Category: Regions

  • Disc Jam Presents: Halloween Horror Camp 3

    On October 28, Disc Jam is presenting Halloween Horror Camp 3! Celebrate Halloween weekend listening to lespecial, Strange Machines, Formula 5 and more as they pay tribute to some of their favorite artists like Primus, Rage Against the Machine, The Doors, Phish, Daft Punk and more. Concert-goers should be prepared to be in Western Massachusetts’ 413 area code, but the catch is that the exact location for the event won’t be released to ticket holders until 2 days before the show.

    Show gates will open at 10:00 am, and music will go from 1:00 pm to 3:00 am. There are two camping options: on-site cabins and car side camping. Guests 21+ can enjoy complimentary beer from the Lagunitas beer garden. Tickets are $60 and can be purchased here.

    Warm up for the show with these previews!

    Strange Machines (The Doors)

    Mammal Dap (Daft Punk)

    Formula 5 (Phish)

    Cosmic Dust Bunnies (The 80s)

    Kerry Quirk (Madonna)

  • Throw Away the Rudder (Float Away on Vapour Trails) – A Tribute to Gord Downie

    When your nation’s leader gives a tearful press conference lamenting that they are less of a country without you in it. When your country’s flagship news magazine spends the majority of its broadcast speaking of your legacy. When a national network dedicates hours of programming on both television and radio to the news of your death. When the Toronto Maple Leafs hold a moment of silence for a lifelong Boston Bruins fan. When your hometown’s mass transit system substitutes the bus route for “thanks for your life” on the message boards. When musicians, athletes, politicians, actors, commentators, indigenous leaders and everyday people recount memories of their encounters with you. These are all signs that you led a life to be celebrated.

    Gord Downie of the Tragically Hip passed away Oct. 17, a casualty of glioblastoma, a severe and incurable form of brain cancer. His diagnosis followed a seizure he had in December of 2015. Why this resonates so strongly with me is that my mother was diagnosed with the same. The fact that he didn’t take this diagnosis as a death sentence but as a mission to bring his message to Canada and the world, speaks to the character of the man. The period following his diagnosis turned out to be one of his most prolific.

    Downie was genuine. Downie was intense. Downie was humorous. Downie broke down fences. Downie built bridges. Downie was uniquely Canadian. Downie was one of kind.

    The Tragically Hip was never a big name in the U.S. Perhaps the obtuse poetry of the band’s lyrics or the uniquely Canadian references in their songs kept that from happening. Those Americans who had heard of the Hip and who learned to love the Hip most likely did so because of some connection to Canada, whether it be proximity to the border, family ties or a friend in the know. For me, it was a combination. I was turned on to the Hip by my friend Derrick, who had played hockey professionally and had many Canadian friends who were big Hip fans. Knowing my fondness for the Toronto Maple Leafs, Derrick told me about a Hip song that lamented former Leafs player Bill Barilko, entitled “50 Mission Cap.” I was hooked.

    I was in my mid-20s when I dove into the Hip. I dove in deep. Perhaps it was my many family trips to Canada in my childhood. Perhaps it was my need to be different than others. Whatever it was, I loved the sound of the Hip and the content of their lyrics. Through those lyrics, I discovered more about Canada than I ever would have otherwise. I was fascinated by the story of Barilko. I researched Hugh MacClennan and David Milgaard. I was an American with my own little Canadian secrets.

    Perhaps the coolest thing about being an American Hip fan in their heyday was that seeing them live didn’t involve sleeping out for tickets or sitting in a huge stadium to see them play. While the band’s hometown of Kingston, Ontario is just a few hours away from my hometown of Rome, New York, in Hipworld, it may as well be light years away. My first time seeing the band was at the Club Chameleon on the Day for Night tour in Syracuse in 1995 with a band called the Rheostatics opening. Not only was I getting an opportunity to see a new favorite band in an intimate venue, I was also being introduced to a cool new band I had never heard of in the Rheos. I’ve been a Rheos fan since that day and have the Hip to thank for that.

    The people working the door that night were asking each attendee how far they’d come for the show as they entered. I’d never encountered that when going to a concert. A few years later, I realized why. It soon became apparent that Hip fans travel, not unlike Pittsburgh Steelers fans. And I can’t say as I blame them. Given the choice between seeing my favorite band among 20,000 others in a stadium or with 1000 people in a small bar in Central New York, I’d choose the latter as well.

    Perhaps the Tragically Hip’s greatest legacy is that on Canadian music as a whole. In the year and a half since Downie’s illness was revealed, generations of Canadian musicians have come forward to express their gratitude for the band’s music. On New Year’s Day, 2017, Canadian radio host George Stroumboulopoulous celebrated the career of the Tragically Hip in a four hour show that brought together artists as varied as Sam Roberts, Geddy Lee, Blue Rodeo, Barenaked Ladies, A Tribe Called Red and Tanika Charles to perform versions of Hip classics and discuss the band’s influence on them and the musical culture of Canada as a whole. You can listen to that show here.

    Perhaps my biggest takeaway in becoming a Hip fan is the relationships I’ve developed along the way. To meet a fellow Hip fan is to meet a kindred spirit. And if you happen to be wearing something Canada-related, the barriers are immediately broken. This happened to me at Syracuse’s Landmark Theatre during the Phantom Power tour in 1998, the second of mine and my wife’s three consecutive “Thruway Tour” shows that also hit Albany and Rochester that year.

    It’s pretty much a requirement to wear something Canadiana to a Hip show, whether it’s a maple leaf patch on your jean jacket, a hockey jersey or the shirt of any Canadian band. I wore my favorite Maple Leafs hat to every Hip show that tour. While waiting in line for a beer, a tall gentleman in front of me turned and asked where in Canada I was from, apparently bewildered that an American would be a fan of a Canadian hockey team. I mentioned that I was from less than an hour away and have been a Leafs fan for years. That question led to a friendship going on 20 years now. My friend Tom hailed from Barrie, Ontario and made the trip south for the show in Syracuse. He spoke about the tremendous time he had at the Hip’s run of shows at Bill’s Bar in Boston earlier that year and how he wished he could hear those shows again. As luck would have it, I happened to have said shows on tape from a trade I had made on a Hip listserv. He jotted his address down on a cocktail napkin.  A few days later I copied the shows and mailed them off to Barrie and a friendship was born. Tom now lives in the Calgary area, but thanks to the miracle of technology, he and I have been able to maintain our friendship over all these years and I can count him as one of my truly best friends.

    Since 1995, I have been fortunate enough to see the Hip a total of 12 times, the most memorable was at Woodstock ’99 on the Saturday morning of that weekend in my hometown. Definitely one of the finest performances I’ve witnessed by any band, Gord at peak stream-of-conscious banter. When Downie said, “Ah, it’s nice to be back in Rome,” my face lit up, despite the fact that he’d more than likely never been here before.  The last time I saw them was with my wife at CMAC in Canandaigua on July 4, 2015. You can read my review of that show here.

    The night of the band’s final performance, in their hometown of Kingston last August 20, I sat in my living room, watching along with 12 million others across Canada and throughout the world as Downie gave his final farewell, tears in my eyes.

    Gord Downie brought people together. He had a magical touch that reached the rock fan and the poets. In times that have become increasingly divided, the world could use a lot more Gord Downies.

    Rest in power, Mr. Downie. You have enriched the lives of millions. Your words, your actions, your life will live on in those you’ve inspired.

  • Mickie James, Josh Halverson and More Honored at Native American Music Awards Held In Niagara Falls

    The 17th Annual Native American Music Awards were held on Saturday, Oct. 14 at the Events Center at Seneca Niagara Resort and Casino. The night was filled with performances, from traditional drums to dub step music. Among the honorees were country musician Mickie James and The Voice finalist Josh Halverson.

    Mickie James

    Mickie James was inducted into the Native American Music Hall of Fame. The recording artist and WWE Superstar also took the award for Song of the Year with “Shooting Blanks.”

    Josh Halverson was named Artist of the Year. The singer/songwriter from Texas recently released a new album, Year of the Thunderbird, which took the award for Best Folk Recording.

    Josh Halverson

    Plans are underway to rebroadcast the performance. Visit the Native American Music Awards for updates, or join their mailing list to be alerted to the latest news.

    NYS Music congratulates all the winners and nominees for the 17th annual Native American Music Awards.

    2017 WINNERS

    Artist of the Year
    Josh Halverson
    “Year of the Thunderbird”

    Debut Artist of the Year
    Lucas Ciliberti
    “Rainmaker”

    Debut Group of the Year
    Black Bear Brothers
    “Songs from Cheyenne Creek”

    Best Female Artist
    Kelly Derrickson
    “I Am”

    Flutist of the Year
    Randy McGinnis
    “The Journey – hi a vi si i”

    Group of the Year
    The Cody Blackbird Band
    “Live From Chicago”

    Best Male Artist
    Conrad Benally
    “Always And Forever”

    Record of the Year
    “Hoka”
    Nahko and Medicine For The People

    Song of the Year
    “Shooting Blanks”
    Mickie James

    Best Music Video
    “Indomitable”
    DJ Shub & Northern Cree Singers

    Best Music Video For A Performance
    “Ascension”
    Jan Michael Looking Wolf Band

    Best Music Video For A Narrative
    “Never Give Up”
    Artson, Supaman & Quese Imc

    Native Heart
    Bearheart Kokopelli
    Bernhard Mikuskovics (3rd from left)
    “Native Heart”

    Best Country Recording
    “You’ve Got to Go Back the Way That You Came”
    Danielle Egnew

    Best Folk Recording
    “Year of the Thunderbird”
    Josh Halverson

    Best Gospel/Inspirational
    “Awake, Arise and Shine”
    Callie Bennett

    Best Instrumental Recording
    “Songs of the Earth”
    Vince Redhouse

    Best Native American Church Recording
    “Simplicity”
    Cheevers Toppah

    Best Pop Recording
    “Celebration”
    Cherokee National Youth Choir

    Best Pow Wow Recording
    “It’s A Cree Thing”
    Northern Cree

    Best Rap/Hip Hop/R&B Recording
    “The 7th Generation Prophecy”
    Sten Joddi

    Best Rock / Best Blues Recording
    “Take Me Back”
    Levi Platero

    Best Traditional Recording
    “Before America”
    James Edmund Greeley

    Best Waila Recording
    “Creed and Culture”
    Native Creed

    Lifetime Achievement Award
    Gary Farmer

    Honorary Award of Excellence
    Arthur Redcloud

    Hall of Fame
    Mickie James

  • New Music Series Debuts in Troy with Performance by Sax Prodigy Henry James Fernandez

    FAIRE Productions is partnering with The Shop in Troy to present a series which showcases east coast musicians. FAIRE-IT kicks off this Thursday, Oct. 19 with a free performance by Henry James Fernandez and his jazz/funk trio.

    The saxophonist from Niskayuna, NY currently attends the Oberlin Conservatory of Music and plays original compositions as well as beloved classics. For more information, visit FAIRE Productions.

    https://youtu.be/q0-Ns_kBy0M

  • Holly Bowling Returns to Whisper Dome this Weekend

    Back in March, Holly Bowling performed an unplugged show at the Whisper Dome in Schenectady, as the venue’s incredible acoustics and intimate setting allowed her to ditch amplification and play the piano alone, and it was enough for the room.

    “If you stand on one side of the room and you whisper, a person across the room can hear it perfectly,” Bowling said in a recent phone interview with NYSMusic. “The room opens up so many cool and exciting possibilities for the music.”

    holly bowling whisper dome ryan dempseyCurrently on tour in support of her latest musical adventure, titled Better Left Unsung, the music of the Grateful Dead reimagined for solo piano, Bowling will return to the Whisper Dome this Saturday, October 21, for a 7 p.m. show. In 2014, she hit fame within the jam band world by transcribing a 37-minute version of “Tweezer” that Phish did in 2013 in Lake Tahoe. Since taking that on the road, Bowling has blown up into not just a respected piano player, but a keyboard savant who has been performing with some of her idols.

    In 2016, she and Twiddle keyboardist Ryan Dempsey linked up for a very intimate performance at Garcia’s at the Capitol Theatre, which included a very intricate and taxing version of Phish’s “Harry Hood.” It was a few hours prior to Twiddle headlining the theater for the first time. Bowling, a guest of Dempsey’s, stole the show, showcasing her incredible technical talent in the classical piano field with her love for improvisational music.

    While that performance was a boost, Bowling’s latest endeavors pit the player with her icons. Recently, she has played with Phil Lesh and the Terrapin Family Band featuring Bob Weir at Lesh’s Terrapin Crossroads venue in Northern California.

    “I got to play a few songs with Phil and Bob, and it was so cool to explore the songs I’ve delved into with the guys who brought them to us,” Bowling said.

    While not new to Bowling, she said she has added a level of improvisation to her show. She has written a handful of her own songs she’s intertwined with her repertoire. But her breakthrough was transcribing others’ music, and she’s doing that ten-fold while adding in a layer that may seem unfit for a piano recital.

    However, it’s not unfit. Playing with Lesh and Weir gave Bowling a view into the structure that she’s been wanting.

    “The biggest philosophy I learned from those guys is to take risks,” she said. “You have to play without your ego being in the way. You have to listen to all that’s going on, take the risks you want and not allow a wrong note ruin anything.”

    Bowling also has honed some new tricks in her live show arsenal. She will have a projection screen that will display her hands’ every movement on the keys, and will also have a light show that corresponds with her notes that translates to a light show.

    “There’s two of us involved in that,” she said. “It’s evolved into a very abstract form of art. The colors mirror the music. It’s very immersive with a gradual exploring of ideas.”

    Bowling said she has no new studio in the works, and is focusing on her own current solo material.

    “The Phish and the Dead stuff are only a fraction of what I have going on,” she said. “My goal is to put on a different show every night by mixing up all the songs with their stuff and the things I wrote.”

    https://www.instagram.com/p/BSCzA_gDPlc/

  • Gord Downie, Tragically Hip Frontman, Dead at 53

    Charismatic frontman and Canadian national treasure, Gord Downie of the Tragically Hip passed away Tuesday night at the age of 53.

    Tragically Hip Cancer Gord DownieDownie was diagnosed with glioblastoma, an aggressive form of brain cancer, in December 2015. It was discovered after he suffered a seizure.

    The diagnosis wasn’t publicly revealed until May of last year when the band also announced a final Tragically Hip tour. The Hip, with Downie (vocals), Rob Baker (guitar), Paul Langlois (guitar), Gord Sinclair (bass) and Johnny Fay (drums) embarked on a 15 show cross-Canada tour in 2016, culminating in a nationally-broadcast show in their hometown of Kingston, ON on Aug. 20.

    Gord Downie
    Gord Downie assessing the situation in Canandaigua.

    A statement issued on the band’s website spoke of the inevitability of Downie’s passing, “Gord knew this day was coming – his response was to spend this precious time as he always had – making music, making memories and expressing deep gratitude to his family and friends for a life well lived, often sealing it with a kiss…on the lips.” Downie made a point to kiss his bandmates on the lips at the end of each performance on the Man Machine Poem tour in 2016 to show his love for them. The full statement from the Downie family:

    Last night Gord quietly passed away with his beloved children and family close by.

    Gord knew this day was coming – his response was to spend this precious time as he always had – making music, making memories and expressing deep gratitude to his family and friends for a life well lived, often sealing it with a kiss… on the lips.

    Gord said he had lived many lives. As a musician, he lived “the life” for over 30 years, lucky to do most of it with his high school buddies. At home, he worked just as tirelessly at being a good father, son, brother, husband and friend. No one worked harder on every part of their life than Gord. No one.

    We would like to thank all the kind folks at KGH and Sunnybrook, Gord’s bandmates, management team, friends and fans. Thank you for all the help and support over the past two years.

    Thank you everyone for all the respect, admiration and love you have given Gord throughout the years – those tender offerings touched his heart and he takes them with him now as he walks among the stars.

    Love you forever Gord.

    The Downie Family

    Downie’s final days were spent championing indigenous causes, forming The Gord Downie and Chanie Wenjack Fund to support reconciliation between indigenous and non-indigenous people in Canada. Chanie Wenjack was a young indigenous boy who died while trying to escape one of Canada’s now defunct residential schools in 1966. Downie released a solo album entitled Secret Path, accompanied by a graphic novel, last October to bring light to Wenjack’s death and the impact of the residential schools on Canada’s indigenous people.

    As a result of his tireless work for the First Nations people, Downie was honored at a ceremony given by the Assembly of First Nations last December. National Chief Perry Bellegarde bestowed an eagle feather, a symbol of the creator, on Downie and gave him an honorary aboriginal name, Wicapi Omani, which means “man who walks among the stars.”

    Gordon Edgar Downie was born in Kingston, ON on Feb. 6, 1964. He attended the Kingston Collegiate and Vocational Institute, where he met his future bandmates. Davis Manning was an original member of the band as saxophonist. He was replaced by Langlois in 1986. The band inked a deal with MCA Records after an appearance at Toronto’s famed Horseshoe Tavern, releasing its self-titled EP in 1987. The follow-up Up to Here in 1989 produced four hit singles for the Hip in Canada, “Blow at High Dough,” “New Orleans is Sinking,” “38 Years Old” and “Boots or Hearts.”

    The band’s blues-based sound and poetic Canadiana lyrics endeared them to Canadians of all walks and perhaps kept the Hip from success in the U.S., aside from the border towns. Nonetheless, the Hip became Canadian rock royalty, garnering 16 Juno Awards (Canada’s equivalent of the Grammys), the Order of Canada, induction into the Canadian Music Hall of Fame and a street naming in their hometown.

    Over the course of 30 years, 14 Tragically Hip albums, five solo efforts (with another set for release on Oct. 27) and many collaborations, Gord Downie was a champion of music, especially Canadian music. The Hip brought many Canadian artists with them on tour, including the Arkells, Rheostatics, the Sadies, Eric’s Trip, Spirit of the West, the Inbreds and Ron Sexsmith among others. Many of them have left fond remembrances. Max Kerman of the Arkells told CBC Radio’s “Q” podcast, “Gord taught me that it’s OK to dance.” The Toronto Globe and Mail tweeted, “Gord Downie, troubador of Canada, charmed and challenged a nation.”

    Canadian Prime Minister Justin Trudeau, visibly emotional, delivered a statement on Wednesday, describing Downie as one who “gave us goosebumps and made us proud to be Canadian.”

    But Downie was more than a musician. Downie was an activist. He was a performer. He was a poet. He was an actor. Gord Downie was a treasure. To gather an image of who Gord Downie was, the New York Times said it best, “The place of honor that Mr. Downie occupies in Canada’s national imagination has no parallel in the United States. Imagine Bruce Springsteen, Bob Dylan and Michael Stipe combined into one sensitive, oblique poet-philosopher, and you’re getting close.”

    Farewell, Mr. Downie. “It was a pleasure doing business with you.”

  • Warren Haynes’ 29th Annual Christmas Jam Lineup Announced

    Artists have been announced for the 29th annual Warren Haynes Christmas Jam. The event will take place on Dec. 9 at its usual stomping grounds at the U.S. Cellular Center in Warren’s hometown of Asheville, NC. Christmas Jam will once again see a stellar lineup at this year’s benefit to help raise money for Habit for Humanity in the Asheville area.

    Headlining the show will be Gov’t Mule, with special guest Ann Wilson form Heart (making her first appearance at the event), who will perform with the band during their set. The holiday jam session will also include Trey Anastasio and Classic TAB, the Avett Brothers, Les Bros. and Blackberry Smoke. Also, special guest musicians Jake Shimabukuro, Holly Bowling, Brandon “Taz” Niederauer, Kevn Kinney, and Mike Barnes will sit in throughout the evening, with more soon to be announced.

    Habitat for Humanity will take the proceeds from the event to help construct energy-efficient new houses along with purchasing and developing land for Habitat subdivisions. The project has raised over two million dollar, and has seen the construction of 36 houses to date. This year’s Christmas Jam House will be built in the non-profit organization’s new 21-house community in Arden (South Asheville). The Grammy award winning artist curated the event 29 years ago and spent the last 19 years working closely with Habit for Humanity in Asheville on these projects.

    A limited pre-sale will be available on Oct 19, where fans can get their hands on four-packs, VIP tickets, and travel packages. Tickets go on sale to the general public on Oct. 26. An increased number of seats in the balcony will be made available during both pre-sale and general sale times. Fans will have the flexibility to leave, and return to their balcony seats and mingle downstairs to the open general admission floor area during the more than seven hour long show.

  • Such Gold Throws Mid-Tour Hometown Punk Rock Show

    Such Gold ripped a gig in Rochester on Friday the 13 of October. The punk rockers played at Bug Jar, their familiar stomping grounds, at the midway point in their fall tour. “We’ve played here one… thousand times,” quipped front man Ben Kotin between songs.

    such goldThe all-local show included support from Barbarosa, California Cousins, and Taking Meds. Two members of Such Gold did double duty, as they also play in Taking Meds: Kotin (guitar) and Jon Markson (bass). Such Gold is rounded out with Nate Derby on guitar and Matt Covey on drums. They performed work from their eight-year span, including a handful of songs from last month’s release Deep In A Hole. Both in their studio recordings and at live shows, they’re energetic and fun.

    The crowd at Bug Jar was abuzz with excitement, and it wasn’t long before the center of the room opened up into a mosh pit. There was a great dynamic between the band and members of the audience, many of whom have been supporters since the early days. Tonight’s show was full of crowd surfing and even a stage dive or two. A highlight was when Skylar Sarkis of Taking Meds took the stage to sing on a cover of Snapcase’s “Energy Dome.”

    Such Gold takes to the road for the second leg of their tour with a headliner on Thursday, October 19 in Stanhope, New Jersey. They join A Wilhelm Scream, After The Fall and We Were Sharks  for a run of shows which start on Friday, October 20 at St. Vitus in Brooklyn and end with a Halloween show in Lancaster, PA.

    Setlist: Intro, Locked Out of the Magic Theater, Engulfed In Flames, Two Year Plan, Ceiling Stare, Ransom, Four Superbowls No Rings, Nauseating, Deep In A Hole, Rot Gut, No Cab Fare, Energy Dome (Snapcase), Storyteller, Sycamore

    such goldsuch gold

  • Listen to Intrepid Travelers Themed September Residency at Nietzsche’s

    After a September residency at local Buffalo dwelling, Nietzches, Intrepid Travelers packed up their sets chock-full of themes and set their sights on new residencies. Week one offered tunes from the British Invasion, spanning from the expected efforts of the Rolling Stones, Beatles, The Who, Cream, and Jimi Hendrix while week two introduced a set list that spelled out”Witty Tarbox.”

    Carefully crafted to spell its theme out with the first letter in each track, week two ripped through an eclectic combination of tunes by pairing Pink Floyd, Rush, Talking Heads and Lotus covers in the company of Diana Ross and Dr. Dre.  Sam Pavlovich was introduced as the new bassist in Intrepid Travelers and sat in on “Take Me to the River,” “YYZ,” “Xxplosive,” and “Funky Duck.”

    2017/09/07 – LIVE at Nietzsche’s (Buffalo, NY) by Intrepid Travelers

    2017/09/14 – LIVE at Nietzsche’s (Buffalo, NY) by Intrepid Travelers

    The third week of the IT residency treated fans to an intersteller set appropriately in place with Space Junk acting as supporting act. The night unveiled “Space Odyssey,” “Satellite of Love,” “Rocket Man,” “Great Gig in the Sky,” “Standing on the Moon,” and other intergalactic classic rock favorites. The fourth and final week closed out a wildly executed residency with a final theme as a play on “dirt,” with musical support from Dirty Blanket. Also acting as David Neimanis’ last as a member of Intrepid Travelers, the group welcomed covers of musical giants Steely Dan, Frank Zappa, Phish, Primus, Lettuce and more, with the help of Ellen Pieroni on saxophone.

    2017/09/21 – LIVE at Nietzsche’s (Buffalo, NY) by Intrepid Travelers

    2017/09/28 – LIVE at Nietzsche’s (Buffalo, NY) by Intrepid Travelers

    IT are already in the midst of their latest residency at Funk N Waffles in Rochester, every Wednesday for the month of October!

  • Hearing Aide: Lettuce ‘Witches Stew’

    In the shadows beyond darkness and light, the ghost of Miles Davis begins to take flight. Swirling and blaring a trumpeter we know. A new face in the cauldron begins to show. With funk and synth and guitar riffs anew, out of the fire comes Lettuce’s Witches Stew.

    lettuce witches stew

    On October 13, just in time for Halloween, funk powerhouse Lettuce will release a new live album that pays tribute to the late Miles Davis, one of the band’s biggest and most beloved influences.

    Witches Stew is Lettuce’s eerie and psychedelic take on seven of Davis’ songs. As did the breakthrough 1970 album, Bitches Brew, Lettuce pairs their own funky guitar riffs and electronic keyboard with improvisational trumpet and saxophone.

    Recorded at the 2016 Catskill Chill Music Festival in Lakewood, PA, the album is a haunting mix of both jazz and funk that breathes new life into Davis’ tracks. “Shhh/Peaceful” was released as a single on September 29 marking the 26th anniversary of his death.

    A ghostly presence is felt throughout the album allowing the listener to lose themselves in the hypnotic and haunting grooves. A far cry from the days of Rage! and Fly, this album is more exploratory in nature with similarities to their most recent EP Mt. Crushmore.

    Witches Stew is the perfect soundtrack to a crisp fall night, sure to cast a spell on listeners old and young.

    Key tracks: Shhh/Peaceful, Sivad, Black Satin

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