went; I started drawing a face and then thought, “she should be riding a motorcycle” and then when I drew that I thought, “and she should be accompanied by a wolf spirit guide” and then just kept drawing and writing as I went. The plot and story completely unfolded as I continued to work, just letting the song dictate the imagery. I will definitely be making more videos, just as soon as I get some time.

    AC: How do you find the inspiration to keep coming up with new material on such a regular basis? What does the songwriting process look like for the JLB?

    JL: The songwriting for the band has been an ever-evolving creature. In the beginning, I did a majority of the song writing, taking songs from my acoustic catalog and then translating them into a full band format. As time has passed, Dave Drago and I have become more of a battery for song writing. This new album is an example of how far we’ve come.

    The inception of songs coming from Dave and myself, and then constructed and enlightened by everyone in the band. A true commutative effort. I still write quite a lot of songs specifically for my acoustic performances, as well as songs intentionally created for my alter-ego “Mr. Loops.” I am incredibly lucky to have different purposes for songs I write and that definitely helps the creative energy.

    AC: You put out a very fun social media presence….your band seems like the kind of guys you could really just hang out with. Have you put thought into the image your band emulates? Or is this organic?

    JL: Marketing and managing social media is a fun and yet also a very daunting task. I manage it all. Our band’s main purpose and function are that each member feels a no-stress and all-joy connection to the music. We are brothers and friends and family and without that feeling, we would not care to exist. It helps put out the right vibe and deep down that is because we feel it on a very real level.

    AC: Your fans helped fund the recording of this album. Why do you think your fans are so willing to support you and eager to see you succeed?

    JL: This album would not exist without the incredible love and support we got from our fans through our fundraiser. Once we decided to make the album in LA and to track it live, we knew this was the album to press on vinyl. We were successful after a few weeks time and that sent us to LA feeling so much positive energy, most certainly fueling our ability to overcome obstacles and make the music the best we could. I know our fans are invested in hearing what this journey has meant for our sound and how far we’ve come since our last release and I cannot wait to share it.

    AC: If you could describe each of your band mates to a stranger (as a person and a musician), how would you describe them? And if they could describe you, what would they say?

    JL: Dave (Drago, bass) is dad. He’s the reason any of the music exists as he has engineered/recorded and produced all of our albums in his studio 1809 Studios (link). He’s got vision, he’s upfront and he sees the infinite potential in a song and person unlike anyone I’ve ever met.

    Jake (Walsh, drums) is our heartbeat. Consistent, positive and present, he has maintained the beat of the band since the very beginning. One of the most talented and empathetic human beings you can ever wish to meet.

    Shawn (Brogan, lead guitar) is our hot sauce. His lead guitar licks and dissident sounds create the soul of our music. He’s technical and always creates a well-constructed lead lick. He’s “ride or die” and balances our sound and our group with energy and support.

    Alex (Northrup, keys) is our bed. When Alex joined the band we knew we were finally comfy and complete. One of the most talented musicians I have ever met, he can pick up literally any instrument and make it sing. He’s technically proficient and also carries an edge of insanity that fits in with us so well. He’s a compassionate and amazing human.

    Jon Lewis (lead vocals and rhythm guitar) I literally have no idea how the band would describe me but I would hope they would say something nice (or else).

    AC: You are currently making a full-time living with music and performance art. Was this always your intention? What does it take to be a successful full-time musician in a small pond such as Rochester? Are there advantages to doing this here vs. in a bigger city with more competition?

    JL: I am a full-time artist. I dropped out of college before I incurred any debt and went straight into the workforce. I worked sales for 10 years before building a foundation to quit and make art full-time.

    It’s not easy, and I have to find new and innovative ways of making a living outside of just performing and making music. I do documentary film making for local historical societies, I animate and create music videos, and I perform music for kids as “Mr. Loops” – this combination has created an ever spinning wheel of work for me that keeps the dream of not going back to “work” possible.

    If you want to chase a dream like this, you have to keep your eyes and doors open to different ways of being creative, and getting what you deserve for your creations. Rochester is certainly a more affordable place to live and play than larger cities, making this sort of crazy notion possible.

    AC: Do you have a bigger vision for the Jon Lewis Band…not just to dominate the local Rochester music scene, but to make yourself known to a wider audience?

    JL: I definitely keep an ever-expanding vision alive for my art and my music. I have very little expectations but I truly pour all of myself into every creation with the knowledge that there’s no way of knowing how long I will be lucky enough to be alive and make music. I would love to tour more, and still have many different adventures to take with performing.

    AC: You recently traveled back to LA to audition for Blue’s Clues…how did that come about? Although you did not get a call back, what did you take from that experience?

    JL: I sure did! After never being to LA as an adult I found myself there twice in a three month period. I couldn’t resist the opportunity to send my information and videos into Nickelodeon when I heard from a dear friend Malcolm Whitfield that they were looking for a new Blues Clues host.

    They did respond, inviting me out to audition in person and I jumped at the chance. It was an amazing experience and one I will never forget. More than just the insanely cool audition experience, I was able to spend some serious quality time with my long-time friend Johnny McHone and soak up the sun more than we had a chance to when we were recording Get Wild Somewhere. I learned that, especially in LA, if you bring a positive and giving attitude to the city (no matter if you “win or lose”) that the city and life will repay you tenfold.

    AC: How often do you perform as Mr. Loops? What other ways do you cobble together your living? Would you describe yourself as a starving artist? Or do you feel like you’re finally making headway?

    JL: I perform regularly as Mr. Loops but would like to perform even more. I love to play music for kids and it keeps me silly and having fun in a business that can certainly be hard to manage. I find that the “struggle” of being an artist full-time greatly outweighs the “comfort” of a less rewarding career. I feel truly connected and alive making music and making art.

  • The Black Dahlia Murder Kicks Off Tour

    Detroit’s melodic death metal band, The Black Dahlia Murder, have hit the road recently, and are set to visit over 40 cities across North America on their tour.

    The tour will take place in two parts, first seeing support from Homewrecker for the first twelve dates, starting in Minnesota and ending June 1 at Ground Zero in Traverse, MI. After a small break, the band will then head out with Whitechapel, Fleshgod, Apocalypse, Aversions Crown, and Shadow of Intent starting on June 8 in Chicago.

    The second portion of the tour will make two stops in New York, first on June 13, at Funk N’ Waffles in Rochester, and June 15, at Stage 48 in NYC.

    Formed in 2001, The Black Dahlia Murder has released eight studio albums, including 2017’s Nighbringers. The band’s last seven releases have charted on the Billboard 200, with the last five reaching inside the top 50 on the Billboard 200 chart.

    Dates with Homewrecker:

    May 19 – Red Carpet Nightclub – St. Cloud, MN
    May 20 – The Aquarium – Fargo, ND
    May 22 – Pub Station – Billings, MT
    May 23 – The Pin – Spokane, WA
    May 24 – Modified Ghost Fest – Vancouver, BC
    May 26 – Dicken’s – Calgary, AB
    May 27 – O’Brien’s – Saskatoon, SK
    May 28 – The Park Theater – Winnipeg, MB
    May 29 – Crocks – Thunder Bay, ON
    May 30 – The Working Class – Timmons, ON
    May 31 – Club 151 – North Bay, ON
    June 1 – Ground Zero – Traverse, MI

    Dates with Whitechapel, Fleshgod, Apocalypse, Aversions Crown, Shadow Of Intent:

    June 8 – House of Blues – Chicago, IL
    June 9 – Agora Theater – Cleveland, OH
    June 10 – St Andrews Hall – Detroit, MI
    June 12 – The Opera House – Toronto, ON
    June 13 – Funk N Waffles – Rochester, NY
    June 14 – Paradise Rock Club – Boston, MA
    June 15 – Stage 48 – New York, NY
    June 16 – Trocadero Theatre – Philadelphia, PA
    June 17 – Baltimore Soundstage – Baltimore, MD
    June 19 – The NorVa Theatre – Norfolk, VA
    June 20 – Tarheel – Jacksonville, NC
    June 22 – Jannus Live – St. Petersburg, FL
    June 23 – Revolution Live – Fort Lauderdale, FL
    June 24 – Masquerade – Atlanta, GA
    June 26 – Basement East – Nashville, TN
    June 27 – Southport Music Hall – New Orleans, LA
    June 28 – White Oak Music Hall – Houston, TX
    June 29 – Vibes Event Center – San Antonio, TX
    June 30 – Gas Monkey – Dallas, TX
    July 2 – El Rey Theater – Albuquerque, NM
    July 3 – The Pressroom – Phoenix, AZ
    July 5 – Strummer’s – Fresno, CA
    July 6 – House Of Blues – Anaheim, CA
    July 7 – The UC Theatre – Berkeley, CA
    July 8 – Ace Of Spades – Sacramento, CA
    July 10 – Ogden Theater – Denver, CO
    July 11 – The Truman – Kansas City, MO
    July 12 – Icon Lounge – Sioux Falls, SD
    July 13 – Cabooze – Minneapolis, MN
    July 14 – Rock USA – Oshkosh, WI *

    * The Black Dahlia Murder only

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