A virtuoso stacked super jam featuring Warren Haynes, John Medeski, George Porter Jr. & Joe Russo was held at The Capitol Theatre to benefit the worst disease you’ve never heard of. The venue was packed with support for both the music and the cause of Debra of America.
Spirits were high and the boys were excited to deliver an impressive performance. Classics such as “It Aint No Use”, “Hey Joe”, and “Soulshine” were weaved into two impressive sets filled with masterful improvisation.
Brooklyn-based quintet Phony Ppl have shared their funky new song, “Something About Your Love”, off their forthcoming album, mō’zā-ik, due out Oct. 19. Phony Ppl blend soul, funk, and R&B and are not limited to just one genre, as evidenced by this track mixed by Grammy Award winner Qmillion. Complex premiered the song, who said “Although this track details the experience of heartache and pondering the right time to leave a toxic situation, the band creates a balance with the instrumentation that mirrors the good moments we tend to focus on when ignoring all the red flags.”
Explaining the track, frontman Elbee Thrie noted, “It’s a song about staying in a relationship you know is poisonous. We recorded it at a Universal Audio session in Santa Cruz, CA then finished back in NYC at ‘The Cabin’ at The Manhattan Center” Phony Ppl also earned cosigns from heavyweights Childish Gambino and Tyler The Creator, who named “End of the Night” one of his favorite tracks that year.
Phony Ppl have performed with Erykah Badu and The Roots, along with opening for 2017 breakout star Kali Uchis on her nationwide tour, and individual members have shared their talents on projects from Snake Hips, Princess Nokia, Mac Miller and Odd Future.
All five members of Phony Ppl come from a long line of musical families which helped cultivate their own love for the artform. Each member attended music classes and schools across the country, including Juilliard and the School of Rock, before finding each other in 2009. Those early after-school jam sessions evolved into the band’s current lineup, featuring Elbee Thrie on vocals, Elijah Rawk on lead guitar, Matt “Maffyuu” Byas on drums, Aja Grant on keys and Bari Bass on bass guitar.
Upcoming Tour Dates:
Nov. 8 – The Fillmore – San Francisco, CA
Nov. 9 – The Catalyst – Santa Cruz, CA
Nov. 11 – The Pressroom – Phoenix, AZ //
Nov. 13 – Summit – Denver, CO
Nov. 15 – Wooly’s – Des Moines, IA
Nov. 16 – The Rave – Milwaukee, WI
Nov. 18 – Vogue – Indianapolis, IN
Nov. 19 – House of Blues Cleveland – Cleveland, OH
Nov. 20 – The Danforth BIA – Toronto, ON
Nov. 21 – The Fillmore Silver Spring – Silver Spring, MD
Nov. 23 – The Fillmore -Philadelphia, PA
Nov. 24 – The National – Richmond, VA
Nov. 25 – Irving Plaza – New York, NY
Nov. 26 – Irving Plaza – New York, NY
It’s always going to be a fun night when a band sells out a show. It’s going to be even better when that band is Brooklyn’s own, Turkuaz as the funk power house came to Putnam Place in Saratoga Springs on Saturday, October 6. Butcher Brown opened the show with a very groovy set with lots of peaks and valleys. They’ll be starting off each night of Turkuaz’s tour this month. Make sure to get there early and check them out.
This show was truly one for the fans. With a rare “Gremlins” opener, the band played a slew of incredible classics from their beginnings to start their extra long single set. The energy was peaking for what seemed like the entire show, and with a back to back “Everyone’s a Winner” and “Life in the City,” you could only hope the night would never end. The balance of all the instruments, all the harmonies, all the raw power came together to finish the night with an energetic “Monkey Fingers.”
You can catch the band around the country for the next couple months. They are down south this week before coming back up to Northampton MA, Providence RI, and a finishing their northeast run with a huge show at the Capitol Theatre in Port Chester. They will also be sharing the stage with tons of amazing talent, such as Cory Henry & the Funk Apostles, Lettuce, and Rubblebucket.
Downtown Albany celebrated in style on Saturday, September 29, with two birthdays and a first-time performance at The Hollow Bar + Kitchen. Formula 5 hosted the night, as the Upstate NY group helped close out one member’s birthday while ringing in another during an appropriate hometown throwdown. Warming things up for the night ahead was a new-to-Albany band, Swimmer.
Founded in the depths of rickety Plymouth State University basements in 2013, the funky, improvisational quartet has grown with the seasons and emerged on the scene as quite a contender in their genre. The Burlington, VT musicians have been able to corral flocks of fans from their shared bills with top tier performers like Dopapod and Pigeons Playing Ping Pong. Adding Formula 5 to the mix, it only made sense that Albany and it’s strapping live music scene was their next destination to become acquainted with.
Aiming to set themselves apart from every other jam-band to emerge from the hippy depths of Vermont, Cotter Ellis (drums), Matt Dolliver (keys/sax), Joe Agnello (guitar) and Jack Vignone (bass) tapped into their truly zany nature, showing off their musical chops and refreshing individuality. It was their tasty covers of Frank Zappa’s “Son of Orange County” >”Trouble Every Day” that found all patrons swiveled in their barstools and cheering on foot, asking their neighbors what band was playing.
Ready to bring the high-energy festivities to the stage, birthday boy Matt Richards (keys) along with Joe David (guitar) and James Woods (bass) brought their “Widespread’s Dead” covers to their NY fans. Their latest tour boasts an assortment of tracks from the well-loved artists Widespread Panic and Grateful Dead, with Formula 5 originals interwoven throughout the set.
Richards kicked off the night manning the mic for F5’s own “Bird Song” before tossing in an array of anticipated covers. Although Grateful Dead cover bands certainly aren’t lacking, you can’t help but smile and sing along whenever a Dead tune begins. Once Davis sang the opening notes of the Dead’s “Tennessee Jed,” there was nothing left for anyone to do but smile, smile, smile. Widespread Panic’s “Coconuts” acted as the fan-favorite pinnacle of the night as it was sandwiched between “Tennessee Jed” and a soothing take on “Terrapin Station.”
Normally celebrating the day after Thanksgiving at The Hollow, Formula 5 took the time to address the crowd for an announcement that their Black Friday gig would make the jump over to The Palace Theatre. On Friday, November 23 the quarter will support the Disco Biscuits during their two-night Albany run.
Swimmer Setlist: Murphy’s Law, Do it Myself > Son of Orange County* > Trouble Every Day*Jig -> Hyperbole, Curious Spaniard, Cornwallis *zappa cover
Formula 5 Setlist: Bird Song^-> Blue-> Bird Song^, Greta~-> Booher’s Pass, Tennessee Jed^ Coconuts~ Terrapin Station^ Nu-Gen*-> In The Sand-> Gettin’ Tough Again, Hot Box, Love Tractor~
^ Grateful Dead
~ Widespread Panic
* Unfinished
Rhiannon Giddens headlined a benefit for the American Center for Folk Music (ACFM) in New York’s Hudson Valley, at the Towne Crier in Beacon on Wednesday September 13th. Giddens, an ACFM Advisory Committee member, was joined by multi instrumentalist Francesco Turrisi for the evening’s performance. The duo shared new material along with songs dating back to the origins of folk music. Opening the show was Bruce Molsky, a two time Grammy nominated fiddler and Beacon resident. The American Center for Folk Music’s mission is to celebrate America’s rich legacy of folk music.
Guitarist Rob Compa joins Empire State Music Podcast host Andy Hogan to discuss time away from Dopapod, life in Burlington, various musical side projects, his upcoming debut solo album, and more!
Plus get an exclusive look into Compa’s guilty pleasure bands you will not want to miss. Visit robcompaguitar.com for music, tour dates, and more!
The long-awaited music video by New York-based band Gallons of Pork, “WEED POLICE,” debuts today on NYS Music. The song has been an unexpected hit in the Northeast DIY scenes. Produced by Jack of Trades Media, the WPD are a specialized squad who gauge random folks on their Tetrahydrocannabinol levels, tirelessly searching for any dweebs who pass on that loud.
Gallons of Pork assures fans that there is more to the WEED POLICE than meets the eye: “They will arrest you for not being high / that’s about it, that’s all they do.” … Along with violent involuntary dosing, civil asset forfeiture, and brutal arrests.
Bassist and video director Frankie Krungus says of the video, “Our nerdy side is apparent; the video is rife with Dragon Ball references, combo moves, and sound effects. I was really inspired by music videos like Black Flag’s ‘TV Party’ and anything by Mac DeMarco, so I took that and peppered it with my dear childhood memories of watching raunchy dashcam footage on YouTube and the tv show ‘Cops.’
Gallons Of Pork blurs the lines between genres with versatile and high-energy music that is highly addictive, loaded with chemicals, packaged and ready to serve. Gallons of Pork are in a class of their own with bizarre caricatures and zany tonality, teetering atop the precarious point between magnetism and chaos. These are stories about the band and their encounters in a world that they never asked to be born into – each song an expertly-sourced blend of extreme elements of metal, jazz, punk, funk and more, designed to shake the hanging meat right off the hooks.
Gallons of Pork is bassist Frankie Krungus AKA Copus Krungus in WPD, guitarist and vocalist Joe Kap (the good citizen), singer Peter Grancio AKA Sneaky Pete, guitar maestro Mo LaMastro (another target of the WPD), and drummer Mike Sandbags AKA “Mikey Gash.”
The band formed when Frankie gathered these hooligans in a rehearsal space. He and Mike knew each other from back in their hometown of Staten Island, NYC. Mike performs with his band Figurehead who is based there. The first time Frankie and Joe Kap met, they jammed while an edible kicked in. Joe gave the band a home to jam and write songs out of on Dietz Street in Oneonta, NY. Mo LaMastro has developed a musical language and flavor unique to his own style and this band. Pete has been a recent addition to the band, at first as engineer, then producer, then performer. He transcends from a bizarre vocalist on the record into an in-your-face MC live. He also plays drums in the bands Elm Sun and Gamma Ghouls, whose members are all featured in the Weed Police video.
The band is currently recording their third album, The Third Annual Phram Dongleson Memorial Hot Dog Eating Contest for a digital and vinyl release in April 2019, with eight tracks that incorporate their improvisational & multi-genre instincts into a freshest farm to table sound.
If a band is going to perform on the rooftop of a building to nearly 3,000 people, and that rooftop is in Manhattan, then the show should feel larger than the sprawling metropolis itself. That’s exactly what jamtronica heavyweights Sound Tribe Sector 9 (STS9) did on their two-night run this weekend at new music venue Rooftop at Pier 17 NYC.
An aerial view of Pier 17 during the show, taken by photographer Bill Bernal aboard a FlyNyon helicopter.The Seaport on South Street has seen an artistic resurgence in recent times, and part of that has been the harbor’s opening of a brand new live entertainment venue in August, Pier 17. The venue sits on the rooftop and commands breathtaking views in all directions. Musicians from Sting and Shaggy to Kings of Leon, as well as Comedians like Amy Schumer have graced this rooftop gem. But even with those big-name acts, the venue featured one of its most anticipated events so far in Sound Tribe’s two night run this weekend.
Night One
Peaceblaster’s “Metameme” kicked things off in comfortable and colorful style, as Tribe’s lights began to illuminate the New York City night in similarly cosmic, mind-bending style. Night one overall would be a well-appreciated offering of old school-style Tribe, not only in the songs making the setlist but also in the spirited feel the band found again and again through the evening, harkening back some of their best days of live performance over the past many years. Such night one gems as “Ramone and Emigilio” even with its relatively new style, and a first-set “When The Dust Settles Reprise” instilled some spontaneous joy in the die hard percentage of the audience.
Following the opener was “Out of This World,” and its segue into “March” really helped the night launch proper. By the end of this nicely extended two-hit segment, around seven o’clock and barely twenty-five minutes into the show, the playing from the band was reaching top-notch and the energy on the rooftop reaching towards the sky. Over the last many shows this year, Tribe has been working in more drum and bass grooves into their live mix. Whenever the building energy of a particular song seemed to call for it, bassist Alana Rocklin and the twin percussion killers of Zach Velmer and Jeffree Lerner were given the floor to launch into energetic drum and bass sections.
Several times over, the night saw Rocklin meticulously weave her bass lines into the percussive wall that helped to charge some of the great night one jams. On one such drum and bass segment at the end of a fantastic version of “Reemergence,” Velmer saw a furious moment across the drum kit, and made for arguably the most exhilarating segment of night one.
Sound Tribe offered a banger of an encore for this first of two shows, with a “Water Song” that blended perfectly with “Kaya” to wrap it all up. As angelic white beams of light beaconed into the dark New York City sky, a gorgeous, liquefied, stretch of space linked the two songs seamlessly, with David Phipps leading on his pristine synth work.
Night Two
As the band took the stage again on night two, the iconic Brooklyn Bridge loomed behind, and a colorful sunset transitioned across the sky. The mood was incredible. Set one, which began with “Menacer”, felt like a jam filled donut, with the band seamlessly weaving new and old songs together. The high energy and sprinkled rap samples got the crowd going.
“Menacer” segued into Peaceblaster’s “Shock Doctrine,” and the heavy, dark undertones and electric riffs from guitarist Hunter Brown set the tone for the night. “A03,” a new, airy tune, came next, and was an exciting one for the crowd to hear, because STS9 had debuted this song at their Red Rocks Run only three weeks ago in Colorado.
“A03” segued into several classic Tribe tunes sandwiched together, starting with “Frequences 3.” This was not an ordinary Frequencies rendition, as the high energy Frequencies 3 was played first. The band smoothly moved into another older favorite, “Squares and Cubes.” The colorful light rig above the stage was dominated by illuminated squares and cubes, perfectly complimenting this song. Without stopping, the band continued into the mellower dance tune “Frequencies 2,” and eventually found their way back into “Squares and Cubes.” The band created a reverse “Frequences” “Scubes” sandwich, and the crowd was energized to a maximum level.
Next up was “ABCees,” another older STS9 song mixing dark undertones and reggae samples, and included another drum and bass section. “Strange Games,” was next, and utilized both Outkast lyrics and melodies from their own song “Get Loud.” The band closed the first set by transitioning into “When The Dust Settles,” which included lyrics from “Games”.
After a short break, the band returned with another newer song “Spending Time,” which they debuted at their recent New Years show. This segued into Peaceblaster’s “Beyond Right Now,” and also included a crowd-pleasing drum and bass section. The quintessential “Moonsocket” followed, and has evolved significantly since the Interplanetary Escape Vehicle release in 1998. “Moonsocket” included a longer jam that did not disappoint. The band changed gears with three new songs, “Dragon City,” “New Dawn, New Day”, and “Seed.” “Seed” segued into the fan favorite “Rent,” teasing “When the Dust Settles.”
STS9 ended their two-night run at Pier 17 on a high note, before returning to play one more song before the 10 pm curfew. They sent their fans home happy with an energetic version of yet another classic offering, “Be Nice.”
Albany’s Lark Fest 2018 featured beautiful late summer weather and local acts including opener The Ryan Leddick Trio, Bendt, and Mirk who released their fourth album Sense the night before. Kimono Dragons and Victory Soul Orchestra w/ J.B., aka Dirty Moses, kept the crowd pumped for headliner The Age.