Category: Media

  • Pearlpalooza 2018 Brings Sunny End to Summer in Albany

    The 2018 Pearlpalooza met a warmer-than-expected Saturday afternoon, bringing plenty of fantastic music to Pearl Street in Albany from both the local and national scenes to mark the last weekend of summer.

    Kicking off the afternoon at 1pm was the winner of Jupiter Hall’s Battle of the Bands El Modernist with a small but engaged crowd of Pearlpalooza early birds. Following El Modernist was another Albany band who’s quickly gaining ground with their garage rock-pop sound, Good Fiction.

    Moving on from one band in particular who caught the attention of many new listeners was Kitten, based out of the New York City area (with some strong Los Angeles roots from singer Chloe Chaidez). The Greeting Committee followed with an upbeat, light-hearted indie rock set before trading off to Vermont’s own  Caroline Rose. Closing out the afternoon with a large gathering in front of The Hollow was London-based Superorganism, an electro-pop group made up of talent from around the world whose stage show had as much detail as the composition of their songs.

  • West End Blend Fill the Hollow Void With Funk

    The Hollow was home to Connecticut’s own West End Blend on Friday, October 12. The jam-friendly funk group brought The Age to open and then put on a funk clinic for a packed room. Erica T. Bryan‘s soul flowed through the band as their jams crashed onto the dance floor again and again.

    West End Blend has quickly worked their way up through the ranks to become one of the best live acts touring the northeast. You can catch them this weekend at Disc Jam Presents Holloween Horror Camp. And, if you can’t make it to one of their shows coming up, you really ought to pick up their new live album, Live at the Waterhole, because there’s nothing like listening to a jam band jam.

    Photos by Zatchmo Lives Media

  • Older, Wiser and Sexier in Albany: Timberlake Brings Man of the Woods to Upstate

    Justin Timberlake kept step with his reputation for fast-paced, almost dizzying energy at his “Man of the Woods” tour on Saturday, October 20th at the Times Union Center. Timberlake and The Tennessee Kids infiltrated hip-hop music with some country vibe with a good outcome to an arena of mostly screaming, gyrating women of varying ages.

    In a dramatic entry, complete with laser show and smoke, Timberlake danced in with the same high energy he had as a teen performer in his boy band, NSYNC, but with the sexy confidence of a much wiser, older performer. He appeared to be having a great time, singing and dancing to “Filthy,” and reminding the audience repeatedly that he knew where he was, calling out to Albany during choruses.

    Timberlake looked to be broadening his style a bit, showing a music video by the TN Kids covering “Thank God I’m a Country Boy” before coming on stage. But after crooning out the John Denver song, the words, “If you love this country, you’re a country boy” scrolled across the screen, literally reminding fans to be inclusive in their thoughts about what to expect from Timberlake.

    Timberlake was dressed in a denim jacket adorned with a pine tree, black denim, and a white T underneath. His white sneakers shone in the light as he moved his feet with grace, appearing effortless as he danced in perfect time with his dancers and fellow musicians.

    Timberlake Man of the Woods

    He sang songs from his new album, “Midnight Summer Jam,” clapping along and highlighting musicianship in his band as much as his dancing. He appeared re-made, in some ways, to highlight a more folksy persona. His songs touched on the topic of love for his famous wife, Jessica Beil, and his young son Sam.

    Even so, the athletic performer didn’t shy away from old tunes. He jumped and danced to “Sexy Back,” reaching back to his fans from his first solo releases in the early 2000s. Indeed, some of the fans seemed to love him since his days on the Mickey Mouse Club, singing along with “Cry Me a River” and “Mirrors.” He invited Albany to “shake your upstate ass” as he himself shook his with the vivacity of a much younger hip-hop artist.

    Timberlake’s singing and dancing are only part of the show that makes it so much fun, though. He interacted with the crowd, talking with fans and revealing an audience member’s baby’s gender (it was a girl, or as Timberlake stated, “A little princess”) and pointing to audience members who seemed genuinely engaged. The sound at the TU was well balanced, making each syllable accessible to the crowd so that they could participate. Often, Timberlake dropped his microphone and let the audience sing along entire verses with glee.

    Timberlake Man of the Woods

    The screens that dropped from the ceiling, reflecting with videos, added to the visual appeal of the night. This show was different than most pop concerts brought to Albany; it was unexpected and clearly reaching for some creative messages. There were sets that changed: a campfire for a transition portion of the concert that featured the TN Kids’ vocalists, grasses and trees to generate a natural feel, and a background video about accepting all love added to the uniqueness of the experience. And then there were the laser shows, almost never used in our community for concerts.

    This was an arena performance.

    Most rockers from the 1990s return to Albany to play just their old stuff and stand in one place; Timberlake introduced some new music woven in with older songs, danced like he’s still 16, and helped fans forget they were in the warehouse of the TU for two hours.

    Timberlake Man of the Woods

    After the campfire sub-story, which quite possibly highlighted some of the sweetest voices by TN Kids’ singing Fleetwood Mac, Laryn Hill, Beatles, and John Denver’s covers, Timberlake played a tender “What Goes Around…Comes Around” before transitioning back to his current album. Returning to the main stage for “Say Something,” Timberlake’s recent hit with Chris Stapleton, the energy skyrocketed through the last seven songs.

    The high energy performer had fun, and so did his fans who were exhausted just watching him run, dance, jump and sing with his beautiful, velvet tenor voice. There were no bad seats in the house, as Timberlake played to the whole house, moving around so much between stages and on a walkway. For over two hours, Timberlake and the TN Kids tirelessly celebrated on stage.

    While it appears Timberlake is reaching for a new branding of sorts, he also appears to know the formula to keep fans blissfully engaged. By expanding to country music a bit, the wise Timberlake is making a nod to his birthplace, Tennessee, that is exploding bluegrass sound at present, while also staying engaged with the hip-hop fan base that grew his popularity the past 20+ years.

    Timberlake Man of the Woods

    His new songs, beautiful personal love songs to his wife and child, certainly show a more grown, mature performer who has the wisdom not to forget the past in search of the future. And his fans are learning from his wisdom: they too, regardless of age, appear to love Timberlake as much today as they did yesterday, if not more.

    Justin Timberlake certainly brought sexy back to Albany: an older, wiser, more mature sexy than years past, a sexy that was way more enjoyable than expected.

    Setlist: Filthy, Midnight Summer Jam, LoveStoned, SexyBack, Man of the Woods, Higher Higher, Señorita, Suit & Tie, My Love, Cry Me a River, Mirrors, Drink You Away, Until the End of Time(acoustic), Dreams (Fleetwood Mac cover), Ex-Factor (Lauryn Hill cover) Come Together (The Beatles cover), Thank God I’m a Country Boy (John Denver cover), Morning Light, What Goes Around… Comes Around, (acoustic)Say Something, Montana, Summer Love, Rock Your Body, Supplies, Like I Love You, Can’t Stop the Feeling!

  • Brian Fallon Gives His Fans a Wonderful Life

    Two of the best things in life are music and laughter, and at Brian Fallon‘s tour stop at the Keswick Theater on October 6, Fallon gave fans the best of both worlds. This stop in Glenside, PA on Fallon’s current Songs for the Hymnal Tour, gave fans songs from his solo and other projects (The Gaslight Anthem, Molly and the Zombies) with a mixture of storytelling about what he was thinking as he wrote some of his songs.

    Brian Fallon

    Fallon made a comment about not being good at sharing his feelings like opener Craig Finn, but his sense of humor throughout the show still gave fans a sense of who he is outside of his musical talents. The atmosphere was topped off by the uniquely designed backdrop from a view of the moon and stars from a city rooftop.

    Even being heckled by some of his fans didn’t make Fallon skip a beat. His witty sarcastic replies to the hecklers made the audience burst out into laughter like at a comedy club.

    Fallon may be a sarcastic jokester, but as soon as he started singing he poured his heart out into his performance. Playing mostly acoustic guitar mixed with a few songs on the keyboard, there is no denying the raw talent Fallon possesses as an artist and singer.

    Experiencing intimate acoustic shows with your favorite artist offers a closer look into how they are in real life. It’s an experience a true fan will cherish for a lifetime. Artists like Fallon create amazing moments at his shows leaving his fans wanting “a life on fire, going mad with desire and wanting a wonderful life.”

    SetlistForget Me Not, Painkillers, American Slang (The Gaslight Anthem song), Red Lights (Molly and The Zombies song), My Name Is the Night (Color Me Black), She Loves You (The Gaslight Anthem song), Wherefore Art Thou, Elvis? (The Gaslight Anthem song), Smoke (Molly and The Zombies song), National Anthem (The Gaslight Anthem song), A Wonderful Life, Handwritten (The Gaslight Anthem song), Steve McQueen, If Your Prayers Don’t Get To Heaven, 1930 (The Gaslight Anthem song), Rosemary, Etta James

  • Greensky Bluegrass Brings Out The Musical Dead At The Capitol Theatre

    In a legendary place like The Capitol Theatre, the most memorable acts performing there today channel the ghosts of its musical past, like Frank Zappa, Janis Joplin and The Grateful Dead. Acts that will be remembered, years from now, alongside giant names like those are the ones that manage to echo those nearly unfathomable experiences from the earlier years of this concert palace. When the five-piece Americana jam sensation Greensky Bluegrass kicked off their show last weekend with their aptly-named original song “Bring Out Your Dead,” they did exactly this. For this reviewer, the vibrant myth of Pink Floyd performances here in this theatre glowed within the Cap’s interior, vibrating invisibly at the tips of this epic and harrowing modern song. This Capitol Theatre show might have served as a great benchmark showing just how far Greensky Bluegrass has evolved, from a new string band outfit several years ago into the epic rock concert performers they are today.

    But the band then showed their range fast, as the next several tunes were some of their much more feel good stuff. “Wings for Wheels” and then “Handle With Care” carried the room from the shadows of that cool opening to a sunny bluegrass beach in paradise. Complimenting this portion of the evening was a roving solo picking, with members trading off in typically swift style. The Lil’ Smokies, the dynamic newcomer five member string band that had opened up for the night with their own highly received set, are set to tour with Greensky for much of the latter’s upcoming tour. So, it should be no surprise that many nights will feature either members of The Smokies, or the entire group, up to collaborate. At The Cap, Greensky invited the Smokies dobro player Andy Dunnigan and fiddle player Jake Simpson up for some fun.

    First up was “Second That Emotion,” and not the most epic version you’ve ever heard but still no doubt a much-appreciated nod to one of The Cap’s late musical presiders, Jerry Garcia. But it was the “Worried About The Weather” that closed out set one that was the real kicker, perhaps the standout performance of the entire night. Dunnigan and Simpson never lagged behind or shied away, but instead showed their confidence beside the members of Greensky and made the dramatic tune into an explosive performance.

    Set two brought the deeper cuts, with miles of space and focused improvisation, which seemed to see the band toying around with all the funky effects tech at their disposal. After starting out with some more smile-makers in “Fixing to Ruin” and Steam Powered Aeroplane,” Greensky laid down a huge “Ground Hog” and “Wheel Hoss” pairing, and the musical territory traversed here was as mystifying as it was funky and rhythm-inducing. The improv-loaded segue helped to reinforce the claim that Greensky Bluegrass is the headiest of all progressive grass groups out there right now.

    This was followed up by another cool pairing in “Tarpology” and, perhaps another Garcia nod, “Ain’t No Bread In The “Breadbox,” with this latter tune being a real stand out on its own. While it hit the usual rolling groove Greensky puts into it, on this night the band pushed even harder to truly dig on it for several minutes. This one must have been an extra-special version in all the versions played.

  • An Evening with Nils Lofgren

    Nils Lofgren took over the Paramount Hudson Valley Theater on Sunday September 23. Joining Nils on stage was multi-instrumentalist Greg Varlotta. Lofgren shared stories from his 50 year musical career: collaborating with Neil Young & Bruce Springsteen, being an award wining accordion player, and inspirations for his songs. Nils moved from acoustic to electric guitar, harp (yes harp), keyboards, and accordion throughout the night.  His set included songs from his original band Grin, solo work including “Keith Don’t Go”, and songs that influenced his musical development.

    G

  • Port Chester is for Umph-Lovers

    Sunday, October 14 marked the fifth time Umphrey’s Mcgee has stopped off at Port Chester, New York’s Capitol Theater. It was also the band’s first Sunday show at the historic New York State venue, and if you haven’t heard it yet (or maybe you have and just aren’t listening) “never miss a Sunday show.” Umphrey’s Mcgee ran the gauntlet of their repertoire with a mix of songs both new and old. They also invited Tierinii Jackson and Ori Naftaly, of their supporting act Southern Avenue, on stage to close out the first set with a version of The Beatles’ “Come Together,”  a song they haven’t played since 2007, making it the first time played in 1,240 shows. The second set featured another cover we haven’t heard the boys play in some time as well. ZZ Top’s La Grange made its first appearance since 2013. Although we only got one verse, it hasn’t been done in 532 shows. They found their way in and out of teases from Fleetwood Mac, The Verve and Jake even found himself behind Joel’s keys during the band’s original “Plunger.” As it goes with these guys, don’t blink, you just might miss something great. Especially on a Sunday night in New York.

    Set List

    Set 1: The Floor, Draconian > Mulche’s Odyssey, The Pequod, You & You Alone, Bridgeless -> Hajimemashite, Come Together[1]

    Set 2: The Triple Wide[2], Seasons, Plunger[3], What We Could Get, I Ran, Resolution[4] -> La Grange[5] > Ocean Billy[6]

    Encore: Kula > Bridgeless

    Notes:
    [1] with Tierinii Jackson on vocals and Ori Naftaly on guitar (Southern Avenue)
    [2] with Rhiannon (Fleetwood Mac) tease in intro
    [3] with Jake on keys
    [4] with Norwegian Wood (The Beatles) jam
    [5] one verse
    [6] with Bitter Sweet Symphony (The Verve) tease

  • Jefferson Starship’s San Francisco Sound Returns to the Hudson Valley

    Jefferson Starship returned to the tri-state area with a performance at Paramount Hudson Valley on Sept. 14. It was one of the band’s first shows back in the area following the 2016 loss of Paul Kantner, the driving force behind the Airplane, Starship, and Jefferson collaborations.

    Under the lead of singer/guitarist Cathy Richardson with long-time singer David Frieberg by her side, the band did a remarkable job of carrying on the spirit of the music to fill the void on stage. Frieberg, who just recently celebrated his 80th birthday, displayed a strong performance lending beautiful harmonies on a duet with Richardson on “Tomorrow.” Richardson, who joined the band in the mid-2000s, has been a consistent anchor to Grace Slick’s vocal performance since first hitting the road with the band and on the 2007 album Jefferson’s Tree of Liberty.

    The show weighed heavily on Jefferson Airplane’s catalog, with a little bit of Quicksilver Messenger Service and 80s-era Starship mixed in. With a sizeable discography to choose from and the time constraints of a concert, some songs were left out that some folks would have liked to hear, however, the staples of the catalog were covered within a mix of the band’s lesser common songs.

    Later in the show, Richardson took a few moments to talk about Kantner and his legacy of using music to promote social justice and announced that they are heading to the studio to record a new album to honor that legacy. From that, we heard the debut of a brand new song “What Are We Waiting For.” (As of now, there is no further information on a release date)

    Setlist: Sunrise, Ride The Tiger, Find Your Way Back, Count On Me, Today, Fresh Air, What Are We Waiting For, Winds of Change, Medley, Miracles, Embryonic Journey, White Rabbit, We Built This City, Jane, Somebody To Love

    Encore: Volunteers

  • Walk Off the Earth release ode to New York City with “Fifth Avenue”

    Walk Off The Earth, the indie-pop band from Burlington, Ontario have released the new single, “Fifth Avenue,” ahead of their upcoming US tour this November. As percussionist Joel Cassady explains, “New York has been the source of many important milestones for us on our journey as a band, and it felt like the right time to create a song honoring this amazing city that for us and so many others has helped turn dreams into reality.”

    Billboard describes the track as “Exploring the wonders and challenges of living in the concrete jungle, the upbeat, New York-inspired tune narrates both the coming of age and the constant epiphanies brought by the chaotic — but endlessly inspiring — life in the city.” Comprised of five multi instrumentalists (Sarah Blackwood, Gianni Luminati, Marshall, Joel Cassady, Beard Guy), Walk Off The Earth originally gained massive public attention when their interpretation of Gotye’s “Somebody That I Used To Know.”

    Since then, the band has released a string of successful original songs including “Fire In My Soul” and “Rule The World,” both of which went platinum in Canada and have supported Keith Urban, Snoop Dogg and Steve Aoki, as well as winning the Juno Award (Canadian Grammy) for “Group Of The Year”

    After a summer in Canada and Europe, Walk Off The Earth return to the US in November 2018. Watch video of their performance of “Fifth Avenue” on Good Day New York from October 2.

    Tour Dates
    Nov. 1 – Orlando, FL – House of Blues
    Nov. 2 – Charleston, SC – Music Farm
    Nov. 3 – Atlanta, GA – Tabernacle
    Nov. 4 – Nashville, TN – Marathon Music Works
    Nov. 6 – Charlotte, NC – Fillmore
    Nov. 7 – Raleigh, NC – The Ritz
    Nov. 10 – St. Louis, MO – The Pageant
    Nov. 11 – Indianapolis, IN – Egyptian Room
    Nov. 13 – Austin, TX – Stubbs
    Nov. 14 – Dallas, TX – House of Blues
    Nov. 16 – Houston, TX – House of Blues

  • Photo Gallery: Alice Cooper Gets Paranormal at the Palace

    October started off right in the Capital Region with rock icon Alice Cooper and his cast of incredible hired guns who took the Palace Theatre stage. The sold-out crowd was delighted with the classic Alice Cooper favorites, like “No More Mr. Nice Guy”, “Poison”, “I’m Eighteen”, and the encore “School’s Out”.

    As anyone can tell you an Alice Cooper show isn’t just about the music, it is about the SHOW itself. Blood, swords, crazy nurses, guillotine, and even a larger than life Frankenstein monster.  The audience represented every age group with fans traveling from New Jersey, Pennsylvania, and further to see their cult icon. And why not? Alice’s congregation weren’t only dressed up they were committed and stayed on their feet for the entire performance. A great way to kick off the month of Halloween and a great way to kick off this leg of their tour.

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