Category: Regions

  • Spafford Rocks Lucky Strike Social Club

    The mall was the place to be on Sunday October 8 as Spafford returned to Albany for their second performance of the year. After making plenty of new fans opening for Umphrey’s McGee at the Palace Theatre back in January, Lucky Strike Social in the Crossgates Mall earned a spot on their massive 34-show Fall Tour. This time around, the enthusiastic crowd was treated to two full sets that went until midnight, the longest Sunday show to ever have taken place at the newer venue. Lord Electro started the night, their first time performing at Jupiter Hall, and opened the night with an EDM power trio sound, highlighted by songs like “Home” (The New Deal), “So-Laflay” and “Business,” which closed their enthusiastic set.

    Lucky Strike Social ClubThe Arizona quartet opened the show with “Simon and Lily” and “Galisteo Way” before treating us to “Mind’s Unchained” and “People.” The highlight of the first set was their bluegrass’esque cover of the Red Hot Chili Peppers’ “Soul to Squeeze” before going into their original, “Windmill,” which had the fans clapping for more as they wandered off stage. They came back from the break with a cover of Johnny Russel’s “Catfish John” before the band soared through a jaw-dropping combination of “Dream Jam” > “All My Friends” > “Bee Jam” > “Alternate Ending” and finally “Ain’t That Wrong” to end the set. Never one to disappoint, they came out once more for a bluesy-pop encore with one of their own, “Shake You Loose.”

    Setlist
    Set 1: Simon and Lily, Galisteo Way, Minds Unchained, People, Soul to Squeeze, Windmill
    Set 2
    : Catfish John, Dream Jam > All my Friends > Bee Jam > Alternate Ending > Ain’t That Wrong
    Encore: Shake You Loose

  • Runnin’ Down a Dream: Remembering Tom Petty (1950-2017)

    Remembering Tom Petty as the venerable wizard of feel-good music, the kind we cranked with the windows down while driving at full speed can bring solace to this tragic loss. “I felt so good, like anything was possible / I hit cruise control, and rubbed my eyes.” His songs were perfect for beach parties, heartache, conflict, and respect. Petty’s songs gave us perspective, relating to us to say, “life will be all right: you will get through this; stand tall and be proud of yourself.”

    tom petty lockn

    Petty was a philosopher, a poet, a troubadour, and a comic. He had a keen sense of humor and did what was right for his fans, even if it meant going to battle against overbearing record company execs. He fought for the common cause and helped all musicians in his wake by keeping industry powers in check. He fought labels to keep cd costs down, including his own first record label, and he succeeded. Most early contracts were rigged against the artists, and musicians often had no choice but to sign their lives away in order to “make it big.” Now the battles are fought against Pandora and Rhapsody, but some of these streaming services are losing the fight as new services take over and fans rally behind artists who are continuing the fight Petty pioneered.

    Early in my formative years, I enjoyed watching my friends in Final Warning rehearse and perform Tom Petty and the Heartbreakers’ “Breakdown” countless times, while Adam Sandler gave us his best Tom Petty impersonation, complete with the twangy accent and rock moves. His basement was where I followed my first band, becoming the band’s light guy and roadie. Petty was the lovable rocker we all related to. He crafted songs that were simple, catchy, and about real life: powerful, inspiring, soothing, and enlightening. His fans felt like he was their best pal, and that he spoke to us through his music. Petty was one of the greatest artists, with the uncanny ability to reach our hearts and alter our minds. In his music was great wisdom and peacefulness, but also a sense of celebration, confidence, and courage.

    “Petty was a giant. Damn the Torpedoes is one of the greatest rock albums of all time, and certainly would have been the best album of the 80s, if it were released 3 months later.” (Peter Lavallee, lead guitarist of Final Warning) That was Petty’s third studio album, his most popular and highly-acclaimed, which was certified triple platinum in the US and reaching #2 on the U.S. charts. Every song on it was a masterpiece. Petty didn’t write fillers – he wrote every song to strongly stand on its own.

    “I first worked with the Tom Petty Camp at The Hangout Music Festival. I became friends with Josh, who looks out for the band and tour. I gave Tom and his wife a ride from the tour bus to the headliner dressing room compound and upon introducing myself with ‘Hi, I’m Tony’, Mr. Petty nasally replied ‘Hey, I’m Tom.’ Fare thee well, Tom Petty, and thank you for fueling our FM radio memories for all those decades with simplistic truth. You are loved and will be missed.” (Tony Hume, tour manager, artist relations, and operations for Bonnaroo, Karl Denson’s Tiny Universe, The Fox Theatre, Wanderlust, and All Good, among many others).+Remembering Tom Petty

    Petty was inducted into the Rock and Roll Hall of Fame in 2002, and inducted his friend, the “Dark Horse” himself, George Harrison, in 2004. He had countless friends in the music industry, being likeable, approachable, and one of the hardest-working performers and songwriters of all times. Petty had more top 10 hits in Mainstream Rock than any other artist in the chart’s history, with 28 total top 10’s. Petty has been on the charts 48 times since the chart’s inception in 1981 (source: Billboard). Petty was competing against The Rolling Stones and The Who, and has scored top hits in 5 different decades, selling over 60 million albums worldwide.

    In his last year, Petty played 53 shows in 2017, and has performed over 1,000 shows in his lifetime. Petty has appeared and recorded with Bob Dylan, George Harrison, Johnny Cash, Stevie Nicks, Roy Orbison, Steve Winwood, Lucinda Williams, and countless other music legends. One of Petty’s first guitar teachers was Don Felder of The Eagles, a fellow citizen of Gainesville, FL, where Petty was born on October 20, 1950. Early on, Petty was so impressed by The Beatles that after seeing them, he dropped out of school at 17 to play bass with his new band, The Epics. They soon evolved into Mudcrutch, who had 2 of the Heartbreakers, Mike Campbell and Benmont Tench, along with Tom Leadon on guitar and Randall Marsh on drums. They recently played a sold-out show at The 930 Club in DC on June 6, 2016, having been recently reformed in the summer of 2007. (Washington Post).

    Remembering Tom PettyPetty directly influenced Dave Grohl, who has covered ‘Breakdown’ 69 times. Petty influenced many other prominent artists, including Ryan Adams, Bon Jovi, and Taylor Swift, who wrote, “To me, Tom Petty represented a kind of songwriting I idolised: complex simplicity. His hits have defined rock radio since the Seventies, and he never stopped writing great music. It said so much in the lyrics, the concepts, the stories, the message, the nuances … but always brought you back to a hook that got stuck in everyone’s head. He motivated thousands of guitarists to learn to play just because they wanted to be able to play ‘Free Fallin”. Count me as one of them.” (NME Music).

    Because of his huge popularity, Petty played the largest festivals, including headlining acts at Bonnaroo in 2006, alongside The Allman Brothers Band, Stevie Nicks and the Black Crowes. Petty was enthusiastically greeted by his devoted fans, who chanted the words to every song with unity and pride. I had the great fortune to experience the power of this rock icon first opening for The Grateful dead in the mid to late 80s, a few other shows throughout the decades, then more recently at New Orleans Jazz Fest in 2012, and again at Lockn’ Festival in 2014. I covered that year for NYS Music, and was lucky to catch this shot as Tom looked right at me, with an elvish grin and a gleam in his eye.

    Thank you for your musical magic, may you rest in peace, Tom.

  • Amy Helm Pays Tribute to Petty in Rochester

    Friday October 6 at Funk n Waffles Music Hall in Rochester started with one voice and one guitar, as Woodstock’s Connor Kennedy took the stage to warm up the stage for Amy Helm. He would end the night, as part of Helm’s band, on a two-neck guitar. Three and four-part harmonies would be the centerpiece of Helm’s set, which culminated with five songs by Tom Petty songs as a part of a six-song encore. One two three four five six… though Amy Helm and band put on a show that was anything but paint-by-numbers.

    Amy Helm PettyKennedy highlighted his emotive country-ready voice in a short set of fresh original folk tunes. He was appropriately decked out in denim head to toe, though he admitted a “clerical error” in not wearing his Nick Tahoe’s tee. During “Down by the Water” a voice emerged from the audience, in perfect harmony. Amy Helm, enjoying the set from the crowd, decided to sing along, beautifully “sitting in” without taking the stage. His set ended with him seated at the Rhodes, to play the title track off of his excellent just-released album, Somewhere.

    Helm’s set started with a small hiccup, as Kennedy had some guitar amplification issues. The rest of the band soldiered on, extending the beginning of “Didn’t It Rain” into a funky little jam, complete with improvised vocals. They funked, but didn’t waffle. As soon as the guitar was ready, the band immediately clicked into the song proper, as if it was part of the plan all along. The rest of the set went on without a hitch, mixing and matching genres like soul, R&B, roots, country, funk and blues. “Rescue Me” took on a southern rock feel and “Cotton and the Cane,” a new song co-written with Mary Gauthier,  showed more twang, but the band’s incredible harmonies were present throughout. They mixed in two great ones from the late great Alan Toussaint, “Yes We Can Can” and “Freedom for the Stallion,” both times Helm remarked how relevant the lyrics still were in our current time. The set closed with a searing rendition of Bob Dylan’s “Meet Me in the Morning,” which opened with some thumping bass from Ted Pecchio, closed with a rollicking solo from Sean Dickson on drums, and was pure fire in between.

    The encore opened with another cover, one of more recent significance, a near a capella rendition of Tom Petty’s “Wildflowers” with only the Rhodes and some very subtle bass and drums as accompaniment. A beautiful tribute, but wait, there’s more. Helm said they knew in the lead up to this gig, a part of a quick three-show stint, they would need to play a Petty song. But once the time grew closer, they realized they couldn’t just play one, they needed to play five. So the encore became a mini Tom Petty tribute set. They continued on, with “You Don’t Know How It Feels,” an acoustic one-mic bluegrass version of the deep cut “No Second Thoughts” and “Waiting is the Hardest Part.” Helm then held back tears as the band beautifully dedicated the hymn “Gloryland” to Petty. This immediately led into an explosive finish, with Kennedy strapping on the aforementioned double-neck guitar for a perfect “American Girl.” We give it a ten!

  • Let’s Be Leonard Releases ‘Live at Nectar’s’

    Let’s Be Leonard have released Live at Nectar’s, from their June 16, 2017 performance at the fabled Burlington venue. Tune in below and check out Let’s Be Leonard on their Fall Tour!

  • The Wailers: Preserving the Musical Legacy of Reggae Great Bob Marley

    The Legendary Wailers, Bob Marley’s famed backing band,  will be performing the Reggae icon’s hits when they play at the  Cohoes Music Hall on Tuesday October 17. The Wailers have long been the caretakers of Marley’s musical legacy since his premature death from cancer back in 1981. The band continues to tour around the world in order to spread Marley’s timeless message of “Jah Love” just as he requested they do prior to his death.

    The Wailers Legacy

    The current version of the band, steered by famed bassist and founder Aston “Familyman” Barret, along with original Wailers‘ guitarists Julian Marvin and Donald Kinsey, spread Marley’s message and music to a new generation of fans.  That message of love is masterfully channeled to the audience by Rastaman lead vocalist Joshua David Barrett.  The Wailers bring infectious Jamaican Reggae dance music wherever they go. If you love to groove, this is a show not to miss.  Tickets are available at the Cohoes Music Hall box office.

  • We Can’t Allow Fear to Ruin Our Live Music Experience

    We’re so tired of our senseless fight

    The one thing we can all do right

    Is come together

    —    Trey Anastasio

    I’m not even sure where to begin; my mind is spinning out of control trying to wrap itself around the news of yet another massive tragedy on American soil.

    The headlines read something like “50 Dead, More Than 200 Injured in Las Vegas Mass Shooting,” and I still cannot process this. A 64-year old man from the 32nd floor of a resort hotel mowed down concertgoers attending a performance by country music superstar Jason Aldean.

    Human beings who went out to smile, dance and engage with like minded people were destroyed with clicks of a trigger.

    This is not OK.

    In fact, as I sit here at my desk with tears streaming down my face, all I can envision is being in that field, bobbing my head in tune with the melody, only to have that moment  of zen blown up and turned into a bloody mess of fear, terror and horror.

    Music is a unifying force in our world. Since the dawn of time, humans have trekked all over the world to enjoy to take in one of the oldest and most pure forms of art. Its subjectivity is what makes it so unique and uncanny; whatever music you love, it’s the best, and no one can take that from you.

    This guy has now taken that elation away from so many. But unfortunately, I view this act of terror as one that will ultimately lead to all sorts of arguments on gun control and all that comes along with it.

    I’m not talking about any of that here. I am talking about not allowing a monster to instill fear into people, and thus making people all over question whether to attend the concert they have tickets to next Friday night. We escape the mundane when we go to a show.

    We leave our problems at the office, the stress of daily life at home, when we go out and dance.

    Yet, now people are growing wary and scared of going into large crowds because a coward of a man destroyed the lives of so many.

    What used to be a unifying force — music — is now linked to what is creating a divide, and I am here to tell you that we must fight that with all our might, will and passion.

    Always be vigilant when in public. Take note of things that seem out of place. Try to keep things safe in whatever way you can.

    But don’t you dare skip that concert. Don’t throw away your tickets and definitely don’t stop seeing your favorite music live.

    If you do allow the fear to take over your ways, you allow people like this man to win.

    Take a stand. Go buy concert tickets. Enjoy the show.

    Be part of overcoming terror, and not succumbing to what those horrendous people want.

    We need to rise up and come together.

  • Music, Craft Beer, Food: A “Finger Lakin’ Good” Time

    Who is ready for a “Finger Lakin’ Good” Time full of music and craft beer? If you answered yes, maybe, or even “huh?”,  NYS Music encourages you to come down to the Inaugural Lincoln Hills “Finger Lakin’ Good” Fall Fest in Canandaigua, NY, on Saturday, October 14. 

    For the humble ticket price of $15, you’ll gain access to more than seven live bands, craft beer, food vendors and a beautiful autumn breeze. The lineup will include The Eric Krasno Band, Floodwood, Dirty Blanket, Pearly Baker’s Best, Aaron Lipp & Yarms, Workingman’s Dead, Badfeet and more to be announced! Music will run from 12am until 8pm. Get your tickets .

    The Eric Krasno Band will headline the event. Eric Krasno is the guitarist, songwriter and co-founder of the world famous bands Soulive and Lettuce. He is also respected as a producer and songwriter, working with everyone from Norah Jones, The Tedeschi Trucks Band, Talib Kweli, 50 Cent, Pretty Lights, Aaron Neville, Allen Stone and beyond. In promotion of his latest solo album, Blood From a Stone, Eric Krasno is touring extensively this fall with his hand selected band. The Lincoln Hills “Finger Lakin’ Good” Fall Fest will be a prime opportunity for locals to catch a live performance of Eric Krasno’s self titled band.

    Take a glance below and click the play button. You’ll find a Rochester Groovecast podcast episode. This episode is a preview of the Inaugural “Finger Lakin’ Good” Music Festival. During the episode, you’ll listen to The Eric Krasno Band, Floodwood, Dirty Blanket, and Aaron Lipp & The Slacktones (Lipp and Yarms). All of these bands will be at The “Finger Lakin’ Good” Fall Fest. If you scroll even further down, you’ll find a detailed episode timestamp. Find directions to the event here

    Timestamp:

    00:00: Eric Krasno Band- Waiting On Your Love

    03:32: Introduction

    07:25: Eric Krasno Band- Blood From A Stone

    10:54: Floodwood- North Country Winds

    14:57: Floodwood- Whiskey After Breakfast

    18:39: Dirty Blanket- My Getaway

    24:42: Dirty Blanket- Dead Or Alive

    30:53: Aaron Lipp and the Slacktones- Catching That Train (ft. Oliver Wood)

    35:20: Aaron Lipp and the Slacktones- Weary Bones

    39:26: Conclusion

    41:22: Eric Krasno Band- Jezebel

  • Collar City Faves Blue Machine Rock the Dino

    If you were in the mood to rock out to Classic Rock and British Invasion tunes from The Beatles, Rolling Stones and Led Zeppelin, the Dinosaur Bar-B-Que in Troy was the place to be this past Friday, Sept. 22 as Blue Machine made their return back to the venue.

    Blue MachineThis was the first public appearance for the band since last December. The band’s return not only brought in a packed house, the performance was also entertaining, fun and it was a great night for their fans as they rock and rolled in the City of Troy.

    Blue Machine, featuring Kenny Hohman (guitar/vocals), Joe Daley (drums), and Lori Friday (bass/vocals) and front man Tommy Love (vocals/harmonica), have been bringing their own take on many popular Classic Rock and British Invasion tunes for over 10 years throughout the Capital District and New England. For over 21 years, Hohman, Daley and Friday perform as an international and local power trio called Super 400. Love, who at times can sing and sound like various performers such as Robert Plant, Mick Jagger and Jim Morrison, is also a lead vocalist in another local group, Blue Hand Luke.

    Blue Machine performed hit songs throughout the evening, starting with “Come Together” (The Beatles), followed by “Heart Full of Soul” (The Yardbirds), “Set Me Free” (The Kinks), “Badge” (Cream), “Tell Her No” (The Zombies), “Jumping Jack Flash” (The Rolling Stones), “Strange Brew” (Cream), “Born Under A Bad Sign” (Cream), “Can’t You Hear Me Knocking” (The Rolling Stones) and “Happy” (The Rolling Stones), among other tunes.

    “We’re going to give you some trippy music,” Love called out to the fans after the band had finished performing “Happy.” Love was making a reference to their next song, “Riders of the Storm” (The Doors) as Hohman began to play the memorable chords of the tune on the guitar. The Doors’ other hit, “Roadhouse Blues,” followed suit. From The Doors came The Allman Brothers Band. The band dedicated “One Way Out” and “Whipping Post” to the late Gregg Allman.

    Watching the band sing and jam out to these two tunes from The Allman Brothers was captivating, magical and entertaining. As Love sang his verses to these songs, the instrumental jam session began in full force. One moment, Hohman would play a soaring guitar solo, Daley would begin soloing on the drums, then Friday would begin her solo routine to Daley’s toned down drum taps for a given moment. As her solo ended, Hohman and Love reunited with the group to continue to perform their song(s) until it ended. The band, being as connected and passionate to these songs as they are, helped make these classic songs come to life.

    Closing out the first set, and then with a following encore performance, was the anticipated Led Zeppelin tribute. The tribute started out with a cover of “What Is and What Should Never Be” (Led Zeppelin II) followed by “Black Dog” (Mothership), “I Can’t Quit You Baby” (Led Zeppelin) and “Thank You” (Led Zeppelin II). Closing out their encore performance with Love on lead harmonica and vocals, Love belted out the lyrics to “Bring It on Home” (Led Zeppelin II). The end of the encore left Blue Machine fans happy and satisfied to know that rock and roll is here to stay in the Capital District.

    Like Blue Machine on Facebook to stay updated on where the band will perform next. Also, check out Dinosaur BBQ’s website to stay informed on the local acts that will be performing in the area.

    Setlist: “Come Together” (The Beatles), “Heart Full Of Soul” (The Yardbirds), “Set Me Free” (The Kinks), “Badge” (Cream), “Tell Her No” (The Zombies), “Jumpin’ Jack Flash” (The Rolling Stones), “All My Loving” (The Beatles), “Strange Brew” (Cream), “Born Under A Bad Sign” (Cream), “Can’t You Hear Me Knocking” (The Rolling Stones), “Happy” (The Rolling Stones), “Riders of the Storm” (The Doors), “Roadhouse Blues” (The Doors), “One Way Out” (The Allman Brothers), “Whipping Post” (The Allman Brothers), “What Is And What Should Never Be” (Led Zeppelin), “Black Dog” (Led Zeppelin), “I Can’t Quit You Baby” (Led Zeppelin), “Whole Lotta Love” (Led Zeppelin), “Thank You” (Led Zeppelin),
    Encore: “Bring It On Home” (Led Zeppelin)

    This article was originally published by The Spot 518.

  • Supertramp’s Roger Hodgson to Play Turning Stone Casino

    Anyone growing up in the 70’s and 80’s will tell you one of their favorite albums of all time was Breakfast in America by Supertramp.  In a day when albums and 8 tracks were the medium of sound, listening from beginning to end was common place.  No skipping occurred, no downloading of one song only. You would sit and listen to the entire album and learn all the songs on the album from start to finish, and the artists paid close attention to this when arranging and choosing songs for the album. Breakfast in America was one of these albums, and the flow from song to song still is just as vivid in our memories. The talent of the group and the voice of Roger Hodgson was unforgettable, and it is with much anticipation and joy that we are able to welcome Hodgson to the Turning Stone Casino in Verona, NY  on October 8, 2017.  One of the founding members of Supertramp, Hodgson penned and performed hits such as “The Logical Song,” “Dreamer,” “Breakfast in America” and “Take the Long Way Home” to name a few. Tickets can be purchased by visiting the Turning Stone webpage, with special packages and upgrades available. Hope to see you all there.

  • Cohoes Music Hall to Host Ominous Seapods Reunion this Weekend

    The Ominous Seapods’ Tom Pirozzi revealed in September that the band’s reunion show at Cohoes Music Hall on Saturday, January 13 would become a two-night run, plus an addition show on Sunday, January 14 at Brooklyn Bowl, followed by the Zen Tricksters.

    I want to thank everyone who bought Ominous Seapod tickets for January 13th. The show sold out in just 5 days! The band is overwhelmed by the support. Due to that fact, and the fact that Dana Monteith is coming all the way from Australia for the show, we’ve decided to expand the event to a weekend run. We will be adding Friday night, January 12th at the Cohoes Music Hall and an encore performance at the Brooklyn Bowl on Sunday Jan. 14th. The Brooklyn Bowl show will be one 90 minute set at 7:30pm followed by a set by the Zen Tricksters. The next day is a holiday so we can all rest on Monday. More details coming soon!!!

    When we last saw the Ominous Seapods, they were bidding a fond farewell to co-founder Dana Monteith as he and his wife Deb prepared for a life down under in Perth, Australia. The farewell was Dec. 17, 2011 at Valentine’s in Albany. That show saw a tight version of the band throwing down with guest appearances from moe. drummer Vinnie Amico, Josh Himmelsbach on mandolin and promoter Greg Bell on vocals. Tickets for both Cohoes shows are sold out

    The original lineup of the band (Monteith on guitar and vocals, Tom Pirozzi on bass, Ted Marotta on drums, Max Verna on guitar and Brian Mangini on keys) will be on hand for the reunion.

    Known for their psychedelic jams and onstage humor, the Ominious Seapods came of age during the “New Renaissance of Jambands” in the early to mid-’90s and achieved a moderate level success over the course of four albums. The band broke up in 2001 and have played a handful of reunion shows since.

    Listen to The Seapods discography on Spotify:

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