NYS Music 20​17

Category: Rock

  • Phish Puts the Power in Powder

    On Wednesday July 26 at Madison Square Garden, Phish devised a plan to make hump day a great day.  Keeping in form with the powdered donut theme, the foursome launched into an acappella version of Fleet Foxes’ “White Winter Hymnal” to get the party started.  The “white snow red as strawberries” lyric reprised the Saturday night donut theme to the delight of MSG regulars and set the tone for a cover-filled evening on Night 6 of their Baker’s Dozen.

    Fans entering the Garden after work could relate to the traffic -jammed “Cars Trucks Buses” that took the second spot in the rotation and saw Page McConnell work his magic on the boards.  The always welcomed “My Soul” kept the energy building before a “Roses Are Free” completed the back-to-back cover annihilation.  The Chilling Thrilling Sounds “Very Long Fuse” received some extended love as the powder keg audience realized they wouldn’t be getting another five song first set.

    Rarities like “Pebbles and Marbles” have been filling the donut holes in a magical way throughout this run and it has become so common to hear bust-outs that the audience didn’t even detect how special it was. While speaking about special moments, the almost 15-minute “Tube” was explored by the band as if it was in a 1990’s Discovery Zone.  The bouncy punch initiated by Mike Gordon was only outshined by Page’s dirty synth orgy. Trey found his groove and dissected the jam into what will be known as the “Baker’s Tube” for years to come.

    phish powder

    When second sets begin with hard-rocking machines like “Carini,” Phish followers know they are in for a sweet treat.  The 16-minute lumpiness dug its feet into the ground and setup another rarity in “Mr. Completely.”  The TAB classic has only been played a handful of times by the quartet, yet it made its second appearance this tour to the delight of die-hards.  Trey’s ditty may or may not become a staple in the band’s repertoire, but for now there is still much work to be done with the jam.

    “The World’s Most Famous Arena” experienced a flashback to 1998 as the Vermonters destroyed Price’s “1999.” The second set was familiarly baked with incredible choices but the highlight may have been the jam that ensued.  “Steam” rose out of the stage as a seamless and perfectly placed transition before Led Zepplin’s “No Quarter” shocked and awed an already speechless crowd.  Page’s well-executed vocal takedown mixed with the ferocious Jimmy Page-like guitar antics by Big Red solidified this version as possibly the best one ever played.  An overly ambitious “Character Zero” closed the set and proved that surprises come in all forms during this epic 13-show run.

    Where is the powder?  There’s the powder.  Phish never lets us down in terms of donut symbolism.  The encore debut of Neil Young’s “Powderfinger” closed the night and permanently gave us a new motto to live by: “Never miss a Wednesday show.”

    Setlist via Phish.net

    Set 1: White Winter Hymnal[1], Cars Trucks Buses, My Soul, Roses Are Free > The Very Long Fuse, Gumbo, Yarmouth Road, Pebbles and Marbles, Farmhouse, Tube
    Set 2: Carini -> Mr. Completely > 1999 > Steam > No Quarter, Character Zero
    Encore: Powderfinger[2]

    [1] Phish debut; a cappella
    [2] Phish debut

  • Photo Gallery: Tom Petty and The Heartbreakers Celebrate 40 Years at Air Canada Centre in Toronto

    Tom Petty and the Heartbreakers made a stop on their 40th anniversary tour at the Air Canada Center on July 15. The veteran rockers played to a sold-out crowd of over 19,000.

    The band played mostly hits, but dropped in an occasional B-side or rare track. They kicked off their set by going way back to the first song off their very first album, Rockin’ Around (With You). Petty and the Heartbreakers took us on a ride through time which Petty described as “We’re going to pretend like this is a record spinning around up here playing our entire catalog and every now and then we are going to drop the needle.”

    Petty took fans through a history of his solo and the Heartbreakers catalog, including “Mary Jane’s Last Dance,” “You Don’t Know How it Feels,” softer hits like “Wildflowers” and “Crawling Back to You.”  They ended the evening with fan favorite, “American Girl.” Check out the photo gallery below.

  • Ten Bands to See at Panorama This Weekend

    The masterminds at Goldenvoice have brought us innovative music festival experiences all over the country, from Firefly to Hangout Music Fest (not to mention Coachella). They graze the east coast next weekend on Randall’s Island to present their newest endeavor, Panorama Music Festival, for its second year.

    panoramaDespite its sophomore residency, Panorama has added some big names to its roster, including Frank Ocean, Solange, Tame Impala, Alt-J, Nine Inch Nails, and A Tribe Called Quest. Spanning over the last weekend in July, Panorama already crosses off some musical bucket list items, but what’s even more impressive is their unique and extensive series of lesser-known artists on the rise. With such a wide range of audiences, there’s a setlist to watch for everyone. If it gets too overwhelming to choose who to see at Panorama this year, we’re here to give you some guidance. Here are 10 acts to see, from the celebrities to the rising stars, in no particular order.  

    1) Spoon

    Triumphing off their latest release entitled Hot Thoughts, Austin indie-rock band Spoon makes their Panorama debut this year. They’ll be playing on the Pavilion Stage Friday night, featuring the music of their newer, Hot Thoughts as well as their memorable 2000s indie punk classics that have gained them their remarkable fanbase. With their chart successes, television appearances, and tours spanning across continents, these gentlemen have certainly earned the right to be listed under Friday night’s headliners.

    Friday Night, Pavilion Stage, 5:45pm

    2) HONNE

    Super Recordings have served as a launching point for electropop British artists like AlunaGeorge, but have recently brought a modern twist to velvety jazz with electronic duo HONNE. With a career only dating back to 2014, this two-man band has developed a blissful soul influence, while remaining true to their Honne, or “real intention” in Japanese. Despite their relatively short career, they’ve already had chart success with their latest release, Gone Are the Days, and are sure to bring some smooth vibes to the Panorama Stage on Friday afternoon.

    Friday afternoon, Panorama Stage, 2:30pm

    3) Nine Inch Nails

    There is not a band on this earth with more depth, chaos, vulnerability, and ambiguity than the industrial rock gods of Nine Inch Nails. Their long career has exposed their audiences to the most honest and wildest emotional journey. More recently, they have shifted the instrumental focus of their new music to appeal to a new generation. “Less Than,” their most recent single, brings us into a transient space shuttle through time, with the same accountability and menacing vocal timbre that attracts all those who listen. As headliners, surely they’ll have time to throw in some songs from their With Teeth album, for some of their more loyal fans.        

    Sunday Night, Panorama Stage, 9:20pm

    4) Jagwar Ma

    With such a wide array of talent gracing the Panorama fest, it’s always important to keep people dancing and smiling, and there’s no better remedy for the blues than Australian band Jagwar Ma. This band has a plethora of dance tunes, influenced by psychedelic rock and electro pop. Their first single, “Come Save Me” dates back to 2011, and they’ve been trailing the way for indie rock ever since, with a recent release of their second album Every Now & Then. They’ll play the main stage Saturday afternoon, and surely it’ll be the best chance for Panorama attendees to get their dance on.

    Saturday afternoon, Panorama Stage, 4:45pm

    5) A Tribe Called Quest

    This group needs absolutely no introduction. With their ability to constantly reshape the hip hop genre, these legends will perform at Panorama as means to inspire a new generation as the group departs from the music world. Beyond their 15-year legacy, A Tribe Called Quest lost their bandmate and rap pioneer Phife Dawg to diabetes back in March 2016. Appropriately titled We Got It from Here… Thank You 4 Your Service, Tribe’s latest and final album pays homage to their beloved brother in music, as well as the highs and lows of their long, influential careers in alternative trip hop music. This is the kind of performance that will bring the funk, and then bring on the tears as we bid farewell to one of the greatest hip hop bands to ever grace this country.

    Sunday night, Panorama Stage, 7:30pm

    6) Tame Impala
    The Australian psychedelic pop/rock band Tame Impala is rolling past their 10-year anniversary in 2017. Tame Impala draws on the sounds and colors of early Pink Floyd and psychedelic rock of the 1960s focusing on the guitar and synth effects of the time. Their latest album Currents was released in 2015 charting at number one in their home country and charting well in several other countries including the US. Tame Impala’s sound delivers a genuine fresh take on psychedelic rock.

    Saturday Night, Panorama Stage, 9:20pm

    7) Foxygen

    The California-based duo has consistently put out recordings uniquely their own since their second album We Are the 21st Century Ambassadors of Peace & Magic in 2013. Their latest album Hang was released January 2017 and marks a turn in their journey of experimenting with sounds and rock composition styles. The album carries a string of a sense of chaos seen in previous Foxygen albums but hones in on a crisper energetic sound.

    Friday Afternoon, Pavilion Stage, 3:20pm

    8) Angel Olsen
    Olsen is an indie folk singer-songwriter who broke into a solo career following work as a touring musician with Bonnie “Prince” Billy. Her style is synonymous with her voice, recognizable riding ahead of the generally upbeat sound of the music. Olsen’s latest album My Women was released following the two singles “Intern” and “Shut Up Kiss Me” to well-deserved critical acclaim. Olsen also appeared on the 2015 Grateful Dead tribute album Day of the Dead with her version of “Attics of My Life.”

    Sunday Afternoon, Pavilion Stage, 4:20pm

    9) Glass Animals

    Representing England’s indie rock presence at Panorama is Glass Animals. Formed in 2010 with its members still attending university, the band has made a home in major festivals appearing at Coachella, Bestival, Bonnaroo, and Glastonbury among others. Their sophomore album released August 2016, How To Be A Human Being, continues beyond the sounds of their debut album ZABA to explore the stories of life while weaving in and out of musical themes.

    Friday Night, Pavilion Stage, 8:40pm

    10) Nicolas Jaar

    Composer and electronic music artist Nicolas Jaar is appearing at one of his hometown’s biggest music festivals of the year. Born and raised in NYC, Jaar creates compositions that ebb and flow in energy with a semi-improvised feel. His second album Sirens was released only last year but he has a strong resume of live improvised and experimental performances. His songs interlace grooves to dance to with ambiance to get lost with in the trance. Jaar’s skill with improvisation and composition make his live show a must-see.

    Saturday Night, The Parlor, 8:30pm

  • Experience the Magic, Passion, and Drama of Rochester Philharmonic Orchestra’s 95th Season

    From Beethoven to the Beatles, Haydn to Harry Potter, the Rochester Philharmonic Orchestra’s coming season will delight classical and contemporary music lovers alike. The Rochester Philharmonic Orchestra’s 95th season starts with a special performance by violin virtuoso Itzhak Perlman in September and ends in June with The Classical Mystery Tour (tribute to The Beatles) and a performance of Schumann’s Fourth.

    We have an incredible season planned, with drama, romance, passion, and power as central themes, presented in many different forms throughout the year,” says RPO Music Director Ward Stare. “As always, audiences will experience music they know and love while hearing many new sounds along the way. There truly is something for everyone in our dynamic season ahead.”

    Highlights of the season include breathtaking feats by PUSH Physical Theatre and illusionist Michael Grandinetti. Magic fans will also enjoy hearing the scores of Harry Potter and the Sorcerer’s Stone and E.T. The Extraterrestrial played live while watching the movies. The Planets: An HD Oddysey will pair space-themed music with NASA footage. The tunes of video games will come to life at RePlay: Symphony of Heroes – with arrangements from Halo, Kingdom Harts, BioShock, Final Fantasy, and more.

    rochester philharmonic 95th season
    Michael Christie

    This season also includes tributes to some of the greatest musicians of the past century. A cELLAbration: The Music of Ella & More showcases the powerful vocals of Carmen Bradford. Homage will be paid to the Beatles in celebration of the anniversary of Sgt. Pepper’s Lonely Hearts Club Band and The White Album at the two nights of The Classical Mystery Tour. The Night of Symphonic Rock will feature classic rock favorites including songs by Foreigner, Aerosmith, Queen, and Led Zepplin.

    World-renown vocalists will accompany the orchestra. Award-winning superstar Audra McDonald will return for one night only to sing hits from Broadway, as well as some of her personal favorites. Ashley Brown makes her RPO debut with a selection of show tunes and Disney classics. Irish American folk singer Cathie Ryan is engaged for a celebration of St. Patrick’s Day. In a celebration of Spanish music, Ravel’s Bolero will be sung by Isabel Leonard and folk songs will be sung by Enrique Granados and Manuel de Falla.

    Classical music abounds with several nights dedicated to the music of composers such as Beethoven, Mozart, Mendelssohn, Haydn, Vivaldi, Mahler, Brahms, Tchaikovsky and Schumann. An annual tradition, The Nutcracker ballet returns to Rochester on Thanksgiving weekend. The RPO partners with the Rochester City Ballet again on February 8 and 10, performing Slavonic Dances by Dvorak. OrKIDstra returns, introducing children to the joy of classical music. The series includes Peter and the Wolf and Beethoven Lives Upstairs.

    Tickets for individual shows are on sale Friday, July 28. Tickets for series have been on sale since February. The Itzhak Perlman performance on September 12 is nearly sold out. Through August 2, a “Buy One, Get One at 50% Off” special is being offered for Grieg’s Piano Concerto & Cinderella and A cELLAbration: The music of Ella and more. The offer is good on seats in zones 1 and 2 with promo code “RPOBOGO50.”

    RPO 2017-2018 Season:

    Sept. 12 – Itzhak Perlman – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Itzhak Perlman, violin.

    Sept. 15 & 16 – A cELLAbration: The Music of Ella & More – Kodak Hall at Eastman Theatre – Jeff Tyzik, conductor; Carmen Bradford, vocals; Herb Smith, trumpet; Joe Locke, vibes; Brian Scanlon, saxophone.

    Sept. 21 & 23 – Season Opener: Grieg’s Piano Concerto + Cinderella – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Inon Barnatan, piano.

    Oct. 5 & 7 – Ravel’s Bolero – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Isabel Leonard, mezzo-soprano.

    Oct. 8, 2017 – Iolanthe: Opera for Kids 2 – Hochstein Performance Hall – Michael Butterman, conductor; Eastman School of Music vocal and opera students.

    Oct. 19 & 21 – Seaman Conducts Mozare & Sibelius – Kodak Hall at Eastman Theatre – Christopher Seaman, Conductor Laureate; Joyce Yang, piano.

    Oct. 26 – rePLAY: Symphony of Heroes – Kodak Hall at Eastman Theatre – Amy Andersson, guest conductor.

    Oct. 29 – RPO Section Spotlight: Dvorak & More – Hochstein Performance Hall – Ward Stare, conductor.

    Nov. 3 & 4 – Harry Potter and the Sorcerer’s Stone (TM) – In Concert – Kodak Hall at Eastman Theatre.

    Nov. 5 – A Tour of World Flutes with Orchestra – Hochstein Performance Hall – Matthew Kraemer, guest conductor; Tereasa Payne, flute.

    Nov. 9 & 11 – Olga Kern Plays Beethoven’s “Emperor” – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Olga Kern, piano.

    Nov. 16 & 18 – Beethoven’s Ninth – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Eastman-Rochester Chorus.

    Nov. 19 – Mendelssohn’s “Reformation” – Hochstein Performance Hall – Michael Butterman, conductor; Nazareth College Chamber Singers & Concert Choir.

    Nov. 22, 24-26 – The Nutcracker – Kodak Hall at Eastman Theatre – Michael Butterman, conductor; Rochester City Ballet; Bach Children’s Chorus.

    Dec. 10 – OrKIDstra Holiday Special: The Snowman and The Bear – Kodak Hall at Eastman Theatre

    Dec. 14 & 16 – Vivaldi’s Four Seasons – Kodak Hall at Eastman Theatre – Michael Christie, guest conductor; Juliana Athayde, violin.

    Dec. 21-23 – Gala Holiday Pops – Kodak Hall at Eastman Theatre – Jeff Tyzik, conductor; Festival High School Chorale.

    Jan. 12 & 13 – E.T. the Extra Terrestrial in Concert – Kodak Hall at Eastman Theatre.

    Jan. 14 – Bach & Brahms – Hochstein Performance Hall – Matthew Kraemer, guest conductor.

    Jan. 18 & 20 – Night on Bald Mountain – Kodak Hall at Eastman Theatre – Marcelo Lehninger, guest conductor; Andrei Ionita, cello.

    Jan. 25 – Audra McDonald – Kodak Hall at Eastman Theatre

    Jan. 28 – Peter and the Wolf – Hochstein Performance Hall – Nazareth College Dance Ensemble.

    Feb. 2 & 3 – Broadway’s Ashley Brown – Kodak Hall at Eastman Theatre – Jeff Tyzik, conductor; Ashley Brown, vocals.

    Feb. 8 & 10 – Tchaikovsky’s Swan Lake – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Rochester City Ballet; David Halen, violin.

    Feb. 23 & 24 – Latin Heat with the Mambo Kings – Kodak Hall at Eastman Theatre – Jeff Tyzik, conductor; The Mambo Kings; Camille Zamora, vocals.

    Feb. 25 – Mozart & Haydn – Hochstein Performance Hall – Ward Stare, conductor; Yevgeny Kutik, violin.

    March 1 & 3 – Bernstein Centennial Celebration – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Misha Dichter, piano.

    March 8 & 10 – Mahler 4 – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Emily Birsan, soprano.

    March 16 & 17 – Celtic Celebration with Cathie Ryan – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Cathie Ryan, vocals.

    March 22 & 24 – Tchaikovsky 5 + World Premiere – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Erik Behr, oboe.

    April 13 & 14 – Breaking Boundaries with PUSH Physical Theatre – Kodak Hall at Eastman Theatre – Jeff Tyzik, conductor; PUSH Physical Theatre.

    April 15 – Anderson & Roe Play Mozart – Hochstein Performance Hall – Michael Butterman, conductor & pianist; Anderson & Roe, pianists

    April 19 & 21 – The Planets: An HD Odyssey – Kodak Hall at Eastman Theatre – Hans Graf, guest conductor.

    April 28 – A Night of Symphonic Rock – Kodak Center for the Performing Arts

    May 10 & 12 – Brahms 2 + World Premiere -Kodak Hall at Eastman Theatre – Ward Stare, conductor; Yolanda Kondonassis, harp.

    May 11 – Michael Grandinetti – Illusionist – Kodak Hall at Eastman Theatre

    May 20 – Classical Kids: Beethoven Lives Upstairs – Hochstein Performance Hall

    May 24 & 26 – Carmen in Concert – Kodak Hall at Eastman Theatre – Ward Stare, conductor.

    June 1 & 2 – Classical Mystery Tour: 50th Anniversary of Sgt. Pepper and The White Album – Kodak Hall at Eastman Theatre – Jeff Tyzik, conductor; Classical Mystery Tour.

    June 3 – Schumann’s Fourth – Hochstein Performance Hall – Michael Butterman, conductor; Juliana Athayde, violin; W. Peter Kurau, horn.

    For more information, visit the RPO website.

  • Unusual And Sexy: Lauper and Stewart Take Saratoga By Storm

    Rod Stewart is still sexy, if you were wondering. And he likes his job. A lot.

    He performed a high energy set to a sea of fans at Saratoga Performing Arts Center on Saturday, July 22 surrounded by fantastic musicians, including a show stopping tenor performance by Jimmy “Saxman” Roberts.

    Cyndi Lauper opened for the legendary Stewart with “Funnel of Love,” and even some of her biggest fans were confused. Behind the beat and somewhat flat, Lauper’s entrance was disappointing. Her talking with the audience was scattered, and until she played “Money Changes Everything,” she failed to connect to the music she was playing energetically.

    That all changed with “Girls Just Wanna Have Fun,” though. With a slide show of women’s rights posters from the Women’s March in January, Lauper empowered her audience members to demand their rights. At one point, she even stopped her band and coached the audience to sing “more convincingly,” noting if they ever wanted to get what they really wanted, they needed to ask for it.

    “True Colors” followed and reminded anyone who may have forgotten that Lauper has been an energetic activist for LGBTQ rights. From writing and producing “Kinky Boots” to using her music to encourage kindness, Lauper’s 30-year career has been inspiring. Audience members forgave the initial flat notes, and this writer even questioned if perhaps she was sick, as she had a slight cough.  The last few songs of her set absolved all of the concerns about her earlier performance, even forgiving the cover of country hit “End of the World” and silly story about her time in Nashville.

    Lauper left the stage reminding the audience to have a good summer and “be good to each other,” and when the lights came up audience members were visibly moved by her gentle words.

    Rod Stewart’s stage was covered by a black and white checkered curtain, and his entrance was built up dramatically with classical music. His band members entered first, covered in gold glittering costumes, and he joined them crooning “Infatuation.” Stewart moved quickly through a high energy set, singing “Some Guys Have All the Luck,” “This Old Heart of Mine,” and “Tonight’s the Night” with full audience participation.

    Stewart was all smiles and spread his contagious joy singing “Forever Young.” Mid-song he left for a costume change, and three percussionists entertained the crowd with a mesmerizing and heart pounding trio.  Stewart gladly promoted the drummers, fiddlers, harpsichordist, and saxophonist on stage with him, frequently offering opportunities for solos.

    During a grouping of love songs, Stewart floated pictures of his wife and kids on the screens behind him. He smiled and admitted he had a great job as he sang a bluesy cover from Muddy Waters. With a nod to jazz blues, Stewart disclosed he owes a lot of those who inspired him.

    Possibly the best moment of the night, however, came as he brought the crowd to their feet with “Downtown Train.” At its close, the tenor sax’s sweet round notes juxtaposed with high pitched screams demonstrated Jimmy Roberts’ smooth jazz talent and breath support.

    From that moment to the night’s end, Rod Stewart and his fellow musicians only got more animated. “Proud Mary” gave Stewart time to again change costume, followed by faster and faster-paced songs. He kicked his characteristic soccer balls into the audience, reminding everyone he was a pro soccer player and danced at a high pace. The crescendo peaked when Stewart asked, “Do You Think I’m Sexy.”

    Clearly, the crowd does think Stewart is still sexy. At age 72, Stewart doesn’t seem to be slowing down anytime soon.  He still fills hearts with gladness and brings audacious musicians along for the ride.

  • Hearing Aide: Diluted ‘Never Fit In’

    We all know there are bands that ladies just dig, and groups with  lyrics that can get the booty shaking while keeping it gritty enough for the guys to be able to pump their fists to as well are even better. You know there is a band that many of us can enjoy when we want a party type of sound. There is one band from Rochester, NY who can supply such great tunage. Who is this group that promises nothing but good grooves and chaos? Diluted of course my dear friends! With their EP, Never Fit In, you will find yourself dancing and shaking more than the time you tried to reenact the bar dancing scene from Coyote Ugly! Let us get this album review in full swing boys and girls!

    dilutedThe first track off this album “Better Living Through Hennessy” goes from 0-60 in less than 2 seconds into the album. The guitar styles of Helmer and Coffey will take you by storm. Their funky yet hardcore approach for this track is nothing but full of life! You will have yourself singing along with the lyrics while moving those two left feet of yours. Let me tell ya, nothing beats a good old fashioned song you can find yourself singing to in the car.  This song is one of those jams I can see the whole venue singing along to with a couple drinks in hand!

    If you like groups like Faith No More, who has a nice little mix of rap flow blended with some great punk related attitude, the track “Hipster Helmets & Harpsichords” will make those feet of yours go manic! I really enjoy this track from the get go!  Like seriously digging it with my whiskey right now! The vocal approach by Mulligan and Coffey reminds me of the glory days of my youth with such bands like Neurosonic and Skindred. Excellent destructive vocal execution  fused with modern hip-hop type of lyrical construction made this song stand  out the most to me personally.  The most fascinating part of this track is the communication between West (drums) and Kimak (bass), which really lays down the foundation for the energy of this sweet tune!  The beat is never lost and you can really swing your body to it all the way through! This will be the jam the ladies will be losing their minds to. Look out fellas, we have some bonafide lady killers on our hands!

    Now this album has some great party songs on it, but it also contains great heavy tunes like “Sledge Hovercraft.” Much like the other tracks on the EP, it has a great flow with both the lyrics and musicianship. You can tell the boy’s formula is spot on with this gem! The screeching sound of the vocals on the track will make you bang your head! If you want some Red Hot Chili Peppers type funky style with your hardcore music, but want to be mad as hell at the same time, well this track is for you. This song is made for the guys hands down. If you get drunk enough and want to start a bar brawl, this will be your theme song for the ring.

    Over all there are so many other great tracks on this album from Diluted. I wouldn’t think I would find myself enjoying a band like this, but I am hooked and I cannot stop blasting this. My fingers are starting to bleed from pressing the repeat button so many times! Go out and buy this sick product of jams! 4 stars out of 5 for sure! Go check out their page. You will not regret it, I promise you!

    Key Tracks: Better living Through Hennessy, Sledge Hovercraft, Hipster Helmets & Harpsichords

    https://www.youtube.com/watch?v=m7EeFtvvxkU

  • Swimmer Dives into Second Pool of Summer Tour Dates

    There’s only one way to cool yourself down on these thermal, mid-summer nights and that’s to let loose and do some swimmin’. Vermont outfit, Swimmer, resides just a stone’s throw away from New York in the jam-centered, musical hub that is Burlington, VT. As a well-known Burlington band having held an impressive residency slot at Nectar’s and previously opening up for the likes of Dopapod, the quintet made it a point to splash into unexplored territories, cities and states in order to further their rising presence in the jam community.

    Welcoming the conception of their first-ever U.S. tour, the guys already completed stint one with stops across the Northeast. They hit NY specifically, with a July 2 show at Silvana in Harlem and a July 7 gig at Arlene’s Grocery in NYC before they dipped their toes into WV, NC, VA and DC. Their second voyage will see more NY dates, beginning with back-to-back stops at Plattsburgh’s Retro Live on Aug. 3 and Buffalo’s Neitzsche’s on Aug. 4 while gearing up to make their first appearance out West in Muncie, IN, Boulder and Denver, CO. They’ll return to MA and ultimately their Burlington swim hole for an appropriate tour closer at Nectar’s and a festival stop at Beaver Fest from Aug. 25-26.

    Heavily influenced by artists such as Phish, Frank Zappa and The Disco Biscuits, Joe Agnello (guitar/vocals), Matt Dolliver (keys/saxophone), Cotter Ellis (drums/vocals), Paul Klein (guitar) and Jack Vignone (bass), encompass an encyclopedia of jam, progressive and experimental rock styles, blending them together to create a waterfall of elements all their own. Troy Rosenberg was recently introduced to the Swim team to manage stellar light shows to supplement Swimmer’s engaging and improvisational live performances.

    Summer tour has given Swimmer the platform to promote their latest album, No Shape. The release compiles tunes they’ve been delighting fans with for quite some time, such as “Undercover Junkie,” while introducing fresh tunes for fans to float in, like fan-favorite “Godmeat” and “Schwack,” featuring Nate Reit on trumpet. No Shape gives any new swim-fan an in-depth look as to what the group is all about. As any jam band fan would explain, the full experience resides within the magical atmosphere of their live shows. The band’s ability to roll out extensive jams within any given song makes for a unique gig each night, always keeping the crowd fully engaged with a toss up of treats. For more of Swimmer’s live shows and to listen to their studio work, be sure to visit their Bandcamp.

    If you don’t know these guys, catch them on the second leg of their summer tour. Get acquainted, get aquatic and check out their tour dates below!

    https://www.youtube.com/watch?v=qN_zXtHSbAI&feature=youtu.be

    Summer 2017 tour dates part 2:

    Aug. 3 – Retro Live – Plattsburgh, NY

    Aug. 4 – Nietzsche’s – Buffalo, NY

    Aug. 5 – Be Here Now – Muncie, IN

    Aug. 10 – The Lazy Dog – Boulder, CO

    Aug. 12 – Cervantes Masterpiece Ballroom – Denver, CO

    Aug. 17 – Thunder Road Music Club – Somerville, MA

    Aug. 18 – Nectar’s – Burlington, VT

    Aug. 25 – Beaver Fest @ Historic Memorial Hall- Wilmington, VT

  • Jay Peak Ski Resort Welcomes Jeezum Crow Fest For Its Fourth Consecutive Year

    The fourth annual Jeezum Crow Fest at Jay Peak Ski Resort began with a rainy and windy start on Friday, July 14, though many locals and out-of-towners braved the elements for a night of great music at the Stateside Amphitheater. Though construction prevented as many vendors from setting up shop as in previous years, there were still a few staples of the community, such as Miso Hungry, an authentic ramen shop and a tie-dye stand, where children were taught how to make their own tie-dye shirts. The rainstorms were scattered, with blue sky peaking through the clouds fairly often.

    Friday’s music kicked off with the return of The Mallett Brothers Band, who performed in the Foeger Ballroom last winter. The Brothers brought their blend of folk, rock and Americana to an eager crowd, successfully melding several genres into their sound, a snug fit for Jay Peak, whose locals exhibit a propensity for the folkier side of music. They were followed shortly after by a local favorite, one of Vermont’s hardest working musicians, Seth Yacavone of Morrisville, Vermont. Better known for his work with Dead Sessions, an extremely active Grateful Dead cover band, Seth Yacavone and his power trio played a set full of originals, showcasing his incredible chops on the guitar, as well as an affinity for the edgier side of rock music. They performed several cuts from their latest album, entitled Shovel Down,  artfully creating a sound that drew influence from both funk and hair metal, bringing some much needed energy to the mountain.

    Friday night’s headliner, Pink Talking Fish, did not disappoint the growing crowd, with their expertly interwoven sets that featured the timeless music of Pink Floyd, Talking Heads, and Phish. Right out of the gates, they got the crowd moving with Phish’s “Possum” which flowed seamlessly into “Breathe” by Pink Floyd into the dark and funky “Slippery People” by Talking Heads. Pink Talking Fish’s true merit lies in their ability to integrate riffs and progressions from each band and incorporate them into their jams, playing each song faithfully to the source material, but still managing to find inventive new ways to tweak the music and keep it interesting for the audience. A blend of hits and obscure gems were played, with the band diving into some deep Pink Floyd cuts as well as the rare Phish tune “Colonel Forbin’s Ascent.” This reporter may have had to wipe a tear or two from his eye when Floyd’s “Fearless” was played, and the whole crowd sang along while the band encored with a mash-up of “Tennessee Jed” and “Ocelot” that concluded with the iconic “Bathtub Gin” riff.  Unfortunately, due to unforeseen circumstances, the late-night act, the Balkun Brothers were unable to perform in the Bullwheel Bar, but attendees took to the parking lot and partied the night away regardless.

    jeezum crow festFestivities began again at noon on Saturday with Lionize, who had been added to the bill relatively late. Though many Jeezum Crow attendees were still sleeping off the previous night’s shenanigans, Lionize performed energetically for a small crowd in the bright sun, which starkly contrasted Friday’s gray skies. More concert-goers began to trickle in as Rick Redington & the Luv (another Vermont local and staple of Franklin County and the Northeast Kingdom) took the stage, delivering a mellow and enjoyable set.  Soule Monde followed next, and truly blew the minds of the audience with their ability to sound like a full orchestra, despite just being a drummer and an organ player. Their flavor of heavy jazz-funk with just a little bit of rock  impressed existing fans and newbies alike, as the duo displayed some impressive musical ability. Soule Monde is comprised of Russ Lawton and Ray Paczkowski of Trey Anastasio Band fame. Eric Gales Band performed after that, bringing some heavy funk to an already-energetic crowd. He closed his set out with an instrumental, psychedelic version of “Don’t Fear The Reaper” by Blue Oyster Cult. The Infamous Stringdusters took the stage afterwards, bringing the predominantly Vermont-based crowd their daily dose of traditional bluegrass, with a modern twist. Full of explosive energy, the Charlottesville, Virginia-based outfit plucked and crooned for nearly two hours, and even invited Todd Park Mohr, Big Head Todd of Big Head Todd and the Monsters, to perform a song.

    jeezum crow festBig Head Todd took to the stage for an impressive set that blended their older tunes with several new tracks from their last album, released in 2014. A bluesy, rocking set that incorporated southern rock and country as well, Todd Park Mohr showed Jay Peak his guitar-playing skill as well as his fantastic, Stevie Ray Vaughn-esque voice, which was well-suited to the older crowd. Jeezum Crow collectively swooned during their rendition of their original song, “Bittersweet,” and sang along and swayed with a soaring encore of the classic rock hit, “Hey Joe.” Big Head Todd and the Monsters formed in the early eighties, saw some fame in the mid-to-late nineties, and are seeing a resurgence now with the release of the album Black Beehive and an extensive tour.

    jeezum crow festAfter the Monsters played their closing notes on the main stage, festival-goers were delighted to see Burlington-based band Barika, whose sound almost defies description. Incorporating a sitar-like West African instrument called a N’Goni, Barika played their late-night set in the intimate Bullwheel Bar, the perfect closer to the weekend. Their highly-danceable sound is made unique by the West African influence of Craig Myers, who has performed with Mike Gordon of Phish and Burlington greats Rubblebucket. Their music, which would already be an exciting blend of styles ranging from reggae to funk to afro-beat, is bolstered by the use of the N’Goni, which is best described in appearance and tone, as a cross between a banjo and a sitar. They also incorporate drums, bass, guitar, keys, trombone, and baritone into their multi-faceted sound. They ended their set close to 2am, and then took to the parking lot to mingle with a very satisfied group of concert-goers.

    jeezum crow festThough the absence of Dark Star Orchestra for the first time since the festival’s induction and nasty weather on Friday may have hurt attendance somewhat, Jeezum Crow managed to assemble a very eclectic group of musicians and bands, for a weekend that truly unites the many communities that border Jay Peak Resort. Visitors new to Jay Peak and families that have lived on or near the mountain for years enjoyed one of Jay Peak’s biggest musical attractions.

  • Outlaw Music Festival Takes Over Syracuse Lakeview Amphitheater

    As a convoy of tour buses pulled in and parked along the water’s edge at the Lakeview Amphitheater for the fourth show in as many days, they prepared to unload and set up for the  final  performances of the weekend. A night of Country, Americana and Rock was on tap as the Outlaw Music Festival had arrived in Syracuse and Lakeview was ready to rock the crowd. The top outlaw was the one and only, legendary Mr. Willie Nelson.

    outlaw festival lakeviewBringing a few of his closest outlaw friends along, the crowd met Nashville newcomer Margo Price as well as rock stars Sheryl Crow and My Morning Jacket. This balmy day was lining up to be one epic sunny Sunday that was soon would become a highlight of this gal’s summer. As the gates opened at 3 pm, the winding line that had extended clear out to the bus drop off area quickly moved this eclectic mix of concertgoers into the venue to find the perfect spot on the lawn or their seats under the pavilion area.

    Beginning the evening was Margo Price. This Nashville newcomer was dressed like a true country legend herself in sequins and fringe. As she began to sing, her truly twangy, country voice dazzled the crowd with a classic country style. A bit of a cross between Dolly Parton and Carrie Underwood, it took no time at all to win over the audience and set the stage for those to follow.

    Next up was Sheryl Crow.  A petite firecracker of a woman, this larger than life musician owned the stage and the audience from the get go. Singing and playing both new music and crowd favorites, she amazed with her unbound energy and talent. Sharing stories about her children, it was obvious that motherhood suits her and completes her life as they ride around this summer on tour with her.

    As the sun began to set on Onondaga Lake, My Morning Jacket took the stage.  A new band to some and an old favorite to others, I have to admit I was categorized into the first of the two groups and was curious.  From the moment Jim James began to sing and the band began to play, I was hooked.  Was it the mysterious look he conveyed with his Johnny Cash suit and Ray-Bans, or was it the sultry tonality of his voice that hooked me?  A mix of the two, I do believe. Their style and sound is not anything I’m accustomed to, as it doesn’t fit neatly into one genre.  This rainbow of tunes melded together to create truly unique music that pulls you in like a Pied Piper.  Shooting the first three songs of a set, a photographer generally goes to town to get as many photos during that time frame in order to optimize the chances of capturing a new and unique photo. For me, something different occurred.  I found myself lowering my camera throughout the allotted time and capturing the sounds of the moment versus the sights of the moment. Perhaps MMJ was considered a new band to me originally, but I definitely left considering them an old favorite.

    Finally, the main outlaw that everyone was there to see was taking the festival stage at Lakeview.  Arriving to a standing ovation, it was beautiful to see how Willie is so loved by young and old.  This man’s music spans generations and represents special moments in so many lives over the decades, including mine.  Living in the moment must be a way of life for Willie; he just celebrated his 84th birthday this year. Taking the stage is a family affair as he was joined by his son, little sister and friends and band mates for years. He did not skip a beat and his playing skills were beyond impressive. As he strummed tune after tune on the beat up autographed guitar he’s had forever, you could only wish this well worn and loved instrument could tell us the stories it’s witnessed over the years!

    Throughout the night, Willie played hit song after song.  Whether it was hits of his own or covers from others, the crowd could not get enough.  Included in this set was Hoagy Carmichael’s “Georgia On My Mind,” Willie’s tunes “Whiskey River,” “Angel Flying Too Close to the Ground” and, of course, the crowd’s favorite tune that he wrote together with Merle Haggard,”It’s All Going to Pot.”  It was easy to sing along with Willie to songs such as Toby Keith’s “Beer For My Horses” or  Hank Williams’ “Hey Good Looking,” “Jambalaya” and “Move It On Over.”  Patiently awaiting and hoping to hear my favorite, Willie didn’t disappoint as he played Brenda Lee’s “Always On My Mind.” Speaking for most, I can remember times associated with these songs and I took this trip back together with Willie as he performed them all.

    Closing out the weekend of Outlaw Festival events at the Lakeview Amphitheater, it was a definitely a treat to check off a bucket list item in seeing Willie Nelson in person.  Add the opportunity to see all three opening acts along side Willie and, yes, I definitely felt like I won a musical lottery.

  • Photo Gallery: Foreigner and Cheap Trick Bring Rock Back to SPAC

    It might have been a Tuesday night in Upstate New York on July 18, but the music was loud and people were dancing. Saratoga Performing Arts Center was fresh off a two-week stint with the NYC Ballet when Foreigner, Cheap Trick, and Bonham rolled into town to blare good old rock ‘n roll throughout the famed amphitheater and perhaps equally infamous ‘lawn.’

    The night was full of hits from the 70’s and 80’s, Jason Bonham brought his Led Zeppelin Experience to the stage to perform his father’s classic hits “Ramble On” and “Whole Lotta Love” along with a slew of Zeppelin songs that even the ushers were singing every word.  Followed up by the self-proclaimed, Greatest F’ing Rock and Roll Band, Cheap Trick put on their usual stellar and high energy performance.  The headliner was Foreigner and 40 years has taken a bit of a toll on the band with only Mick Jones remaining from the original members.  That didn’t stop them or the crowd to rock their socks off with an endless stream of favorites.

    The night ended with a special encore involving the area’s own Mayfield School Chorus on stage with Foreigner.  Something those kids will remember for the next 40 years.