Category: Rock

  • Free Concert Series in Loudonville’s Crossings Park Every Thursday

    The Town of Colonie and the Anjo Construction Company are presenting the inaugural free concert series every Thursday from 6:30 to 8:30 p.m. in the Crossings Park, Loudonville. When the weather cooperates, the event will be held in the park underneath the gazebo but in the event of rain it will be held in the meeting house.

    Eight bands will join the series whose styles span across the musical spectrum. Some participating groups include: Georgie Wonders Orchestra (Big Band), Holly McCormack (American Song Book) and Keith Pray’s New Orleans Style Jazz. Although there is some seating provided by the venue, patrons are encouraged to bring their own chairs and/or towels. Plenty of parking is available and is free.

    July 6 – Georgie Wonders Orchestra
    July 13 – Holly McCormack
    July 20 – New York Players “The Region’s Most Dangerous Dance Band!”
    July 27 – Body and Soul “Hot Rockin’ Party Band!” New York Players (Sister Band)
    Aug 3 – Keith Pray’s New Orleans Style Jazz
    Aug 10 – Heavenly Echoes Gospel Singers
    Aug 17 – Jeff Gonzales and the 2 Bit Cowboys
    Aug 24 – Pipe Kings

  • Webster Hall Closing for Extensive Renovations Next Month, See Schedule of Final Shows and Club Nights

    Webster Hall will be closing for renovations. Brooklyn Sports & Entertainment and AEG Presents bought the historic Manhattan night club and concert hall from longtime owners the Ballingers earlier this year. The final performance will be held on August 9. Shows which had been scheduled after that date have been moved to other venues.

    I highly recommend that you all stop by before the end of this era to pay your respects to the Ballingers and the building for providing us with a lifetimes worth of memories.” – Gerard McNamee, Manager.

    The Wood Brothers at Webster Hall – Photo: Thomas McKenna

    Upcoming Shows:

    July 13 – Myles Parrish – The Studio at Webster Hall
    July 14 – Taking Back Sunday – Webster Hall -SOLD OUT-
    July 14 – Danny Delavie, Cook Thugless, DAZED, Killing H8 – The Studio at Webster Hall
    July 14 – Girls + Boys ft. Bro Safari – Webster Hall
    July 15 – Taking Back Sunday – Webster Hall -SOLD OUT-
    July 16 – Teemonee Twizz E. Luxe Manic Ak40devin Chris Shine Ayanna Martine – The Studio at Webster Hall
    July 17 – SOB X RBE, G. Perico, OMB Peezy, Cuz Lightyear – The Studio at Webster Hall
    July 19 – The Color Morale The Plot In You Dayseeker Picturesque Restless Stre – The Studio at Webster Hall
    July 20 – Promise of Redemption ft. Shane Henderson of Valencia, Best Ex – The Studio at Webster Hall
    July 21 – Punchline – 20th Anniversary Tour – The Studio at Webster Hall
    July 21 – Girls + Boys ft. Brillz, Jvst Say Yes, Ducky, GLD – Webster Hall
    July 22 – Roska, Back To Life, Jergo – The Studio at Webster Hall
    July 22 – Phora – The Marlin Room at Webster Hall
    July 22 – Gotham ft. Feed Me – Webster Hall
    July 24 – AJ Mon – The Studio at Webster Hall
    July 25 – Citizen Zero – Studio at Webster Hall
    July 25 – The Mighty Mighty Bosstones: Let’s Face It Twenty Years Later – Webster Hall
    July 26 – Make Them Suffer, Enterprise Earth, Spite – The Marlin Room at Webster Hall
    July 27 – Dalton Rapattoni, The House On Cliff w/ Special Guest Lauren Carnahan – The Studio at Webster Hall
    July 28 – Like Moths To Flames (Performing When We Don’t Exist in its entirety) – The Studio at Webster Hall
    July 28 – Girls + Boys ft. Graves & Uffie – Webster Hall
    July 29 – Alessandro Cortini, Telefon Tel Aviv, Richard Devine, PJay, Alex English – The Marlin Room at Webster Hall
    July 29 – Bonelang, Brandon Markell Holmes, Vesper, Poetic Thrust – The Studio at Webster Hall
    July 30 – Summer Slaughter: The Black Dahlia Murder, Dying Fetus, The Faceless and more – Webster Hall
    July 30 – Daniel J. Watts’ The Jam: Only Child – The Studio at Webster Hall
    Aug. 1 – Current Swell with Current Swell – The Studio at Webster Hall
    Aug. 2 – Aaron Cohen – The Studio at Webster Hall
    Aug. 2 – Rag’N’Bone Man – Webster Hall: The Final Shows – Webster Hall
    Aug. 2 – HOT IN HERRE That Wavy 2000’s Party ft. Sponge The Jawn, DJ Yung Neil – The Marlin Room at Webster Hall
    Aug. 3 – 070Shake – Webster Hall: The Final Shows – Webster Hall
    Aug. 4 – Allegory, Caye, Johnny Drama – The Studio at Webster Hall
    Aug. 5 – Just Surrender, Rare Futures, latewaves, Young Thieves – The Studio at Webster Hall
    Aug. 6 – Alesana Eyes Set To Kill, Lakeshore Alteras, The Amatory Murder – The Studio at Webster Hall
    Aug. 6 – Galactic Empire – Webster Hall: The Final Shows – The Marlin Room at Webster Hall
    Aug. 6 – Good Charlotte – Webster Hall: The Final Shows – Webster Hall
    Aug. 8 – Michelle Branch w/ Haerts – Webster Hall: The Final Shows – Webster Hall
    Aug. 9 – Marateck (Record Release Show) GRID, Kraus – The Studio at Webster Hall

    For Ticket Information, visit Webster Hall’s website. Webster Hall t-shirts and hats are still available online or on site.

  • King Buffalo Headlines Hometown Show on Eve of European Tour

    King Buffalo is taking off this week for their maiden European tour. Last year’s debut album Orion was well received both here and abroad, and they were booked to play with the Elder on across Europe and the North America. Before embarking on this adventure, they celebrated with a hometown show on Saturday, July 8 at The Bug Jar. Billed as the King Buffalo European Send Off, the show included support from Fuzzrod and Malarchuk.

    King Buffalo are no strangers to the Bug Jar. They’ve been playing at the quirky Monroe Avenue bar throughout the four years since the band formed. Show flyers are plastered on the windows below the groovy 60’s-inspired painted sign. King Buffalo’s merchandise table was set up near the front door, and included some new t-shirt designs, their album Orion on vinyl, and a variety of other products.

    I made my way past the bar and pool table to the other side of the bar, where I could hear the beginnings of a sound check. At first viewing, the room looks like any other venue, with a stage, a spot for the sound guy, and a bunch of band stickers on the walls. But look up, and there’s a fully-furnished apartment affixed upside down to the ceiling.

    Equally surprising was the first opening act. A supergroup recently formed from members of local bands, Fuzzrodd was a throwback to the antiestablishmentarian punk ethos. Their debut EP is called Fake News, and the political reference is a reminder of the rebellious origins of punk rock. Audience members chanted along to the catchy chorus “F— work, just give me the money.”

    Next up was the Buffalo band Malarchuk. They specialize in hard rock with a metal edge. The first song of their set was “Night Tear’r (Long Jammer),” which spanned an impressive 24 minutes. Lyrics are minimal on most of their songs, the emphasis mainly on rocking the guitar-bass-percussion triad. The audience at Bug Jar is known for participation. In between songs, one person yelled “Bawitdaba” and the lead singer completed the Kid Rock lyric “da bang a dang diggy.”

    Sean McVay

    The excitement in the air was palpable as King Buffalo took the stage. Without much ado, they launched into a jam that I quickly surmised was one of their new songs. Dan Reynolds laid down a thick bass line and Scott Donaldson produced a heavy beat which typify King Buffalo’s bluesy sound. Singer Sean McVay contributed reverberated melodic guitar riffs and vocalizations. They weren’t lyrics, but primordial sounds that resonated with the music and transcended the need for language.

    Everyone in the room was transfixed, caught up in the trance of psychedelic vibes, as the music flowed through songs from Orion, including “Sleeps on a Vine,” “Monolith,” and “Kerosene.” With the spotlight dimmed, they played within the glow of the LED-laced amps and drum kit. The music went on for a solid sixty minutes, with only a brief pause to thank the opening bands, but it hardly seemed enough.

    Scott Donaldson

    After the finale, “Drinking from the River Rising,” the crowd clamored for one more song. McVay conferred with Donaldson and Reynolds, then announced an encore. They chose “Orion,” the title and lead track from the LP, an epic soundscape infused with mythological lyrics. When it concluded, lights went up, and the guys beside me raised their cans of Genesee beer in salute.

    King Buffalo hung around to celebrate after their set. They perform in Germany on Friday, then make their way across the continent, from Austria to the Netherlands. After a break, they begin the North American tour, kicking off at St. Vitus in Brooklyn on October 28. For tour dates and tickets, visit their website.

    Dan Reynolds
  • Tedeschi Trucks Band Smokes the Highland Bowl

    The third edition of Tedeschi Trucks Band‘s summer bonanza known as the Wheels of Soul rolled through Rochester, a city that has been lucky enough to have hosted the tour all three years. This year, as last, Highland Bowl, the criminally underused natural amphitheater right in the city, served as the venue.

    tedeschi trucks highland bowl

    Classic blues rock trio, and Jefferson Airplane offshoot, Hot Tuna brought their “electric” version to kick things off. Running through a set of oldies but goodies, the band found plenty of room for rocking out. The crowd, near capacity at showtime, was raring to go from the start and these boys certainly satisfied. Guitarist Jorma Kaukonen played right to the local crowd’s hearts, “People say to me, Rochester? Isn’t it bleak up there? Not today it ain’t!” It was sunny and 72, quite literally, so he wasn’t lying. Kaukonen ground out some gritty guitar action on most every tune, but in the closing “Funky #7,” bassist Jack Casady took the reins blasting fuzzy bass bombs in a massive set sendoff. Legends in their own right, if they’re opening on a three-band bill it must be quite a bill. And, of course, it was!

    The Wood Brothers were up next. It started eerily with bassist Chris Wood bowing his upright while bending the strings with a stick, creating a cool Theremin-like sound. “You give me chills when you sing so sweet,” sang guitarist Oliver Wood on the opening “Stumbled In.” Their sweet tooth would continue to show throughout the set. “I just heard National Chocolate Day was yesterday. We have a song for that.” he exclaimed before kicking into “Chocolate On My Tongue.” Then later they were baking some “Shoofly Pie.” Then the band invited Susan Tedeschi to sing on “Never and Always.” Talk about sweet! It would  be the first of many sit-ins on the night. Chris Wood didn’t pick up his electric bass during their short set, but he did do some wild dancing, both with his acoustic bass, on “Snake Eyes,” and solo, all over the stage on the set closing “One More Day.” When Oliver introduced the band members, dancing was on his brother Chris’ list of instruments. Is dancing an instrument? One issue with such a fantastic lineup, the sets all felt too short. The Wood Brothers seemed to be leaving the stage just as they were getting going.

    tedeschi trucks highland bowl

    Tedeschi Trucks Band took the stage and immediately asked, “Are You Ready?” The crowd, fully up and dancing for the first time of the evening, answered with a resounding “Yes!” before the band quickly jumped into “Made Up Mind.” After two straight trios, the twelve-man rightly seemed enormous. They have amassed a monster of a band with enough talent to power multiple smaller bands. They are the Wall of Sound of bands. They are incredibly tight, stopping on a dime, morphing from song to song, jam to jam, following guitarist Derek Trucks through every masterful and adventurous solo, expanding and contracting through the setlist like a well-oiled machine.

    Somehow, in about 90 minutes time, they also managed to ensure every member got it’s day in the sun without it feeling like a round robin of solos. A free form fusion-y breakdown in “Don’t Know What It Means” featured incredible sax work by Kebbi Williams and low end wizardry by bassist Tim Lefebvre. Trumpeter Ephraim Owens got his turn in a funky jam during “I Wish I Knew,” which also featured Alecia Chakour and Mark Rivers trading vocal solos. Of course longtime Trucks vocalist Mike Mattison took the lead vocals from Susan Tedeschi on a few numbers, including a ripping take on the Derek and the Dominoes classic, “Anyday.”

    Toward the end of the show the band received even more players. All three Wood Brothers sat in for the band’s debut of the Rolling Stone’s “Sweet Virginia.” Oliver Wood and Tedeschi shared vocal duties while Chris Wood replaced Lefebvre on bass. Immediately following, Hot Tuna came on stage for their turn, this time to help on a cover of the blues classic “The Sky Is Crying.” Lefebvre and Casady shared bass duties, eyeing each other from across the stage, while Kaukonen and Trucks jawed with a tangle of blues licks.

    The set once again seemed to end way too early. But the final band had the advantage of coming out for an encore. And the Tedeschi Trucks Band saved the best for last. If you were there to see Derek Trucks play guitar, you got what you paid for in the encore alone, so hopefully you stayed until the end. Trucks fired off some impossibly quick notes and blazed onward and upward from there. Eventually he came back down to earth, only to arrive at heavy teases of the Allman Brothers “Les Brers,” which the rest of the band picked up for a short jam. A one-song near fifteen minute encore sated the excited crowd. As the show came to a close, a full moon emerged over the tree line to guide everyone home after a smoking night in the Highland Bowl.

    Set Lists

    Hot Tuna
    Living Just For You, Sea Child, I Can’t Be Satisfied, Come Back Baby, Water Song, Funky #7

    The Wood Brothers
    Stumbled In, Tried and Tempted, Chocolate On My Tongue, Snake Eyes, Keep Me Around, Shoofly Pie, Never and Always*, One More Day
    * with Susan Tedeschi on vocals

    Tedeschi Trucks Band
    Are You Ready > Made Up Mind, Don’t Know What It Means, Anyday, Midnight in Harlem, Get Outta My Life Woman, Let Me Get By, Sweet Virginia*, The Sky Is Crying**, I Wish I Knew E: I Want More
    *with Chris Wood on bass, Oliver Wood on guitar and vocals, Jano Rix on keys
    **with Jorma Kaukonen on guitar, Jack Casady on bass

  • Christian Lopez Band Brings Syracuse Fans Outside for Perfect Night of Music

    Under the perfect evening sky, with the most gentle of breezes blowing through the amphitheater-like backyard venue, Syracuse music lovers welcomed Christian Lopez to New York.  Being introduced to his music for the first time, house party attendees were in for a treat from this 21 year old musician and his bandmates Jason Navo on bass and Cameron McClaren on drums.

    Despite his age, this young man is a seasoned musician with more than 6 years on the road experience, playing in front of audiences of all sizes, winning them over one by one.  Raised in West Virginia, music was always a part of his family as his mother is a music teacher.  Encouraged by his parents and subjected to many country music greats  including Waylon, Willie, Johnny and Kris, the flavor of those influences as well as his personal favorites blend to become this eclectic mix in his songwriting and playing. Whether it’s a rock-a-billy tune, a slower ballad or an all out rock and roll number, audiences can’t get enough of him from the minute he starts playing and singing.

    Listening to him, his voice had a smooth John Denver-ish tone with the ballads, however, as he played his rock numbers I felt him channeling Jerry Lee Lewis’s energy and Elvis’s prowess. Moving around the back yard to capture new angles, I constantly overheard the awe and appreciation from everyone in attendance.  I would be remiss not to mention his songwriting skills were top notch as well.  His setlist was riddled with these numbers, each as well written as the next.  Two covers were sung (“Hurricane”-Levon Helms and “Use Me” – Bill Withers), however, they were sung more like tributes than as covers as you can see below.

    https://youtu.be/GQQLwTcMf0g

    Treating us to many numbers off the new upcoming album Red Arrow, produced by Marshall Altman, it’s hard to believe this 21 year old has already accumulated the skill set necessary to become a household name. One can only anticipate, as time goes on, the musical genius to come from this talented young man. Mark my words, he is an artist to remember.  Catching the eye of Rolling Stone at the American Music Fest in 2015, and artists such as Amy Helm at Cayamo in 2017, it’s apparent those in the business have already taken heed.  Booked already to partake in Rock Boat 2018, that would be one heck of a vacation and a way to be introduced to the talents of this young man, don’t ya think?


    Setlist: 1972, Man I Was , Finish What You Started , Someday , Hurricane (Levon Helm cover) , All The Time, Between Us , Morning Rise, Swim, Silver Line , Don’t Wanna Say Goodnight , Use Me (Bill Withers cover) , Caramel, Say Goodbye , Will I See You Again, Steel On The Water

  • Audience Gets Wet and Keeps Dancing at Umphrey’s McGee in Central Park

    Central Park’s Summer Stage has quite the lineup this summer, with the centerpiece being a double bill of prog/jam goodness in Aqueous and Umphrey’s McGee on July 7.

    Aqueous performed just two songs, “Second Sight” and “Kitty Chaser,” in their 30 minute, all-too-short set to start the night, but that would be remedied by their post-show later this evening. Umphrey’s opened up their set with some technical issues, doing a double take on “Bridgeless” as a result. After the second attempt, the band played “Miss Tinkle’s Overture,” hinting they were slightly pissed off but pressed on with “2×2” and “Dump City” which highlighted the rest of the set, and the final segment of “Bridgeless” finishing the first set.

    Much like their Midwest counterparts playing in the Bronx this evening, Umphrey’s began to heat up when the rain cleared. Jams blossomed through the encore with two huge sandwiches in their second set. “Plunger” opened, as did the skies during “Utopian Fir” which had a “Whole Lotta Love” tease, as well as “Driven 2 Tears” which segued back into “Fir.” If the crowd wasn’t already wet, “Mantis” > “The Triple Wide” > “Mantis” took care of that. An encore of “Rocker Part 2” capped the night and sent the fans streamed out of a moist Central Park and headed to the Highline Ballroom where Aqueous and Umphrey’s would join forces for the after show.

  • Photo Gallery: The Tea Party at Canalside

    This past Thursday, July 6,  The Tea Party made an appearance in Buffalo as part of their Summer 2017 Tour. The Canadian hard-rockers brought out an older crowd for this week’s Canalside Live concert. Based on their performance, it was apparent that this wasn’t their first rodeo. The Tea Party came together in the early nineties, and the same three members stuck together ever since (with the exception of their 2005-2011 hiatus).

    the tea partyThe Tea Party’s sound features a blend of hard rock with all sorts of other genres, including Middle Eastern, Celtic, and Mediterranean music. Their songs feature a wide range of unique instruments, including the mandolin, sitar, hurdy-gurdy, and the list goes on. At one point during the show, front man Jeff Martin swiped his hand around what looked like an old theremin.

  • Tedeschi Trucks Band Rocks SPAC with Hot Tuna and The Wood Brothers

    Tedeschi Trucks Band‘s Wheels of Soul tour rolled into Saratoga Springs on July 3 with rock legends of new and old, The Wood Brothers and Hot Tuna. Hot Tuna performed with their electric trio, featuring Justin Guip of Levon Helm Band on drums and two energized 70+ year old rock legends, Jorma Kaukonen and Jack Casady, strutting through classics and bouncing around the stage. The Wood Brothers brought a stripped down sound that was full of gusto, including spirited renditions of “Luckiest Man” and a set closing “Ophelia.”

    tedeschi trucks hot tuna wood brothersTedeschi Trucks Band stole the show and brought the audience to their feet numerous times throughout the show, sparking the crowd on this 4th of July weekend as though they had bought tickets for spiritual renewal. In many ways, that is what the night provided. TTB opened the night with a cover of Derek and the Dominoes’ “Anyday” with Mike Mattison providing ample vocal support to Susan Tedeschi. (Coincidentally, on June 16, Bobby Whitlock of Derek and the Dominoes opened his show at The Egg with the same track off Layla and Assorted Love Songs.)

    tedeschi trucks hot tuna wood brothers“Don’t Know What It Means” was one of the numerous times Susan showed off her powerful vocals, as well as Kebbi Williams’ jazz chops, during a breakdown at the end with drummers Tyler Greenwell and J.J. Johnson. Susan didn’t let up by then belting out “Anyhow,” supercharging the venue with three big band numbers to kick the set off. Carey Frank, filling in for the recovering Kofi Burbridge, made his presence known on “Let Me Get By” and “Save Me,” adding to the big band sound as the show wound down. Rock goddess Susan and husband Derek put on a clinic of blues guitar, pounding out powerful chords and engaging the audience, eliciting cheers as peaks were reached, only to then be taken higher and higher. The final songs of the set bookended a monster rock ‘n’ roll show that had hardly a mellow moment.

    For the encore, a perfect tribute to the late Gregg Allman in “Ain’t Wastin’ Time No More” preceded Susan’s calm rendition of “Will the Circle Be Unbroken?,” one that made it feel like we were at a revival and ready to head out and preach her good word. To close the night, “Made Up Mind” allowed all vocalists, including Mattison, Mark Rivers and Alecia Chakour, to show off their vocal chops. Susan then asked the audience to offer birthday wishes to a member of the TTB crew, Bobby, by singing “Happy Birthday” to him, an exclamation point on a night of pure rock ‘n’ roll.

  • NYS Music’s Guide to Baker’s Dozen Pre and Post Shows

    Phish’s Baker’s Dozen of shows at Madison Square Garden starts in just two weeks, and with 13 shows spread out over 17 days, the marathon of music won’t be relegated only to the ‘World’s Most Famous Arena.’ Pre and post show events can be found on virtually every day surrounding the Baker’s Dozen. For phans looking for a complete list of what New York City holds for Phish fans both before and after each night of Phish, NYS Music presents our handy Baker’s Dozen guide. Save the images, share with friends and rest up – this will be a musical endurance test like no other!

  • House Party with the Christian Lopez Band

    The acclaimed Christian Lopez Band will make their Upstate New York debut on Saturday July 8 in Syracuse.

    Lopez, 22 years old from West Virginia, was named best new artist by Rolling Stone Magazine at Americana Fest in 2015 and was a finalist on American Idol in 2013.

    Christian Lopez Band shows are legendary because of high energy and a range of music which includes a mix of music from his debut album Onward, material from a forthcoming new album and covers of fun material. The band performs an amazing cover of the Bill Withers tune “Use Me Up,” The Beatles song “I Want You (She’s So Heavy)” and Levon Helm’s “Hurricane” which he performed with Levon’s daughter Amy Helm on the 2017 Cayamo Cruise.

    Because the Boilermaker Road Race is on Sunday morning, the show starts early at 5 PM.

    Tickets are just $20 and include food and beverages. This is an all-ages show.

    Stay up to do date and like the show on Facebook.

    This will be a special evening and one of the best shows this year, don’t miss out.

    For more information, contact Ed Griffin: ed@fleetfeetsyracuse.com