Category: Western NY

  • Rochester’s Party in the Park 2017 Lineup Includes Los Lobos, Tim Reynolds

    Rochester’s Party in the Park announced the 2017 lineup for the summer concert series. The lineup includes many big names in music, including Los Lobos, Living Colour, Tim Reynolds and Blues Traveler. The series also features a number of local acts on the Genesee Brewery Bowl Stage, including Personal Blend and Ocular Panther.

    Party in the Park 2017 CGI Main Stage Lineup
    June 15 – Los Lobos, Adam Ezra Group
    June 22 – Living Colour, Aqueous
    June 29 – Giant Panda Guerilla Dub Squad, Big Mean Sound Machine
    July 6 – Tim Reynolds TR3, The Movement
    July 13 – Blues Traveler, Kat Wright
    July 20 – Los Lonely Boys
    July 27 – The Machine
    Aug. 3 – Matisyahu, Danielle Ponder and the Tomorrow People
    Aug. 10 – Donna the Buffalo, Zach Deputy

    The Genesee Brewery Bowl Stage Lineup
    June 15 – Neil Van Dorn
    June 22 – Matthew Corey
    June 29 – Personal Blend
    July 6 – White Woods
    July 13 – Dirty Bourbon Blues Band
    July 20 – The Dan Eaton Band
    July 27 – Into the Now
    Aug. 3 – Ocular Panther
    Aug. 10 – String Theory

    Original Post:

    Rochester’s Party in the Park summer concert series returns to celebrate 20 years. Zach Deputy, Los Lonely Boys and Pink Floyd tribute act the Machine are included in the 2017 lineup. A press conference is scheduled for Thursday to announce the full lineup.

    Party in the Park takes place weekly on Thursdays from June 15 through Aug. 10 at Rochester’s Dr. Martin Luther King Jr. Park.

    Tickets for the Party in the Park concerts are $5 each. Fans who plan to attend all nine shows can purchase a a Party Pack for $35 and will be able to enter via an express entry line.

    June 15 –
    June 22 –
    June 29 –
    July 6 –
    July 13 –
    July 20 – Los Lonely Boys
    July 27 – The Machine
    Aug. 3 –
    Aug. 10 – Zach Deputy

  • Brian Wilson Brings ‘Pet Sounds’ Tour to New York

    Brian Wilson has extended his Pet Sounds: The Final Performances tour. The new dates include stops in Rochester, New York City and Syracuse.Brian Wilson has been on an extensive tour performing the Beach Boys album Pet Sounds in its entirety. The tour, billed as “Pet Sounds: The Final Performances,” was recently extended to add a number of dates in Europe and North America. The tour makes three stops in New York. Rochester’s Kodak Hall at the Eastman Theatre gets a visit on Sept. 19. They make a stop on Sept. 23 at Radio City Music Hall in New York City. The final New York date is Oct. 1 in Syracuse at the Oncenter Crouse Hinds Theatre.

    The tour extension also includes several stop in the nearby Northeast. Wilson plays Foxwoods Resort Casino in Mashantucket, Connecticut on Sept. 21. They stop by Boston’s Orpheum Theatre on Sept. 22. Following their stop in New York City, they head to Lancaster, Pennsylvania on Sept. 25 to play the American Music Theatre. The next day, Sept. 26, they hit up the Count Basie Theatre in Red Bank, New Jersey. They head back to Massachusetts on Sept. 29 to play New Bedford’s Zeiterion Theatre before returning to New Jersey on Sept. 30 for a show at the Golden Nugget in Atlantic City.

    Pet Sounds: The Final Performances North American Tour Extension

    Sept. 15 – Molson Canadian Centre, Moncton, NB
    Sept. 16 – Scotiabank Centre, Halifax, NS
    Sept. 18 – Centre in the Square, Kitchener, ON
    Sept. 19 – Kodak Hall at Eastman Theatre, Rochester, NY
    Sept. 21 – Foxwoods Casino, Mashantucket, CT
    Sept. 22 – Orpheum Theatre, Boston, MA
    Sept. 23 – Radio City Music Hall, New York, NY
    Sept. 25 – American Music Theatre, Lancaster, PA
    Sept. 26 – Count Basie Theatre, Red Bank, NJ
    Sept. 29 – Zeiterion Theatre, New Bedford, MA
    Sept. 30 – Golden Nugget, Atlantic City, NJ
    Oct. 1 – The Oncenter Crouse Hinds Theatre, Syracuse, NY
    Oct. 3 – Morris Performing Arts Center, South Bend, IN
    Oct. 4 – Stranahan Theatre, Toledo, OH
    Oct. 6 – Rosemont Theatre, Rosemont, IL
    Oct. 7 – Belterra Casino, Florence, IN
    Oct. 8 – Civic Center Theatre, Peoria, IL
    Oct. 12 – The Big Fresno Fair, Fresno, CA
    Oct. 13 – The Mountain Winery, Saratoga, CA
    Oct. 14 – Pacific Amphitheatre, Costa Mesa, CA

  • NYS Music Launches 87/90

    Every band was a local band once. Today, we launch NYS Music 87/90, reflecting the highways artists travel upon to reach markets across The Empire State. 87/90 brings together 8 New York State born and raised bands that have strong potential to make it big. We will bring news and coverage of these bands to you on a regular basis, highlighting what we see as the next wave of bands to come out of New York State. These are just the first wave of bands that we will be bringing to your attention – there are plenty more artists in every corner of the state from all genres. As we discover them, we’ll bring them to you and beyond.

    nys music 87/90The 8 artists we launch with include: Space Carnival, Cousin Earth, Formula 5, Folkfaces, Boogie Low, Intrepid Travelers, Let’s Be Leonard and Gowanus. These artists were selected for potential, work ethic and appeal to a wider audience. They include jam bands, bluegrass/folk, psychedelic rock, electronic and a mix of everything. We will expand in the future with bands that we see strong potential in – this is a select group we launch with and we will keep it reserved only for bands that pass muster.

    The bands we are reaching out to as founding artists are bands that we have highlighted on our pages in recent years, see a strong future in and have shown that they are committed to making a name for themselves well outside of New York State. This is not an open invite – the initial roster includes only bands that are on the rise and have developed a following through their music.

    Every band was once local.

  • Rochester Music Hall of Fame Honors 2017 Inductees

    Last week Rochester honored six people who contributed to the local music legacy. In a ceremony held at the iconic Eastman Theatre, The Rochester Music Hall of Fame 2017 inducted blues man Joe Beard, classical composer Samuel Adler, pop star Gary Lewis, jazz trumpeter Lewis Soloff, radio DJ Roger McCall, and Penny Arcade owner Greg Sullivan. Highlights of the evening included spectacular performances by honorees and distinguished guests David Clayton-Thomas and Paul Shaffer.

    The first inductee was the legendary Joe Beard, born in the 1930’s to sharecroppers in Mississippi, he grew up immersed in the musical heritage of the delta blues. He migrated north and settled in Rochester, where he married and raised four children. In his lifetime, he has played with the likes of Muddy Waters, BB King, and Son House. On this occasion, he performed with his sons, Chris and Duane. They played a trio of songs from his extensive catalog of music, including “Don’t Know Why.” Joe stood center stage, his cherry red guitar a stark contrast to his dark suit, while his sons stood behind. At one point, they took turns soloing on their guitars, playing with as much comfort and ease as a friendly conversation.

    Next up for an award was Samuel Adler, a distinguished composer and teacher, with more than 400 published works to his name. Adler taught at the Eastman School of Music for three decades before relocating to New York City to teach at Julliard. His “Piano Quintet for Piano and String Quartet” was performed by Upton String Quartet with Yi-Yang Chen on Piano. The piece starts slow and lamenting, bursts into discordant notes, then finds triumphant harmony. It is a shining example of Adler’s adept skill as a composer, and why he is highly sought after for commissions.

    Gary Lewis took the stage, sidestepping his way to the mic. His natural ability at showmanship comes from growing up in the entertainment industry, taking the stage at an early age with his father, Jerry Lewis. Gary made a name for himself in the 60’s with his band, Gary Lewis and the Playboys, with rapid-fire hits that bumped bands like The Beatles down on the charts. Gary Lewis met his wife at the Eastman Theatre twenty years ago, and has lived here since. They still tour actively around the world. Tonight, they performed rousing renditions of their greatest hits, including “This Diamond Ring,” which had audience members dancing in their seats.

    The intermission was also a to-do, with performers and local music legends like Lou Gramm meeting with attendees in the hallways to chat, sign autographs, and share a “Kodak moment” with their fans. The second half of the night was more somber, with posthumous awards given to members of the local music community who we have lost.

    Lew Soloff, most notably known for his work with the band Blood, Sweat & Tears, spent part of his career teaching at the Eastman School of Music. His daughters accepted the award on his behalf. Paul Shaffer and David Clayton-Thomas also made the trip to Rochester to help honor their longtime friend. Paul carried out Jimi Hendrix’s “Little Wing” on piano, then took to the organ to accompany as David Clayton-Thomas played a trio of Blood, Sweat & Tears songs, starting with “Spinning Wheel.” He also sang “God Bless the Child,” a song originally done by Billie Holiday, which he said Lew had encouraged him to tackle. He ended with “You Make Me So Very Happy.”

    Roger McCall, the beloved radio DJ known by the alias “Unkle Rog,” worked for over 30 years at WCMF, making him the longest-running DJ at a single station. He worked the graveyard shift, and featured local artists, helping to cultivate the local music scene. Unkle Rog was taken from us in 2003 in a tragic act of violence. His wife and his son accepted the award. A tribute song “All Night DJ” was composed by John Akers. The jazzy number was performed by Akers on vocals and piano, Paul Akers on Bass, Erik Welsh on drums, Andy Calabrese on Keyboards, and James Richmond on Saxophone.

    The final inductee was Greg Sullivan, owner of local venue The Penny Arcade. The nightclub featured live music, bringing in major rock stars like Iggy Pop, Greg Allman, and Huey Lewis & The News. Sullivan also mentored local musicians, providing a place for them to hone their craft and grow a following. The club has been closed for seven years now, and Sullivan passed away in 2014. Sullivan’s wife accepted the award. A tribute song “We’re Rockin’ at the Penny Arcade,” was composed by James Richmond, Mike Gladstone, and Rob Smith. The rocking number was played by Smith and Phil Naro on vocals, David Cohen on drums, Ron France on Bass, Gladstone and Donnie Mancuso on guitars, Will O’Riley on keyboard, and Richmond on saxophone.

    The finale of the night was a tribute song “You Shine,” written by Jeff Cosco in memory of Greg Sullivan and Unkle Rog, and played in homage to the legends by Cosco on vocals, Mancuso, Gladstone, and Joe Chiappone on guitars, Bobby Bond on drums, France on bass, and Andy Calabrese on keyboards.

    All of the performances of the night were supported by the Hall of Fame’s house band, Prime Time Funk. The Rochester Music Hall of Fame is a non-profit agency, and this program was made possible by a host of local patrons and advertisers. For more information about the Rochester Music Hall of Fame and past inductees, visit www.rochestermusic.org.

    Photos by Battista Photography

  • Six Places in NY Ranked Among ‘Best Cities for Music Fans’

    Ever wonder where your city measures up when it comes to the music scene? Value Penguin, a company which compiles information for consumers, compared 200 US cities using more than a dozen variables from reputable sources to create a list of best places for music lovers. Six cities in New York State are in the top 30%: Albany, Rochester, Binghamton, New York, Buffalo, and Syracuse.

    Best Cities for Music Fans

    The top 10 cities in the nation are: Nashville, Honolulu, Seattle, Madison WI, Austin TX, Albany, Tuscon, Rochester, Pittsburgh, and San Francisco. Binghamton came in at No. 20, New York City at No. 26, Buffalo/Niagara Falls at No. 43, and Syracuse at No. 56.

    Cities were rated in three categories: Bands, Crowds, and Intangibles. For bands, factors included the number of musicians and bands per capita, the number of recording studios and labels, and the average hourly wage. The crowd category included information about venues, music-related stores, and number of radio stations. The intangible category was a catch-all for miscellaneous info on weather, public transportation, music schools, and closing time for bars, all of which may impact the quality of the music-going experience. Data was pulled from government sources such as the US Census Bureau, Bureau of Labor Statistics, and Department of Commerce. Additional information came from sites such as Music School Central, USA Today, Songwriter Universe, and Fodors. The information spanned the years 2014-2016.

    The Albany area took a high position, thanks in part to venues like Palace Theater, Cohoes Music Hall, The Hollow Bar and Kitchen, Madison Theater, Troy Music Hall, Dinosaur Bar-B-Que, Proctors Theater, The Massry Center for the Arts, Times Union Center, EMPAC and many more.

    Rochester was not far behind, known by music lovers for the Eastman School of Music, Eastman Theater, Blue Cross Arena, The Bug Jar, The International Jazz Festival, The Record Archive and The House of Guitars, to name a few.

    You can see the complete list and view the data sources at Value Penguin.

  • Rochester Congregates for the Gospel of Robert Randolph

    With an even mix of covers, instrumentals, and tracks off his new album, Got Soul, in just a little over an hour, Robert Randolph made Anthology his house of gospel worship. When you’re on stage with Randolph you’re a part of his family, whether you share blood relation or not. Other than his actual cousin Marcus sitting behind the drums, the names and faces have changed over the years. But their mission has stayed the same. Robert Randolph and the Family Band conduct a non-denominational service espousing love, hope and energy via a program of invigorating and uplifting funk and soul filtered through the unique style of pedal steel guitar originating in the Sacred Steel church. On a cool and damp April 20, the traveling ministry arrived in Rochester.

    The service began, as they often do, with the organist filling the air with thick swirls, preparing the crowd for prayer. Things took an unexpectedly dark turn with a quick cover of Black Sabbath’s “War Pigs.” But in that quick two-minute flourish the darkness would stay for the remainder of the night. It quickly moved into another cover, this one of ZZ Tops “I Thank You,” which is featured on Got Soul.

    From there Randolph kicked into the first of three stunning instrumentals he would intersperse throughout the evening. Each had it’s own character, but followed the tried and true Sacred Steel format, begging the question: Can you be summoned to scream Hallelujah and Amen without a prayer being uttered? Randolph proved the answer to be a resounding ‘Yes,’ as he stretched and twisted notes, sculpting the structure of sound, building it slowly to ecstatic peaks. Randolph may have adopted a slick and polished exterior in his studio output, but from the inside looking out, he’s still the same old impassioned and energetic force of musical enlightenment.

    And the new songs came off well from the stage as well, with the band rolling through uplifting takes on “Find a Way,” “Love What You Do,” “Shake It,” and “I Want It.” On “Love Do What It Do” Robert egged on his sister Lenesha to freestyle about their childhood trips up to Rochester to see the Campbell Brothers at their church on Goodman Street.

    The encore began with Randolph on stage alone, eliciting some gorgeous Hawaiian pedal steel sounds on the instrumental “Heaven’s Calling” before the rest of the band filed on for one big final thank you and their version of the Sly and the Family Stone classic “Thank You Falettin’ Me Be Mice Elf Agin.” The band filed off again mid-jam, leaving just the original Family Band members, Marcus and Robert, to close out the evening with a breakdown jam that drifted off into midnight.

    Rochester’s own soul superhero, Danielle Ponder, got the evening off to a hot start. Public defender by day, soul-belting goddess by night, her and her band the Tomorrow People mesmerized the early crowd with powerful heartfelt grooves, highlighted by a sexy and sultry cover of “Crazy.” Luke Wade and his young trio, playing together for the first time, played a set chock full of original love songs, with “Morning View” and “On Fire” being the stand outs.

    Setlist: War Pigs > I Thank You, Instrumental, Find a Way, Instrumental, Shake It, Superstition, Instrumental, Love Do What it Do, I Want It E: Heaven’s Calling > Thank You Falettin’ Me Be Mice Elf Agin

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  • Hearing Aide: Talking Under Water ‘Talking Under Water’

    Talking Under Water takes us on a journey that some of us know too well: the winding path to recovering a broken heart. At times achingly candid, the overall tone of the album is triumphant, featuring big choruses and soulful vocals that stir the intricate songwriting. Talking Under Water is a five-piece outfit hailing from Rochester. Their namesake debut LP is a great premise for what we can expect from this promising group.

    After Dave Chisholm received his Doctorate of Musical Arts from Eastman School of Music for jazz trumpet in 2013, he found himself returning to his roots of singer-songwriter. The project began to take on life when he decided to put together a band. He elicited help from fellow former Eastman students Elise Hughey (cello), Alex Patrick (guitar) and Joe Parker (drums).

    “I really think cello lends itself well to the type of songs I tend to write–these reflective, melancholy, lyrical things–so I asked Elise to play,” Chisholm told NYS Music. “She has both her Bachelors and Master’s Degrees from Eastman, as well. In any project she’s a part of, Elise really puts everything she has into it.”

    While Parker and Patrick’s contributions live on with this LP, Talking Under Water now features Colin Gordon (piano), Matt Bevan-Perkins (drums) and Samantha Thomas (vocals). According to Chisholm, there are plans in stow to record this summer with the current line-up.

    The group recorded in December of 2015 at Temperamental Studios in Geneseo, NY. A large portion of the LP was recorded live; and Grammy Award winner Stephen Roessner produced and mixed the record. Violinists Marja Alanen and Molly Werts McDonald, and violinist Ben Magruder joined them in the recording studio, along with jazz trombonist Brendan Lanighan and Matthew Sieber-Ford on tenor saxophone.

    One of the driving forces of this record is to give people a guiding path in times of trouble. “I just think about the hard times I’ve had, the struggles I’ve faced with regards to my own mental health–it seems like sad songs really serve such a strong purpose for those times in our lives,” Chisholm wrote. “So often the overwhelming feeling during dark times is one of isolation, and sad songs tell me that I’m not alone. The message is ultimately one of empathy. I hope listeners find this music cathartic when times are hard, and point the way for a more hopeful tomorrow, even on just a personal level.”

    The album begins with an alluring piano tune, and Chisholm’s voice quickly follows in the first track, “Lost,” which has the first big chorus that could be seen as the band’s signature sound. The interplay of instruments and artistic melody exhibits the diligence the band poured forth while producing the record. The second track, “We Used to Dream,” blends the horn section seamlessly into their sound. “Days Like Today” shows Beatles inspiration, while the piano certainly adds a wonderful element to the building melody. Finally, the track “Gravity” is an acoustic melody, eventually backed by Hughey with stirring cello, where Chisholm once again displays his wide vocal range.

    The album will be released on Friday, April 28, 2017. To pre-order your copy today, visit here. Talking Under Water will hold an album release show on April 29 at The Little Theater in Rochester. For more information, go here.

    Key Tracks: Lost, Days Like Today, If My Body Freezes

  • The Record Archive Backroom Lounge Officially Opens: NY’s First Music Store To Serve Beer and Wine

    In a time when locally owned stores are struggling to stay afloat, The Record Archive in Rochester is finding new ways to thrive. On Friday, April 8, they unveiled their latest endeavor, The Backroom Lounge, with an official Grand Opening Party. A venue like no other, this all-ages community space is annexed to the region’s largest record store. It’s a place to kick back, enjoy live music and have a drink – The Record Archive has the distinction of being the first and only record store in New York with a license to serve alcohol. NYS Music was invited to be part of this prestigious event.

    record archivePulling up to the building at 33 1/3 Rookwood Street in Rochester, there’s an immediate sense that this is not your run of the mill music store. From the sunshine yellow exterior to the enormous record framing the front door, everything about The Record Archive feels extraordinary.

    The interior opens up to a 10,000 square foot retail space, chock full of music, stereo equipment, gifts and memorabilia. For music lovers, it is the equivalent of being a kid in a candy shop. It is a veritable feast for the eyes and ears. It’s hard to imagine that the entire operation began in 1975 with a crate of records on the floor of a flea market stand.

    The entrance to the lounge is beyond the extensive collection of CDs, through tall arched doorways framed in black curtains. For the Grand Opening event, guests were greeted with glasses of blue champagne. We also had the choice of a wide variety of drinks. The shelves held regional wines, craft beers, music-themed beverages and some new discoveries. Beer was available on tap. The cooler is stocked with non-alcoholic beverages, including the local brand FIZ Pop.

    Near the entrance of the lounge, Record Archive founder Richard Storm greeted guests. I asked him what he thought about all of this, and he said, “I never in my wildest dreams imagined I’d have a venue with a bar.”

    The space is furnished eclectically – a mishmash of eras and styles, like remnants of random time travel. Jukeboxes are scattered around the room. Lava lamps bubble up on a far table near bookshelves overflowing with biographies of musicians. One wall is lined with boxes containing a myriad of 45’s spanning decades and genres. Seating options included a diner booth, a cozy couch, pub tables or a 1960’s ball loveseat. The room is lit by the warm glow of chandeliers in varying styles. The look of the space was put together by Reo Alderman. His design aesthetic brings the seemingly disparate pieces together in an artful showcase. And speaking of showcases, many of the pieces in the lounge are available to purchase.

    At the antique piano near the bar sat a musician who could have also been plucked out of a bygone era. Honky Tonk Henry was playing jaunty old-timey tunes. These are the songs I used to listen to with my grandparents back in the day. It was comforting to know that someone is keeping the music tradition alive.

    In the corner, under the watchful gaze of a full-sized T-Rex skeleton, is a stage large enough for bands to perform comfortably. I sought out the Record Archive’s Events Coordinator Deb Jones to get the scoop on the sound system.

    “We’re very proud to have Fulcrom Acoustic speakers,” Deb said, “It’s a locally-based company. They’re world class speakers -they’re being installed in Madison Square Garden. We’re the only place in Rochester to have them. And the amps are Ashly Audio.” Ashly Audio is also a local company, which produces state-of-the-art sound equipment.

    Deb introduced me to Alayna Alderman, business partner and Vice President of The Record Archive. She was the driving force for creating The Backroom Lounge.

    “I told Rich I wanted the place to be an extension of what we’ve been – a touchstone for the community,” she told me. “This is not a club. We’re a record store that sells beer and wine, not a bar that sells music. You can come, have a slice of pizza and a drink, enjoy live music and be home by 9. The music will always be our business. This is the next layer.”

    Obtaining a liquor license was not a decision that they took lightly, she told me. It was a lengthy process, and required lots of forethought (not to mention the amount of paperwork!). In the end, they decided to license the entire space, including the retail area, so that people can enjoy refreshments while they browse through the store.

    The guest list was a who’s who of friends and supporters of The Record Archive over the years. Frank DeBlase, writer/photographer and front man for The Busted Valentines, described the scene as “a new living room that comes furnished with guests.” Among them was Andy Babiuk, a founding member of The Chesterfield Kings and owner of Andy Babiuk’s Fab Gear music shop. Greg DeLuca from the local visitor’s bureau was also there. Members of the local press in the crowd included Emmy-award-winning journalist Seth Vorhees from Spectrum News, Susan Rogers, Executive VP of WXXI, and Mark Shuttleworth from Legends 102.7.

    True to their commitment to support other local businesses, the Grand Opening event included sweets from Savoia’s bakery and was catered by Tasteful Connections. The spread was divine. My favorite of the offerings was a Bacon Rind Shrimp Shooter – a Bloody Mary with shrimp and celery, served in a bacon-rimmed shot glass.

    Alayna took the podium and thanked everyone for their support in this endeavor. And a round of speeches ensued. Ted Potrikus, president and CEO of the Retail Council of New York, talked about working at The Record Archive in 1984, and about all the effort that went into making this venue possible.

    “It’s the coolest place in Rochester,” he concluded, “I’m thrilled to be here.”

    City Councilman Adam McFadden presented The Record Archive with a certificate from Mayor Warren. He also shared fond memories of times spent at the Record Archive, including the joy of meeting the members of Stetsasonic after seeing them perform in the store back in their heyday.

    Baye Muhammad, Commissioner of Neighborhood and Business Development, presented a plaque from the City of Rochester and thanked the owners of Record Archive for being committed to staying within the city limits when they relocated to this space nine years ago.

    After the speeches, shiny blue ribbon embossed with the City of Rochester logo was stretched across the stage. Members of The Record Archive family and key supporters made cuts, marking the official opening of The Backroom Lounge.

    The Backroom Lounge is open to the public during normal business hours, with the exception of when it is reserved for private events. The bar stops serving an hour before closing.

    The room is available for special occasions such as weddings and birthdays. Furniture can be rearranged to meet the needs of events (for example, theater seating or banquet-style table arrangements). Talk to Events Coordinator Deb Jones for more information about reservations.

    The space naturally lends itself to musical performances. Happy Hours are held every Wednesday. Themed nights for metal and blues occur monthly. In-store performances are plentiful. They have a full bill for Record Store Day on April 22, including The Fox Sisters, Teagan & The Tweeds, Teressa Wilcox and more. There are performances by Staly on April 28 and Zara Larson on April 29 in collaboration with local radio station KISS FM. This is also becoming a popular venue for release parties, the next one with Junkyard Fieldtrip on the evening of April 29. For a full event listing, check The Record Archive’s webpage or Facebook.

  • Buffalo EDM Artist, Grabbitz Releases Video From Upcoming Album

    Buffalo singer, songwriter and producer Grabbitz, has released his music video for the single “Don’t Let Me Go,” which is off the artist’s debut album, Things Change, due May 19 on Grabbitz’s own record label, West Blood Records. The label is named after the street Grabbitz grew up on in Buffalo. Things Change is available for pre order.

    buffalo grabbitzGrabbitz has made a name for himself in his young EDM career. His remix of the Deadmau5 track “Silent Picture,” eventually led to the pair collaborating on the Deadmau5’s hit single, “Let Go,” where you can hear Grabbitz on vocals. The single peaked at No. 11 on the Billboard Hot Dance/Electronic charts, and has over 10 million views on YouTube.

    He entered the television entertainment industry, when he was called upon to provide compositions for the T.V show CSI: Cyber. His debut EP Friends, was a top 10 dance album on iTunes. His track “Here With You Now,” has over 4 million views on YouTube, and topped the Beatport Dubstep charts in 2014. Grabbitz’s follow up, Better With Time, climbed to #4 on the iTunes Dance chart. His Spotify song catalog currently has over 20 million streams combined.

    Born Nick Chiari, look for Grabbitz to show his stuff off as a live performer, as he plans to perform live shows this summer.

    Things Change Track Listing:
    1. Follow Me
    2. Don’t Let Me Go
    3. I Think That I Might Be Going Crazy
    4. Play This Game
    5. Break Me Down
    6. Pretty Little Melody
    7. Love Like That (Let You Down)
    8. Hold Steady (Better Days)
    9. Things Change
    10. I Shouldn’t Have
    11. A Tragic Interlude
    12. What I’m Going Thru

  • The Finals of NYS Music’s March Madness 2017

    We have made it to the finals of NYS Music’s March Madness! From our Final Four, two bands, Intrepid Travelers from Buffalo and Root SHOCK from Syracuse have reached the finals in our month long friendly competition between bands.

    A brief intro to each of our finalists:

    Intrepid Travelers specialize in creating sprawling improvisational soundscapes, infusing elements of  jazz, rock, funk, and bluegrass. Most of what the group plays are original compositions, and their covers get a groovy IT makeover.

    The group holds their annual IT Fest each year, and last year NYS Music had this to say about their performance: “The first two sets were a mixture of original songs with a few covers thrown in the mix. The last set they covered MGMT’s album Oracular Spectacular from start to finish. They put their own twist on the album, showing fans a side of the band that they might not be aware of.”

    Root SHOCK was formed in Winter of 2012 with veteran musicians whose love of reggae music flows deep. Last  fall we reviewed Root SHOCK’s self-titled release and said “Their self titled debut is an authentic embodiment of the magnetizing performances that have continued to draw in larger crowds wherever they go” amid an interview with Phil Grajko.

    In September 2015, we reviewed the group’s Funk n Waffles show and editor Ally Dean said “The high-energy atmosphere fostered a connectedness and comfort level allowing several liberated spectators to remove their shoes, showing off some fancy footwork, toes unrestricted.” The band just last week released their latest video “Sunlight.”

    Check back Monday for the 2017 winner!

    Voting begins at Noon on Thursday, March 30 and ends at midnight on Saturday, April 1 and we’ll announce the winner on Monday, April 3!

    We’d like to thank our regional sponsors The Hollow Bar and Kitchen, Nietzsche’s Buffalo, The Downtown Barn and Castle Studio. These small businesses represent the best of what New York State has to offer and celebrate music while inviting local and touring bands to perform for growing local scenes across the state.