NYS Music 20​17

Category: Western NY

  • Intrepid Travelers EP Release Party At Buffalo Iron Works

    Thursday June 29 was a busy night across Buffalo, musically speaking. The real celebration went down that night at Buffalo Iron Works. Intrepid Travelers released their latest EP Everyday Is Your Birthday to a packed crowd. Witty Tarbox opened up the festivities. They describe themselves as indie riffs over a rhythmic funk foundation fond of improvisation. Being relatively new to the scene as a band they lit up the stage setting the tone for the evening. They ended their set with Vulfpeck cover “Cory Wong” with help from Donny Frauenhofer from Intrepid Travelers. Almost hard to believe they have been playing together for under six months. Be sure to check these guys out during their set at Cobblestone Live on Saturday July 15.

    With their tour speeding up, Intrepid Travelers had enough time to release their latest EP to a delighted hometown crowd in the 716. They hit the stage close to 10:30 and it was ON from there.  The first four songs of their set were off of their latest EP Everyday Is Your Birthday. From there they traveled to a funky but unfinished “Electric Avenue.” A few more covers as well as a few more off their latest release were sprinkled in throughout the rest of the set. Ellen Pieroni was featured on alto sax for the Lettuce cover of “Madison Square.”

    There aint no rest for the wicked. Intrepid Travelers are already back on the road with five shows in the first week of July spread across the Midwest. Halfway through July they will be traveling home with shows on July 15 at Three Heads Brewing in Rochester and July 16 in Buffalo at Cobblestone Live.

    Intrepid Travelers Setlist:

    Soundcheck: Get IT to you

    Set 1: On Inside > Destinesia, Dark Disease > Funnel > Jam > Electric Avenue(1) > Jam > Maddy & Anna, Captain Jon > Final Voyage, Madison Square(2)$, 1999(3), Stand The Heat > Get IT To You

    (1)Eddy Grant cover

    (2)Lettuce Cover

    (3)Prince Cover

    $ Featured Ellen Pieroni (Folkfaces) on alto saxophone

    Witty Tarbox SetList:

    Pyramid, Pabst Blue Rhythm, Surfslut, Trevor, Bitch Has Got An Attitude, Scmitty n Bags, Prepare To Launch ^, Moving Pictures, Cory Wong*#

    *Vulfpeck Cover

    # w/ Donny Frauenhofer (Intrepid Travelers)  on Keys

    ^debut

  • Hearing Aide: A Fitting Revenge ‘Tempus Fugit’

    Ever since my first local show experience in my hometown of Syracuse, N.Y, I was addicted to finding local bands. The one thing us New Yorkers know best is how to make our own brand of metal. Look around in the Central New York area and you will find some of the most talented bands you can find from Ire Clad, which has some of the best mixture of Black Sabbath’s doom approach mix with some of the hard rock vibrations of Soundgarden, and Vile Tyrant who continues to liberate the black metal underground with their melodic approach to the genre. New York bleeds metal! To present my case, I give you this album review of A Fitting Revenge’s album, Tempus Fugit. I now have the floor!

    a fitting revengeA Fitting Revenge is based out of Rochester, N.Y. We have Ledwing Hernandez on both guitars and vocals to bring the battlecry, Chris Xu on guitar to help bring the groove back to the mosh floor, Chandler Moran on bass to make your skin vibrate with excitement, and Aaron Smith on drums fueling the fire with his sonic attack behind the kit! Tempus Fugit is a deadly cocktail of groove and melody. The track “Cured of Faith” has some of the best groove induced execution I have seen in recent years. The band’s influences really show here. From the vocal approach much in the style of Randy Blythe, from Lamb of God, to the very catchy riff playing similar to Dimebag Darrell, the band still gives this track some NY style flavor. Hernandez’s vocals are just murderous and carries very well with the intricate drumming of Smith; by far my favorite track from the group. Moran’s bass playing will make you pick up your feet as Smith’s sounds the battle drums! Prepare for a moshpit for this one!

    Even with the intense amount of aggression, you can still find some of the best melodic material from A Fitting Revenge. The track for me that screams out to in this manner is the beautifully constructed ‘Quiverfull’. The guitars harmonize very well on this song. Xu and Hernandez really have that chemistry to make this song hit hard. It is like taking a punch from Tyaon; yes including the ear biting! The fingering and precision is remarkable. Not even once when I was this demon did they lose my attention on this track; superb. Extremely catchy and melodic, it will have you begging for more as Hernandez’s guitar soars and compounds the solos with no struggle. The bass playing of Moran is spot on as it helps propel the emphasis of the bottom end of the song with the help of Smith’s very technical playing to keep that neck of yours breaking!

    These musicians are extremely talented in what they do. With the aggressive tracks, like “Cured of Faith” and “Quiverfull,” and the melodic tracks, like the instrumental “Neuromancer” and “Wintermute,” the band no doubt has mastered their craft. In my opinion you should check out this band if you need a groove fix for your collection. I give this album 5 out of 5 horns. Go to the band’s links below to show your support!

    Key Tracks: Cured of Faith, Quiverfull, The Noose

  • Interview: The Dirty Pennies on Developing Their Own Style of Blues

    The Dirty Pennies play a mean twelve bar blues. However, they don’t box themselves into the genre. They use the blues as a springboard to launch into other musical directions.

    Their debut album Kick Out The Rocks demonstrates this versatility – from the boogie-woogie title track to the alt rock “Explosions” and the folk ballad “Man on a Wire.” The Dirty Pennies started as a duo five years ago, with Ryan Klem on vocals and lead guitar and Lucas Howe on drums. Last year, bassist Joe Mungo joined the group. NYS Music sat down with the trio at Boulder Coffee Co. in their hometown of Rochester to discuss the evolution of the band and their sound.

    Lucas Howe, Joe Mungo, Ryan Klem

    Paula Cummings: Ryan and Lucas, you started as a duo about 5 years ago. How did you meet & decide to start a band?

    Lucas Howe: We played in another band before that wasn’t really our cup of tea, you could say, and then we both decided to jam and start our own thing.

    Ryan Klem: I remember when we were playing in the band, but we both had different writing styles. I came from the singer-songwriter style. We came up with a happy medium of sound, bringing in that twelve-bar blues like The White Stripes, The Black Keys.

    PC: Tell me about how you became a trio.

    Joe Mungo: When I moved out here three years ago, I started working with Ryan. The first weekend out here I saw them play a show. So I approached him a couple days later at work and said, “Hey, man, if you ever want to jam or anything sometime, I’d be interested in playing with you guys.” The first time we played collectively, after practice they were like, “Okay, you’re in. Let’s do this.”

    RK: We had someone working with us from Cleveland for a while who said, “You guys should get a bassist.” We also had enough people coming up to us after shows saying “You guys sound like the Black Keys” or “You guys sound like the White Stripes.” I don’t want to sound just like The Black Keys and The White Stripes, so bringing in another element has been able to…

    LH: It opens up a lot more.

    RK: What we were doing was straightforward, what we were able to do. There was a big margin where we could write what we wanted, but there was only so much we could do with a guitar and drums. With a bass now, we can touch indie rock, we can touch country… we can touch lots of different things.

    PC: You’ve been a live band for so long, what was it like when you finally got into the studio?

    RK: It’s strange because people think of us as a live band, but we did an EP that took the course of three years. I was up at school, living in the Adirondacks, and I would come back and just play a show every once in a while, not really knowing where all of this was going. But what I will say is Kick Out The Rocks was the first time I’ve felt like going into the studio and hammering something out.

    JM: For me it was return-to-my-roots. When I lived in Geneva, my hometown, I was in another band, my friend and I, and we were setting up a studio. It was a very grassroots thing in a basement. I think we played four shows total, so all the time we were playing it was in the studio setting. So it was nice to go back to that. But it was a completely different experience because Blue Brick Recordings is a legitimate studio with different rooms and things set up. It was really fun to have the professional setting.

    LH: I still think I like that people look at us as a live band. You hear the songs on the record, but I think you don’t get the same experience… I like to go nuts.

    RK: Right, live is different.

    JM: Recording in the studio, one thing that trips me up a bit is “Okay, I need to nail it this time.”

    LH: It’s really stressful.

    JM: It gets really frustrating if you can’t get it after a few tries. You get frustrated and you just want to move on for the day. But live, it doesn’t have to be the same every time.

    PC: The album has strong blues overtones, but also blends a wide range of sounds. Who are some of the bands that inspire you?

    RK: I like Wilco.

    LH: Deer Tick is pretty sweet.

    JM: If I had to name a band that’s currently out, I’d say Houndmouth has a similar sound to us.

    RK: I feel like we’re always listening. It’s harder now to find your style. If you’re someone who really grasps onto music – you want to listen to music, you want to play music – there’s just so much of it out there.

    JM: The more cool stuff you hear, it’s like, “Let’s do something like that.”

    RK: And then it will change and I’ll be like, “Why do I like so much reggae stuff now?”

    PC: What is your favorite comment by someone who reviewed your album?

    JM: Frank DeBlase (City Newspaper) gave me my best one. He said my bass was “sassy and precarious.” I really liked that comment, sassy and precarious.

    LH: I mainly liked that it seems like everyone that wrote about us said you can’t find one song that’s not catchy, that you can’t tap your foot to. We always hear that it’s catchy music.

    RK: The thing is that you get a little of everything. That’s what we’re trying to do, a little of everything.

    LH: That’s important to do, to split up the album – not just have it all grunge garage blues the whole time.

    RK: I think we touch on all of our strengths on the album, which is nice. We all have different backgrounds in music. In the twelve songs we have, I can name one song in particular in each of our styles where we really honed in on that track specifically. And it’s very cool we all got to do that. We compromise in a sense but we also stay unique through it, which is really hard to do sometimes.

    PC: What’s on the horizon for The Dirty Pennies?

    LH: We’re touring in mid-August.

    RK: Other than that, we’re writing new stuff.

    JM: I think that’s the focus right now – new music.

    RK: I love our record, but I’m ready for new stuff already.

    LH: We have been playing some new songs in practice that we haven’t really played live or are obviously not on the record.

    JM: We’ve got three or four new ones that are almost there.

    LH: It’s always nice to write new stuff. It’s nice to go in other directions.

    PC: What else would you like our readers to know about you?

    RK: We’re high-energy. We like to put on a fun live performance.

    Their next show on July 15 is at the BASIC BRAND (skate board / apparel company) Launch Party at Kashong Creek Craft Cider in Geneva, NY. For updates on shows and events, check their website or follow them on Facebook.

    Kick Out The Rocks is available through Spotify, Bandcamp and  iTunes.

    Photos of interview by Corinne Cummings

  • Dopapod’s Chuck Jones, Rob Compa Dish Upcoming Album News, Fan Antics

    A weekend spent in Stephentown, NY meant a finely curated lineup over four days at Gardner’s Farm. Having headlined every single year since the festival’s conception in 2011, this year was no different as progressive jam outfit Dopapod prepped for their Friday night set ahead. With a recent spring tour in the rear view mirror, the quartet offered fans a live compilation album, II Saw Live Dopapod, Evil Was II, to curb the anticipation ahead of their impending studio album, which they’ve been placing the finishing touches on. The strings of the group, bassist Chuck Jones and guitarist Rob Compa were kind enough to chat with NYS Music just ahead of their 9:30pm headlining set.  Jones, adorned in a mock, heavy metal Celine Dion tee started off by noting their progression as a group over the years as we dove into fun tidbits about the upcoming album and the band as a whole.

    rob compa chuck jones

    Alyssa Ladzinski: Your most recent release was a live album of fan-favorites, what can you tell us about your upcoming release?

    Chuck Jones:  We just finished our new studio album, we’ve been working on it a lot this last month when we haven’t had any shows. I think we’re trying to release that in the fall before touring.

    Rob Compa: We just finished all the recording and tracking for the studio album. There’s gonna be some songs nobodies heard yet, there’s gonna be a lot of instrumentation that a lot of people probably aren’t expecting. I.E. people can expect lots of strings, violins and cellos in certain songs. It’s the first time I recorded guitar parts at home with my amp in my closet, trying not to piss off my neighbors too much. It was a lot of fun to make. It was the most fun I’ve had in a while actually.

    AL: Your auxiliary chord breaks while touring in the van. What’s one album the four of you can agree on listening to, front to back?

    CJ: I don’t know if we could, our tastes are so diverse there’s no one album we can all agree on. We would get to a point where we could settle. Probably Pink Floyd we can all agree on. That’s what makes this group so enjoyable to play in, everyone has such eclectic tastes from all over.

    RC: Uberjam by John Scofield or Wish You Were Here by Pink Floyd.

    AL: Now you’re all alone on a road trip, what’s one album you’re singing along and playing air instruments to?

    RC: Lately I’m not listening to that much music. I could always go for Ben Folds Rock in the Suburbs all the way through or Dire Straits first album.

    CJ: Silence. I enjoy the time to think. There’s a lot of saturation in listening, at this point I’ll have to think about putting on music.

    rob compa chuck jonesAL: Create your own super group you’d want to play in.

    CJ: Mike from Aqueous, Beau from Kung Fu,  I’m not sure. I like to let other people handle these things and I go to my safe spot.

    RC: Well I love James Searl from Giant Panda, Tim Palmieri on guitar, Scotty Zwang on drums, Caden from the Jauntee. I’ll leave it at that, no keys.

    AL: Favorite show you’ve seen lately?

    CJ: I just moved to Colorado a month ago and quickly I went to see two nights of Primus. Once in a smaller room and then at Red Rocks.

    RC: Main Squeeze at Brooklyn Bowl for their CD release.  Lyle Brewer of Ryan Montbleau Band played a solo guitar set at Rockwood Music Hall in NY.

    AL: If the guys were going to surprise Rob and Becky with an impromptu performance at the wedding, what would it be and who would fill in for Rob on guitar?

    CJ: Probably a Phish song, I think he would love that. I can only play “Cars, Trucks and Busses.” He would love if we played a Phish song and had Luke play guitar. Or Pink Floyd.

    RC: “Kick N’ Bach” by Frogwings but they’d have to get the real guitarists on the track, Herring and Trucks. Becky would scream with glee.

    rob compa chuck jonesAL: Being with NYS Music, I have to ask, who’ your favorite NY native artist?

    RC: The Niche in Rochester, my heroes when i was 18. They’d sneak me backstage and they were the first band in the scene to let me sit in with them.

    CJ: Giant panda, Aqueous, NY Jazz Trio. NY is saturated with good music.

    AL: If you could switch bodies with anyone in Dopapod, who would it be and why?

    CJ: I’d stay with myself. Maybe Neal cause it would be really fun to be that good at drums.

    AL: Weirdest thing a fan has done for you?

    CJ: A fan once made a T-shirt with my face on it. My mom has it. It’s weird and flattering and my mom loves it. She was wearing it the other day.

    RC: One time at a show in Syracuse my 96 year old grandma was there in a wheelchair and people kept offering to buy her shots. She didn’t have them, but I thought that was pretty funny.

    AL: What’s your biggest challenge as a band as of late?

    CJ: Having more responsibilities. I’m about to be 30 in August and you look around at festivals and realize the age group ranges from 18-24. This is a young person’s sport!

    RC: Half of us are on the East Coast while the other half is in Colorado. Trying to make that work is a thing. Today is the first time we’ve played together in a month and a half. Financially, it’s a challenge too. There’s always the ebb and flow of your band being a hot ticket or not. If you haven’t put out a new album in a couple years, you don’t have any fuel or anything to hand people. So dealing with that.

    AL: Rob, you offer guitar lessons to prospective students. How has that worked out for you?

    RC: I get a lot of bite and about half of the work. With teaching, I like that I’m directly helping somebody. I don’t really feel that so much when I’m playing on stage. Maybe it happens accidentally, but it doesn’t happen intentionally for that reason.

    AL: You seem active on Facebook enough to notice the day in and day out analysis of your music in Dopafam. Is it weird to see your music that deeply dissected on a regular basis?

    CJ: They notice the small details. The fact that there’s one person, let alone a handful of people spending that much time listening to our music is all you can ask for.

    AL: Can you pinpoint one Dopapod show that stands out as a favorite?

    RC: I really liked the last Richmond show we played. It was just a lot of fun and my favorite part was Neal, our drummer has a mic, so he talks to us while we’re playing and during a song I was soloing, he told me how to solo the whole time. You can only solo on this string, now you can only solo on this string and the first five frets of the guitar, now only on A flat. It was just goofy. If I had a favorite one five years ago it would probably be bad because you just keep getting better.

    Setlist: 8 Years Ended, Present Ghosts, Mucho, Indian Grits > Freight Train Filled With Dynamite, Priorities, Trickery, Cloud World

  • Folkfaces Announce Extensive 2017 Summer Tour

    Buffalo’s Folkfaces are gearing up for 2017 and their biggest summer tour yet. The extensive tour focus primarily on New York, giving those in the state plenty of opportunities to check them out.

    Buffalo-based Americana quintet Folkfaces has had a busy 2017 and the year is only half over. They released their debut album How Long? back in April while also completing two spring tours. The band consists of Tyler Westcott (guitar, vocals), Dan Borodzik (slide guitar, vocals), Ellen Pieroni (saxophones), Patrick Jackson (upright bass) and Dan Schwach (drums, washboard).

    Folkfaces’ summer tour features over 30 dates throughout New York with stops in five other states and Toronto. The tour kicks off this Wednesday, June 21 at Al’s Wine & Whiskey in Syracuse and closes out at the Night Lights Music Festival in Sherman. The tour primarily brings the band throughout New York with a heavy focus on the western portion of the state for their hometown fans.

    In addition to their own shows, they’ll be sharing the stage with a handful of other bands. They play with Dustbowl Revival on June 28 at Babeville in Buffalo. They’ll join The Tenants on July 14 for a house show in Akron, Ohio on July 14. On July 22, they play the Putnam Den in Saratoga Springs with The North and South Dakotas. The Fredtown Stompers and the Buffalo Brass Machine join them on Aug. 2 at the Tralf in Buffalo. As part of the Buffalo Infringement Festival, they play alongside Swimmer, Minor Racket, Dark Matter Trio and The Funk Theory Extravaganza on Aug. 4 at Nietzsche’s in Buffalo. Nietzsche’s sees them again on Aug. 23 along with Minor Moon and Pine Fever.

    Folkfaces is one of NYS Music’s 87/90 up and coming featured artists.

    Folkfaces Summer Tour Dates
    June 21 – Al’s Wine & Whiskey, Syracuse, NY
    June 23 – 42 North, East Aurora, NY
    June 28 – Babeville, Buffalo, NY *
    July 6 – The Waterhole, Saranac Lake, NY
    July 7 – The Monopole, Plattsburgh, NY
    July 8 – Light Club Lamp Shop, Burlington, VT
    July 9 – The Pizza Stone, Chester, VT
    July 12 – Temple Bar and Grille, Rochester, NY
    July 13 – The Crittenden Tavern, Coudersport, PA
    July 14 – House Show, Akron, OH **
    July 15 – Cobblestone Festival, Buffalo, NY
    July 16 – 10th Ave. Burrito Co., Belmar, NJ
    July 17 – Shrine World Music Venue, New York, NY
    July 17 – Silvana, New York, NY
    July 18 – Arlene’s Grocery, Brooklyn, NY
    July 19 – Salt Gastropub, Stanhope, NJ
    July 20 – Cabaret at Germano’s, Baltimore, MD
    July 21 – TBA
    July 22 – Putnam Den, Saratoga Springs, NY #
    July 28 – Fiddler’s Picnic, Marion, NY
    July 31 – Buffalo Infringement Festival, Lafayette Square, Buffalo, NY
    Aug. 2 – The Tralf, Buffalo, NY ##
    Aug. 3 – Funk ‘n Waffles, Rochester, NY
    Aug. 4 – 189 Public House, East Aurora, NY
    Aug. 4 – Buffalo Infringement Festival, Nietzsche’s, Buffalo, NY ^
    Aug. 5 – The Riverboat Bar, Alexandria Bay, NY
    Aug. 6 – Junction City Music Hall, Toronto, ON
    Aug. 11 – Slyfest, Sherman, NY
    Aug. 20 – Nights of Fire Festival, Franklinville, NY
    Aug. 23 – Nietzsche’s, Buffalo, NY ^^
    Aug. 25 – Night Lights Music Festival, Sherman, NY

    * w/ Dustbowl Revival
    ** w/ The Tenants
    # w/ The North and South Dakotas
    ## w/ The Fredtown Stompers, Buffalo Brass Machine
    ^ w/ Swimmer, Minor Racket, Dark Matter Trio, The Funk Theory Extravaganza
    ^^ w/ Minor Moon, Pine Fever

  • A Vintage Year Release Video for “Lousy Soul” from Upcoming Album

    A Vintage Year, a progressive alt-rock group out of Rochester have released the video for “Lousy Soul” off their upcoming album Picture Perfect. The video finds the band heading into the club for a show for a live performance reminiscent of early Alice in Chains, with shadowy images of the band interspersed.

    A Vintage Year has been performing since 2014 and released their debut EP in early 2015, and follow up EP, Beautiful Disease, in January 2017. After touring Texas in February 2017, the band returned to the studio to wrap up their first full album Picture Perfect, slated for a July release. A Vintage Year features Joe Williams (vocals), Jordan Barney (guitar, bass) and Nick Manka (drums, vocals).

  • Buffalo’s Herd Festival Features More Than 60 Bands

    This weekend, BuffaBLOG presents the fourth annual Herd Festival. The fun starts Thursday, June 15 and runs through Sunday, June 18. More than five dozen local, regional, and national acts will be performing at some of Buffalo’s favorite venues: Mohawk Place, Nietzsche’s, Milkie’s Lounge, DBGB’s, and Dreamland. Cover charges for each venue range from $5-$7. All access passes are available for $20.

    herd music festivalFull Herd Fest Schedule: 

    Thursday
    Mohawk Place | 7pm doors | $7 cover | 18+
    8:15pm Hundred Plus Club
    9pm dreambeaches
    9:45pm Sammus
    10:45pm God Save the Queen
     
    Nietzsche’s | 8pm doors | $5 cover | 21+
    In Collaboration with The Public
    8:30pm Rust Belt Brigade
    9pm Stress Dolls (front room)
    9:15pm Wren Williams & Sons of Luther
    9:45pm Stress Dolls (front room)
    10pm Cannon the Brave
    10:30pm Ryan Howze (front)
    10:45pm Award Show
    11:30pm Ryan Howze (front)
     
    Friday
    Mohawk Place | 5pm doors | FREE! (Happy Hour) | 18+
    6pm Griffin!
    7pm Kerry Key
    7:30pm $7 cover starts
    8pm qwelis
    8:30pm Jack
    9:15pm Big Fred
    10pm Humble Braggers
    10:45pm Nylon Otters
    11:30pm Bold Folly
    12:15am Dean Chatham
    Milkie’s Lounge | 8pm doors | $5 cover | 21+ 
    9pm: K.Rob
    9:45pm Rap & Destroy
    10:30pm Mad Dukez
    11:15pm Short Moscato
    12am MileHighMuzik
     
    Nietzsche’s  | 9pm doors | $5 cover | 21+
    10pm SHEDS
    10:45pm Total Yuppies
    11:30pm Cooler
    12am; Ian McCuen (front)
    12:20am Feverbox
    1am: Late Night Hipster Dance Party with Dance Yourself Clean DJs
     
    DBGB’s | 9pm doors | $5 cover
    10:30pm Matthew Danger Lippman
    11:15pm SMUG
    12am: M.A.G.S.
    Saturday
    Dreamland | 7pm doors | $5 cover | 18+
    8pm coral collapse
    8:45pm Deadwolf
    9:30pm Buffalo Sex Change
    10:15pm Passed Out
    Mohawk Place | 7pm doors | $7 cover | 18+
    8pm Johnny and the Man Kids
    8:45pm The Gennies
    9:30pm Kissing is a Crime
    10:15pm Suburbs
    11pm Gillian
    11:45pm Younger Then
    Milkie’s | 8pm | $5 cover | 21+ 
    8:30pm Small smalls
    9:15pm Dead Lounge
    10pm White Shade
    10:45pm Into the Wake
    11:30pm Filthy Gorgeous
     
    Nietzsche’s | 9pm doors | $5 cover | 21+ 
    9:45pm Telempathy (front)
    10pm New Masons
    10:30pm: Telempathy (front)
    10:45pm Bearhunter
    11:15pm Dogs in Stereo (front)
    11:30pm The Leones
    12am Dogs in Stereo (front)
    12:15am Lesionread Spookyime Jazz Ensemble
    DBGB’s | 9pm doors | $5 cover | 21+ 
    10:30pm The Eaves (formerly Sixties Future)
    11:15pm Ugly Sun
    12am: Made Violent
     
    Sunday
    Mohawk Place | 7pm doors | $5 cover | 18+
    8pm Planet Three
    8:45pm Major Arcana
    9:30pm A Relative Term
    10:15pm The Etchings

  • The NYS Music Guide to the 2017 Xerox Rochester International Jazz Festival

    Starting June 23, and up until July 1, 2017, Rochester will once again become one of the hottest destinations for live jazz, and music in general. Once a year, for a nine-day stretch, the Xerox Rochester International Jazz Fest brings this medium-sized city wall-to-wall big city talent from across the globe. Headliners at the glorious Eastman Theatre, the Club Series making use of every viable hall in the East End neighborhood, and free shows filling the streets with sound; it’s a music lover’s paradise. With so much to see and hear, and only two eyes and two ears with which to take it all in, decisions must be made. Hit this, not that. But what? Well, that’s why we’re here. Here again we have compiled must-see acts for every type of fan. No matter what tune you’re singing as you stroll down Jazz Street, there’s something for you. Don’t forget to check out our tips for the best way to enjoy your time at the Rochester Jazz Fest.


    “It don’t mean a thing if it ain’t got that swing”
    Are you more of a traditionalist? You’ll want to be at these sets:

    Miguel Zenon
    Puerto-Rican saxophonist Zenon is a Grammy winner and a Guggenheim and MacArthur Fellow. He brings his longtime quartet and the music from his fantastic new release, Tipico, which blends his Latin roots and adventurous hard bop for a sound that can be reminiscent of Horace Silver, with more than a few unexpected turns.
    June 26, Kilbourn Hall    , 6:00 p.m. and 9:00 p.m.; $35 or Club Pass

    Billy Childs Quartet
    Previously seen on a XRIJF stage as the pianist in Chris Botti’s band, Childs brings his own quartet this year, playing from his own impressive songbook. Perhaps he will throw in a Laura Nyro cover or two from his Reimagining Laura Nyro record, but more likely the set will lean heavily on his superb 2017 release, Rebirth.
    June 24, Kilbourn Hall, 6:00 p.m. and 9:00 p.m.; $35 or Club Pass

    4 By Monk By 4
    Four piano masters celebrating the works of a trailblazer and legend of jazz, Thelonious Monk. Kenny Barron, Benny Green, George Cables and Cyrus Chestnut will combine forces to do the man justice, playing together in various combinations. This has the all the makings of a special night of music.
    June 29, Lyric Theatre, 4:00 p.m.; $30 or Club Pass
    June 30, Kilbourn Hall, 6:00 p.m. and 9:00 p.m.; $35 or Club Pass

    Also make time for…
    Kendrick Scott Oracle
    June 27, Xerox Auditorium, 6:30 p.m. and 9 p.m.; $30 or Club Pass

    Hot Club of Cowtown
    June 28, Big Tent, 8:30 p.m. and 10 p.m.;$30 or Club Pass


    “It don’t mean a thang if it ain’t got that twang”
    In the, well this ain’t jazz category, here are some acts for the lovers of the tried and true roots and Americana tradition.

    The Jerry Douglas Band
    The unquestioned best dobro player around, Douglas might best be known these days for his work in Alison Krauss’ band, but he has been kicking around in the newgrass scene since it’s inception. He’ll be with his new band previewing his new album What If, which is out in mid-August.
    June 24, City of Rochester East Ave and Chestnut Street Stage, 9 p.m.; FREE

    John Paul White
    White found great success as the male half of the much acclaimed folk duo, The Civil Wars. Moving on from that project, White returned to his solo roots, plumbing the depths of Americana for his second solo effort, Buelah, released last year.
    June 25, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass

    The Dustbowl Revival
    An eight-piece that combines bluegrass, gospel, New Orleans swing and blues, they are no mere string revival band, mixing in some brass to throw it all for a unique loop.
    June 29, Montage Music Hall, 6 p.m. and 10 p.m.; $30 or Club Pass

    Also make time for…
    Jack Broadbent
    June 25, Montage Music Hall, 6 p.m. and 10 p.m.; $30 or Club Pass

    Lera Lynn
    June 26, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass


    “It don’t mean a thing if it ain’t got six strings”
    The festival has an unusually strong slate of guitar slingers this year.

    Bill Frisell & Thomas Morgan
    If the Jazz Fest existed for the singular purpose of getting Frisell to Rochester every couple of years it would be well worth it. Your favorite guitar player’s favorite guitar player, he is returning for his seventh festival. Every time he brings a different band and it never disappoints. This year he is presenting a duo set with bassist Thomas Morgan.
    June 25, Kilbourn Hall, 6:00 p.m. and 9:00 p.m.; $35 or Club Pass

    Matthew Stevens
    A major contributor to the sound behind Esperanza Spalding’s standout 2016 hit Emily’s D+Evolution, Stevens is out with a stunning brain melter of an album of his own this year, Preverbal. Angular and adventurous, you’re in for a thrilling ride at these sets.
    July 1, Wilder Room    , 6:00 p.m. and 10:00 p.m.; $30 or Club Pass

    Eric Krasno
    The guitarist for jamband and XRIJF veterans Soulive, Krasno returns for a set with his own band. He has mixed in more rock and blues to the funk and soul, and even added vocals to the repertoire, but there’ll still be plenty of improvisation to go around.
    June 30, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass

    Also make time for…
    Charlie Hunter Trio
    June 27, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass

    International Orange
    July 1, The Little Theatre, 7:00 p.m. and 9:15 p.m.; $30 or Club Pass

     
    “It don’t mean a thing if I ain’t moving my thing”
    If you want to move while you listen, these are the acts that will have the crowd out of their chairs and on their feet. Don’t forget to bring your dancing shoes.

    St. Paul and the Broken Bones
    Paul Janeway, an energetic singer with an electric and unique voice, leads this eight-piece soul band that turns heads wherever they go, wherever they’re heard. The streets will be a sea of dancers when they unleash music from their latest, Sea of Noise.
    June 23, City of Rochester East Ave and Chestnut Street Stage, 9 p.m.; FREE

    The Nth Power
    Soulful groove and dance music from a group borne from a late-night jam session at the New Orleans Jazz Fest, this is a young band quickly making a name for themselves for their electrifying live shows.
    June 23, Rochester Regional Health Big Tent, 8:30 p.m. and 10 p.m.; $30 or Club Pass

    Electric Kif
    Another energetic soulful quartet, this Miami band started as a side project for the members but quickly grew into something special and lasting.
    June 28, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass

    Also make time for…
    Huntertones
    June 23, Montage Music Hall, 6 p.m. and 10 p.m.
    June 24, Rochester Regional Health Big Tent, 8:30 p.m. and 10 p.m.; $30 or Club Pass for either venue

    New Breed Brass Band
    June 26, Rochester Regional Health Big Tent, 8:30 p.m. and 10 p.m.
    June 27, Montage Music Hall, 6 p.m. and 10 p.m.    ; $30 or Club Pass for either venue


    “It don’t mean a thing if it ain’t got that sing”
    If you want some vocals with your jazz, check out these shows.

    Scott Bradlee’s Postmodern Jukebox
    Scott Bradlee invited different musicians to play today’s popular music in specific classic styles and quickly grew his concept into a YouTube sensation. Be prepared to hear familiar songs as you’ve never heard them before. It makes for a truly unique and exciting live performance like you’ve never seen before. Browse the endless string of videos at his web site and you’ll get the idea fairly quickly.
    June 27, Kodak Hall at Eastman Theatre, 8 p.m.; $45 – $85

    Mavis Staples
    One of the few true living legends featured at this year’s festival, Mavis Staples is an American treasure that is still making new and relevant music. If you’re looking for some soul and gospel, accept no substitute.
    June 28, Kodak Hall at Eastman Theatre, 8 p.m.; $25 – $65

    Eivor
    As long as you’re in a church, you may as well listen to a voice from the heavens. From Norway’s Faroe Islands, Eivor will do nothing if not mystify you.
    June 24, Lutheran Church of the Reformation, 7:30 p.m. and 9:30 p.m.; $30 or Club Pass

    Also make time for…
    Danielle Ponder and the Tomorrow People
    June 29, City of Rochester Midtown Stage, 7:00 p.m.; FREE

    Youn Sun Nah
    June 29, Harro East Ballroom, 5:30 p.m. and 7:15 p.m.; $30 or Club Pass


    “It don’t mean a thung if it ain’t fresh and young”
    People have been calling for the death of jazz for decades, but the youth keep reinvigorating the genre. Check out these younger acts to keep hip to what’s new. But if you want to catch the youngest talent, plan to catch some of the school bands gracing the Jazz Street stage throughout the festival.

    Phronesis
    This piano trio is making a very welcome return to the XRIJF lineup. The London Jazz News sums them up nicely: “established as one of the great trios. Three players, moving as one – head, heart and hands.”
    June 29, Christ Church, 6:45 p.m. and 8:45 p.m.; $30 or Club Pass

    Neil Cowley Trio
    Like Phronesis, another brilliant British piano trio making their Jazz Fest return. These guys lean more heavily on the hook-laden melodies, adding a pop and rock sensibility to their compositions.
    June 24, Christ Church, 6:45 p.m. and 8:45 p.m.; $30 or Club Pass

    Donny McCaslin Group
    The band behind David Bowie’s universally-lauded final album, Blackstar, this is jazz highly influenced and informed by that experience.
    July 1, Xerox Auditorium, 6:30 p.m. and 9 p.m.; $30 or Club Pass

    Also make time for…
    Binker and Moses
    June 30, Christ Church, 6:45 p.m. and 8:45 p.m.; $30 or Club Pass

    Jacob Collier
    June 23, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass


    “Doo wah, doo wah, doo wah, doo wah”
    And now for something a little different. When you invite bands from around the world you can get into some interesting and adventurous stuff.

    Shabaka and the Ancestors
    London-ite Shabaka Hutchens put together this ensemble of South African musicians, which recorded one of the most thrilling new records of 2016, The Wisdom of Elders. Spiritual afrocentric jazz that is equal parts soul-stirring and soul-soothing, in the vein of Coltrane or Sun Ra.
    June 25, Harro East Ballroom, 5:30 p.m. and 7:15 p.m.; $30 or Club Pass

    Dakha Brakha
    This Ukrainian quartet plays music from another side of the world. Unusual, both visually and aurally, but quickly familiar and enjoyable, they blend tribal rhythms, chant-like singing and an odd mix of instruments into an infectious melting-pot of sound. This set will have Jazz Street talking.
    June 29, Rochester Regional Health Big Tent, 8:30 p.m. and 10 p.m.; $30 or Club Pass

    Dinosaur
    Led by trumpeter Laura Jurd, this young quartet plays creative instrumental music that rests in the crux of jazz, rock, electronic and funk.
    June 26, Christ Church, 6:45 p.m. and 8:45 p.m.; $30 or Club Pass

    Also make time for…
    Klabbesbank
    June 28, Lutheran Church of the Reformation, 7:30 p.m. and 9:30 p.m.; $30 or Club Pass

    Ikonostasis
    June 26, Lutheran Church of the Reformation, 7:30 p.m. and 9:30 p.m.; $30 or Club Pass

    See the full lineup and all of the festival details at RochesterJazz.com.

  • So Last Year Embarks on Summer Tour, with a Little Help from Their Friends

    So Last Year celebrated the first night of their summer tour with a hometown show at The California Brew Haus on June 3. The send off included performances by bands they’ve been sharing a stage with for some time: Maple Hill, Daily Milestone, Pilot The Universe, and Nostalgic Stereo. See the photo gallery at the end of the article for more pictures.

    So last year
    Logan Van Epps, Curtis Matteson, and Jason Campbell – So Last Year Photo by Corinne Cummings

    What The California Brew Haus lacks in style, it makes up for in character. The furnishings are worn in. Musicians load and unload gear through exit doors covered in band stickers. The wall behind the stage is plywood, hand painted with the name of the bar. But the food is good, the patrons are friendly, and the live shows rock.

    This night was no exception. We arrived when Maple Hill was taking the stage. The lively pop punk band from Ithaca played a set which included “Stomping Ground” from their 2016 album Headspace and “Well, Well, Well” from their earlier EP. Daily Milestone performed next. They had the audience clapping along to their catchy song “Silence.” It was announced that the drummer, Austin Porrata, will be moving to Nashville soon. He picked up an acoustic guitar and delivered a touching rendition of “Learning How To Love,” originally by Colony House.

    Then So Last Year was on. Frontman Logan Van Epps asked the audience to sing along to the intro. The band started playing the theme song to the show “Reading Rainbow,” and the crowd belted out the lines enthusiastically. They kept the momentum going with their song “The End of My Excuses pt.II,” a vibrant rock anthem with a strong beat. Fans clapped along and sang the chorus, “One day all we’ll have is stories and songs, but this is our chance to sing along… tonight.” They followed with their ballad  “You Can Imagine The Wild Times,” which showcases Van Epps’ vocal range, from soft and low to soaring heights.

    Also included in the set was the love song, “In Light of Summer,” which featured Van Epps on keyboard. This title track from their second album is also notable for its phenomenal guitar segments. Lead guitarist Jon Stowell positioned his hand over the top of the neck of his Les Paul, working over the fretboard with unbelievable speed and dexterity. Jason Campbell and Curt Matteson were a dynamic duo, and it was fun to watch them play rhythm guitar and bass, respectively. While Mitch VanDenBerge is a new addition to the band, he is a seasoned musician and performed admirably. They ended with “The Enchantment of Our Youth,” a song from the 2013 debut album.

    The disappointment of the end of So Last Year’s set was quickly replaced with curiosity as a group of kids (one decked out in a Boy Scout uniform and another in a karate school windbreaker) started setting up their gear. They hung up their band banner, with their logo and name Pilot The Universe. Jaws dropped when they started jamming some funky originals composed in band class. The five-piece outfit included a keyboard player, and the lead singer also played saxophone.

    Set included their most recent creation, “Koto.” Immediately following was Nostalgic Stereo from nearby Williamson. Playing exclusively alt rock covers from the past few decades, this is the band that time forgot. They got everyone to sing along to hits from Blink 182, Fallout Boy, and Yellowcard. Mid-set, lead vocalist Alan Overslaugh announced, “Let’s do something different.” Drummer Ty Palmer grabbed an acoustic guitar and the pair launched into a medley of emo ballads originally performed by the likes of We The Kings, Mayday Parade, and Dashboard Confessional. The finale was Blink 182’s “Dammit,” ending with Overslaugh saluting the audience from atop the monitor box, a thank you to the audience and send-off to So Last Year as they embark on their summer tour.

    Tour Dates:
    June 11 Boston MA – House Show
    June 15 Akron OH – The Overlook
    June 16 Kent OH – The Outpost
    June 17 Pittsburgh PA – Black Forge Coffee
    June 18 Buffalo NY – Buffalo Iron works
    June 25 Syracuse NY – Spark Art Gallery

  • Photo Gallery: Tool Thrills in Rochester

    It was an incredible night on Tuesday, May 30, at the Blue Cross Arena. Tool made a stop in Rochester and was nothing short of incredible and a visual masterpiece as one would expect!! They brought with them the jazzy and trippy Oakland, CA based band Once and Future. It was a very visually and musically intense show to which Tool are masters of. Some of the high points of the show would definitely be them playing some tracks I have not heard live probably in close to fifteen years. “Opiate,” “Third Eye,” and a really deep cut off their debut album “Sweat.” Please enjoy the selection of photos below from this show.

    Tool – Blue Cross Arena – Rochester – Tuesday, May 30, 2017

    Set 1: The Grudge, Parabol, Parabola, Schism, Opiate, Ænema, Descending, Jambi, Third Eye, Forty Six & 2

    Set 2: Chocolate Chip Trip, Vicarious, Sweat, (-) Ions, Stinkfist

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