NYS Music 20​17

Category: Funk/Soul/R&B

  • As this Summer’s Music Festivals Begin to Unfold, Disc Jam 7 Comes Out on Top

    With well loved music festivals being forced to fold their cards and encountering unfortunate mishaps in an ever-growing and highly competitive field, it’s both refreshing and reassuring that Stephentown, NY’s Disc Jam 7 can boast a laid back atmosphere and tightly-woven, yet growing community and still come out on top. A jam-packed, 4-day musical jaunt with a star-studded lineup attracted herds of fans from all over the Northeast and then some. Nearly 4,000 flocked to the cozy farm for a potpourri of funky jam headliners, late night producer and DJ sets, skilled vendors, a hula hooping and fire spinning flow tribe, on site artists and food trucks to keep festival dwellers happy, well-fed and entertained.

    Thursday set the tone for the sunny weekend ahead, as Albany’s Lord Electro warmed things up on the CEG stage, before Strange Machines welcomed the booming voice and bubbly personality that is Hayley Jane, for the first of her many sit-ins as artist at large. Just after their set, they hopped on Teddy Midnight’s RV, also accompanied by a hot tub, for a quick interview on Teddy TV, which we later found out doubled as a surprise, late night party bus.

    NYC trio Lespecial jumped up on the main stage to deliver some night-time grit and grime as Thursday night headliners. Their odd time signatures, heavy tunes and musical fortitude brought fitting teases of Tool, Rage Against the Machine and Primus’ own “Cannibal Holocaust.” After the help of Dopapod  drummer Neal “Fro” Evans on the genre bending “Enter Sandman” into “Sandstorm,” the trio closed out their headlining performance on the main stage,  riding the wave of symbiotic high energy between fans and artist.

    Friday found a string of New York state bands representing their native stomping grounds into the early evening, including an all-star lineup of Aqueous, Giant Panda Guerilla Dub Squad, Wild Adriatic, Chromatropic, Leila, Litz, The Motet and jamtronica four piece Teddy Midnight, who rolled out phish teases and a number of stellar covers of The New Deal, STS9 and a pair of hard-hitting Disco Biscuits tunes, “Rock Candy” and “Tricycle,” proving Wiley Griffin can absolutely man handle a guitar. Over on the tent stage, Litz worked their magic to hype up the crowd while the saxophonist alone had enough personality on hand for the whole group. A sound malfunction forced immediate improv with bongo and guitar solos. Doing so seamlessly, the group dove right back into the jams once all issues were resolved and held down their set like true musicians and professionals.

    The excitement for Friday night’s headlining Dopapod set loomed in the air as other festival favorites, Kung Fu, took the stage. Beau Sasser and company  brought an arsenal of just that to the stage at Disc Jam this year for their one of a kind “Sunset-Set.” With Disc Jam 7 being their 6th time playing the festival, Kung Fu has been a fan favorite of the fest since 2012. That being said, the Fu you now groove to in 2017 may not have been the same back in 2012. With fresh tunes and a familiar sound, the group proved why they get invited back every year to the ever-growing festival. Kung Fu welcomed Hayley Jane during their set to perform Joan Jett’s “Reputation,” or for Freaks and Geeks fans, it’s notable theme song while their full set  jammed through a slew of songs such as “Chop Suey,” “Joyride,” and a set closer of Steely Dan’s “Charlemagne.”

    In past years, Dopapod have been known to deliver two sets to the festival they’ve been with since its culmination seven years ago. Unfortunately a gig in Colorado called for the festival veterans to head out early but not before offering up an eye-opening set that had all on feet and moving to the zips Eli’s keys and defined head bobs. Adorned in a blue Dopapod hoodie, Rob Compa took to the front row of the crowd to incite fan engagement, asking what songs they’d like to hear. After a “Trapper Keeper” suggestion and “Nerds” being loudly projected to the forefront of the stage, they launched into none of the above as they continued with songs of their choice. While the hour and a half set didn’t boast a laundry list of material, each delivery had a flair of its own and incorporated lengthy jams throughout, leaving fans both thankful and energized. Fans were treated to an opener of “8 years,” new track “Mucho, classic Dopapod hits and two-bit favorites “Priorities,” “Trickery” and “Cloud.”

    Feeling wired post-Dopapod, a two hour “after party” ensued at the tent stage with the Motet’s uplifting and encapsulating music. Their kinetic energy and signature style made it impossible to stand still, as everyone underneath the tent found a dance partner in the strangers to their left and right. Paired with groovy visuals on the back wall of the tented  stage, the Motet provided time travel through the decades with their genre-spanning music. Just in case anyone let out a yawn or felt their bodies slowly yearning for sleep, singer Lyle Divinsky doubled as hype man for the group, spewing catch phrases into the mic and pumping up the crowd as he stalked back and forth across the front of the stage.

    With late night sets and DJs playing through the early stages of the morning, many found their way back under the tent to witness the magic that poured out of the tips of Holly Bowling’s fingers. While first depicting psychedelic visuals to pair with her compositions of well-loved jam tunes, Bowling offered the audience a “behind the scenes” look at her performance with a special camera placed in front of her hands. Viewers were able to watch her fingers tickle the instrument as she raced her hands back and forth while banging on the black and white keys, all while sporting a quirky smile on her face. It’s evident that Bowling is not only great at what she does but that it embodies the happiness she feels inside. Her takes on Grateful Dead, Phish and The Disco Biscuits found sweet symphonic sounds mimicking “Franklin’s Tower,” “It’s Ice,” and “Magellan” among others. Thankfully, this wasn’t the last we saw of the all-star pianist.

    With at least one expected day of rain, the only dampening of the weekend came from the early morning dew and spilled beer across widely spread campsites. If you even attempted to get some sleep between the late woods parties and the beat boxers dressed in all black outfits adorned in glow sticks, the sun was enough to jolt you up out of your increasingly heated tent making you feel just Bearly Dead, or at least awake enough to go catch their early morning Grateful Dead tribute set–a slot they held at the tent stage all weekend. As Saturday progressed, Consider the Source took on their late afternoon set on the main stage, gathering a large crowd regardless of the fact they had a highly anticipated late night set scheduled for 2am. Ripping through well-known source tracks like “This Dubious Honor,” “Many Words of Disapproval” and “Closer to Home” paired with the wailing of instruments and heavy emotion written across their faces, the trio proved and surpassed reasons why they deserved two slots at disc jam. Never missing a note and playing the most difficult instruments and arrangements, consider the source managed to put a spin on their already involved tunes, oozing mastery musicianship.

    Wild Adriatic brought their Saratoga Springs flair to the Disc Jam stage as declarations of “getting my hair like that guy’s” were made in the crowd, referencing to the stellar afro rocked by bassist Rich Derbyshire. Keeping it in the Capital region, Formula 5 boasted an unforgettable set, complete with a sit in by Holly Bowling and an emotional Allman Brother’s Band tribute cover. Drawing a solid, dance-ready crowd, Formula 5 brought the jams to those swaying back and forth on feet as well as those sitting and relishing in the moment. Bowling sat in for “Floating” as the group made what was the only Gregg Allman tribute of the weekend at the time, with an impassioned selection of “No One to Run With.” Mister F kept the upstate grooves going directly after, despite their recent misfortune of being down a tour van and itching to get new music out to fans, Scott Hannay showed his chops and delivered hard on keys before treating fans to a late night surprise.

    Anticipation struck Gardner’s Farm for the party that Turkuaz was about to unleash on its weekend inhabitants. Making their rounds on the festival circuit, the 9-piece power funk ensemble offered harmonica stylings and powerful vocals with a groovy dance party to match. Shira Elias and Sammi Garrett have been getting more and more attention and for good reason. Their dialed up vocal chops, coordinated dance moves and soulful sound give enough reason as to why–plus, a cover of The Band’s “Don’t Do It” didn’t hurt.

    Saying the tent stage was filled to capacity for Break Science Live would be an understatement. When they took the stage on Saturday night, the original duo of Adam Deitch and Borahm Lee reeled in a humongous crowd as well as support on stage when they were accompanied by a handful of Lettuce members– Erick Coomes on Bass, Eric Bloom on Trumpet, Adam Smirnoff on Guitar and Ryan Zoidis on Tenor Sax. The super group, paired with an intense light show captivated the audience with a combination of trip-hop, dub and jazz which found the tent jumping as a unit. During their set, Manic Focus joined Lee on the table to help with DJing, which brought a unique sound to an already extraordinary group of musicians.

    A 2am set drew in a rather large and sleepy crowd underneath the tent stage. Known for their magical history with performing late night festy sets, most of the audience knew to place their blankets and tired bodies on the floor to witness an amplified, yet scaled back Consider the Source set in a more intimate setting with calming visuals to match. Two girls, however, missed the memo and kept prompting everyone to “stand up and enjoy the music” while others retaliated with, “but it’s a seated performance!” Nonetheless, all in attendance found themselves in awe at the mastery level in which the trio plays. Having checked off deliveries of stirring tracks, including one they learned during their trip to India and haven’t played since, Jeff Mann, John Ferrara and Gabriel Marin know how to nail a performance through tempo, chord progressions, arrangement and elements of surprise.

    At the same time Consider the Source was delivering their intimate set to a lulled crowd, Teddy Midnight’s surprise RV party bus was at full force. Disc Jam artists swapped on and off the luxury bus, playing tunes from the backside of the opened vehicle and slithering guitar necks in between its doorways. Joe Davis and Matt Richards of Formula 5, Scott Hannay of Mister F, Adrian Tramontano of Kung Fu, Wiley Griffin of Teddy Midnight all took a musical ride on the bus.

    As silent discos were offered into the premature minutes of the early mornings, Saturday night/Sunday morning offered listeners a stroll through the Techni-colored woods to “No Diggity” as one looked around and noticed life in the woods is a bit different than out on the wide open spaces of the farm. After placing a pair of silver headphones over your head, you were welcomed into a wooded world of festival dogs, multiple pin boards circulating and growing raves.

    Sunday morning’s sunrise guided everyone to their tents for a quick nap ahead of the final day of Disc Jam 7. Upon awakening and being lazy around camp, the opening notes of Dopapod’s “Bubblebrain” trailed widely across the farm, conjuring many to the stage. Quickly, it had to be discovered who was playing such a top-notch delivery of the unique track. To the surprise of many, it was a group of kids from the ages 11-18 in Zachademy of Music All Stars, including a young boy with luscious blond locks, reminiscent to that of Formula 5 bassist James Woods. A mind blown audience watched as kids half the age of the festival goers shredded through a difficult catalogue including covers of Vulfpeck, Consider the Source and Kung Fu. Dopapod’s Compa went forth to share the “Bubblebrain” video to Facebook, announcing that even he messes up his guitar solo at times and further affirming the true talent boasted by the all stars.

    Around noon, a very talented group new to the scene took the tent stage and made it their own. New Paltz’ The Other Brothers brought a unique sound to the festival, drawing a nice crowd to their set that blended a variety of genres. As always, Chris Owen was able to captivate the crowd with his larger than life vocals and impressive dance moves while Bera, Marquez, Morrison, Nelson and Mendelson kept every groove as tight as possible. Where one song took on the structure of a love ballad, the others were sure to get toes tapping and hips swiveling, gaining a new circle of Disc Jam fans. Be sure to check out this humble group on the rise, you won’t want to miss these brothers in a city near you before they ultimately break through. They’re currently out in L.A. recording their spirited music at the famous Sound City Studios.

    Comparable to the tunes of Twiddle and their upbeat feel, Annie in the Water proved to be the fun 5-piece they are with a super involved set– a smorgasbord of sit ins by Holly Bowling on ‘Carry the Burden,” “Girl Let’s Dance,” with Twiddle’s Dempsey and Hannay of Mister F as well as Hayley Jane and Meadow Eliz offering assistance on “Crispy.” Keeping the theme going, a bulk of talent joined the Twiddle side project known as Gubbulidis. The group’s name derives from the combination the two members;  Zdenek Gubb on bass Mahali Savoulidis on acoustic guitar and vocals. Usually all the two need are some loop pedals to make their sound one that very few could duplicate but to add depth to their one-off set, the power duo was joined by a plethora of talented artists such as the other components of Twiddle, Holly Bowling, Honeycomb,  Billy Comstock of Annie in the Water, Wiley Griffin of Teddy Midnight and two members of Mister F; Colin Shore and Scott Hannay, making their Disc Jam set one of a kind. The full performance, which pieces together “Juggernaut,” “Rocky Raccoon,” “Mad World,” and more, can be found on Archive.org.

    Later on in the day, a tent stage party was hosted by none other than G-Nome Project. The Israeli-based Livetronica Electro-Funk band rocked the tent and everyone inside with their synth-heavy instrumental tunes. Resembling jams taken on by trans-fusion/jam bands such as The Disco Biscuits, Lotus and Phish, G-Nome Project appealed to the masses, zeroing in on a unique blend of genres and inverted jams with covers of tunes from Game of Thrones, Lotus’ “Livingston Storm,” the Biscuits’ “Abraxas,” and Phish’s “Frankie Sez.”

    Pink Talking Fish helped round out the festival with a Sunday evening performance, rotating their famous Pink Floyd, Talking Heads and Phish covers to an appreciative crowd. Mixing up the music of three undeniable bands in the scene, treats came in all sizes with covers of “One in a Lifetime,” “Run Like Hell,” “Mother,” “Rift” and “Harry Hood.” To close out their set, guitarist Eric Gould and artist manager brought out his latest guided talent, Hayley Jane to end with the second and final tribute to Gregg Allman with a moving version of “Soulshine.”

    Neal “Fro” Evans, Holly Bowling and Hayley Jane certainly made their rounds throughout their four days on the farm, collectively marking an impressive number of sit ins. Evans brought his skill on the kit to help Lespecial and Giant Panda Guerilla Dub Squad on stage. Bowling spent time jamming with Electric Beethoven, Formula 5 and Annie in the Water while Hayley Jane notched an impressive sit in count of nine, with a TLC “Don’t Go Chasing Waterfalls” cover alongside Roots of Creation and appearances with Strange Machines, Bearly Dead, Aqueous, Congo Sanchez, Kung Fu, After Funk, Pink Talking Fish and, Annie in the Water. Her final performance with Ryan Montbleau tucked Disc Jam 7 into bed and put the weekend to sleep with one last performance as Yes Darling, as they ripped through a set of original material.

    An intimate experience and independent effort, Disc Jam 7 sure packed a punch of a weekend before coming to a close. Every year, Disc Jam sees exponential growth and although it’s tucked away in the cozy knolls of Stephentown, NY, it’s small town aesthetic and low maintenance atmosphere is exactly what keeps fans coming back for more. When you step onto the farm, you step into the Disc Jam Fam–a world in which you meet and click with those you cross paths with if only for the weekend, a world in which you most likely already know an abundance of people there. After a widely successful seventh year in operation, those who self-identify as Disc Jam Fam left Gardner’s farm already mapping out next year’s detailed blueprints for Disc Jam 8.

  • Trombone Shorty brings N’Awlins to The Egg

    Trombone Shorty and Orleans Avenue brought the N’awlins flavor to The Egg in Albany on Wednesday, June 14 to the delight of a sold out audience. Troy Andrews AKA Trombone Shorty and friends made jaws drop by their range in abilities and genres in which they proved to be fluent.

    The once brass prodigy now household name, arrived on stage to a surprisingly hard rock sound with blinding lights and funky riffs from band mate Pete Murano. It was certainly not the typical “N’Awlins” intro one might expect, but added a certain level of intrigue that would continue throughout the nearly 90-minute set.

    From funk to blues to R&B and soul, each song brought a new variation but with the consistent Louisiana street party the crowd came to see. Andrew’s ability to seamlessly move between trumpet, tambourine, vocals, drums and of course, trombone, highlighted the musical Renaissance Man’s many talents.

    The largely middle-aged crowd was shy at first, sitting politely while bopping along to the rhythm, but it took almost no time to move them to their feet. Andrews engaged the fans with call and response vocals, and naturally handed out beads to the excited ladies in the front row.

    Each of the six members of the band had many opportunities to showcase their talents. BK Jackson on tenor sax along with his brass partner Dan Oestreicher on baritone sax worked their magic as both musicians and dancers, gliding across the stage with ease while muscling through some impressive solos. Michael Baily practically did an army crawl across the stage while thudding the bass, his CamelBack strapped on only adding to his masculine charisma.

    Song selections sprawled across the board including old favorites like “Where Y’At” and new songs like “Where it At” from their latest album “Parking Lot Symphony.”  Andrews “took it to the bridge” with James Brown samples as he moonwalked across the stage, sending the crowd into a loud roar.

    Their rainbow lights that splashed across the interior walls of The Egg served as street lamps as they paraded into the crowd to Louis Armstrong’s “When the Saints go Marching In,” a true staple of The Big Easy.

    “We’re going to have to come back to Albany more often,” said Andrews to end the incredible evening.

  • The NYS Music Guide to the 2017 Xerox Rochester International Jazz Festival

    Starting June 23, and up until July 1, 2017, Rochester will once again become one of the hottest destinations for live jazz, and music in general. Once a year, for a nine-day stretch, the Xerox Rochester International Jazz Fest brings this medium-sized city wall-to-wall big city talent from across the globe. Headliners at the glorious Eastman Theatre, the Club Series making use of every viable hall in the East End neighborhood, and free shows filling the streets with sound; it’s a music lover’s paradise. With so much to see and hear, and only two eyes and two ears with which to take it all in, decisions must be made. Hit this, not that. But what? Well, that’s why we’re here. Here again we have compiled must-see acts for every type of fan. No matter what tune you’re singing as you stroll down Jazz Street, there’s something for you. Don’t forget to check out our tips for the best way to enjoy your time at the Rochester Jazz Fest.


    “It don’t mean a thing if it ain’t got that swing”
    Are you more of a traditionalist? You’ll want to be at these sets:

    Miguel Zenon
    Puerto-Rican saxophonist Zenon is a Grammy winner and a Guggenheim and MacArthur Fellow. He brings his longtime quartet and the music from his fantastic new release, Tipico, which blends his Latin roots and adventurous hard bop for a sound that can be reminiscent of Horace Silver, with more than a few unexpected turns.
    June 26, Kilbourn Hall    , 6:00 p.m. and 9:00 p.m.; $35 or Club Pass

    Billy Childs Quartet
    Previously seen on a XRIJF stage as the pianist in Chris Botti’s band, Childs brings his own quartet this year, playing from his own impressive songbook. Perhaps he will throw in a Laura Nyro cover or two from his Reimagining Laura Nyro record, but more likely the set will lean heavily on his superb 2017 release, Rebirth.
    June 24, Kilbourn Hall, 6:00 p.m. and 9:00 p.m.; $35 or Club Pass

    4 By Monk By 4
    Four piano masters celebrating the works of a trailblazer and legend of jazz, Thelonious Monk. Kenny Barron, Benny Green, George Cables and Cyrus Chestnut will combine forces to do the man justice, playing together in various combinations. This has the all the makings of a special night of music.
    June 29, Lyric Theatre, 4:00 p.m.; $30 or Club Pass
    June 30, Kilbourn Hall, 6:00 p.m. and 9:00 p.m.; $35 or Club Pass

    Also make time for…
    Kendrick Scott Oracle
    June 27, Xerox Auditorium, 6:30 p.m. and 9 p.m.; $30 or Club Pass

    Hot Club of Cowtown
    June 28, Big Tent, 8:30 p.m. and 10 p.m.;$30 or Club Pass


    “It don’t mean a thang if it ain’t got that twang”
    In the, well this ain’t jazz category, here are some acts for the lovers of the tried and true roots and Americana tradition.

    The Jerry Douglas Band
    The unquestioned best dobro player around, Douglas might best be known these days for his work in Alison Krauss’ band, but he has been kicking around in the newgrass scene since it’s inception. He’ll be with his new band previewing his new album What If, which is out in mid-August.
    June 24, City of Rochester East Ave and Chestnut Street Stage, 9 p.m.; FREE

    John Paul White
    White found great success as the male half of the much acclaimed folk duo, The Civil Wars. Moving on from that project, White returned to his solo roots, plumbing the depths of Americana for his second solo effort, Buelah, released last year.
    June 25, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass

    The Dustbowl Revival
    An eight-piece that combines bluegrass, gospel, New Orleans swing and blues, they are no mere string revival band, mixing in some brass to throw it all for a unique loop.
    June 29, Montage Music Hall, 6 p.m. and 10 p.m.; $30 or Club Pass

    Also make time for…
    Jack Broadbent
    June 25, Montage Music Hall, 6 p.m. and 10 p.m.; $30 or Club Pass

    Lera Lynn
    June 26, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass


    “It don’t mean a thing if it ain’t got six strings”
    The festival has an unusually strong slate of guitar slingers this year.

    Bill Frisell & Thomas Morgan
    If the Jazz Fest existed for the singular purpose of getting Frisell to Rochester every couple of years it would be well worth it. Your favorite guitar player’s favorite guitar player, he is returning for his seventh festival. Every time he brings a different band and it never disappoints. This year he is presenting a duo set with bassist Thomas Morgan.
    June 25, Kilbourn Hall, 6:00 p.m. and 9:00 p.m.; $35 or Club Pass

    Matthew Stevens
    A major contributor to the sound behind Esperanza Spalding’s standout 2016 hit Emily’s D+Evolution, Stevens is out with a stunning brain melter of an album of his own this year, Preverbal. Angular and adventurous, you’re in for a thrilling ride at these sets.
    July 1, Wilder Room    , 6:00 p.m. and 10:00 p.m.; $30 or Club Pass

    Eric Krasno
    The guitarist for jamband and XRIJF veterans Soulive, Krasno returns for a set with his own band. He has mixed in more rock and blues to the funk and soul, and even added vocals to the repertoire, but there’ll still be plenty of improvisation to go around.
    June 30, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass

    Also make time for…
    Charlie Hunter Trio
    June 27, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass

    International Orange
    July 1, The Little Theatre, 7:00 p.m. and 9:15 p.m.; $30 or Club Pass

     
    “It don’t mean a thing if I ain’t moving my thing”
    If you want to move while you listen, these are the acts that will have the crowd out of their chairs and on their feet. Don’t forget to bring your dancing shoes.

    St. Paul and the Broken Bones
    Paul Janeway, an energetic singer with an electric and unique voice, leads this eight-piece soul band that turns heads wherever they go, wherever they’re heard. The streets will be a sea of dancers when they unleash music from their latest, Sea of Noise.
    June 23, City of Rochester East Ave and Chestnut Street Stage, 9 p.m.; FREE

    The Nth Power
    Soulful groove and dance music from a group borne from a late-night jam session at the New Orleans Jazz Fest, this is a young band quickly making a name for themselves for their electrifying live shows.
    June 23, Rochester Regional Health Big Tent, 8:30 p.m. and 10 p.m.; $30 or Club Pass

    Electric Kif
    Another energetic soulful quartet, this Miami band started as a side project for the members but quickly grew into something special and lasting.
    June 28, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass

    Also make time for…
    Huntertones
    June 23, Montage Music Hall, 6 p.m. and 10 p.m.
    June 24, Rochester Regional Health Big Tent, 8:30 p.m. and 10 p.m.; $30 or Club Pass for either venue

    New Breed Brass Band
    June 26, Rochester Regional Health Big Tent, 8:30 p.m. and 10 p.m.
    June 27, Montage Music Hall, 6 p.m. and 10 p.m.    ; $30 or Club Pass for either venue


    “It don’t mean a thing if it ain’t got that sing”
    If you want some vocals with your jazz, check out these shows.

    Scott Bradlee’s Postmodern Jukebox
    Scott Bradlee invited different musicians to play today’s popular music in specific classic styles and quickly grew his concept into a YouTube sensation. Be prepared to hear familiar songs as you’ve never heard them before. It makes for a truly unique and exciting live performance like you’ve never seen before. Browse the endless string of videos at his web site and you’ll get the idea fairly quickly.
    June 27, Kodak Hall at Eastman Theatre, 8 p.m.; $45 – $85

    Mavis Staples
    One of the few true living legends featured at this year’s festival, Mavis Staples is an American treasure that is still making new and relevant music. If you’re looking for some soul and gospel, accept no substitute.
    June 28, Kodak Hall at Eastman Theatre, 8 p.m.; $25 – $65

    Eivor
    As long as you’re in a church, you may as well listen to a voice from the heavens. From Norway’s Faroe Islands, Eivor will do nothing if not mystify you.
    June 24, Lutheran Church of the Reformation, 7:30 p.m. and 9:30 p.m.; $30 or Club Pass

    Also make time for…
    Danielle Ponder and the Tomorrow People
    June 29, City of Rochester Midtown Stage, 7:00 p.m.; FREE

    Youn Sun Nah
    June 29, Harro East Ballroom, 5:30 p.m. and 7:15 p.m.; $30 or Club Pass


    “It don’t mean a thung if it ain’t fresh and young”
    People have been calling for the death of jazz for decades, but the youth keep reinvigorating the genre. Check out these younger acts to keep hip to what’s new. But if you want to catch the youngest talent, plan to catch some of the school bands gracing the Jazz Street stage throughout the festival.

    Phronesis
    This piano trio is making a very welcome return to the XRIJF lineup. The London Jazz News sums them up nicely: “established as one of the great trios. Three players, moving as one – head, heart and hands.”
    June 29, Christ Church, 6:45 p.m. and 8:45 p.m.; $30 or Club Pass

    Neil Cowley Trio
    Like Phronesis, another brilliant British piano trio making their Jazz Fest return. These guys lean more heavily on the hook-laden melodies, adding a pop and rock sensibility to their compositions.
    June 24, Christ Church, 6:45 p.m. and 8:45 p.m.; $30 or Club Pass

    Donny McCaslin Group
    The band behind David Bowie’s universally-lauded final album, Blackstar, this is jazz highly influenced and informed by that experience.
    July 1, Xerox Auditorium, 6:30 p.m. and 9 p.m.; $30 or Club Pass

    Also make time for…
    Binker and Moses
    June 30, Christ Church, 6:45 p.m. and 8:45 p.m.; $30 or Club Pass

    Jacob Collier
    June 23, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass


    “Doo wah, doo wah, doo wah, doo wah”
    And now for something a little different. When you invite bands from around the world you can get into some interesting and adventurous stuff.

    Shabaka and the Ancestors
    London-ite Shabaka Hutchens put together this ensemble of South African musicians, which recorded one of the most thrilling new records of 2016, The Wisdom of Elders. Spiritual afrocentric jazz that is equal parts soul-stirring and soul-soothing, in the vein of Coltrane or Sun Ra.
    June 25, Harro East Ballroom, 5:30 p.m. and 7:15 p.m.; $30 or Club Pass

    Dakha Brakha
    This Ukrainian quartet plays music from another side of the world. Unusual, both visually and aurally, but quickly familiar and enjoyable, they blend tribal rhythms, chant-like singing and an odd mix of instruments into an infectious melting-pot of sound. This set will have Jazz Street talking.
    June 29, Rochester Regional Health Big Tent, 8:30 p.m. and 10 p.m.; $30 or Club Pass

    Dinosaur
    Led by trumpeter Laura Jurd, this young quartet plays creative instrumental music that rests in the crux of jazz, rock, electronic and funk.
    June 26, Christ Church, 6:45 p.m. and 8:45 p.m.; $30 or Club Pass

    Also make time for…
    Klabbesbank
    June 28, Lutheran Church of the Reformation, 7:30 p.m. and 9:30 p.m.; $30 or Club Pass

    Ikonostasis
    June 26, Lutheran Church of the Reformation, 7:30 p.m. and 9:30 p.m.; $30 or Club Pass

    See the full lineup and all of the festival details at RochesterJazz.com.

  • Woodhenge Music, Art and Sustainability Festival 2017 Announced

    Off the grid sustainable community, Woodhenge, has announced its first Woodhenge Music, Art, and Sustainability Festival, located in Adams Center near the Adirondacks, the community will host the festival on June 23-25, 2017.

    The three day event features a diverse mix of music genres including rock, jam, jazz, reggae, bluegrass, electronic, and funk, and features over 20 artist including Formula 5, Space Carnival, Root Shock, Intrepid Travelers, Lord Electro, Jiggawaltz and Drumadics.

    Fans will have the privilege to explore each morning the 60+ acres of nature and trails the area has to offer, along with yoga and workshops focused on how to live mortgage free, creating a sustainable lifestyle, optimal nutrition, and how to build with recycled materials. The event itself will be held in a field, between the village’s garden and orchard.

    In 1997, James and Krista Juczak, created the eco/self reliance village known as Woodhenge. The mortgage free community is set in the foothills of the Adirondack Mountains along the outskirts of a large forest, complete with a stream and waterfall set between a pond and an orchard. The off the grid solar and wind powered sustainable community practices upcycling, using environmentally friendly materials along with alternative building techniques.

    The village grows and cans most of their own fruits, berries, nuts and vegetables in their community garden and raises their own ducks and honey bees for honey and eggs. The community also hosts several workshops throughout the year on building a tiny house, living off the grid, and renewable energy.

    Known as the “King of Scrounge,” Juczak took 5 years to build his 3000 square foot home, set on 50 acres, out of recycled material including beams salvaged from an old bowling alley, and a two-story concrete column made out of scrapped manholes. Windows, doors, sinks, tubs, and other items were bought cheap, or salvaged for free from renovated buildings. The mortar holding the walls is made from 80% paper sludge waste from a nearby mill. The other 20% is made of masonry cement. Juczak has also buried a 10,000 gallon fuel tank used as a guest home buried into the side of a hill.

    Woodhenge has also hosted other music festivals in the past including Summer Solstice Campout in 2016, and the Halloween Costume Fiesta.

    Fans who purchase full weekend passes to the festival online will save some cash. The online pass costs $50 for all three days, and $60 at the gate on Friday, June 23. Other passes range between $20-$40. Camping is available in the field, and in the forest close by.

  • Mountain of Youth: The 5th Annual Susquehanna Breakdown Recap

    “And they’re off!” On Friday, May 19 the gates lifted in Scranton, Pennsylvania and campers raced to grab the flattest and grassiest space on the The Pavilion Lawn at Montage Mountain.  They were not there for the 142nd Preakness Stakes, which traditionally takes place in Maryland every third Saturday in May, but instead were celebrating a new bluegrass tradition, the 5th annual Susquehanna Breakdown. Some attendees dressed in jockey-like colors and patterns with ridiculous hats and clothing combinations.  Others wore graphic t-shirts splattered with band names like Cabinet, Umphrey’s Mcgee, Greensky Bluegrass and Phish.  By the beginning of the first set at 6:30pm, one thing was clear… everyone was there to place their bets on a winning weekend.

    The Dishonest Fiddlers, orchestrated by founder Dave Brown, are a Scranton local bluegrass act that switches up the bill every time they perform.  The lightweight and easy listening bluegrass invited campers to put down their tent poles and join in the music at the smaller “Breakdown Stage.”  Breakdowners were delighted to discover that Cabinet’s own fiddle player, Todd Kopec, was sitting in during the festival’s opening act.  The Dishonest Fiddler’s performance marked the first of many expected Cabinet sit-ins over the weekend, but that comes as no surprise as the festival is named after one of their songs!  Next up on the bill was the American-festival veteran Keller Williams.  It is hard to think of the word “bluegrass” or just “grass” in general and not think of the pumpkin pie hair-cutted freak bouncing around stage barefoot from instrument to instrument.  Once you have seen one Keller show, you have seen them all, but that doesn’t stop anyone from attending.  Keller Williams got his start in parking lots playing to the energetic crowds that gathered before the main attraction, The Grateful Dead.  For over 20 years, he has been marching to the beat of his own drum, guitar, synth and whatever else he decides to bring on stage.  The completely improvised sets travel through space and time reminiscent of a spun-out music junky that can’t decide which radio station to listen to as they station hop.  Keller closed his roots-filled funky set with a cover of Marian Hill’s “Down,” which lyrically is the most genius song to kick off a festival.  If you hate on modern pop music, give this one a listen.

    As the sun finally disappeared on Day 1 of the festival, the audience was treated to more Keller Williams for the first semi-official Cabinet set of the weekend entitled “Keller & Cabinet.”  Launching into the bluegrass traditional tune, “My Grass Is Blue,” got the fans boppin’ and air pickin’ before a cover of “Float On” by Modest Mouse.  As more and more non-camping 2-day-pass holders made their way into the venue, the atmosphere began to feel less like a backyard BBQ and more like a full-fledged festival.  The communal body heat kept everyone warm as “Ain’t Gonna Work Tomorrow” served as a reminder that Montage Mountain was home for the next 36 hours.  It wouldn’t be Night 1 of a festival without some minor technical difficulties.  After three minutes of tinkering, the stage was back on track and Cabinet allowed Keller to take the wheel for his originals, “Alligator Alley” and “Sing for My Dinner.”  Before the final track of the collaborative set, Keller commented that he wanted to do a reggae version of the upcoming tune but Cabinet insisted on playing it fast.  Much like Ricky Bobby in Talledega Nights, they wanted to go fast, and fast they went through Amy Winehouse’s “Rehab.”  Ironically enough, ambulance lights flickered through the crowd during the Winehouse cover as the first festival attendee maybe had too much too fast. Members of the crowd looked on in hopes that this would be the one and only emergency rescue of the weekend.

    On a brighter note, Cabinet came out swinging for their first major set of the weekend, tackling their catalog of reggae, bluegrass, roots and rock.  “The Smile” breezed into the first slot as the symbolic greeting tune of the evening.  “Hey Baby” gave Mickey Coviello’s guitar and Pappy Biondo’s banjo some focus in the spotlight and afterward they modestly commented it was “groovy as all hell.”  Pappy was once again the center of attention during their rendition of “Diamond Joe.” Building the song up with some fantastic peaks and valleys via JP Biondo’s mandolin and Todd Kopec’s fiddle, the 6-piece band transformed the poetic country tune into a jam-grass meltdown.  The “Diamond Joe” lyrics feature horses, betrayal and payback which are central themes in many old-timey tunes and Cabinet made this timeless piece their own to showcase their talent during this set.  The band mentioned that the crowd size was much larger compared to years past and I took it as a sign of festival growth, strength and some perfect weather.  The friendly fireside vibe of the Cabinet set was not complete without a singalong and “Pine Billy” served as a fitting choice.  The “way up on a mountain” lyrics got extra howls as families and friends belted out “Pine Billy” during the second half the short set.  “Sunday 60 Breakdown” finished off the set and the crowd significantly thinned as their beloved Cabinet went to get some rest before a big Day 2.

    The evening was not over yet as late night funk trio Organ Freeman treated the mountain to an ass shaking dance party.  Drummer Rob Humphreys, organist Trevor Steer and Erik Carlson on guitar answered the age-old question “Won’t you take me to Funkytown?”    For those in attendance looking for poppy instrumental jazz or experimental and danceable funk, they found it right off the bat with “We’re On Our Way.”  The band tested out several new songs during their set and considering most in the audience didn’t know the names to their originals anyway, it was all new and exciting to us.  The first cover came in the form of Stanton Moore Trio’s “Pie Eyed Manc.”  It was clear that Moore’s sound has a strong influence on Organ Freeman as they worked their layered grooves into every jam they went into.  My one critique is that at 1:30 in the morning, instrumental jazz begins to all sound the same.  As many non-campers such as myself began exiting the venue, it was incredible to clearly hear the echoes of funk during the entire walk back to the parking area thanks to mountain’s valley walls, which acted as natural amplifiers.  The successful first night of music was complete and the main attraction was only hours away.  The Breakdowners were nestled all snug in their beds, while visions of mandolins played in their heads.

    CABINET FRIDAY NIGHT SETLIST:

    A Smile, Treat Me So Bad, Hey Baby, Diamond Joe, Mysterio, Eleanor, The Dove %, Pine Billy, Sunday 60 Breakdown

    % Brief Power Failure occurred twice during The Dove

    KELLER WILLIAMS SETLIST:

    My Grass is Blue, Float On*, Ripped 6 Pack, Ain’t Gonna Work Tomorrow, AGWT Reprise (post Power Failure), Alligator Alley, The Tower, Sing For My Dinner, Rehab **
    * Modest Mouse Cover ** Amy Winehouse Cover  (Setlist credit: Rich Stoler)

    ORGAN FREEMAN SETLIST:
    We’re On Our Way, (New Track 1), Only If You Mean It, Putin And I Get Along Fantastic, Life’s A Bench, Reptile Moonshine, Pie Eyed Manc*, Change For A Nickel, The Green Green Grapes, You Said You Quit Drinkin’, (New Track 2), Verve, Byrd vs Fish, (New Track 3), Go By Richard, Not By Dick  ENCORE: Hit The Ground Running, Come out Swinging
    *- Stanton Moore Trio

  • Listen to the Exclusive Premiere of Wurliday’s Debut EP ‘Bedtime Blazer’

    NYS Music is proud to present the exclusive premiere of Wurliday’s new EP Bedtime Blazer! Co-written by frontman Justin Henricks (Beau Sasser’s Escape Plan, The Chronicles) and Arielle O’Keefe (Girl Blue), the EP was recorded and produced at Alan Evans’ (Soulive) Iron Wax Studios in Millers Falls, MA.

    Bedtime Blazer is the first look into this group’s sound, giving audiences a chance to listen before the band officially kicks things off this summer. The EP offers a fresh and modern take on funk and soul, and you can hear soulful vocals and harmonies by Arielle O’Keefe, Jennifer Hartswick (Trey Anastasio Band), and Tyrone Hartzog. The EP features some great synth/organ overlays throughout with a consistently funky guitar. With just four tracks, you’re left wanting more! The clean recordings are pleasing to the ear, and the individual musicianship sounds effortless. Click here for an interview with bandleader Justin Henricks.

    Be sure to catch Wurliday live at The Hollow for their EP release party on June 30th! The party kicks off at 8 pm and the band will be joined by special guests The Rechorduroys and Olivia Quillio. Wurliday will also be part of Albany’s Alive at Five on July 13 when they open up for New Orleans legends The Funky Meters.

  • Albany’s Alive at 5 Concert Series Begins June 8 with Karl Denson’s Tiny Universe and Let’s Be Leonard

    Alive at 5 is heading into its 28th season, starting off on June 8 with performances by Karl Denson’s Tiny Universe and Let’s Be Leonard. The summer series takes place at Jennings Landing from 5-8 p.m. on Thursdays (with the exception of July 4). A partial lineup for other dates has been announced, including performances by Average White Band, The Funky Meters, Marian Hill, and King Yellowman & the Sagittarius Band. Regional support for these headliners comes from Victory Soul Orchestra, Wurliday, and Dr. Jah and the Love Prophets.

    Karl Denson’s Tiny Universe  is a funk soul band from California. Frontman Denson also plays saxophone for The Rolling Stones, and just wrapped up a tour with them. Primed to release a new album this year, KDTU will be performing some of their new songs at Alive at 5.

    Saratoga’s jazz fusion phenoms Let’s Be Leonard will open the show. Renowned for their improvisational style, the band just released Live at Gug’s, a session recorded in Glenn’s Falls earlier this year. Read the NYS Music review.

    2017 Alive at 5 Dates (Full Schedule Will Be Announced Soon):

    June 8 – Karl Denison’s Tiny Universe / Let’s Be Leonard
    June 15 – Average White Band / Victory Soul Orchestra
    June 22 – TBA
    June 29 – TBA
    July 13 – The Funky Meters / Wurliday
    July 20 – TBA
    July 27 – Marian Hill / TBA
    August 3 – King Yellowman & the Sagittarius Band / Dr. Jah and the Love Prophets

    For more information and updates, visit www.albanyevents.org.

  • Lord Electro Means Business

    Albany’s funktronica act, Lord Electro, will get down to business this summer as they continue their tour in support of their debut studio album, Business. The band will also release its first live album recorded at the legendary Nectar’s in Burlington, Vermont.

    Lord Electro continues its “Business” Tour in support of its debut album of the same name, which was released in March. The tour brings them around the state, starting on June 8 at the Disc Jam Festival in Stephentown, where CEG Presents named them one of the top five acts to see on the main stage.

    They make a few festival appearances over the summer. They hit up the Woodhenge Festival in Adams, where they are scheduled for two sets, on June 23. They play a late-night set on July 8 at Kenny’s Cosmic Campout in Barryville. They finish up their festival appearances on July 29 at the GEM Festival in Glens Falls. In addition to the festival appearances, they’re playing a number of shows in the Northeast, including the Monopole in Plattsburgh on June 24, Lukins in Utica on June 29 and Silvana in New York City on Aug. 5.

    Lord Electro will also release their first live album at the end of the week on June 2. Live at Nectar’s was recorded on May 10 at Burlington, Vermont’s legendary Nectar’s Lounge. The live album showcases the band’s improvisation. It will be available digitally on iTunes, Bandcamp, Spotify and Soundcloud.

    Lord Electro Summer Dates:

    June 8­ – Disc Jam, Stephentown, NY
    June 23 -­ Woodhenge Festival, Adams, NY
    June 24 – ­ Monopole, Plattsburgh, NY
    June 29 -­ Lukins, Utica, NY
    July 8 – ­Kenny Cosmic Campout­, Barryville, NY
    July 29 – GEM Festival, Glens Falls, NY
    Aug. 5 – Silvana, New York, NY

  • Intrepid Travelers Drop First Leg of Summer 2017 ‘Everyday is Your Birthday’ Tour Ahead of Summer Camp Festival

    With a name based around the ideology of fearlessly hitting the road and even other dimensions, Intrepid Travelers have set their sights on their latest voyage– the first leg of their Summer 2017 Everyday is Your Birthday tour. With a stacked, 20-date tour launch, the Buffalo-based quartet of Donny Frauenhofer (vocals/keyboards), Brian Calisto (vocals/guitar), David Naimanis (vocals/bass) and Jon Fohl (vocals/drums) will kick off at Summer Camp Festival in Illinois and bring the birthday celebration mentality through the midwest and back home to the Empire State.

    IT will tackle notable gigs in the very near future, with their first summer tour date doubling as a Sunday, 4:30 p.m.-5:30 p.m. Camping Stage festival slot at this weekend’s Summer Camp. From there, the funky, psychedelic rockers will bring their explosive improvisation, stockpile of musical elements and interwoven catalog, to the second annual IT Fest in Alden, NY from June 9-10. Last year, fans were delighted with three IT sets–one of those being a full cover of MGMT’s Oracular Spectacular from front to back.

    After notching their very own second festival, the group will keep the celebrations going at Woodhenge Music Festival for a weekend of sustainability-centered workshops and solar powered music. Fellow NYS 87/90 bands sit on the bill such as headliners Formula 5, as well as Boogie Low and Space Carnival. The boys will head to familiar territory at Buffalo Iron Works on June 29 for an official, Everyday is Your Birthday EP release party, giving them one specific night to relish in praises of their latest accomplishments. Among their summer tour dates and the peppered festival stops throughout, Intrepid Travelers have tacked an electric and acoustic set at Rochester’s Three Head’s Brewing as well as a set at Cobblestone Live! Festival in Buffalo onto the end of leg one, giving an abundance of veteran and potential fans a chance to see their receptive musical relationship.

    Through eclectic musicianship, stellar improvisation and quick evolution through an evident jazz-funk fusion outer shell, nods to reggae, bluegrass, classical and electronic tendencies by Intrepid Travelers are sure to take you through a cerebral journey of your very own.

    Summer 2017 Everyday is Your Birthday Tour Dates:

    5/28 – Chillicothe, IL – Summer Camp Music Festival
    6/9-10 – Alden, NY – IT Fest II
    6/24 – Adams, NY – Woodhenge Music Festival
    6/29 – Buffalo, NY – Buffalo Iron Works **EP Release Party**
    6/30 – Canton, OH – Royal Dock’s Brewery
    7/1 – New Philadelphia, OH – Bud and Tootie’s
    7/2 – Greenwood, IN – That Place
    7/3 – Louisville, KY – Magnolia Bar
    7/5 – Lawrence, KA – The Bottleneck
    7/6 – Cedar Rapids, IA – Dick’s Tap & Shake
    7/7 – Racine, WI – George’s Tavern
    7/8 – TBA
    7/9 – Madison, WI – The Wisco
    7/11 – Ann Arbor, MI – Club Above
    7/12 – Cleveland, OH – Beachland Tavern
    7/13 – TBA
    7/14 – Youngstown, OH – Suzie’s Dogs Drafts
    7/15 – Rochester, NY – Three Heads Brewing ** Acoustic and Electric Set**
    7/16 – Buffalo, NY – Cobblestone Live! Festival

  • Get Ready for Second Annual IT Fest with Intrepid Travelers!

    Founded on friendship, fun and a sense of freedom. Intrepid Travelers are a quartet based in Buffalo that defines itself through boundless improvisation and eclectic evolution. 2017 has been a huge year for the band. Touring relentlessly around the United States from coast to coast, the fellas in IT have been redefining the limitations of improvisational music, and have their own fest. Be sure to check them out at Summer Camp if you are there this weekend.

    A little bit about IT:   Two days and two nights including Friday, June 9 and Saturday, June 10. Entrance to the festival will cost you just $20. The festival is held on the beautiful private property of Josh Skowronski in Alden, NY. Enter at the green gate on South Blossom Lea Drive. This is an all weather event. Parking and camping are included upon entry. The Land itself is 14 gorgeous acres with hiking trails and the beautiful Cayuga Creek. There will be an array of food and drink vendors on site. Intrepid Travelers will play three sets over the two days. One on Friday and two on Saturday. Saturday night’s set will feature live painting from various Buffalo artists. Music ends at 10pm each night.

    IT Fest’s mission is to showcase local talent across Western New York. This year will feature fire performer Asha Ashwell on Friday and Saturday night. Saturday morning will feature a yoga class with Ashley Strazzella. Saturday afternoon will also feature a Kan Jam tournament, a hoop class, a workshop on mysticism, spirituality, public health and tarot card readings! Their goal for the weekend is to create a temporary community in which the arts are brought to the forefront in unison with nature. After the music ends each night there will be a massive campfire. Bring your instruments for the campfire jams. More information here.

    I’ll leave you with a message from Josh & Intrepid Travelers:

    “The band and I look forward to having you share in the special event with us. See you at the Land.”

    * Please no fireworks, illegal substances or unauthorized vending*

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