Tag: rock

  • Hearing Aide: The Nice Ones “The Nice Ones”

    “If there’s one thing that can be said about the album, it is that it is brimming with emotion,” said guitarist Sam McGarrity. Boy, he wasn’t kidding. This emotional direction is a new concept for this group, but that doesn’t mean they still haven’t lost sight of their style. I only say this because as good as their first track sounds, it is very misleading in terms of the direction of the album. As for the rest of their work, it’s well orchestrated, produced perfectly and gives each member a chance to shine.  One of their most notable traits is their ability to build upon ideas while keeping things linear. With rock based bands, things can get a little repetitive. But The Nice Ones never get comfortable and can keep things interesting throughout the entirety of a track.

    “Siren Song” is a surprising first start for the group. They’ve released two albums prior to this one and none of them are styled in the way “Siren Song” is, but loyal fans can rest assured that they haven’t lost their roots. With delicate instrumentation and Patrick Surdam’s fragile voice, the song acts as prelude which attests to McGarrity’s claim of the collection being full of sentimentality.  

    “Know Better”  jumps right into their rock and roll style with the only similarity being Surdam’s voice. It’s a straightforward and completely contradictory song to the the prior track. It has a great instrumental hook in the chorus and, again, the group has done a stupendous job of building an arc worth waiting for. There’s plenty of highs and lows to keep thing interesting in an otherwise very rudimentary song.

    “Good Kids” is dance worthy, glowing with positive energy and is a track that would be a tremendous hit in a live setting. The guitar hook is an ear worm, in a good way.  And once again, they create an arc in their song that builds in a direction that a new listener would never expect. This is undoubtedly one of their key tracks.

    Don’t be fooled,  “Surfer Girl” is not what it seems. The tone switches back and forth several times and ends in a way that’s completely different than the intro in terms of instrumental and lyrical content. Surdam first speaks of a girl that he “thought of kissing” and ends the song talking about how he should have killed this girl when he had the chance. This one will be listed as another key track because of its contradictory style and, once again, the incredible rise and fall of emotion.

    What I’m loving most about the album is how their songs never finish the same way they start. The only similarity is the key, and even that’s arguable. “John Honre Burns!” is one of the most dynamic tracks on the album and has an incredibly misleading intro.  The only other time we hear the sultry riff of the intro is half way through the track when it repeats and that’s it. After the second verse, the feeling of rage grows exponentially until the end of the song when it comes crashing down.

    Lastly is “Burn it Down,” the most anxious and chaotic track on the album. It leaves a bit of a bitter taste in the listener’s mouth considering what the tone was at the start of the album. It’s fast, rambunctious, but oddly good. McGarrity said this was an emotional track and anger is the emotion that this album was missing. Well, listeners will sure get their fill of anger with this one. It just isn’t a track most groups would place at the end of an album. Looking past that, it’s well orchestrated and a fun listen. 

    Although the album is “brimming with emotion,” it is a little sporadic. This isn’t an album that people will listen to from beginning to end; it’s too all over the place. I encourage people to riffle through the album to find something they like because there really is something for everyone.

    Key Tracks: Siren Song, Good Kids, Burn it Down

  • Brian Johnson Says Goodbye to Friend, Bandmate, Malcolm Young

    As our favorite legendary artists grow older, its only inevitable, that one day we will hear the sad news that one has passed away. Sadly, AC/DC guitarist Malcolm Young will join several other legendary artists at the “Music Festival in Heaven.”

    Longtime bandmate, friend, and AC/DC frontman, Brian Johnson, posted a statement on his website about the passing of Young titled, “For 32 years, we stood side by side on stage.” His letter stated:

    I am saddened by the passing of my friend Malcolm Young, I can’t believe he’s gone.
    We had such great times on the road.
    I was always aware that he was a genius on guitar, his riffs have become legend, as has he.
    I send out my love and sympathy to his wife Linda, his children Cara and Ross,
    and Angus, who will all be devastated…. as we all are.
    He has left a legacy that I don’t think many can match.
    He never liked the celebrity side of fame, he was too humble for that.
    He was the man who created AC/DC because he said “there was no Rock,n,Roll” out there.
    I am proud to have known him and call him a friend, and I’m going to miss him so much.
    I salute you, Malcolm Young.
    – Brain Johnson, November 2017

    Malcolm Young passed away on Nov. 18 at the age of 64, after suffering from dementia for the past few years. He formed AC/DC with his brother Angus in 1973. Besides playing guitar, Malcolm was a producer and songwriter, who help create some of the biggest rock and roll anthems in history, such as “Hells Bells,” “Back In Black,” “Highway To Hell,” and “You Shook Me All Night Long,” to name a few. He retired from the band in Sept. 2014, after being diagnosed with dementia in April 2014. Young and his AC/DC bandmates have sold over 110 million albums, are were inducted into the Rock and Roll Hall of Fame in 2003.

    Rolling Stone posted several comments from various artist, once the news of Malcolm’s death started to circulate throughout the music industry including Eddie Van Halen, Nancy Wilson and Slash. You can read those comments below:

    Steven Van Zandt (E Street Band): “Malcolm was the essential rhythm guitarist of the world’s greatest working class hard rock band. An irreplaceable loss.”

    Slash (Guns N’ Roses): “Malcolm Young was one of the best ever rhythm guitarists in rock and roll. He was a fantastic songwriter and he had a great work ethic too. I toured with AC/DC on their ‘Stiff Upper Lip’ tour. I found Malcolm to be a really cool, down to earth fellow. The entire rock and roll community is heartbroken by his passing.”

    Nancy Wilson (Heart) “Malcom Young was the embodiment of rock itself. His rhythm guitar style needed no embellishment. He laid down the simple solid guitar truth that taught us all about the ‘less is more ethic.’ The wild power of simplicity and the head banging hair flipping joys of turning it up really loud and dancing with the vibrations. Thank you, Malcom for being the real deal. We are all going to miss that shredding music that only you and your brother could make together.”

    Eddie Van Halen: “It is a sad day in rock and roll. Malcolm Young was my friend and the heart and soul of AC/DC. I had some of the best times of my life with him on our 1984 European tour. He will be missed and my deepest condolences to his family, bandmates and friends.”

    Dave Mustaine: “I have to go…I am losing it that Malcolm is gone. I hate this…” Kiss’ Paul Stanley added, “The driving engine of AC/DC has died. A tragic end for a sometimes unsung icon. One of the true greats. RIP.” Tom Morello praised Young as “#1 greatest rhythm guitarist in the entire history of rock n roll.”

    https://youtu.be/evqsl8smnYE

  • Vans Warped Tour Coming to an End

    They say all good things, come to an end, and with the recent post on the Vans Warped Tour social media pages, it looks like the multi-genre tour will end and make its final cross-country run in 2018 after 23 years of touring the festival.

    The final nail in the coffin will take place in 2019, where organizers of the tour stated that the 2019, 25th Anniversary edition, will  be the end, and will be a special showcase to celebrate the tour’s storied history, not a tour.

    A picture posted on the tour’s Facebook, Instagram and Twitter pages with a quote from Warped Tour creator Kevin Lyman stated, “Today, with many mixed feelings, I am here to announce that next year, will be the final, full cross-country run of the Vans Warped Tour.” Once the news posted, fans began commenting on the news with memories, speculation, wise remarks and anger, which prompted Vans to respond.

    Some fans who commented on the news, received a reply from Warped Tour. In response to one fan who said the tour will run a couple more years with limited dates, Warped Tour stated:

    The 25th anniversary small celebration in 2019 will 100% be the end – but we are working to make this year’s full tour an awesome one!

    When another concerned fan asked if the tour would in fact still run with very limited dates, Warped Tour responded:

    2018 will be the FINAL tour we are working to make sure this 2018 cross-country tour is one to remember. The 25th anniversary celebration in 2019 will NOT be a tour, but a special showcase to celebrate the tour’s storied history.

    In response to a concert-goer who said the tour ending was sad, asked why it was ending. Warped Tour replied:

    Right now, we are working to make sure this 2018 cross-country tour is one to remember. The 25th anniversary will not be a full cross-country tour, but it will be a special showcase to celebrate the tour’s storied history. We simply don’t know more details on the 25th anniversary celebration yet – our team is working hard on the 2018 tour first

    It will be sad to see this tour go because the Vans Warped tour is a special kind of tour that gives several upcoming artists a platform to get their feet wet playing live shows and touring across the country. Many of those artists have made a name for themselves in the music industry since their first appearance on the tour, with many returning to headline one of the various stages the tour offered. Some of those artists include Black Veil Brides, Asking Alexandria, Beartooth, Motionless in White and many more.

    Warped Tour founder Kevin Lyman, posted an extensive response on the situation through Warped Tour’s website. He stated:

    I have been a very lucky person to have traveled across the country and sometimes around the world as one of the founders and producers of the Vans Warped Tour. Today, with many mixed feelings, I am here to announce that next year will be the final, full cross-country run of the Vans Warped Tour. I sit here reflecting on the tour’s incredible history, what the final run means for our community, and look forward to what’s to come as we commemorate the tour’s historic 25th anniversary in 2019.

    In 1995, I had already worked many years in the music business, including spending four summers on the Lollapalooza tour, and I thought, ‘for one summer I would like go out and put on my own show’ mixing music and action sports. With the support of so many people, I have now spent the last 23 summers bringing that show to a city near you. We have brought that show to over 11 million people around the world and watched that same world change while doing so.

    I have been proud to work with so many artists who have grown to be some of the largest stars in the world. Countless bands have played in hot parking lots and through summer storms for you at some point.

    Bands like Quicksand, Sublime, L7, No Use for A Name and No Doubt jumped on in the very first year.

    Touring many summers with my friends and peers like – Pennywise, Social Distortion, NOFX, Bad Religion, The Descendents, Less Than Jake, Dropkick Murphys, The Bouncing Souls, Rancid, Flogging Molly, Anti-Flag and The Offspring are just some of my fondest memories. More include, having Blink-182 travel on my bus in 1997 when the world opened up to them and made them the superstars they are today.

    The Vans Warped Tour was the platform to witness the rise of pop punk with Sum 41, Simple Plan, MXPX, New Found Glory and Good Charlotte.

    The birth of Emo – with bands like Thrice, Thursday, The Used, Taking Back Sunday, The Starting Line, Motion City Soundtrack and Jimmy Eat World.

    Fast-forward to the summer in 2005 when TRL and Warped Tour helped launch the careers of Fall Out Boy, My Chemical Romance and Avenged Sevenfold.

    I witnessed Warped alumni like The Black Eyed Peas, Katy Perry, Big Bad Voodoo Daddy, No Doubt and even Kid Rock play the Super Bowl. I’ve even had the pleasure of seeing Green Day play the Rose Bowl.

    More recently, I’ve watched bands start out on a small stage and work their way up to the main stages by meeting as many fans as possible and continuing to hone their craft while on the tour. Bands like Paramore, A Day To Remember, Sleeping With Sirens, Pierce The Veil, Echosmith, Motionless in White, Black Veil Brides, Every Time I Die, Neck Deep, Beartooth and so many more.

    What has always made me proud was when I read that Warped was the most diverse show of the summer where you could find Eminem and Ice-T on the same stages as Sevendust, Pennywise, and 7 Seconds.

    I am so grateful to have worked with more than 1,700 bands over the last 23 summers. I wish I could thank every band that has played the tour.

    The Vans Warped Tour has become the community I had always hoped for. We have worked with over 90 non-profits each summer shining a light on new and growing groups giving our community the resources they need to connect with people who can help them, but also encourages our community to help each other. To Write Love on Her Arms, Music Saves Lives, Feed The Children Now, Keep a Breast, Hope For The Day, Canvas Foundation, Living The Dream and A Voice for the Innocent have built their organizations from the Warped Tour parking lots across the country. This even inspired me to start my own foundation Unite the United.

    The work we do each summer on “give back days” has become part of our DNA. My brain is etched with the image of the church ladies after Katrina serving beans and rice to The Casualties with their upright mohawks, finding a common ground where no one was judging anyone. Then finding out the only working business in the county seemed to be the moonshine still and the locals showing up with a crate to share with the crew later that evening.

    The long hot days that ended around a BBQ with food, drink and more music are some of the best times. Enjoying the days off, taking people jet boating, house boating, river rafting and sometimes even skydiving. I witnessed lifelong friendships being made, sparks of romance that led to ‘Warped weddings,’ and unfortunately now, more notices of passings where a proper good bye was not able to be said.

    I want to thank my supportive family who has been through the highs and lows, Darryl Eaton at CAA, Steve Van Doren and Vans, Kate, Julie, Allison and Steph. My hard ass working crew who puts that show up and down each day, the sponsors which without them this tour would not happen, the bands and their crews, the promoters who took a risk on us at the beginning and continue to be supportive.

    It will be bittersweet each morning when I see the sun rise and then watch it set knowing that this will be the last time I get to witness it from that exact spot.

    Though the tour and the world have changed since ’95, the same feeling of having the ‘best summer ever’ will live on through the bands, the production teams, and the fans that come through at every stop.

    The enduring spirit of the Vans Warped Tour remains as bright as ever, continuing to inspire creativity and ambition in new and exciting ways as we prepare for a 25th anniversary celebration in 2019.

    I truly look forward to seeing as many of you as possible during this final cross country run, and getting to thank you for your support on this wild adventure. Until then, take care and be safe.   – Kevin Lyman (Founder of the Vans Warped Tour)

    Warped will hit the road for the last time on June 21 in Pomona, CA, and end on Aug. 5 in West Palm Beach, FL. New York will see two stops on the final run.  Darien Lake will host the festival on July 25 and Wantagh’s Jones Beach Amphitheater on July 28.  Artists are still to be determined and will be announced in early 2018.

  • Roots of Creation Announces 2017-18 Tour

    Roots of Creation wishes all of their fans a “Happy HoliBlaze” as they kick off their 2017-18 tour. They’ll be playing four New York-based shows spanning from Buffalo, Brooklyn, Kingston to Canton from December through April. Of course this is a busy time of year, so those caught up in the holiday rush can also catch them just outside the city in Bridgeport CT as well as Stanhope NJ. Tickets are available now on the band’s website.

    There’s evidence that these will be some of their most energetic and memorable shows, as seen in a recent performance on their Facebook page featuring a “Rage Against the Dead” show, which garnered a large virtual and live audience. There is also reason to believe that they will be showcasing a number of Grateful Dead covers with a reggae twist due to their hype over the soon the be released album, Grateful Dub. RoC has asked fans to help fund the album by giving a donation, which is coupled with great incentives ranging from early album access to studio time with the band. Visit their PledgeMusic page for more information.

    Roots of Creation Tour:

    Nov. 25 – Portland, ME – East Coast Cannabis Conference & Awards
    Dec. 17 – Buffalo, NY – Buffalo Iron Works [18+]
    Dec. 19 – Brooklyn, NY – Brooklyn Bowl
    Dec. 23 – Boston, MA – Brighton Music Hall [18+]
    Dec. 28 – Bridgeport, CT – The Acoustic [21+]
    Dec. 29 – Stanhope, NJ – Stanhope House [18+]
    Dec. 30- Kingston, NY – BSP Kingston [18+]
    Dec. 31 – Plymouth, NH – “NYE Grateful Ball”
    Jan. 5 – Providence, RI – The Strand Ballroom & Theatre (Lupos)
    April 12 – Canton, NY – Java Barn at St. Lawrence University

  • Gwar Ruins the 1 Percent at Town Ballroom

    The day after Halloween the ghouls were still out play and people were ready to rock with mutant metal band Gwar. The intergalactic band bestowed mere earthlings of Buffalo in support of their latest album “The Blood of Gods”. Town Ballroom housed all the humans and extraterrestrial bands that night. Brent Purgason was pulling double duty, his band U.S. Bastards, the most earthling related of the group kicked things off.

    Next up was Doyle, The Misfits guitarist Doyle Wolfgang Von Frankenstein, His singer Alex Story gave everyone a good laugh, before every song he said “This is a love song; you can dance to it if you want too.” In a girlish voice that complimented his mini skirt and fishnet stockings.

    Ghoul performed with their potato sack masks,  like something you would see out of a old scary movie. The band’s thematic set is heavily influenced by Gwar. Ghoul had various characters that squirted fake blood — from an odd dictator in a cape and gas mask to their dreaded voodoo magician complete with his large fake chicken that streamed red liquid into the crowd. Also, who wouldn’t love a giant distorted looking turnip to end a set?Black Sabbath`s “War Pigs” came over the speakers and the earthlings started getting wrestles. Fans started singing the first verse at the top of their lungs. GWAR walked onto the stage and started “War on the Gwar” playing the first track off the new album The Blood of Gods. Other new tracks included the catchy “I’ll Be Your Monster Baby” which is probably the closest thing you’ll ever get to a love song by GWAR. Blothar proceeded to covered the front section of the crowd with fake blood from his cow utter like penises

    The crowd of monster lovers also partied to older blood-filled songs like “Hail, Genocide!” and “Saddam a Go-Go.” Everyone who attends a Gwar show knows there is no hold bar with them, they poke fun at politics, corporations, social media and of course religion. During the new song “El Presidente” they brought out a Jabba the Hut looking Donald Trump which received “Boos” from the crowd as well as a mutant version of Hillary Clinton. Both were slaughtered for the gluttonous fans who wanted blood. Politics doesn’t matter at a GWAR show, mutants rule their world.

    “Do you want Blood?” asked Blothar. The already soaked crowd wanted more and they got it. GWAR ended the night with a cover of AC/DC’s “If You Want Blood (You’ve Got it)” Bone Snapper came out with his infamous sawblade spinning machine which spat out waves of blue into the audience.

    After all the recent sad events going on in the world GWAR and the other bands gave people a chance to escape from their troubles and have a great time full of singing laughter and of course blood.

  • Aaron Lewis Says Staind May Never Tour Again

    Blabbermouth reports on a recent Aaron Lewis  interview by Chris Mathews from the South Carolina classic rock radio station 104.9 The Surf. In the interview, Lewis was asked if he’s ready to return to the road with his old band Staind, which last toured together in 2011, but seems content on where he is  in his solo country music career for the time being.

    Lewis was asked about the “touring machine” that is Staind: He replied:

    The touring machine, as you call it, of Staind will never be again. Not like that, no. Never. Never. I could never go back to playing six shows [a week] eight weeks in a row. I can’t do that. I have grown in my age and become very accustomed to playing Thursday, Friday and Saturday and being able to go home for a few days and unwind and try to kind of have a life aside from doing this. I worked really, really, really hard to get to this point where I can play three days a week and still do just fine.

    In another recent interview conducted by Planet Weekly, Lewis once again talked about the future of Staind. He stated:

    I definitely see it staying on hold for a while. I’ve got to stay focused on this [country career]. I’ve got to take this to where it needs to get to before I can start risking things with the good ole boy network reception and throwing in a handful of Staind shows in the summertime along with all of my country shows. But that’s down the road. I can’t even think about that right now.

    Without reading too much into this, Lewis recently reunited with his old bandmates at his Aaron Lewis and Friends charity benefit concert on Aug. 4, at the Pines Theater in Northhampton, MA. The band played an encore, three-song acoustic set, that included the songs “Outside,” “Something To Remind You,” and “It’s been A While.”

    Lewis released seven studio albums with Staind, and two solo efforts, The Road (2012), and Sinner (2016).

  • Jacoby Shaddix Undergoes Vocal Surgery

    Papa Roach frontman Jacoby Shaddix, once again had to go under the knife to fix his vocal cords, prompting the band to scrap the rest of its summer tour dates. No stranger to vocal cord surgery, Shaddix had a similar operation in 2012 to remove a nodule on his vocal cords which Shaddix stated in a past interview with Rolling Stone was like having a callus you would get on your hands, but on your vocal cords instead.

    Canceled dates due to the surgery include Aug. 11 at the Douglas County Fair in Roseburg, OR; Aug. 19, at Moonstock 2017 in Carterville, IL and Aug. 25 at the Alaska State Fair in Palmer, AK. Fans who hold tickets for those events are instructed to contact their local ticketing company. Papa Roach hopes to return for their overseas run, and continue to tour in support of the band’s ninth studio album, Crooked Teeth, on Sept. 9, at The Circus, in Helsinki, Finland.

    Papa Roach posted the following statement on social media:

    It is with a heavy heart that we are forced to cancel our upcoming shows in the Oregon, Illinois and Alaska this month due to the need for Jacoby Shaddix to have immediate vocal cord surgery and rest.

    This week, Jacoby was advised by his doctors and vocal specialists to have surgery on his vocal cord and to give his vocal muscles enough time to heal before Papa Roach resumes their current touring schedule in September. Jacoby had a similar surgery about five years ago.

    Fortunately, the diagnosis was made early and full recovery should be soon. The vocal cords are a muscle and like any athlete, muscles can get injured in the course of their profession and we appreciate your understanding this diagnosis.

    We wish to thank all of our fans in advance for your prayers and good wishes. We know some of you had travel plans and we will return next year to perform for you.

    Please contact your local ticketing company for more information on the following shows.

    Thanks again,
    Jacoby, Tobin, Jerry, Tony, & Team Papa Roach

  • Primus Announces 2017 Tour and Album Release

    Primus has named their 2017 tour Ambushing the Storm and that’s exciting in and of itself being they haven’t toured since 2014. It starts Oct. 1 in Texas and will make its way towards the east coast with New York dates Oct. 27 at the Palace Theater, the Capital Theatre on Oct. 29 and Brooklyn Steel on Oct. 31. Tickets will be available for purchase Oct. 1 on the Primus website.

    primus 2017 tourBut what’s even more interesting is the inspiration behind their new album that will hit the market Sept.29. The collection will be called The Desaturating Seven and it’s inspired by an Italian children’s book Les Claypool read his own kin years ago called Rainbow Goblins. So far, the public has only been graced with a single call “The Seven” (video link below) which holds a very promising tone and attitude. It’s synonymous with “Jerry Was a Racecar Driver” according to Claypool and retains that classic Primus sound coupled with dramatic shifts in tempo and time signatures.

    This project is something Claypool says he has been itching to work on, according to an interview with Rolling Stone.

    “I remember being incredibly impressed with the artwork and the storyline and the content and the message, and I thought, ‘Wow, this would make a great piece of music,’” he says. “As I’m getting older, I’m realizing I need to start knocking some of these things off my list. So we did the Willy Wonka soundtrack a couple years back, and this was a project I wanted to do.”

    What’s more – the gang is back together. Claypool originally considered piecing this album together with a side project of his, Claypool Lennon Delirium, but opted to work with his Primus band mates, Larry “Ler” LaLonde and Tim “Herb” Alexander instead. The group reportedly had some trouble taking off with such an unique platform but were able to piece together something they’re proud of.

    “These days,” Claypool admits, “you gotta go the extra mile because otherwise people just take it off the internet.”

  • Clint Lowery Talks New Sevendust Album, Not Wanting to Record Full Length Albums

    Sevendust guitarist Clint Lowery, who is currently on tour as second guitarist with Seether, recently sat down with Scott Bowling, from the website “Good Company.” In the interview, Lowery opens up about Sevendust’s plans to follow up their tenth studio album, Kill The Flaw and his lack of desire to make full length albums in today’s music industry. Lowery will also appear on Seether’s upcoming new music video.

    Bowling asked Lowery about performing as a singer with his side project Call Me No One, with Sevendust drummer Morgan Rose:

    It made me understand and respect what Lajon [Witherspoon] goes through or any other singer you know. When you have to cover an entire record, you know, how you make your voice not get redundant, how do you make it interesting, and not use the same melodies, it’s just different. I write for singers a lot, but singing them myself, and really developing myself as a singer, it was a learning experience man.

    When asked if he and Morgan toured the album:

    We did like a three week run with Nonpoint. That was humbling man. I’m not a huge live singer, I love going to the studio, and I can write melodies and all that stuff, but its a lot of pressure, and a certain confidence that singers have to have man, so I learned a lot about that too, and it made me understand and respect what Lajon does on that side, delivering these songs live.

    Lowery on if there is new Sevendust in the works:

    We’re gonna do another record in November man. We just started writing for it. It’s a different era, man. It’s, like, I’m touring with Seether, so there’s that; I’m really focused on that. But we’ve been demoing some stuff out, the same kind of creative team, and we’re gonna see what happens. We’re excited about it. We have a new label, Rise, and they’ve got some great bands, a great, creative team over there. So this will be our first real label that the band’s ever had.

    With the multiple ways music is released these days, Lowery was asked if he would consider releasing music through a streaming service like Spotify. He commented:

    I don’t wanna do full-length records anymore. I mean, I’m old school — I love vinyl and I love the whole presentation of a full record — but I do wanna be open to new ways to release music. I don’t feel like going in and taking a full year and this huge production and doing a full record. I mean, I believe in doing those, but I also believe that between these record cycles, just throw in a couple of sprinklings of new songs. I’m never gonna be one of those guys that will say, ‘Oh, don’t try it. Let’s just stick to the old thing until it’s completely ran into the ground.’ I’m open for new guys, a new energy and a new release strategies.

  • Photo Gallery: Tom Petty and The Heartbreakers Celebrate 40 Years at Air Canada Centre in Toronto

    Tom Petty and the Heartbreakers made a stop on their 40th anniversary tour at the Air Canada Center on July 15. The veteran rockers played to a sold-out crowd of over 19,000.

    The band played mostly hits, but dropped in an occasional B-side or rare track. They kicked off their set by going way back to the first song off their very first album, Rockin’ Around (With You). Petty and the Heartbreakers took us on a ride through time which Petty described as “We’re going to pretend like this is a record spinning around up here playing our entire catalog and every now and then we are going to drop the needle.”

    Petty took fans through a history of his solo and the Heartbreakers catalog, including “Mary Jane’s Last Dance,” “You Don’t Know How it Feels,” softer hits like “Wildflowers” and “Crawling Back to You.”  They ended the evening with fan favorite, “American Girl.” Check out the photo gallery below.