NYS Music 20​17

Tag: rock

  • Corey Taylor Responds to Chad Kroeger’s Comments

    You knew it wouldn’t be long before Stone Sour/Slipknot frontman, Corey Taylor, would enlighten everyone with his thoughts about Nickelback frontman Chad Kroeger and his recent comments about him and Stone Sour. Kroeger’s comment about Taylor starting Stone Sour to get away from being under a mask is not accurate, as Taylor started Stone Sour just before getting involved with Slipknot.

    Blabbermouth reports that in a recent interview with Sweden’s Metal Covenant, Kroeger blasted Taylor when he asked the interviewer to name another band that’s as diverse as they are[Nickelback]. Kroeger stated before being cut off: “I can’t think of another band that’s as diverse as we are. I can’t. And I don’t think that’s me talking from pride or ego. I mean, you’re sitting across the table. You know what you’re talking about. Can you name me another band who can play.”

    After the interviewer cut off Kroeger, and spit out Stone Sour as his answer, Kroeger quickly responded: “Stone Sour? Yeah, ’cause they’re trying to be Nickelback. Corey Taylor has said some really nasty things about me before in the press. He talks about how easy it is to write a hit song. Well, show me. Show me. Write one. I have yet to hear one. They’re okay. But they’re not as good as Nickelback. They sound like ‘Nickelback Lite.’”

    Kroeger continued to bash Taylor while talking about Taylor’s other band Slipknot. He said: “They had to put on masks and jump around. How good can your music be if you’ve gotta beat each other up on stage, throw up in your own masks every night…? I mean, music shouldn’t come with a gimmick; music should just be music. None of my favorite music comes with a gimmick. And he got tired of sitting behind a mask — he wanted people to know what he looks like — so he started Stone Sour.”

    Arizona radio station KUPD, had the honor to be the first ones to ask Taylor about Kroeger’s recent comments. Taylor on saying it was easy to write a hit song: “You know what? I’ve never said it was easy to write a hit song, I don’t know what the hell planet he’s living on. Apparently it’s Planet Kroeger, and there must be good weed there, ’cause he’s an idiot.”

    Taylor was set to give a verbal onslaught when hearing the comments, but after seeing fans reactions, Taylor stated: “I don’t have to say a damn thing — he is not a liked person. That’s all we have to say about it.”

    Taylor’s response about Slipknot wearing masks, and jumping around: “You can run your mouth all you want. All I know is I’ve been voted ‘Sexiest Dude In Rock’ wearing a mask. You’ve been voted ‘Ugliest Dude In Rock’ twice without one. Stick that up your ass.”

    He added that it seems Kroeger is the only member of Nickelback that has the problem with him. “I love Mike [Kroeger, Nickelback bassist and Chad’s brother], I love… Everybody else in that band I’m very, very cool with; I’ve hung out with them. It’s just ‘Face Like A Foot’ who I can’t really hang out with. He’s got a face like a foot. Am I wrong? See, that’s the hard thing: I can’t even say anything about the band, Nickelback, because none of ’em have an issue with us. It’s him. So, dude, curl up in bed with your Hello Kitty pillow and shut up.”

    Taylor even brought up a past statement he from over 10 years ago about when both bands shared the same label: “Let’s just say Roadrunner took all the Slipknot money and gave it to Nickelback to sign them. That’s all I’m gonna say about it.”

    In that interview in 2002 with Rock Sound, Taylor suggested that Roadrunner put their promotional machine behind Nickelback instead of supporting Slipknot:

    I’m glad they could use our money to make fucking Nickelback happy. That’s a very, very bitter subject for me, and if I ever see any of those fuckers, it’s going to be brutal. I’m happy for them, but at the same [time], we went out and bust our asses to make what we did. If they’re still here in a couple years then, hey, good for them, but this band isn’t going anywhere, and when the record label basically fucks your loyalty in the ass, it’s really bitter — especially when we went out and fucking bled, sweat and earned every fucking album that we sold. MTV won’t fucking touch us, radio barely fucking touches us and here comes those fucking pretty boys… and the lead singer looks like Shaggy from ‘Scooby Doo’… and what the fuck am I supposed to do? Am I not supposed to feel bitter when I have broken bones and fucking torn corneas? It’s bullshit, and the record label just smiles at you and goes ‘Yeah, yeah whatever…’ It’s fucking not right, dude.

    It’s just the fact we could have used the help. We have fucking fought for everything we have fucking made, when is someone going to help us, and when is someone going to step up and fight for us? The record label doesn’t do that for us. It’ll go to bat for fucking Nickelback, but when it comes to us, it’s fucking shutdown. It’s, like, what the fuck? I’m fucking proud of what we’ve done, but goddamn it, when are we going to get given a hand? I’m so fucking tired of it.”

    During the interview with KUPD, the host joked that Stone Sour should open up for Nickelback during their Canadian tour, which made Stone Sour guitarist Josh Rand reply that they were actually asked a couple of months ago to open for them on that tour, but they of course declined Nickelback’s offer. With that being said, maybe hard feelings are starting to set in.

  • When Deep Banana Blackout and The Breakfast Converge: Deep Banana Breakfast

    After three decades Deep Banana Blackout still has their charm. On Friday, June 16, DBB  played alongside The Breakfast, who both now have another excellent performance to put under their belts. Their performance Deep Banana Breakfast, although typical, was well received by the wide demographic of people that attended. 

    Typically, the Fairfield Theater Company gains the attention of people who seemingly aren’t so interested in the band that’s playing, but are more attracted to the idea of seeing live music on Friday night. They come to almost every show the FTC has to offer but always seem so uninterested, sometimes leaving halfway through a show. But not this time. The men and women were flabbergasted by the momentum and energy that DBB brought. Their well-rounded and classic sound combined with a contemporary layout made for an absolutely epic night that was enjoyed by patrons of all ages. 

    The Breakfast played for an hour and fifteen minutes with their efforts not going unappreciated. The only gripe some people might have had with their performance was that they came out swinging hard – they peaked early and as the room filled out it was easy to see the crowd had lost interest come the end of their set. They consist of: Tim Palmieri on guitar and vocals, Adrian Tramontano of Kung Fu on drums and vocals, Chris DeAngelis on bass and vocals and Jordan Giangreco on keyboards  and vocals. They’re very technical and multi-directional with enough talent to last for years. Listeners can sense influences of rock, jam, funk and hints of jazz throughout their pieces. They too have been playing for almost three decades and still performed with unrelenting energy.

    DBB, who’s show wasn’t the most incredible one they’ve ever done by any means, was much appreciated for their consistency. There are some member changes compared to their performances 10 years ago, but the feel of their show is still alive and well and that is something to appreciate. There were a few teases and a wide variety of tastes and styles that fluctuated throughout the show. Their selections ranged from a crowd favorite, “Bump and Sway,” to Peter Gabriel’s, “Sledgehammer,” to a lively version of James Brown’s, “Turn Me Loose, I’m Dr. Feel Good.” They played about fifteen total songs before moving to the highlight of the night when The Breakfast combined with DBB to play The Allman Brothers ”Stand Back” and “Southbound” as tribute to the late Greg Allman. As stated before, the show didn’t blow people away – patrons were drinking and talking the majority of the time and kept the smoking section of the patio full the entire time. What was most astounding was the consistency of the group over all of these years. 

    It’s a shame to see these two groups don’t have plans to work together again anytime soon because they compliment each other beautifully and have a plethora of talent and experience under their belts. DBB’s next show is in Westport, CT at the Blues, Views and BBQ Fest @ Levitt Pavilion and The Breakfast has no plans at the moment. Hopefully this performance is well received enough to have them do a similar show like this one.

  • Rock AM Ring Festival Resumes After Possible Terror Threat

    With the most recent tragedy at the Ariana Grande concert in Manchester, England still fresh, authorities are taking every security threat very seriously. Germany’s annual rock festival, Rock AM Ring, had to be halted on it’s opening night Friday for what authorities called “concrete leads,” in a possible terror threat against the festival that police wanted to eliminate before the festival continued.

    With over 80,000 fans attending the festival over the weekend, authorities wanted to make sure that everything and everyone is safe. Friday’s lineup included headliners Rammstein, Five Finger Death Punch, In Flames, Clutch and many more.

    rock am ring festivalAfter the Ariana Grande concert bombing, Rock Am Ring disallowed back packs at the festival and beefed up security to 1000 officers. Festival promoters made the following statement to fans after they were informed by the police:

    Due to a terrorist threat, the police have advised us to interrupt the festival. We ask all festival visitors to leave the festival site in a calm and controlled manner towards the exits and camping grounds. We have to support the police investigations. All visitors will be kept informed about any developments on all Rock Am Ring social media channels, radio and the speakers. We hope that the festival will continue tomorrow. Thank you for your cooperation.

    One of the concerns involved a person who helped erect and organize the security fencing for the event. The Koblenz police released a statement about the possible threats:

    Because of the last attack on a concert in Manchester, the security concept for Rock Am Ring was modified in advance and the number of security officers was significantly increased to around 1,200… Since a threat could not be ruled out, all necessary measures were taken immediately. We cannot provide any further details on the background information. We take all tips and suspicious incidents extremely seriously and investigate closely.

    Rock AM Ring resumed early Saturday in Nurburg, once promoters got word that everything was clear. Festival organizers released a statement telling fans the festival would indeed resume, “After intensive searches and sweeps of the complete festival site by the police, the suspicion of a potential terrorist threat has not been confirmed.”

  • Woodhenge Music, Art and Sustainability Festival 2017 Announced

    Off the grid sustainable community, Woodhenge, has announced its first Woodhenge Music, Art, and Sustainability Festival, located in Adams Center near the Adirondacks, the community will host the festival on June 23-25, 2017.

    The three day event features a diverse mix of music genres including rock, jam, jazz, reggae, bluegrass, electronic, and funk, and features over 20 artist including Formula 5, Space Carnival, Root Shock, Intrepid Travelers, Lord Electro, Jiggawaltz and Drumadics.

    Fans will have the privilege to explore each morning the 60+ acres of nature and trails the area has to offer, along with yoga and workshops focused on how to live mortgage free, creating a sustainable lifestyle, optimal nutrition, and how to build with recycled materials. The event itself will be held in a field, between the village’s garden and orchard.

    In 1997, James and Krista Juczak, created the eco/self reliance village known as Woodhenge. The mortgage free community is set in the foothills of the Adirondack Mountains along the outskirts of a large forest, complete with a stream and waterfall set between a pond and an orchard. The off the grid solar and wind powered sustainable community practices upcycling, using environmentally friendly materials along with alternative building techniques.

    The village grows and cans most of their own fruits, berries, nuts and vegetables in their community garden and raises their own ducks and honey bees for honey and eggs. The community also hosts several workshops throughout the year on building a tiny house, living off the grid, and renewable energy.

    Known as the “King of Scrounge,” Juczak took 5 years to build his 3000 square foot home, set on 50 acres, out of recycled material including beams salvaged from an old bowling alley, and a two-story concrete column made out of scrapped manholes. Windows, doors, sinks, tubs, and other items were bought cheap, or salvaged for free from renovated buildings. The mortar holding the walls is made from 80% paper sludge waste from a nearby mill. The other 20% is made of masonry cement. Juczak has also buried a 10,000 gallon fuel tank used as a guest home buried into the side of a hill.

    Woodhenge has also hosted other music festivals in the past including Summer Solstice Campout in 2016, and the Halloween Costume Fiesta.

    Fans who purchase full weekend passes to the festival online will save some cash. The online pass costs $50 for all three days, and $60 at the gate on Friday, June 23. Other passes range between $20-$40. Camping is available in the field, and in the forest close by.

  • I Prevail Part Ways with Drummer

    Detroit rockers I Prevail have announced on social media that they have mutually parted ways with drummer Lee Runestad. No word was given as to the reasons for Runestad’s departure from the band, just a statement by remaining members on social media that read “Life an unpredictable journey that takes us all down different paths.”

    Fans who had VIP meet and greets with the band during the band’s most current headline tour, started to speculate if something was going on, as Runestad was absent from the fan interactions, hinting at a possible falling out.

    I Prevail’s full social media statement:

    ATTENTION I PREVAIL FAMILY: We have mutually parted ways with our drummer Lee Runestad. We wish him and his family all the best. Life is an unpredictable journey that takes us all down different paths, but the important thing is to value every step along the way.
    That said, we are stoked to have our talented brothers Gabe Helguera (drums) and Eli Clark (bass) joining us as touring members going forward.
    Things have never been more exciting in the world of I Prevail and we have TONS of awesome stuff coming your way soon. Stay tuned.
    See you at Warped Tour this summer.
    -Brian, Eric, Steve and Dylan

    Runestad, took to his personal social media page and posted the following brief statement about his departure:

    Hey guys. It was a difficult decision, but I Prevail and I have decided to amicably part ways. I enjoyed my time in the band and wish I Prevail luck in its future endeavors.

    I Prevail has just wrapped up their own headline tour, which featured an amazing performance in the Capital Region at Upstate Concert Hall in Clifton Park in early May. I Prevail will head back out on the road this summer as part of the annual, Vans Warped Tour, performing on the Journey’s Left Foot stage.

  • Sammy Hagar Talks Touring and the Possibility of a Van Halen Reunion

    In a recent interview with The San Francisco Chronicle, former Van Halen frontman, Sammy Hagar, shared his feelings on performing, touring, and the everlasting rumors of a potential Van Halen reunion. Hagar just wrapped up his annual Acoustic-4-A-Cure, benefit concert, that  featured artists including Pat Benatar, Neil Giraldo, Don Felder, Mick Fleetwood, Vic Johnson, Sarah McLachlan, Steve Vai, Bob Weir, and Dave Grohl, who is sitting in for co-founder and Metallica frontman James Hetfield, due to touring obligations.

    van halen reunion

    Asked if he missed performing regularly:

    I always miss being onstage. But I don’t miss being on tour. The way I’ve been doing it for about the last seven or eight years, I’ll just take two shows — you know, Dallas and maybe Houston. But I got so old last year, I found myself having to go over to my studio five days a week and rehearse to get my voice into shape. Next thing I know, all I’m doing is getting ready for two shows. I wouldn’t do more than 40 or 50 shows a year. I just can’t. It’s my body and my time. And in my heart, I get out there onstage and I go, “You know, I don’t feel like doing it tonight.”

    After mentioning that fans are not only in love with his solo shows, but are demanding Hagar to perform with Chickenfoot and Van Halen. Hagar responded:

    That whole Van Halen thing lurking in the woods out there, I feel there’s a sniper out there — any minute the bullet is going to come flying in that says “VH” on it, “You’re it!” We’ll see what happens. I don’t understand them. I haven’t understood them in a long time. I would only do it with Sam and Dave anyway. I’d rather Dave (David Lee Roth) go out and sing his own songs. I’ll sing my songs. That would be the ultimate show, I think. If we could do it that way, I would suck it up. It would be fun.

    Hagar replaced David Lee Roth in Van Halen in 1985, and parted ways in 1996. In 2007, Hagar was inducted into the Rock and Roll Hall of Fame as a member of Van Halen. The singer also has his own line of spirits including Cabo Wabo Tequila, and Sammy’s Beach rum. A Van Halen reunion still seems far off, if it happens at all.

  • Joey Belladonna On His Vocal Longevity and That One Thing That Has Haunted His Career

    Oswego native and Anthrax frontman Joey Belladonna was recently interviewed by Roy Turner of Trickykid Radio. In the interview, Belldonna talks about his one regret that has haunted him, how he keeps his vocals on point through the years, and being asked to perform John Bush era tracks.

    Turner asked Joey Belladonna how he can still perform at a high level today after decades of performing, and if he thinks that he’s better performer now than in the ’80s. Belladonna responded:

    I just love music a lot. I strive on getting better; I work at it all the time. I’m real conscious of just elevating my vocals and just being in a band…I don’t want to go out there and not do it well. That’s why I’m always trying to do it better. I always try. I have a cover band too. I also do that on the side. We do four hours of classic rock.

    I really focus. I really try. I’m not in fear of anything right now. Back in the day when I first started, I didn’t know the music so well. Vocally, it was really a challenge to just find a way to sing over that stuff. Because I like to sing so I’m not going to do something outside of all the new styles you hear now, it’s just finding a way to make it comfortable and legible and fun to sing as I can. You realize there’s a lot of words in our stuff and the keys and the speed…it’s real hard to sing over that stuff and make it work.

    On being asked to perform John Bush era music when he returned to Anthrax:

    Personally, I felt we had enough music. I was just trying to be a champ and try something. For some reason, when we get that rivalry crap that went on, it bugs the shit out of me. I have nothing against him or nothing against them. I don’t sit around and have a grudge, but I didn’t want to try… It’s hard enough when you do covers but doing something with the singer of the old [version] of the band. He had it rough, because for the sake [of it], he had almost to do older songs because then they’d really be fighting the good fight there. For me, I didn’t want to get too involved with doing that. I didn’t want to keep opening that door and what was I trying to prove? I’m glad I don’t have to. I just don’t really feel like it. I could, I’m sure, I always felt, nothing against those songs, forget you ever heard them, we could have done any of those records and I think they would have been cool. We don’t know because I never did them before other than that.

    If he has ever thought about what would have happened if Joey Belladonna never left the band, and lent his vocals to Anthrax’s sixth studio album Sound Of White Noise:

    That will always haunt me. The fact that those 13 years went away and they’re gone. They’re just gone. Maybe I just feel good about it now, right? With all the crap… I could add to this, but at the end of the day, it’s all good. I’m really glad for the fans too, and even myself, I’m proud, but I also love that people are enjoying it and all of these new people are coming up and get to see what was there before.

  • Rikki Rockett Talks Hall of Fame and New Poison Music

    Poison drummer Rikki Rockett was recently interviewed by Tigman for Albany area rock station Q103. In the interview, Rockett talks about the possibility of new music with Poison, the Rock & Roll Hall of Fame, and how the band got its name.

    When asked whether he feels Poison deserves a Hall of Fame nod:

    I think we are, but I’m biased. [Laughs] Listen, honestly, I think the criteria for that is longevity, having lots of songs that have impacted people, which I think [we have] both of those things, and also a social impact. I think we have all three of those qualifications. So, really, I do. I think we should [go in there], for the sake of our genre.

    Rockett was asked if he is open to the idea of making new music with the band, and if he thinks that venture could possibly happen. He responded:

    There has been some talk. It’s acting on it is always the key thing. [Laughs] I would love to do it. I’ve been wanting to do new stuff for quite a while. I’m always thinking about ‘Okay, what would we do?’ Throwing ideas out there and stuff like that. I hope, I really, really hope, that maybe in the fall that we could go in and at least cut a couple of songs. Even if it’s not a whole record, we could get out there and do a couple of things.

    Tigman was curious as to how Poison became the name of the band, Rockett replied:

    Believe it or not, it was one of our road crew guys who spit it out. But it was with another name, like, it was ‘POISON something’ he said and we wrote it down and nixed all these other names and went back and said, ‘What if it’s just POISON and not ‘POISON anything else’?’ I forget what it was, what the extra word was that we threw in there. So we wound up shortening it to ‘POISON’ and went, ‘You know what? No one else has done it.’ And I love one-word band names. They’re easy to remember.

  • Hearing Aide: Evolfo ‘Last of the Acid Cowboys’

    Raunchy, horny, raw and unfiltered.  No, this isn’t an organic cocktail description from a Williamsburg bar, it’s Evolfo’s debut LP, Last of the Acid Cowboys.  This Brooklyn-based 7-piece has been filling up clubs and basement dance parties since their infestation into the music scene in 2011. A mix of intelligent lyrical grittiness, swampy horns out of the deep South and cleverly executed compositions have granted them access into the underground indie culture.   If you are lucky enough to catch this tornado of sound live, expect to hear a smorgasbord of musical influences crammed into their short sets as tightly packed as the band members on stage.   NYS Music covered an Evolfo gig at Shea Stadium in Brooklyn last summer and the sweaty night reminded me of a Wodka Vodka advertisement: “Escort quality, hooker prices.”

    When asked about the methodology behind their newest album, lead singer and song writer, Matt Gibbs said, “I think generally bands have one of two experiences in regards to studio time. Some bands write an album first and then spend a while figuring out how to bring that stuff to their live show. In the case of Evolfo, we had to buckle down and figure out how to capture the live energy onto an album.” 

    The opening track, “Vision of Sin,” has an all-encompassing psych soul rhythm which seems like it traveled through time to capture sounds from each of the past six decades.  About a minute and half into the chaos, there is a funky breakdown where the horn section reminds listeners that you gotta have that funk.  The seeds of the first track begin germinating into the second as “Moon Eclipsed the Sun” slowly crawls its way from a slow and melodic beginning to a fiery and powerful chorus.  Think Black Keys featuring the Nitty Gritty Brass Band.  Mesmerizing lyrics with punchy guitar riffs and backing vocals keep this satellite of a song hovering around the planet and clocks in as the longest track of the album at a whopping 3 minutes and 50 seconds.

    “Bloody Bloody Knife” has a 60’s punk  feel that makes you feel guilty for listening.  The paranoia felt from this track is one example of how these talented writers create horror-movie terror when they feel like it.  “Why am I hiding if I have done nothing wrong?” I ask myself as Rafferty Swink finger bangs the keyboard during this zombie apocalypse national anthem.  The decision making on track placement is as ambitious as the tracks themselves.  The blood thirsty “Bloody Bloody Knife” gives way to “Don’t Give Up Your Mind” which sounds like it belongs on Side B of a classic 70’s soul album.  The eclectic variety of music changes so much from song to song that the mish mash arrangement of musicians seems to shift form.  Do not be mistaken, this album is in no way a compilation album of different artists, but instead, it is a Megazord where each member is displaying a different source of inspiration and power.  “Rat City” is the mod-punk sound that frat maniacs across the country will embrace as they nose dive head first into the shallow end of a pool.  Serving up a slice of pie that any pizza rat would enjoy, Evolfo cooks up “Rat City” with a simple and aggressive recipe that paralyzes the taste buds and ear drums on any garage rock connoisseur.

    “Last of the Acid Cowboys” reminds me of something a resurrected Jim Morrison would bring into the studio with The Doors. The added brass section in the title track makes for a layered, yet comfortable journey; not your average psychedelic rock piece.  The sweet sounding “Peachy” has the loungiest feel of the record.  Subtle percussion accompanied by haunting horns in the far distance create a dreamy landscape for listeners to embrace during this final track.  After a true genre-blending 10-song adventure, my only complaint is that the incredible album clocks out at 28 minutes, much shorter than your average cowboy’s acid trip.

    Buy Last of the Acid Cowboys now and see them on tour ASAP!

    Key Tracks: Rat City, Don’t Give Up Your Mind, Last of the Acid Cowboys

  • Dopapod and Aqueous at The Fairfield Theater Company

    It was unexpected turnout on Sunday, April 9, with a sea of die-hard fanatics coating the lower level of The Warehouse – so much so that even front man Rob Compa was surprised by their numbers. Fairfield isn’t necessarily the hub of all things jam band related, so it was fantastic to see the fairly seasoned venue collectively pull in a wide variety of artists and crowds. Aqueous warmed up the Fairfield Theater Company stage prior to Dopapod’s performance which consisted of two full sets and and encore. Everyone was thrilled, engaged and once again, due to the location, the venue pulled in a vast age demographic. The more mature and less familiar audience was perched around the ledge of the top floor, thoroughly enjoying the performance. Both groups were tight, virtually flawless and a perfect fit for a laid-back Sunday night party.

    Several months ago, Aqueous underwent a key member change with drummer Rob Houk filling the seat and making himself very comfortable. He was admitted in early June of 2016 and seamlessly fits the groups numerous style variations. He delivered a smooth performance all the way through, working through the inevitable drop of a stick a during a tastefully flamboyant drum fill and quickly grabbing another one from his bag without hesitation. All other members worked the stage well, but unfortunately came off a bit lifeless aside from the enormous voices coming from the instruments. Although they were limited to a small space due to being surrounded by Dopapod’s equipment, it would have been more visually engaging to see some enthusiasm from McPhaden and Loss. It may not have been the time nor the place considering the venue type and turn out, but it’s a new area that draws a different crowd and being as engaging as possible would have helped gain more respect and attention from those not used to seeing this type of performance.

    Aside from  some of their lackluster body language, Aqueous walked out with one hell of an entrance as the Chariots of Fire theme song played over the PA system. They lead a powerful performance which was unfortunately only appreciated by the 30-40 people that arrived before Dopapod’s time on stage. It started with  a funky favorite, “Second Sights,” which literally turned some heads. The early birds had their noses in their drinks, backs to the stage and were deep in conversation until the first first hit of that iconic “Shaft”-like funk theme song filled the room. They then flaunted their wide range of styles and tones and broke out into “Strange Times,” a classic rock sound which blended into a genre classic, “Peg” by Steely Dan. They dove into a classic Aqueous sound with “Staring Into the Sun” and, again, most of the limelight was drawn to a very animated Gantzer who was bobbing and weaving like a boxer around his small section of stage. They capped off the set with the heavy and funky track “Numbers and Facts” and left on a very positive note.

    Setlist: Second Sight > Strange Times, Peg > Staring Into the Sun > Numbers and Facts

    Aqueous left over a large round of applause for the valiant effort and immaculate performance while fans were still rolling in. Dopapod set up in a semi circle, making this an even more intimate experience aside from the time of the week and the amount of attendees. Although this was not a night that would be defined as the most memorable yet, it did not stop them from giving it their all.

    Aqueous wasn’t the only group that underwent a percussive change – original Dopapod drummer Neal “Fro” Evan is back on the throne, placed stage left. Although this is old news to fanatics, a naive eye would not have known he took a hiatus. Speaking of percussion, a special guest sat in on accessory drums, Adrian Tramontano of Kung Fu. Although he laid low behind “Fro”,  his stylings and flavors came through subtly and tastefully  under a very energetic Dopapod. It is unknown whether he will follow Dopapod all the way to Disc Jam.

    About 15 minutes of chatter and socializing went by until Dopapod opened up with “Give It a Name.” It’s a hard hitting track perfect for establishing their dominance in an venue that may not be so familiar with their style. Fans were excited, but were undoubtedly less enthusiastic compared to prior performances. Everyone could be heard chatting away during the breaks in their tracks and were even caught spacing out at times, but the presence of the group brought together new and old fans which made this performance nothing short of a good time. They moved on to “Super Bowl” and over to “Brain Dead,” both of which were obvious fan favorites.

    They moved forward with their fairly sarcastic song “Nerds” and threw a reggae twist on it prior to performing a well orchestrated mash-up of The Donkey Kong Country theme, a new song “Trickery” from their latest album and “Dracula’s Munk,” all of which are incredible funky and very well blended together. Before the end of the first set, sentimentality kicked in when a comedic birthday song and cake was given to Jake Berkowitz.

    Set two was a little short lived and contained “Picture in Picture” with teases of Snarky Puppy followed by “PLSS,” “Bahbi,” “I Am” and “Cure.” Knowing it would be an early night for most, they kept the encore tight but interesting by playing “We’re Not Alone” and “Freight Train Filled with Dynamite,”  during which, members switched instruments and had Gantzer join in for some solo time.

    Everyone was content by the end of the night, even though it wasn’t the most incredible and mind-blowing performance the two groups have put together. But one would hope that this isn’t the last time Dopapod or Aqeuous are invited back to The Fairfield Company.

    Setlist: Set 1 – Give it a Name, Braindead Pt. 2, Nerds, Donkey Kong Theme > Trickery > Dracula’s Monk > Trickery > Donkey Kong Theme > Trickery

    Set 2 – Picture in Picture, PLSS, Bahbi, I Am (Whale Song), Cure

    Encore – We Are Not Alone, Freight Train Filled With Dynamite

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